Camera Raw Prefs

I have my PS 5 setup so that any photo's automatically open in Camera Raw. Problem is that too many 'hot spots' are showing up (bright red). How to eliminate? The detail's obviously burned out, but I want to open the pix in PS without those hot spots showing. I can manually add the details as necessary.
Is there a CR prefs file that I have to change or what? If I open through Aperture 1st, then edit in PS, they do not show.
Thanks.

Are you just trying to turn that warning off?
Then U and O are the shortcuts for the Shadow and Highlight Clipping warning or click the triangles in the top corners of the Histogram.

Similar Messages

When I try to open a photoshop image it opens in camera raw

I store all my images in jpeg. Been doing my editing elsewhwere, but yesterday tried to use Adobe Bridge. I opened a jpeg image in camera raw and was unsuccessful in getting what I wanted. Now, when I try to open one of my jpeg images in Photoshop it opens in camera raw. If I click on open image it opens, but in a size that is incorrect and is useless. Help!!!!!!!

Hope the screenshots will help you.
On a Mac ACR prefs are in Bridge / Adobe Bridge / Camera Raw Prefs or if you open a file in ACR at the top is a row of icons, if you choose the menu icon it also provides you those prefs.
I was wrong about PSD, that should have been Tiff btw...

How to stop CS4 opening JPEGs in Camera Raw?

Hi guys,
I'm hoping someone out there can help. Recently for some reason CS4 decided it wanted to open all JPEGs in Camera Raw.
I am trying to restore whatever setting has changed so JPEGs open directly in Photoshop not Camera Raw.
And before anyone states the obvious yes, I have deselected "Open JPEGs in Camera Raw" under Camera Raw prefs.
I am on a mac (OS X 10.5.7) and have installed the latest updates for CS4 (Camera Raw is version 5.0.0.178).
Any (constructive) input would be welcome. Cheers.

Generally, once a JPG has been opened in ACR and has an embedded adjustment
recipe it will continue to be opened in ACR even though you have the
preference set to not prefer ACR for JPGs.
Your verbiage is different than what I see for Camera RAW Preferences in ACR
5.4 on Windows, so maybe you need to update to the latest ACR or maybe Mac
and PC versions of ACR are different.
In my CS4 Extended (11.0.1) / Edit / Preferences / Camera RAW preferences
for ACR 5.4, down at the bottom, you can set JPG and TIFF Handling - JPEG to
Disable JPEG Support instead of Automatically open JPEGs with Settings to
make it ignore the settings in JPEG and/or TIFF files.

Camera Raw in Bridge (CS3 for Mac) malfunctions

When processing DNG files in Bridge (CS3) neither Default nor Auto adjustments apply by default. And when choosing Auto the image becomes very dark. How can I correct this? Also where do I place newly downloaded Camera Raw Plugin? Does it need to be physically placed in both PS and Bridge?

Did you have also the solution for the first part?
I would prefer the default setting for a standard instead of the auto. Hit
auto might give you a hint in the direction you want but it is very
difficult to have this correctly for each file to my opinion.
But if you would like so you can make your own default camera setting. Make
the settings you want and then go to the menu under the little triangle
right next to basics in the ACR window. Inhere you will see an option to
save a new camera default. In the camera raw prefs (also reachable in
Bridge) you can choose to make those camera specific or even iso specific.
I found the answer to the second part of my question about installing the ACR
plugin

Camera Raw Preferences- Tiff / JPEG Handling -CS 3

In the Camera Raw Preferences > JPEG + Tiff Handling Section I have " Always open TIFF/JPEG Files with Settings Using Camera Raw" UNCHECKED. Yet, when I double-click on an image in Bridge to open it, it opens the Raw window. I want the image to open directly in Photoshop. What do I need to do?

There are other preferences to be UNchecked. Carefully examine Camera Raw prefs, Bridge prefs and Photoshop prefs.
Then relaunch Bridge and Photoshop.

"Prefer Adobe Camera Raw" - What exactly does this do?

