Camera raw 7.3 and lightroom 4.3

is it correct to assume that one should update lightroom to 4.3 and camera to 7.3 so that edit in from lightroom to photoshop will not generate a notice?
vince

i appreciate your effort to help me. i meant to imply that i am sorry that i did not describe my problem better to demonstrate the situation.
thank you for your time,
sincerely,
vince

Similar Messages

Camera Raw 6.0 (and Lightroom 3) extra slow, what's happening ?

Hi,
I'm having a very annoying issue with both CR 6.0 and LR 3 which is a very slow responsiveness in the photo previews.
A month ago, I was using Windows XP SP3 32bit on my machine (Intel Core Duo Q6600 (4x2.57Ghz cores) - 4Gb RAM). I had Photoshop CS4 with Camera Raw 5.x and Lightroom 2. Everything was very smooth.
Then, I moved to Windows Seven 64bit and CS5 with CR 6 and LR 3.
Now, I have exacly the same issue I had before bying my current 4 core PC, which is :
in Camera Raw, even scrolling the left thumbnails part is extremely slow (rendeing of image thumbnails), and appying the slightest change of a slider (even basic ones) takes about a second and sometimes two seconds to be applied to the image preview. Quite painful to use !
Same applies to adjustments and thumbnails in LR 3.
The thing is, the behaviour occurs even with Canon EOS 300D RAW files which are only 6 Megapixels !
I didn't try to go back to LR2 and CS4 to check yet, but well, looks quite surprising since LR3 was supposed to be a lot faster and responsive.
As it is a clean install, I have the latest set of video drivers (it's a ATI Radeon X4800).
Do you have any suggestions as to what I could do to fix this ?
Thanks !

Istrasoft wrote:
Just out of curiosity, what was so awfully penalizing reponsiveness in ACR 6.0 ?
And, does Lightroom use the same internal 8bi plugin file to do the processing or do I have tu update Lightroom separately to get the responsiveness back ?
I don't know what they did, but I assume they rewrote some of the code which deals with some of the new process calculations and previewing, to be more processor-efficient.
Lightroom doesn't use the plug-in, as far as I know. I'd guess that would need a separate update. I haven't got it. You could tell us if it's any faster.

D7100 support in Camera Raw plug-in and Lightroom

When will D7100 be supported cameras in Camera Raw plug-in and Lightroom

If Adobe have managed to get their hands on a copy, there's a vague chance it might make the LR 4.4 final release which is expected soon (it's currently in RC, but sometimes extra camera's get added). Other than that, you'll be waiting on the next release I'm afraid. They don't generally pre-announce camera support.

Difference in Camera Raw 7.2 and Lightroom 4.2

Camera Raw 7.2 seems to have introduced a colour management issue since the Adobe Standard camera profile is no longer present in Camera Raw 7.2, whereas it still appears in the Lightroom 4.2 version.
This means that raw files exports from Lightroom 4.2 to Photoshop CS6 as an external editor get converted from Adobe Standard (the Lightroom default) into one of the ACR presets in Camera raw resulting in a marked colour shift.
Since it does not appear possible to select the profile being used by Camera Raw on the fly when using Photoshop as an external editor from within Lightroom then this cannot be corrected.
The only solution seems to be to define a default profile such as Camera Standard v4 in Camera Raw and ensure that all images in Lightroom are assigned this profile when importing so that the colour remains consistent when editing in Photoshop.
The two dialogs are shown below.
This did not appear to be an issue in earlier versions of Camera Raw (at least, not on my old MBP with CS5 and LR3), so why has the Adobe Standard profile been removed and how can we select a different profile when using Photoshop CS6 as an external editor in Lightroom 4.2 in order to maintain colour consistency?

Did you perhaps delete or un-install anything related to Adobe lately? ACR and LR shuld be seeing the exact same set of DNG profiles unless things have been removed or moved. You could try downloading the most recent version of DNG Converter 7.2 and do an install. This should replace all DNG profiles current with ACR 7.2.

