Brightness levels on final product

Hi, this is my first post here. I'm currently working to build a calibration dvd for NTSC televisions. I'm using calibration targets that I built myself in photoshop CS2 using NTSC color space. The calibration target needs to haves color patches under video black and above video white.
The problem is: The patches are correct, save in .psd extensions. When I encode jpeg's or AVI's in premiere pro the patches are still correct. But when I encode the DVD, no matter if I use the original PSD or the video encoded with premiere pro, the brightness levels of the patches are changed, probably to fit NTSC standard. I absolutely need the final results to be unchanged and I don't know how.
If I need to switch from encore to another software, i'm willing to do it (as long as there is a trial version for me to test to make sure I won't have the same problem)
Thanks!!

HI,
If you are using a Taxinj procedure, then create a inventory Tax code & maintain values for BED,ECS & SHEcess inventory conditions.
Incase of taxinn you can maintain the condition records for inventory conditions using FV11 transaction.
Thanks & Regards,

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My iDVD output has brightness level fluctuations as subject moves hands

Hello, I'm new to this software and video production in general. I recently used FCE to produce a 89GB QuickTime HD file that I sent to iDVD to process. The result was as my subject moved his hands, the apparent brightness level changed from lighter to darker, back and forth. It was not a drastic fluctuation, but it was noticeable. This problem was not visible when viewing the movie in QuickTime at 1920x1080. I used the standard workflow export to QuickTime (no conversion), then produce with iDVD. My scratch disk for this was my internal hard drive. Anyone ever see this before? Any ideas will be welcome.

Will this help, Al?
Dimensions: 1920 x 1080, Codecs: Apple Intermediate Codec, Linear PCM, Timecode; Color profile: HD (1-1-1); Duration: 01:53:12; Audio Channels: 2; Total bit rate: 99,862
If not, perhaps you can guide me.

New iMac brightness level keeps changing (auto adjust NOT checked)

Just got a new 27 inch iMac and keep on having to change the brightness level back to the brightness I prefer.
I do not have auto adjust checked, I put the brightness slider up to the level I like and after a while the brightness dims to what seems like the default level as its always down to the same spot on the slider...what gives? i just want it to stay where I want it...
Help.

I have same problem, of autobrightness being unchecked and my brightness going from full to about 3/4 bright
all by itself. I had that problem, then flickering of my screen also was taking place. I didn't bring my unit into Apple
because this autobrightness thing plus flickering would not happen on command,, and I wouldn't be able to show them properly. Well , finally my left side of the screen dimmed,, and that was the go ahead to bring it in to them
to show the left side of screen. I also told them about the flickering,, and the autobrightness, which I figured played a role into the final left side dimming. They replaced the backlight and the display LCD on warranty.
I have had it for about 5 days. The screen is equally lit (as should be), however, I discovered that my same old
problem of autobrightness, is slipping back to 3/4. So most of you have autobrightness problem in a sort of different way. I set mine to "torch" because my downstairs bedroom is dim (with one overhead light), but sometimes, just plain dark,, so I want to sometimes keep it at torch,, however, it still slips back. You would
almost think that if my surronding was dim or dark, that it would stay on torch if the autobrightness was really working properly. Go figure. I just tried SMC a short while ago,, I had tried, before my repair doing PRAM and the other one (I think VRAM). I also will unhook my second monitor to see if that is having an impact on things.
Do any of you in this post have a second monitor attached,, and have you tried unhooking it to see if the problem
is resolved?

Final product of raw material

Hi,
I need to develop a report, when I give a raw material end result must be a final product omitting all other semifinished assemblies.
can anyone guide how to solve this

Hi Krishnan,
Study the report CS15, it is doing what you are expected to do. The only difference is, it reads all levels upto the top parent.
Anyway you can use the FM - > CS_WHERE_USED_MAT to achieve the same. You need to loop back the output to input & this way read all the way upto the top parent.
But a word of caution, if a single raw material is associated with multiple top parents, then you will have to handle this case.
Hope the above helps.
Regards,
Vivek

Brightness adjustment in Final Cut Express HD.

Dear members;
I have a clip that is a little dark and I would like to make it brighter. I've tried the levels adjustments for the black and white points. While it has improved a bit I still feel that I need to improve it more.
After trying the brightness adjustment in Final Cut Express I found that the clip looked too washed out and the colors became somewhat lifeless. The contrast and brightness adjustments combined didn't produced very good results either. This is the route I would have taken with a digital still photo but it doesn't seem to be working with my clip.
What am I doing wrong ? Is there a way to improve the brightness so that the clip doesn't look washed out and the colors still look good ? How can I make this adjustment ?
Thank you in advance,
Joseph Chamberlain