What is the significance of the "Prefer Adobe Camera Raw for JPEG and TIFF"?
I ran into the following issue:
I update some of the fields in the IPTC metadata. In particular the title and keywords. I'm running Vista 64, and both changes faithfully appear when I view the file with Vista's picture browser or even in Windows Explorer. So far so good.
I'm then also uploading the pictures to a Menalto Gallery website. Here is when I run into trouble.
- If I have Prefer ACR checked of when I update the IPTC then the gallery website does not pick up on the metadata.
- If I have Prefer ACR checked off when I update the IPTC then the gallery website is able to pick up on the metadata and assign captions on the website accordingly.
So I'm trying to figure out what the difference between prefer ACR on and off is, and why this would affect reading of the metadata by a third party application.
Thanks!
Carlos

After much digging, I've been able to come up with a rough answer to my own question.
It appears that when the "prefer ACR" setting is on, Bridge saves older versions of the Metadata (in the XMP IDF, I believe). When displaying a file's metadata, Bridge knows to only display the latest version.
It would appear that Windows Vista's built-in photo tools are also smart enough to only display the latest version of the metadata. Other tools (such as the Gallery software), however, appear to get confuse and display an older version of the metadata.
In short, the conclusion I've arrived at is: If you want higher compatibility across applications, turn OFF "prefer ACR". If you value versioning information then keep ON "prefer ACR".

I am unable to open raw files from my Canon T1i in Adobe Camera Raw of my version CS3 of Photoshop. I have tried to update my ACR by downloading version 4.6 from the Adobe website but I am still unable to open raw files, just JPEG. Is there a way to use

I am unable to open raw files taken on my Canon Rebel T1i in my version of Photoshop CS3. When I import raw files into Bridge they come up as patches with CR2 on them and when clicked on, a notice comes up stating that Photoshop does not recognize these files. I tried to update my Adobe Camera Raw by downloading version 4.6 from the Adobe Website, but when I clicked on the plus-in, I got another message that Photoshop does not recognize this file. I spoke with a representative from Canon who said that I could not update CS3 and that I should subscribe to the Cloud. I would prefer to use my CS3, if possible. Can anyone advise me what to do?

The T1i was first supported by Camera Raw 5.4 which is only compatible with CS4 and later
Camera Raw plug-in | Supported cameras
Camera Raw-compatible Adobe applications
Some options:
Upgrade to CS6
Join the Cloud
Download the free Adobe DNG converter, convert all T1i Raw files to DNGs then edit the DNGs in CS3
Camera raw, DNG | Adobe Photoshop CC

GoPro Camera Raw Lens Profile settings not working for image sequence in Photoshop/AE/Premiere CS6