Differences between Camera RAW 6.4 and Lightroom 3.4

Hello,
I just installed the Lightroom 3.4 update and the Photoshop Elements/Camera Raw 6.4 update. I always thought the underlying RAW-engine was the same, but is that true? I have a Canon CR2-RAW file. When opening it into Camera Raw 6.4 the result differs from the result I get with Lightroom 3.4. In Camera RAW a relatively large part of the picture is colored red because of clipping in the highlights. When opening the same picture in Lightroom, only a very small part is clipping. The settings (Exposure/Recovery etcetera) are exactly the same.
Also, the histograms of the picture differ from eachother.
Who can help?
Igor

Lightroom actually uses four color spaces:
http://forums.adobe.com/message/3415073
But don't confuse 'Color Space' with 'Camera Profiles' – You can't change the color space in LR, and do not want to! The 'Camera Profiles' provided in LR are the 'in-camera' equivalents (Camera Standard, Faithful, Landscape, etc) and Adobe's Standard. Some more information here on Camera Profiles:
http://forums.adobe.com/thread/358016?tstart=0
The differences you are seeing between LR and ACR are real, but if you set the PSE color space to Adobe RGB this should be minimal. If this is not acceptable then your only option is a full upgrade to PS CS5 or PS CS5 Extended, which supports ProPhoto RGB profile. PSE does not!
Has your monitor been calibrated using hardware monitor calibrator for ~100 cd/m2 @ 6500K? If NO, STOP and go get one! If YES, read on. I personally have never liked the results using LR Camera Profiles with my Canon DSLRs (300D, 600D, 5D MKII). You can create custom develop presets using one or more of the available LR camera profiles, and they might work very well for you. You will need to shoot a standard subject, compare screen image to live subject real-time, make adjustments, and save as a new preset. Then you should be able to get pretty close for that one (1) subject type! I use the X-Rite ColorChecker Passport to create custom camera profiles with each of my camera bodies for Daylight, Cloudy and Tungsten lighting. With over 35 years of color darkroom experience the difference to my eyes is like night and day!

Camera Raw 5.3 and Lightroom 2.3 Available on Adobe Labs

Lightroom 2.3 and Camera Raw 5.3 are now available as release candidates on Adobe Labs.
Lightroom 2.3, http://labs.adobe.com/wiki/index.php/Lightroom_2.3
Camera Raw 5.3, http://labs.adobe.com/wiki/index.php/Camera_Raw_5.3
Regards,
Tom Hogarty
Adobe Systems

Eric, it's been a few days since the release of LR 5.3 and ACR 5.3, and I cannot download ACR 5.3 via Help>Updates, as is recommended. LR was able to acknowledge that an update was available within hours of its availability, but my copy of CS4 Extended (as part of Production Premium) hasn't yet.
Is there a delay in providing automatic updates through Help>Updates, or could there be a problem with my copy of CS4 Extended?
I would appreciate any assistance given with this, as I prefer the automatic download process, compared to the additional steps necessary when downloading the installer.
Regards, JML

Photoshop's 18th, Camera Raw's 5th and Lightroom's 1st Birthday

It's recently come to light that Photoshop 1.0 was shipped on (or about) Feb 19, 1990. Ironically, the same day in Feb that Camera Raw 1.0 shipped and Lightroom 1.0 shipped.
You can read more at:
http://photoshopnews.com/2008/02/19/most-important-date-in-digital-imaging-history/