Hi Ian:
I haven't tried the gamma filters yet. I will give it a try.
This may be the case you describe (a shot that can't be saved or improved) but I would like to think that it can. The footage is from a movie and I extracted a 20 sec clip to include in a presentation.
Since you mention both, what are the differences between the Gamma and Gamma correction filters ?
Also, how can I post a screenshot to this list as you suggested ? Is there a page on this web site where photos can be posted for members of this discussion groups ?
Thank you in advance for your help.
Joseph Chamberlain

Premiere Workflow Final Product Quality Question - General

Clarification: This is just a general workflow question regardless of hardware/software/cpu/gpu. I'm also not asking about rendering times - just how the final product looks.
Do any one of the following 3 workflow methods have any bearing on the "quality" or "look/feel" of the final output of a project.
Specific effects are named in my examples just for the heck of it - the root of my question is if any given workflow with any given effects applied affects the quality of the final export/render.
#1) Raw Clip => Apply Sharpness => Apply Levels => Apply Three-Way CC => Export final product.
#2) Raw Clip => Apply Sharpness => Export Clip => Import Clip => Apply Levels => Export Clip => Import Clip => Apply Three-Way CC => Export final product.
#3) Raw Clip (sequence 1) => Apply Sharpness => Create sequence 2 and drag sequence 1 onto it => Apply Levels to sequence 2 => Create sequence 3 and drag sequence 2 onto it => apply Three-Way CC to sequence 3 => Export sequence 3 as final product.

Jim's answer is probably based on the fact that no matter what you do to a video, exporting it will degrade the quality almost every time. But that is not only acceptable, but absolutely necessary. What video would you have that did not require some adjustments, even if just a straight cut.
In any case, I think the answer you really want is:
#1 looks normal. So that's fine.
#2 will degrade the image every time you export unless you export to a completely lossless codec like Lagarith - which creates HUGE files and is totally unnecessary. It is just a bad workflow.
#3 is technically the same as #1. It's fine. No problem. In fact, it can be quite handy sometimes to work that way. Nesting does not cause the problems that exporting does.

To find Components final product BOM.

Dear experts,
I need to know final product form component, Where used list shows first level BOM material but I need final product which is sold to customer (Finished Product), not SUB assays.
Thanks in Advance,
Jayakumar.M

HI,
*LOADING FINISHED MATERIALS INTO AN INTERNAL TABLE
select matnr
         mtart
    into table it_mara1
    from mara
    where matnr in so_matnr
      and mtart = 'FERT'. " For finished material
if sy-subrc = 0.
    sort it_mara1 by matnr.
endif.
For getting the BOM components use the function module.
FM. CS_BOM_EXPL_MAT_V2
Reply from malinis on 12/27/2002 5:24:00 AM
The required fields for this function module are :
Material
Plant
Date
Application(CAPID)
Values for CAPID can be found in table TC04
For production BOM it is PP01 .
The BOM sub components are stored in the Tables parameter of the above specified Function Module STB of type STPOX.
Compare this parameter with it_mara1, using field IDNRK with those componemts existing in it_mara1( with matnr field of it_mara1).
Hope this helps.
Ram.

Adjusting/ calibrating brightness level on Macbook Pro

This might seem to be a dumb question, but is there a way to calibrate or reference the brightness level on a Macbook Pro screen. I've always guessed it in the past, by moving the slider up and down until it sort of, "Looks right", but is there a more accurate way of doing this?
I have always edited on my Macbooks and I use the videoscopes.

There are calibration devices and software but they are intended for print, graphics and photos.
If color fidelity is an issue, you should be using a calibrated external video monitor and an MXO to interface to it. The computer's monitor cannot be used as a true representation of what your finished product will look like. FCP also drops the resolution of your media to reserve resources for realtime playback.

Item already defined at a high level in the product tree

Hi experts,
when I add a BOM into the system, says A is consisted of B and C, I click the button to add this BOM, but system tell me an error "Item already defined at a high level in the product tree. Row no. 2".
Row no 2 is item C, I check all my BOM, C is not contained in any BOM, and B is in another BOM but that BOM didn't contain C or A.
A is in a BOM, but in that BOM, there is no C. It's wreid why C already defined at a high level in the product tree. Thanks...

Hi
Please wite following the querry and check
SELECT T0.[Code], T1.[Code] FROM OITT T0 INNER JOIN ITT1 T1 ON T0.Code = T1.Father WHERE T0.[Code] =[%0]
Ashish Gupte

Control of serial numbers in productions (parts and final product serials)

Hi,
We are starting using our production module in SBO 9.0 PL11 and it is all quite messy.
We need to manufacture an item that has a serial number made of parts, some of which have serial numbers. Just imagine a car. The car will have its own serial number, but the engine, the radio and so on will have their own serial numbers. But the cables, tyres, etc do not have a serial of their own.
We set a BOM model, made of every part (with or without serial) and set every line to manual.
Then we place a PO for our parts, and then do a Goods Receipt and enter the individual items' serials.
Then, we issue a Production order for our final product made of all of our parts in the BOM. Then we release it for production.
Next, it all gets messi. If we create a receipt from production, we can issue the serial number of each of our final products.
If we create an Issue for Production, we can choose what serials to pick for production.
Big problem is that we loose all traceability. There is no way (or we can't find it) to know what are the serials of the parts that created the final product.
Not only this, issue for production looks (serial number transaction report-wise) looks like a goods issue, so just a way to decrease your parts stock. And receipt of production looks like a goods receipt. So you just now you received something for production or that you issued it to production, but there doesn't seem to be a link between them. No traceability at all.
Can anyone throw some light into this? I am sure we are doing something really wrong, but can't see what.

