Camera Raw lack

Inside camera raw in lens correction section there is a  lack.Can I suggest an improvement ?
Who should I write to?Any e mail?
It s a really simple thing to do but could be very usefull.
thank you.Gianluca

I suggest posting your comment here:
http://forums.adobe.com/community/cameraraw
-Noel

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    Soumyadeep: Fred, I have locate the serial number in your Adobe account.
    Soumyadeep: Once you login to the Adobe account, click on "My products" under the "My products and services".
    Soumyadeep: There you can locate the serial number which you have registered.
    Fred: OK, so you don't need it now. It isn't in a format that I can copy and paste.
    Fred: 116040070815784336099081
    Soumyadeep: Since it was registered in your Adobe account we can get the information from there.
    Soumyadeep: Thank you for the serial number.
    Soumyadeep: Fred, I would like to inform you that all the raw edit options you will get in Lightroom develop module.
    Fred: I hope I copied it correctly it is presented so small.
    Fred: OK, just a second.
    Fred: So, I go to "Develop" it will open in Camera Raw 7.01?
    Fred: Frankly, this is the reason that I have just been using Bridge is because of the seemingly lack of coherent connection between LightRoom 4 and PhotoShop CS6.
    Soumyadeep: I would like to inform you that you will not have any separate camera raw plugins for Lightroom. Since Lightroom will not require a camera raw converter.
    Fred: At least I can open into Camera Raw and make the necessary adjustments and it will load in to PhotoShop.
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    Fred: Not allowing all of the wonderful adjustment toos, particularly the new ones in Camera Raw. I just don't understand the disconnect.
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    Fred: If I had wanted to process all my images in LightRoom I would not have wasted my money on CS6. Does that make sense?
    Fred: PhotoShop CS6
    Fred: Or PhotoShop 6 Extended
    Soumyadeep: Thank you for the information.
    Fred: The question still remains "Why does LightRoom 4 only recongize DNG files and not other RAW file formats and not allow them to be opened into Camera Raw?"
    Fred: I don't want to process my images in LightRoom 4. I want to catalog and sort them. I want to process the RAW files from Canon in Camera Raw and then move on to PhotoShop 6 Extended.
    Fred: So, what you are telling me is that I can't open a RAW file in LightRoom into Camera Raw. Simply stated.
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    Soumyadeep: May I have the name of the camera model you are referring?
    Fred: Two camera models: EOS 5D Mark II and EOS 60D
    Soumyadeep: Please so that I can check further and try to troubleshoot your issue.
    Soumyadeep: .Thank you for the information.
    Fred: Both are listed as supported by Adobe PhotoShop and Camera Raw. I found that in my research.
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    Soumyadeep: Please close all the Adobe applications.
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    Fred: OK, just a moment and I'll do that.
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    Fred: I have closed all applications from Adobe.
    Soumyadeep: Thank you for the information.
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    Fred: Done
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    Fred: Done
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    Fred: OK, where does this leave us?
    Fred: With regards to LightRoom 4?
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    Fred: Camera Raw appears to be functiong fine.
    Soumyadeep: Great!
    Soumyadeep: Please close all the Adobe application.
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    Fred: OK, closed sir.
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    Soumyadeep: Correct.
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    Fred: Lightroom is taking a long time to open now.
    Fred: Now I'm getting the message that it is not responding.
    Fred: OK, it finally opened. Just a second.
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    Fred: Sorry! Organize all I want and still edit out of Bridge.
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    Hey,
    So, lately I've been shooting in RAW and have finally found some time to process some of the images. I am a Mac user, so I have the option of using either Aperture, or Adobe Camera Raw (Lightroom). Can someone please explain to me the main difference between the two programs, in terms of their ability to retouch/edit RAW images. I've had experience with Adobe Camera Raw (through photoshop cs6) and believe it is an excellent piece of software, does Aperture provide the same kind and quality of tools. The reason I am asking is because while I need a program to help process the RAW files, I also want to organize them in a library where I can see my edits. I am currently using iPhoto and I like the way it works.
    So to summarize the question, is aperture as good at processing/editing RAW images as Adobe Camera Raw? If not, why, what are the differences?
    Thanks!