Tropes
antithesis
opposition, or contrast of ideas or words in a parallel construction
Human life is everywhere a state in which much is to be endured, and little to be enjoyed. (Samuel Johnson)
Not that I loved Caesar less, but that I loved Rome more. (Shakespeare, Julius Caesar)
apostrophe
addressing an absent person, a god or a personified abstraction
Judge, O you gods, how dearly Caesar loved him. (Shakespeare, Julius Caesar)
euphemism
substitution of an agreeable or at least non-offensive expression for one whose plainer meaning might be harsh or unpleasant
[] one particular lady, whose lord is more than suspected of laying his umbrella on her as an instrument of correction, [...] (Dickens, Bleak House)
hyperbole
obvious exaggeration for emphasis or for rhetorical effect
[] he couldnt, however sanguine his disposition, hope to offer a remark that would be a greater outrage on human nature in general [] (Mrs Chicks response to her husbands suggestion that the starving baby should be fed with the teapot since there was no nurse. Dickens, Dombey and Son)
irony
expression of something which is contrary to the intended meaning; the words say one thing but mean another
Well! said Mrs Chick, with a sweet smile, after this, I forgive Fanny everything! It was a declaration in a Christian spirit, and Mrs Chick felt that it did her good. Not that she had anything particular to forgive in her sister-in-law, not indeed anything at all, except her having married her brother in itself a species of audacity and her having, in the course of events, given birth to a girl instead of a boy []. (Dickens, Dombey and Son)
In addition [...] you are liable to get tide-trapped away in the swamps, [...] Of course if you really want a truly safe investment in Fame, and really care about Posterity, and Posterity's Science, you will jump over into the black batter-like, stinking slime cheered by the thought of the terrific sensation you will produce in 20,000 years hence, and the care you will be taken of then by your fellow-creatures, in a museum (Mary Kingsley, Travels in West Africa)
metaphor
a figure of similarity, a word or phrase is replaced by an expression denoting an analogous circumstance in a different semantic field. The comparison adds a new dimension of meaning to the original expression. Unlike in simile, the comparison is not made explicit ( like or as are not used, see the longer discussion in Analysing a Metaphor)
The web of our life is of a mingled yarn, good and ill together.
(Shakespeare, All's Well that Ends Well)
That fence about my soul (MacNeice, London Rain)
metonymy
a figure of contiguity, one word is substituted for another on the basis of some material, causal, or conceptual relation
My Head and Heart thus flowing thro my Quill (Pope, Imitations of Horace)
(i.e. the thoughts produced in my head and the feelings of my heart are expressed in the things I write with my quill)
oxymoron
(Greek for sharp-dull) a self-contradictory combination of words or smaller verbal units; usually noun-noun, adjective-adjective, adjective-noun, adverb-adverb, or adverb-verb a paradoxical utterance that conjoins two terms that in ordinary usage are contraries
bittersweet, pleasing pains, loving hate, etc.
I will complain, yet praise;
I will bewail, approve;
And all my sour-sweet days
I will lament and love. (George Herbert, Bitter-Sweet)
paradox
a daring statement which unites seemingly contradictory words but which on closer examination proves to have unexpected meaning and truth
Snail-paced in a hurry (Christina Rossetti, Goblin Market)
Dark with excessive bright thy skirts appear. (Milton, Paradise Lost)
paronomasia / pun
wordplay, using words that are written similarly or identically, but have different meanings
[] he
Who lied in the chapel
Now lies in the Abbey. (Byron, Epitaph for William Pitt)
Holland [...] lies so low they're only saved by being dammed.
(Thomas Hood, Up the Rhine)
Some folk are wise, and some are otherwise.
(Smollett, Roderick Random)
I always say beauty is only sin deep.
(Saki, Reginald's Choir Treat)
pejorative
the use of words with disparaging connotations
[] the nurse, a simpering piece of faded gentility (Dickens, Dombey and Son)
periphrasis
a descriptive word or phrase is used instead of a proper name
finny race (for fish)
The Swan of Avon (for Shakespeare)
On one occasion [...] a mighty Silurian [...] chose to get his front paws over the stern of my canoe, and endeavoured to improve our aquaintance. I had to retire to the bows, to keep the balance right, and fetch him a clip on the snout with a paddle, when he withdrew [...] I should think that crocodile was eight feet long. (Mary Kingsley, Travels in West Africa)
[...] the Fans round Talagouga wouldn't go at any price above Njole, because they were certain they would be killed and eaten by the up-river Fans. Internally consigning the entire tribe to regions where they will get a rise in temperature, even in this climate, I went with Mme Forget to M. Gacon [...]. (Mary Kingsley, Travels in West Africa)
personification / prosopoeia
animals, ideas, abstractions or inanimate objects are endowed with human characteristics
And moody Madness laughing wild
Amid severest woe
(Gray, Ode on a Distant Prospect of Eton College)
On the brow of Dombey, Time and his brother Care had set some mark.
(Dickens, Dombey and Son)
simile
two things are openly compared with each other, introduced by like or as
My heart is like a singing bird. (Christina Rossetti, A Birthday)
Youth like summer morn, age like winter weather.
(Shakespeare, The Passionate Pilgrim)
synaesthesia
the description of one kind of sensation in terms of another (description of sound in terms of colour: blue note; description of colour in terms of sound: loud shirt; etc.)
The eye of man hath not heard, the ear of man hath
Not seen, mans hand is not able to taste, his tongue
To conceive, nor his heart to report, what my dream was.
(Shakespeare, Midsummer Nights Dream)
If music be the food of love, play on [] (Shakespeare, Twelfth Night)
synecdoche
A figure of contiguity (form of metonymy), the use of a part for the whole, or the whole for the part: pars pro toto or totum pro parte
I went into a public-ouse to get a pint obeer
The publican e up an sez, We serve no red-coats here. (Kipling, Tommy)
(instead of a soldier, who wears a red coat)
understatement (meiosis)
an idea is deliberately expressed as less important than it actually is; a special case of understatement is litotes, which denies the opposite of the thing that is being affirmed (sometimes used synonymously with meiosis)
Last week I saw a woman flayed, and you will hardly believe how much it altered her appearance for the worse. (Swift, Tale of a Tub)
This is not unexciting. (litotes)