Hey Everyone,
I'm in need of assistance in either Photoshop CS6, After Effects CS6, or Premiere Pro CS6. I just installed the trials after seeing Russell Brown demo the GoPro Lens Profile correction feature in Camera Raw. Basically what I'm looking to do is make adjustments (in Adobe Camera Raw) to a series of still images (shot with the time-lapse mode on the GoPro) and then either export those stills through Photoshop or Bridge to a temporary movie file that will be imported into a timeline (with other video clips), or import the JPG files (with Camera Raw settings) directly into After Effects or Premiere as an image sequence. The latter would be preferable as it'd avoid the extra step of having to render the intermediate/temporary movie file.
Right now, my current workflow for GoPro time-lapses is:
          - use Bridge CS4 to do basic color correction on the still images
          - save those as TIF files
          - run the TIF files through a custom script to have Hugin 2012.0.0 (open source pano stitcher) remove the fisheye distortion
          - open the new TIF image sequence into QuickTime Player 7 (Pro)
          - export the image sequence as a QuickTime movie file
          - import the movie file into Premiere Elements 10 to place on a timeline with other video clips (as Premiere Elements can't handle the sequence(s) of thousands of still images without crashing)
If I can go directly from Bridge to a timeline, it'd save a lot of processing time (and it'd be much nicer to preview the images in Bridge without the fisheye distortion)!
I can prepare the GoPro JPG files through Adobe Camera Raw in Bridge CS6, though when I go to import the JPEG image sequence into Premiere Pro CS6 or After Effects CS6, none of the Camera Raw settings are applied. If I export the Camera Raw files in Bridge CS6 as DNG files (a step I'd really prefer to avoid) and then import the DNG image sequence into After Effects CS6, the Camera Raw settings are applied except for the Lens Profile settings -- I can pick other cameras but not the GoPro lens profiles when the DNG image sequence loads in After Effects. It also appears that once I open the DNG files in After Effects CS6, I can no longer access the GoPro Lens Profile in Adobe Bridge CS6 -- the list changes to the same list I get in After Effects. Premiere Pro CS6 doesn't let me import the DNG files at all. I've also tried to import the JPG files (as well as the converted DNG files) into an image sequence in Photoshop CS6, though it doesn't allow me to do so (the Image Sequence checkbox is grayed out after I apply the Camera Raw settings in Bridge).
There could be an issue going on with different Camera Raw versions. I didn't have Premiere Pro CS6 installed during my initial testing, though now do notice that the Camera Raw dialog in Bridge CS6 only lets me choose compatibility up to "Camera Raw 7.1 and later" when I choose to export the files as DNG. I thought Camera Raw 8.2 was an option there a couple days ago when I only had installed Photoshop CS6 and After Effects CS6 (though am not 100% certain).
Please let me know if there is some workaround to get the GoPro lens profile Camera Raw corrections applied in an image sequence in one of the Adobe CS6 products (without having to export the files as temporary TIF or JPG files out of Camera Raw). I'd greatly prefer to shorten my current workflow for these files. (I just updated the CS6 trials and have tested all three programs again though I still get the same results described above.)
Does Lightroom 5 have any option to export Camera Raw image sequences as movie files (or any other feature that might help in simplifying my current workflow)? I can't install the trial right now as it's not compatible with OS X 10.6.8. I'd consider upgrading OS X if I knew Lightroom 5 would do what I need, though am waiting for any potential color profile issues to be resolved in OS X 10.9.
I can open the image sequence in Photoshop CS6 if no Camera Raw settings are applied and then use the Lens Correction Filter to apply the GoPro Lens Profile settings, though I really prefer the Camera Raw interface in Bridge for tweaking image settings. As soon as I apply Camera Raw settings to the first image, Photoshop CS6 grays out the image sequence checkbox.
If there isn't a way to take Camera Raw files straight from Adobe Bridge to a timeline, I may stick with my current workflow using CS4 and see what I can do to better automate some of the steps as the TIF export in Bridge, fisheye distortion removal in Hugin, and render in QuickTime Player all take quite a while. I won't mind waiting for all the processing if I can set it and check back on it in later the next day when it's fully complete. Is there a way to have Adobe ExtendScript execute an external shell command (i.e.: a command I could type into the bash shell in Terminal in OS X)? If not, is there a way to call/run an ExtendScript script from the command line and pass a parameter to it that my custom script could use?
Thanks in advance,
Mark

Can you zip up a few of your GoPro images, upload them to dropbox.com and post a share link, here, so others can experiment with them, or do you mean this issue is global to all camera models?

Open In Camera Raw, By Default?

I am using Elements 13. Many of my photos are in the JPG format. I like to select a photo or two, and press Ctrl + I to edit them. They (the JPG files) always open in the Elements Editor, by default. I would prefer to start them off in the Camera Raw Editor, by default, if that is possible. Is there any way to set Camera Raw as the default editor?
Thankss,
Steve

Hi,
You should be able to set that in either bridge, photoshop or the camera raw dialog under camera raw preferences
at the bottom of the dialog under Jpeg and Tiff Handling.

How to open Camera RAW (CR2) files in Photoshop CS3 and CS4? (Mac)

I have a Canon 7D. I prefer to shoot in raw format, but the CR2 files cannot be opened by either Photoshop CS3 on my Mac in the office OR by Photoshop CS4 on my iMac at home.
I have tried dowloading the Adobe DNG Coverter and Camera Raw 4.6 update (which is SUPPOSEDLY intended to work for CS3) and followed the instructions to replace the plug-in. STILL a no-go. CS3 STILL tells me "Could not complete your request because Photoshop does not recognize this type of file."
What gives? Does anyone know of a way to get CR2 files to open in Photoshop CS3 or CS4? (A way that actually works?) Because Adobe's plug-in update doesn't seem to do it, and Canon's "fine-grain" editing controls for raw images is pretty lack-luster.
Thanks (in advance)!

Have you tried opening up out of Bridge? If that doesn't work you may new need to download a new driver from Canon. All my peripherals are Canon and I am always having to download new drivers everytime I update. Fortunatly they are really easy to find on Canon's site.