    So to summarize the question, is aperture as good at processing/editing RAW images as Adobe Camera Raw? If not, why, what are the differences?
    Much of the difference between the two has to do with the way brushes work (for local adjustments) and some features.
    Brushes:
    In ACR, the adjustment brush works as a multi-parameter brush where you brush in strokes and can adjust quite a few parameters after adding the brush stroke (e.g., exposure, highlights, shadows, sharpening, noise reduction, clarity, saturation, etc.). ACR adds a 'pin' for each new adjustment which can then be selected to change the parameters of that adjustment.
    In Aperture, you use what is called a 'brick' which is a panel dedicated to the type of adjustment (e.g., enhance, highlights & shadows, edge sharpen, noise reduction, etc.). In this case, you use each 'brick' (or panel) to change the brushed in parameters for that specific type of adjustment.
    In summary; you can add or change more parameters in ACR with one brushed adjustment than you can in Aperture, but both can add or change the same parameters (with the exception of exposure, which Aperture doesn't currently do as a local brushable adjustment).
    ACR has arguably better sharpening and noise reduction control. ACR also has a gradient tool and lens distortion correction which Aperture currently lacks.
    I do find that brush speed is about the same with a lot of adjustments added, with Aperture getting better marks overall.
    All that said, I would be surprised if Aperture didn't receive some of the tools it currently lacks in the future.
    As far as RAW decoding goes, Aperture relies on the OS X camera RAW compatibility feature to render RAW files, so you will already have a sense of what that default render is like with iPhoto and Preview. Aperture can alter those parameters either as a RAW fine tuning preset that you create or with the adjustment bricks.
    FWIW, I have been using Adobe ACR at work (on Windows) since it's inception; and while I like the results with some images with regards to highlights, shadows, sharpening and noise, I can get there faster with Aperture. I also don't agree with Adobe's new rental policy for the CC line, so won't be investing in their products anymore. I quite like the 'App Store' paradigm.
    Hope that helps.

  • Why do images appear different in Photoshop after being processed in Adobe Camera Raw?

    I would assume that the screen image would appear the same in each application.

    Probably you are using different color profiles in the two applications, eg: you are using Adobe RGB (1998) in photoshop and sRGB IEC61966-2.1 in Camera Raw, this causes differences in color and in some cases large differences, such as lack of vibrance and saturation.
    check the profiles you are using:
    Camera Raw:
    just check the blue text under the image, to change it just left clik with the mouse, a windows will apear.
    Photoshop:
    In Photoshop just press Alt+Shift+K or follow de above image.
    Sorry, but, my Photoshop language is Portuguese.

  • Camera Raw update has changed things....

    I have Canon 40D and I have the DNG converter 4.2, which is recommended for this camera. I also have the Camera Raw plugin version 3.7, which is recommended for CS2. When I would convert an image from to DNG and open it in CS2 as a Camera Raw image, the window would come up and each line under the 'Adjust' tab (starting with exposure) had an individual auto setting that the image was adjusted to. I found this to be very useful because I could just uncheck the bos to see where the original setting was and make much faster adjustments.
    Then, a few days ago I get a message that there is an update available and so I run the update and now the settings are different. There is now just the default or auto and when you select auto it changes everything, it is no longer line by line.
    Additionally, this update to the Camera Raw is now changed the color of all my photos. When I open the photos in my Canon software they are full of color, but once I convert them to DNG and open them as Camera Raw in CS2 they lose a lot of color. This was not happening prior to this update.
    Is this an issue with the DNG converter or an issue with CS2? I have everything Adobe recommends so I don't know why the color would be desaturated so much. The photos look like crap now. This was not an issue before.
    I'm wondering if I can go back and take the Camera Raw file I downloaded and replace the updated one. Does anyone recommend this approach? If so, how would I go about this to do it correctly?
    Thanks!
    Tyler