Just got a Canon G7 x only to find that lightroom 5 and PS6 don't support the camera RAW that it produces. Tried the Camera raw 8.7 and that didn't help. Will there be an update that includes this camera?

Just got a Canon G7 x only to find that lightroom 5 and PS6 don't support the camera RAW that it produces. Tried the Camera raw 8.7 and that didn't help. Will there be an update that includes this camera?

I'm sure there will be support for the camera eventually. But Adobe never announces that information in advance. It's possible that it could be added to the 8.7 final release and to the next update of Lightroom. But that depends on the timeline and if the engineers were able to get the camera in time to create profiles. You'll just have to wait and see.

Is codec 1.18 compatibile with Camera Raw 6.7 and Photoshop CS5.1?

I'm planning my purchase of a D7100, and would like to understand the software updates that would be required to process raw files in Photoshop. My current software is: Photoshop CS5.1, Camera Raw is 6.7, Codec 1.12, and Windows 7. The Adobe website indicates that I need to upgrade the codec to 1.18. I'm OK with that. But, will that codec work with the versions of camera raw and Photoshop that I currently have?

I'm pretty sure that's not required for adobe camera raw to work and yes i agree with your post 5, as the nikon d7100 camera raw files require camera raw 7.4 and
since photoshop cs5 only is compatible to camera raw 6.7, photoshop cs5 won't open those d7100 files unless you use the 7.4 dng converter to convert your raw
files to dng copies.
supported cameras and required versions of camera raw:
http://helpx.adobe.com/creative-suite/kb/camera-raw-plug-supported-cameras.html
Or your could update to photoshop cs6 or try lightroom 4.

Camera raw 6.6 and 7.0 preview problem after done "click" in bridge

Hi,
when i update camera raw from 6.5 to 6.6 the preview can`t give me right preview after 1 adjustment in camera raw.Image apears like when we open it in camera raw and the first few seconds with the yellow exclamation mark.
Months ago the only solution i found after several reinstals of phoshop, was to turn back to camera raw 6.5.
Now im trying beta bridge cs6 and problem come back for me again.
I use Nikon D3x with 14 bits ~49MB .nef files with Windows 7 64 bits .
Is any one have same problem?And why only in 6.6 (and new camera raw 7.0) and not in 6.5?
Thanks
Arménio Teixeira

Istrasoft wrote:
Just out of curiosity, what was so awfully penalizing reponsiveness in ACR 6.0 ?
And, does Lightroom use the same internal 8bi plugin file to do the processing or do I have tu update Lightroom separately to get the responsiveness back ?
I don't know what they did, but I assume they rewrote some of the code which deals with some of the new process calculations and previewing, to be more processor-efficient.
Lightroom doesn't use the plug-in, as far as I know. I'd guess that would need a separate update. I haven't got it. You could tell us if it's any faster.

