Bouncing comps

Question

I need a better way of bouncing png/jpg comps from reflow projects. I need to be able to export high quality images to use for marketing material, to send via email quickly and to show  how the software looks on various devices and browsers and bounce that as an image. I end up previewing the design in chrome or the iphone emulator (c/p the link from chrome preview) and then taking screenshots but the resulting quality isn't very good.
I think there's a simple way to solve this that could also prove to be a key advantage in getting people to convert from Illustrator, Sketch and Photoshop to Reflow. Most design tools have an export function so you building something similar in the file menu. Not only do you allow the user to choose file type and page - you also let them choose all the screen sizes they want those pages bounced at (iPhone, S4, iPad, some desktop viewports etc).
This takes advantage of the fact that in reflow you're designing a multi-device representation of your software vs. punching pixels into a grid and I think will really help people start to understand the speed advantage that you get from using a tool like this.
Stephen

Answer 1

It's a solution when you have 15 clients on set and don't want all of them huddled around the Digi setup, it's practicality. If a cable gets stepped on or pulled, a drink gets spilled, or just the overall abuse it causes. Your lack of real world knowledge is clear, when we have our cart set with two 24" or 2 30" monitors, not such a big deal as I can turn one towards another area so they can view away from the setup, desk mounted in smaller spaces, horrible. It also protects the photographer if something goes wrong that one it can be acknowledged discreetly, two I can get to them instead of leaving my setup un manned and having a nosey art director screwing with the computer, believe me it happens, camera goes down, something crashes, my jobs is to make sure I have access to the photographer and my gear to fix it right away without halting production, there's a reason I make my day rate... If its a small editorial Job and were working off the 17" MBP, bringing a second monitor is foolish, we have 15 minutes to get the subject in and out, no need, hand the pr person, creative director or who ever and iPad and it gives them a direct line to us. This isn't coming from a " I show flowers and pets, my kids and weddings place" this is coming from we shoot billboards, ads and magazine covers.... These shoots are high pressure and the clients want to feel plugged in, they don't want to stand at a monitor all day... I've ran 50ft dvi cables and split secondary displays, that's a solution as well... Capture one just made my life and the clients life better, I've been on set where everyone has an iPad, well here you go folks download this app, get on our private network and boom, sit back enjoy your day in comfort. It was a real world question. Enjoy.
Oh and the iPad, much better looking then what 90% displays look like, fact. We have two 30" dells, two 24" cinema and two 24" hp's, all high end pro monitors, the iPads not far off...