    Actually, I do understand about the DNG converter now. It's an evolving program, I get that.
    As for the update, I don't know either. I thought it was weird because I know anything after 3.7 is not for CS2. I had a window pop up and tell me there were updates from adobe and it was all legit. It was connected to Adobe. I had run a 'repair' of CS2 and so maybe that replaced some current files with the ones in the original software, but I don't know. When I go into my Adobe folders the camera raw file is the one it should be.
    I have downloaded the 5.3 and I will convert some RAW images and compare them to see if that corrected the issue. For me, I shoot Real Estate photography so correct color is a big deal to these people. The most noticable place I see color loss is in wood, wood cabinets in a kitchen for example. In stead of rich dark wood it lacks color. This doesn't do well when you are tying to capture a $80k kitchen full of custom wood cabinets. I have also taken the exact same shot in jpeg and it comes out perfectly. So, I know it's somewhere between the DNG converter and opening the image in Camera Raw that the color get's lost. I realize that most of the people on here have forgotten more than I know about how this software works. I try to get the shot I want on site and therefore I have not relied on software much over the years. But, I'm trying to learn how to use this stuff and I appreciate your help while I learn it.
    Thanks again!
    Tyler
    I really appreciate your responses!

  • Do you have any neartime plans to implement Fuji Xe-1 RAF format of RAW files into Adobe camera RAW?

    having recently purchased the amazing fuji x-e1 i was quite disapointed to find a lack of RAW support for the fuji's RAF files.
    are there any plans to add this soon or to the next update of adobe camera raw?

    This is a user-to-user forum.  Although there are some Adobe employees who monitor this forum occasionally, you are not addressing Adobe when you ask a question.  Most of the people who comment here are simply users like yourself.  However, you should know that updates are made available about every three months.  And, usually, new cameras will be supported in the next version of Lightroom and Camera Raw, unless the camera is released too close to an Adobe update.  If that happens, then you can usually expect support for the camera to be in the next update.  None of us know when that will happen, and anyone who works for Adobe is not at liberty to divulge that information.  Your camera will probably be supported in the near future, but you will simply have to wait and see when that will take place.  I know, not a real satisfactory answer.  But that's the way it is.

  • Unable to upgrade Camera Raw with CS4 in Lion...

    Hi All,
    very frustrating; I have been unable to upgrade Camera Raw despite several attempts.
    I've downloaded the latest version as an upgrade; I've done Software upgrades through PhotoShop, but for some
    reason these do not seem to have taken, ie., the version of ACR in Bridge preferences remains 5.0.
    This makes it impossible for the computer (a brand new MacBook Pro) to read or convert to DNG raw files
    from a Nikon D300S.
    Oddly, ACR 5.0 converts raw files from a D700 just fine.
    Also puzzling is that my attempt to upgrade to ACR 5.7 in a 5 month old iMac have been smooth as silk (OS 10.6.7)
    Help!
    Stu Rosner