Camera Raw Policy of Writing Back into Input Files

This came up in another thread, and I think it deserves its own discussion. I'd hope that we can influence the Camera Raw team's future direction. I welcome your input and opinions.
Given: Under some conditions Camera Raw writes data back into (overwrites) its input files.
Assuming you use Camera Raw to open your out-of-camera original files as many of us do, Adobe seems to be all over the road on whether to keep its hands off them or overwrite them...
Camera Raw will not touch a proprietary raw file, such as a Canon .CR2 or Nikon .NEF. There's a whole process for remembering settings in a separate database or sidecar XMP files. So far so good.
If you open a JPEG, TIFF, or DNG through Camera Raw, data WILL automatically be written back into it to tell another run of Camera Raw in the future what settings you used - without the software ever having warned you it will do so.
Some functions EXPLICITLY rewrite input files. You can ask the software to write new thumbnails back into DNG files, for example. This is fine - the user has instructed the software to overwrite the file, and the user is in charge, after all.
Overwriting/rewriting an input file without being instructed to do so is NON-INTUITIVE BEHAVIOR for an application. No one would expect an input file to be overwritten.
We do see that it causes people confusion. I'm sure there are people right now reading this in disbelief. I recommend you go test it for yourself (on a copy of one of your original files).
The original file being overwritten is one of the reasons why I don't configure Photoshop to open my out-of-camera JPEGs through Camera Raw.
Adobe's [mis]handling of input files on the surface seems to be derived from the history of DNG - where no camera actually writes the DNG file directly but it has been generated as an intermediate format through the DNG Converter, and as such can be handled with less "care" than an original camera file.
It seems to me that Camera Raw should NEVER write back into an INPUT file it is opening without a) letting the user know or b) being directed to do so.
Adobe:
Please give those of us who don't want our input files overwritten an option for using the database/XMP sidecar instead in EVERY case.
Thanks.
-Noel

Noel wrote: >> If you open a JPEG, TIFF, or DNG through Camera Raw, data WILL automatically be written back into it to tell another run of Camera Raw in the future what settings you used - without the software ever having warned you it will do so.<<
It depends.
As far as I can tell:
When a JPG or TIF file is Locked,
Camera Raw > Done results in a Write Permission Error.
When a DNG file is Locked,
Camera Raw > Done - writes a separate xmp sidecar file.
The JPG / TIF handling seems to me inconsistent. With a locked file I'd prefer to have a sidecar xmp created as well. Some of my JPG / TIF files are originals for me.
Peter
Windows Vista, CS4 w/ACR 5.7

Is 5d mark II raw (CR2) file different from CR2 file from 5d? Adobe Camera Raw error on mk II not 5d

I use Photoshop Camera Raw plugin (Adobe) to preprocess color, then finish image preparation in Photoshop. Never a problem opening CR2 files, usually from my own 5d camera. But a customer sent a few CR2 files that won't open (error says it is wrong kind of document). So far no explanation or fixes from Photoshop users... thought I would ask the Canon experts. Why would CR2 file from 5d mk II fail but CR2 files from 5d all open ok?
Still using Photoshop CS2, and the Camera Raw plugin is v 3.7. I really want to continue this workflow (works for me), prefer not to experiment with dpp or other possibilities. Not ready to upgrade yet to Photoshop CS6.
Solved!
Go to Solution.

I have a photographer friend who has used Photoshop for years and basically never used anything else. He bought his 5D III from a store which was offering a free copy of Lightroom with the purchase. He didn't buy because of the incentive... he bought his camera and a copy of Lightroom came with it. He put it on the shelf to collect dust.
One day we're out shooting and somehow get onto the topic of how he's processing his images and I mention Lightroom to him (I use Aperture, but that's for Mac users only -- he's on a PC). He tells me has it... it's on the shelf... he never installed it.
I gave him my "are you crazy" look and then proceeded to tell him why he needs to learn to use Lightroom. He now pretty much just uses Lightroom and is much happier for it.
I'll sum up (again... I'm an Aperture user but Lightroom was designed to fend off Apple from taking over in photography.)
Photoshop is NOT made for photographers. It's made for people working in graphics arts and publishing, etc.
Apple, recognizing that the tool was awkward for photography made a tool targeted specifically at professional photographers...and Aperture was born. Adobe, seeing this as the very real threat that it is, realized they'd better get busy. Adobe produced Lightroom. Both are targeted to photographers and NOT to those in graphics arts or publishing.
I think of Aperture and LIghtroom as being outstanding at image management for large collections of photos and also outstanding when you come back to your office with cards loaded with images that now all need to be processed.
This is a painful long and tedius task of opening things image by image in Photoshop.... but a breeze to do in Aperture or Lightroom. You don't actually open images... you import the entire contents of the card into your library and now you can breeze through them apply adjustments as needed. Some types of global adjustments such as "white balance" can be applied to every image in the shoot as long as it was taken in the same lighting. No need to do that image by image... you adjust one, then select all the other images shot in the same light and tell it to apply the same adjustments. Don't try that in Photoshop... you'll injure yourself.
Lastly... Photoshop is a "destructive" editior. You can take precautions to try to make sure you don't actually edit any original data, but the tool WILL let you change original data if you aren't careful. Aperture and Lightroom are non-destructive by their very nature.
I find that with Aperture or Lightroom that I still do need to open an image in Photoshop. Aperture and Lightroom can't do everything. They do not, for example, allow you to create composit images by combining elements of multiple other images. But I will say it's not often that I need to open something in Photoshop anymore.
If you are a photographer and you've been using Photoshop because that's what you know... you _really_ need to evaluate one of the tools which were actually intended for use by photographers.
Tim Campbell
5D II, 5D III, 60Da