Camera Raw 5.2 and DNG Converter Available - Note from Adobe

Camera Raw 5.2 and the DNG Converter is now available:
http://blogs.adobe.com/lightroomjournal/2008/11/camera_raw_52_and_dng_converte.html
Lightroom will be updated to version 2.2 with equivalent camera support in December.
Regards,
Tom Hogarty
Lightroom, Camera Raw and DNG Product Manager

Well, I managed to locate and download both the ACR 5.2 and the DNG 5.2, but it was a bit of a challenge. I have a couple of comments regarding the DNG installation.
As a sometime OS beta tester, I have developed a habit of keeping C:\ for the operating system only. When a new OS or beta is issued, I just format C: and install the new OS. I try to keep applications off C:. It is hard, though, with all the default installations. It would be nice to have the option to install DNG.exe in my applications partition.
My workflow involves importing NEF's from the memory card to a folder, and at the same time converting those NEF's to DNG's and putting them in a different folder in a different partition. Both these NEF's and DNG's are archived. A copy of the DNG's are used as working images. The virtue of DNG's is that there are no sidecar files to keep track of when exporting images. Unless I really mess up, I never go back to the NEF's again. I guess that I am an "outlier" too. I guess that this is essentially the 5 - A "double DNG-only" workflow, using type 2, the native-DNG-DNG system. This is discussed in detail by Barry Pearson at http://www.barrypearson.co.uk/articles/dng/safety.htm#personal
I do like the camera profiles. I previously have used the Fors script. My Nikon D200 lacked red and the Fors script fixed that. Not surprisingly, different profiles are appropriate for different image types. Is there any way of determining the methodology and reasoning between the different profiles, and what specific problems each one is designed to correct. This might permit better matching profiles to image types, with less trial and error.

I've just installed CS6 creative suite mainly for photoshop CS6. It comes with camera raw 7.0.something, but need something newer to use my canon 6d. When I download camera raw 8.5 and install the raw converter doesnt work anymore, wont even open or isnt

I've just installed CS6 creative suite mainly for photoshop CS6. It comes with camera raw 7.0.something, but need something newer to use my canon 6d. When I download camera raw 8.5 and install the raw converter doesnt work anymore, wont even open or isnt available anymore in the plugin list. Tried to reinstall everything for a few times, but nothing helps.

When I search for updates the raw converter doesnt get update automaticly. Frustrating, is costing me the whole morning.

I have Photoshop CS5.1 (bought in 2011). The photoshop Camera Raw plug-in is not recognizing the format of my new Nikon D610. I updated the version of my Camera Raw plug in and am still getting this message when trying to open images in photoshop. Please

I have Photoshop CS5.1 (bought in 2011). The photoshop Camera Raw plug-in is not recognizing the format of my new Nikon D610. I updated the version of my Camera Raw plug in and am still getting this message when trying to open images in photoshop. Please help.

This link shows that ACR 8.3 supports the Nikon D610 and 6.7.1 was the final version for CS5.
Camera Raw plug-in | Supported cameras
So you can upgrade to CS6 and ACR 8.7.1
or using the DNG converter, convert your Nikon raw files to dng format to open in CS5.
Here is the download link: Adobe - Adobe Camera Raw and DNG Converter : For Macintosh : Adobe DNG Converter 8.7.1
or Windows: Adobe - Adobe Camera Raw and DNG Converter : For Windows : Adobe DNG Converter 8.7.1
And here is a great video tutorial on how to use the converter.
https://www.youtube.com/watch?v=0bqGovpuihw
Gene

I have a Canon 5D Mk lll/Photoshop & Bridge CS6/Camera Raw 7.1 and I still can't open the CR2 files

I have a Canon 5D Mk lll/Photoshop & Bridge CS6/Camera Raw 7.1 and I still can't open the CR2 files on my Canon.
Any insight/wisdom would be much appreciated. Thanks

When you try to open in PS what happens?
In Bridge do you see icons or thumbnails?
Will it open in ACR in Bridge?

Downloaded camera Raw 8.7 and photoshop CS5 still won't run it

I'm going to cry if CS5 keeps stuffing me around...Can't update programs for any of the CS5 suite won't explain why, just bought a nikon D750 and had to download camera raw 8.7 and photoshop still won't recognise it, so far I have uninstalled and reinstalled it and it still fails to update. Any solutions out there

Also I should add the updater does not work on CS5, so you must manually download and install them.
Mac Adobe - Creative Suite : For Macintosh
Windows Adobe - Creative Suite : For Windows

Camera raw 7.3 and lightroom 4.3

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