    At one point, I was one of the most vocal critics of camera raw in the CS4 / Lightroom v2 days. In short, I felt that there was not enough control over noise reduction and fine detail rendition when processing digital camera raw files, especially at higher ISOs, although I had been quite pleased with earlier versions. That all changed when CS5 / LR v3 was released. You now have an enormous amount of control over exactly how much sharpening and how much noise reduction will be applied to an image. The amount of fine detail one can extract from a low-ISO raw file is extraordinary. When you crank up the ISO and an image gets noisy, you now can choose whether or not you prefer a smoother look at the expense of some of the more subtle texture details, or a slightly grainier look where one has a feeling that no significant fine details are lost from the original capture (what I prefer). The raw processing defaults in Adobe's latest software are good starting points, but for my personal tastes, I generally do modify them a bit with less NR and slightly more sharpening at a smaller radius.
    Even out-of-camera JPEG files will benefit from the new processing engine. I find that turning down the sharpening and NR in-camera, and then applying some subtle tweaking in LR, for example, makes for much better looking images even when starting from a JPEG. If you are a raw shooter, like I am, then upgrading to the latest Photoshop and Lightroom is absolutely 100% worthwhile in my opinion!
    I personally feel that the quality of raw conversions in Adobe's latest software are pretty much the best there are. I have used many other raw converters (Capture One, Aperture, RAW Developer, Silky Pix, Canon's DPP etc.), and while each have their strengths, overall I far prefer the look of the final image from Adobe's latest software. Sure, I might find the colour rendition slightly better, in some cases, from some other raw converters, but colour I can fix. Poor detail rendition or heavy-handed/crude noise reduction I cannot.
    EDIT: Also should mention how good the lens correction controls are. Not only are there automatic lens corrections available (possibly of limited use with an M8 due to potential lack of lens EXIF information), but the manual corrections are extremely useful. Chromatic aberration, vignetting, highlight fringing and distortion control all work extremely well and are minimally harmful to image quality, unlike performing those same corrections in Photoshop after the raw conversion stage. You also have excellent perspective corrections that, amazingly enough, seem to have very little impact on image quality even when fairly dramatic adjustments are made.
    Lastly, I own both Noise Ninja and Topaz DeNoise and since upgrading to Adobe's latest software, I don't think I have felt the need to use either of those two third party NR plugins once. Purely from a noise reduction standpoint, upgrading to CS5 or LR v3 is almost like getting a new camera, almost like moving from a cropped sensor to a full-frame as far as high-ISO image quality.
    I would suggest you download Lightroom v3 and give the 30 trial version a whirl. Spend some time in the Detail section of the Develop module and make sure that for each image you are looking at, ones that you may have edited in previous versions of Camera Raw or Lightroom, that you have "2010(Current)" chosen in the "Process:" section of the CameraCalibration tab in Develop. That will ensure that you are fully benefitting from the latest raw conversion engine. Zoom in to 100% before you tweak the Detail settings to make sure you are seeing actual pixel-level detail. I think you may be amazed at what you can do...
    Regards,
    Mike Mander

  • Camera Raw 5.2 and DNG Converter Available - Note from Adobe

    Camera Raw 5.2 and the DNG Converter is now available:
    http://blogs.adobe.com/lightroomjournal/2008/11/camera_raw_52_and_dng_converte.html
    Lightroom will be updated to version 2.2 with equivalent camera support in December.
    Regards,
    Tom Hogarty
    Lightroom, Camera Raw and DNG Product Manager

    Well, I managed to locate and download both the ACR 5.2 and the DNG 5.2, but it was a bit of a challenge. I have a couple of comments regarding the DNG installation.
    As a sometime OS beta tester, I have developed a habit of keeping C:\ for the operating system only. When a new OS or beta is issued, I just format C: and install the new OS. I try to keep applications off C:. It is hard, though, with all the default installations. It would be nice to have the option to install DNG.exe in my applications partition.
    My workflow involves importing NEF's from the memory card to a folder, and at the same time converting those NEF's to DNG's and putting them in a different folder in a different partition. Both these NEF's and DNG's are archived. A copy of the DNG's are used as working images. The virtue of DNG's is that there are no sidecar files to keep track of when exporting images. Unless I really mess up, I never go back to the NEF's again. I guess that I am an "outlier" too. I guess that this is essentially the 5 - A "double DNG-only" workflow, using type 2, the native-DNG-DNG system. This is discussed in detail by Barry Pearson at http://www.barrypearson.co.uk/articles/dng/safety.htm#personal
    I do like the camera profiles. I previously have used the Fors script. My Nikon D200 lacked red and the Fors script fixed that. Not surprisingly, different profiles are appropriate for different image types. Is there any way of determining the methodology and reasoning between the different profiles, and what specific problems each one is designed to correct. This might permit better matching profiles to image types, with less trial and error.

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