Bridge freezes when applying camera raw settings to large number of files

I have a folder with 32,000 frames from a time-lapse project that I'm doing. I'd like to apply the same camera raw adjustments to all of these files, and so follow one of the two methods below - neither of which are working with such a large set of files:
Method 1:
Select all files, open in camera raw.
Apply changes to the first image
Select all images, then synchronize the changes to all other images.
Unfortunately selecting "Open in Camera Raw..." just leaves bridge to hang. It's using a lot of memory and processor time, so I would assume it's working, but there's no progress bar or similar to indicate that it is.
Method 2:
Open first file in Camera Raw
Apply all changes, and exit camera raw.
Select all files in Bridge, right click on one and select "Develop Settings -> Previous Conversion"
Unfortunately the final step again leaves bridge just thinking. I waited around an hour, closed bridge, but unfortunately when I opened it again there was no sign that it had copied the camera raw settings onto any of the other files. My computer's pretty slow (see below) but it should have written one xmp file in an hour.
Question:
Does anyone have any workarounds other than repeating the process 32 times for 1000 images at a time?
System Info From Photoshop:
Adobe Photoshop Version: 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00) x64
Operating System: Windows Vista 64-bit
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   Average 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Bas Relief 13.0
   BMP 13.0
   Camera Raw 7.0
   Chalk & Charcoal 13.0
   Charcoal 13.0
   Chrome 13.0
   Cineon 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Clouds 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Collada 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Color Halftone 13.0
   Colored Pencil 13.0
   CompuServe GIF 13.0
   Conté Crayon 13.0
   Craquelure 13.0
   Crop and Straighten Photos 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Crop and Straighten Photos Filter 13.0
   Crosshatch 13.0
   Crystallize 13.0
   Cutout 13.0
   Dark Strokes 13.0
   De-Interlace 13.0
   Dicom 13.0
   Difference Clouds 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Diffuse Glow 13.0
   Displace 13.0
   Dry Brush 13.0
   Eazel Acquire 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Embed Watermark 4.0
   Entropy 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Extrude 13.0
   FastCore Routines 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Fibers 13.0
   Film Grain 13.0
   Filter Gallery 13.0
   Flash 3D 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Fresco 13.0
   Glass 13.0
   Glowing Edges 13.0
   Google Earth 4 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Grain 13.0
   Graphic Pen 13.0
   Halftone Pattern 13.0
   HDRMergeUI 13.0
   IFF Format 13.0
   Ink Outlines 13.0
   JPEG 2000 13.0
   Kurtosis 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Lens Blur 13.0
   Lens Correction 13.0
   Lens Flare 13.0
   Liquify 13.0
   Matlab Operation 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Maximum 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Mean 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Measurement Core 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Median 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Mezzotint 13.0
   Minimum 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   MMXCore Routines 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Mosaic Tiles 13.0
   Multiprocessor Support 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Neon Glow 13.0
   Note Paper 13.0
   NTSC Colors 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Ocean Ripple 13.0
   Oil Paint 13.0
   OpenEXR 13.0
   Paint Daubs 13.0
   Palette Knife 13.0
   Patchwork 13.0
   Paths to Illustrator 13.0
   PCX 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Photocopy 13.0
   Photoshop 3D Engine 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Picture Package Filter 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Pinch 13.0
   Pixar 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Plaster 13.0
   Plastic Wrap 13.0
   PNG 13.0
   Pointillize 13.0
   Polar Coordinates 13.0
   Portable Bit Map 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Poster Edges 13.0
   Radial Blur 13.0
   Radiance 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Range 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Read Watermark 4.0
   Reticulation 13.0
   Ripple 13.0
   Rough Pastels 13.0
   Save for Web 13.0
   ScriptingSupport 13.0
   Shear 13.0
   Skewness 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Smart Blur 13.0
   Smudge Stick 13.0
   Solarize 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Spatter 13.0
   Spherize 13.0
   Sponge 13.0
   Sprayed Strokes 13.0
   Stained Glass 13.0
   Stamp 13.0
   Standard Deviation 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Sumi-e 13.0
   Summation 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Targa 13.0
   Texturizer 13.0
   Tiles 13.0
   Torn Edges 13.0
   Twirl 13.0
   U3D 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Underpainting 13.0
   Vanishing Point 13.0
   Variance 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Variations 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Water Paper 13.0
   Watercolor 13.0
   Wave 13.0
   Wavefront|OBJ 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   WIA Support 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   Wind 13.0
   Wireless Bitmap 13.0 (13.0 20120305.m.415 2012/03/05:21:00:00)
   ZigZag 13.0
Optional and third party plug-ins: NONE
Plug-ins that failed to load: NONE
Flash:
   Mini Bridge
   Kuler
Installed TWAIN devices: NONE