Hi,
1. But how do we control what serial numbers for each part we used to create the final product specific serial? (I use engine #003 and radio #376) to create product with serial #076. And we always produce in quantities greater than 1.
Please provide an sample process production with FG item and components with required serial format to check
2. This query is not returning any rows. I am inputing a final product code, with production orders, and nothing shows up.
As mentioned, the above query works for batch managed items. Once we conclude process, I can try modify above query to meet your purpose.
3. It sounds really complicated to have to open both receipt and issue to track a single manufacturing operation.
You can use relationship map option to view both issue and receipt for single production.
4. Besides that, what is the exact workflow? I don't quite understand issue and receipt, should I run both independently?
Standard work flow for production order:
1. Create bill of material
2. Create planned production order based on above BOM
3. Make sure required components are arrived.
4. Change planned to released status.
5. Issue components to production by issue production
6. Receive finished item from production through receipt from production.
Thanks & Regards,
Nagarajan

The toolbar in the adobe app that allows you to choose the brightness level and the page layout doesn't hide. Because of that, i of course am unable to read the top part of the page...[Android]

The toolbar in the adobe app that allows you to choose the brightness level and the page layout doesn't hide. Because of that, i of course am unable to read the top part of the page. I cannot find anything in the settings that will make it go away. What do i do? I use Samsung Ace.

What is the Acrobat DC version and the android version that you are running? You can find the Acrobat version here: How to find the Acrobat DC version installed on your Android device

Is there a way to develop the same raw file multiple times, each time keeping the final product?

I've been working with my NEF raw files. When I import one into LR I can start developing it right away, which I've done. I also know that the modifications aren't made to the raw file but kept in an XMP file. Since the I'm not actually changing the raw file do you know if there is a way to make a secondary edit of the file?
Here's an example. Let's say I have a raw file and I want to develop it in color. Then when I'm all done I want to start over and develop it again and black and white but keep the color one as well.
I know I can undo all the edits I've made but then I lose all that work too.
Is there a way to develop an image twice and keep both final products? I know copying the raw file and renaming it is one crude way but I have to believe there's a better, easier way.

Yes, you can make a virtual copy at any time.
If you want the virtual copy to be un-edited after you have done some editing to the "non-virtual copy", you could open the "non-virtual copy" in the Develop Module, click on Reset, create the virtual copy, then undo the Reset operation (click on the last real edit in the History Panel)

Strobing Screen on MBA (all brightness levels)

I seem to have gotten a Mac with all of the above.
Losing WiFi connection, and not being able to turn WiFi back on.
Screen randomly going black after sleep
And now the new addition to the list:
Screen flickering at approx 25 frames per second on all brightness levels on both battery and. Restarting randomly fixes the problem, randomly does nothing. I have reset the SMC / PRAM. Seems this otherwise beautiful baby is going back .
Add yourself to the thread if you're experiencing the strobing effect.

I have the same strobbing or pulsing back light problem. I really regret getting this new MBA. The 2010 model had none of these issues. My laptop doesn't wake from sleep randomly, when it does it takes forever to actually resume and now this black screen with the flashing backlight. Apple needs to address all these issues ASAP or I'm going to ask to return this thing for a refund!

Final Product stage confirmation in REM or Discrete?

hi we have decided to go with REM for one manfacturing process in this final product is not going to be dispatched as it will be packed and final packed item will be dispatched so for final item entry in system can i use same REM backflush (MFBF) for packing material+SFG for final packed item or i need to create manual production order for final item?
and Is there any impact if i go with REM?
Thanks
Pari
Edited by: parinethadevi on Feb 17, 2011 6:22 PM

Hi,
it depends on how you want to settle the cost on the product, you can go for REM if you want to settle the cost on periodic basis i.e. monthly.
if you want to settle the cost by batch wise, then go for prod.order.
Regards
Ramana
Edited by: Venkata Ramana on Feb 17, 2011 6:55 PM

When l burned my final production it dose not show in other dvd player

when l burned my final production in macbookpro as a dvd. l can replay in my macbookpro but it does not showing in an other dvd player. please help me l am very desperate with this problem.

And you used what program to create and burn the DVD? There's a forum for that.

Brightness levels on final product

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