The files are only 2MP each, and I have the same issue when I apply the changes to RAW files and JPG files. The error occurs though before any changes are applied, before the images would need to be recached, as when the error doesn't occur the dialogue box I mentioned pops up asking what to change.
Your specs sound more then enough I would think. Do you have set the option to Write cache to folders when possible and if so could you uncheck that option?
I don't have experience with this kind of numbers but I do dump the Bridge cache manually on a regular base (every new cycle it seems to be more stable so more interval in the periods of dumping cache) but my main folder contains usually around 6 to 7 K of DNG files from 21 MP dSLR. This starts caching without problems but takes a few hours before done.
Can't use the option cache for folder due to a longstanding problem with error message to replace the CacheT file, hence my question about your setting.
Also I have set the option to previews Always HQ and in the prefs have set the option to build monitor size previews.
As said, don't know the large numbers but the 2 MP files are very small and it should be possible for Bridge I would think?
Did you also try to create a new folder and place the files inthere. Or divide them in to three folders for testing?

Bridge and Camera RAW preferences not working

I'm setting up a new Macbook Pro, late 2013 15", 10.9.2
CS6 Production Premium, Also have Indesign CS6, LR5, Acrobat Pro 11. Camera RAW is version 8.4. Everything is up to date.
Bridge and Camera RAW preferences are not working correctly. Bridge prefs related to Bridge display, e.g. color theme, text beneath thumbnails, favorite locations, etc.. all work fine. Bridge prefs open and close fine with no errors. "Double Click Edits Camera RAW Settings in Bridge" does not take. Photoshop launches to open Camera RAW regardless of whether this is checked or not. Camera RAW preferences will not open. Selecting "Camera RAW Preferences" from Bridge does nothing. Camera RAW seems to work fine hosted by Photoshop.
I tried a new user with the same results.
What's up with this? Anyone else seeing this? Solution?
--David

fixed it with this work around
Camera Raw 8.4 | No metadata or Camera Raw edit

Camera Raw Preview in Bridge Collections (CS4)

I am working in Bridge CS4 and have created several Collections of .cr2 photos that I am editing in Camera Raw. When I open the files in Camera Raw from the Collections panel and click "Done" after making adjustments, the changes do not show up in the Bridge Preview panel. However, when I view the same file from the Folders panel, those changes show up. This situation is a real pain as I have to keep moving back and forth between Folders and Collections - can anyone help fix the problem? I have purged and maximized the cache in both Bridge and Camera Raw Preferences and it's not helping.

First Aid for Bridge is always restart holding down option key and choose refresh preferences. After this reset prefs to your wishes and try again (sometimes restarting Bridge is needed to let the changes take effect).
If this is not working repeat this procedure but now first quit Bridge and delete the Com.adobeBridge3.plist file from the preferences folder in the user library and the again refresh and reset the prefs.
It should work normally, it does so on my system ( you are not working on a network btw??)

Camera Raw Prefs

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