Can compresor 4 export flv to APR 422 LT?

I have a few clips i want to compress so that i can work with FCP Studio (not FCP x) for the obvious reasons, QUALITY and plug ins.
Now to do this i need to re compress all my files to Apple Pro Res 422, now i used the MPEG Streamclip but they files that where flv, H.264, mp4 etc (from youtube) all came out as 5kb dead on arival files, i see the first frame and hear the audio but no video, how ever some of the MP4 files did succeed in the batch list of MPEG Streamclip, my problem is the rest that did not and now i need to know if compressor is worth the chance to see whether it can.
Can anyone here with Compressor verify if it can export flv files to Apple Pro Res 422 LT, from looking at you tube videos i dont even see 433 LT, just 422, but im sure its ok.
let me know and thanks!

Hmm, sorry, I can't help you on that.
The only method I know is to use Sorenson Squeeze 4.
(Sorry, I don't want to advertise Sorenson Squeeze, and I am not affiliated with Sorenson Media.)

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Hi,
Just got over the P2 file problem (stopped using them in CS5, gone back to CS4) and a new problem has occured.
I have been exporting .flv files since I first installed CS5, suddenly today Premiere crashes when trying to export individual .flv files and so does the media encoder.
Any ideas?
Thanks

The given problem doesn't have the obvious cause. But it can be avoided.
The problem emerges after Premiere import video clips with attached audio files, while 'confoming audio'. After the conforming, the 'broken' audio files cannot be heard with playback, or incorporated in export.
There are two solutions to this problem.
First: While ripping material, or importnig previously ripped material, import separately audio and video data.
Second: If you, while working, run into audio stream that doesn't hear ( because of the given 'conforming' ), edit audio of original clip in some sound editing program ( Adobe SoundBooth, for instance ) by cuting it to new file, resampling it, saving to *.wav ( for example ) and importing it to your Premiere project, replacing the broken audio data.
That should do the trick. At least, it did it for me.
Cheers!

Exporting 'flv' files from Final Cut Pro

Hi,
I was wondering if there was such a program that would export
'flv' files straight from Final Cut Pro time line for my mac. I
know that you can purchase Adobe Flash which enables this, however
I don't wish to buy the whole program. Is there a video encoder
program or something that you can purchase that will enable me to
export from FCP?

Bec_ke wrote:
> Hi,
>
> I was wondering if there was such a program that would
export 'flv' files straight from Final Cut Pro time line for
my mac. I know that you can purchase Adobe Flash which
enables this, however I don't wish to buy the whole program. Is
there a video encoder program or something that you can
purchase that will enable me to export from FCP?
Not sure about FCP, tho I would expect the latest Final Cut
Studio to be able to do
it.
Anyway,
Quick Time Player can export MOV to FLV. Not sure whether
it's the regular player,
I'm having the PRO version for many years and this one allow
that kind of export.
You being a Mac user, I guess that's the easiest and cheapest
way to get FLV out of your
available tools.
Best Regards
Urami
"Never play Leap-Frog with a Unicorn."
<urami>
If you want to mail me - DO NOT LAUGH AT MY ADDRESS
</urami>

Export flv directly from Photoshp cs5.5 MAC

Hi i'm searching a method to export flv from photosohop cs5.5 . I've used adobe media encoder, but in an external software, i need a method via Photoshop.
Can anyone help me
thanks

oh. thank, so the method is media encoder.
thanks a lot

AE CS3 can't render to FLV

I have Flash CS3 purchased and installed and I'm using a trial of After Effects CS3 to try to make an FLV with cue points.
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I think those are extra encoders that aren't included in the demo. Have you tried File > Export > FLV?

How can I properly export video w/ bars to Rec709 (16-235 in 8-bit) from Premiere's RGB (0-255)?

I have hit some real frustrations in working with Premiere to meet broadcast Rec709 standards for DVD & Blu-Ray. Avid Symphony works in a Rec709 space and clearly operates with its video signal from 16-235 (which matches IRE 7.5 to 100), but Premiere doesn't seem to have this understanding in its programming and engineering. Here are my issues:
1) I can't manually enter in the digital values in the RGB Curve tool's points. Why would Premiere's engineers lock this basic feature out? It's in Photoshop.
2) I can't properly export Premiere's color bars. In order to export to Rec709 standards, to get around issue #1, I hack into the RGB Curves preset XML file to lift the Master Curve's point 1 from 0 to 16 and set the final white point from 255 to 235. If I use Premiere's bars, on the waveform, I can see the sub-black values, but when I lift the blacks with the curves preset, it clips all sub-black values upon export. WHY?! To get around this problem, I import bars generated by a camera (for example, by a Sony EX-350, i.e. XDCAM footage). All of this wouldn't be an issue if there were an export function that specifies exporting to rec709's 16-235 values instead of 0-255, as Avid does.
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If Adobe wants industry professionals to take Premiere seriously, it needs to open up these options and clearly present what happens to tonal values in the image. It's very frustrating to figure out all of these problems and create cockamamy work-arounds.
http://www.avsforum.com/avs-vb/showthread.php?t=1090642
http://www.glennchan.info/articles/technical/setup/75IREsetup.html

Steve,
Thanks for your reply! However, I hope you don't take my response the wrong way, but, with no meaning of disrespect to you personally, the notion that curves are the wrong tool for numeric adjustments extremely infuriates me and displays a real lack of understanding of why a colorist or cinematographer such as myself would want to use curves in the first place.
First, any LUT generation program or coloring program, such as Apple Color, gives complete access to numerical control to give precise, repeatable changes that you cannot get with the drag of a mouse. Photoshop, Avid Symphony, etc. all have curves tools with the ability to manually enter points.
Second, on a user level, there should be no wrong tool for numeric adjustments, especially curves - they are the most precise means to obtain a specific contrast response. Levels or RGB corrector will only give gamma, pedestal, and gain operations, but curves gives every possible shape of a contrast response in between. If I wanted to create a very specific S-curve, I must use the curves tool to do so.
Third, the question at hand is not Premiere Pro's ability to process natively in Rec709 with signal from 16-235 - Premiere's native ability to process all types of video input is the sole reason why I've switched to it as a platform. 'Sub-black values are not necessarily clamped'?! How then can I export a TIFF, for example, of Premiere's bars, with the sub-black values left intact? How do I even access these sub-black values, when all footage clips below 0 IRE? The primary question is, how does Premiere handle and export these IRE values with respect to digital values, whether they are 8-bit, 10-bit, 12-bit, etc.?
Adobe's video workflow lacks a concise, cohesive FAQ or explanation of its numerical signal chain. At least, I have missed it and can't find it anywhere. If I want to properly color grade footage with a proper final output in mind, I need to know my end goals to take the proper intermediary steps.
SteveHoeg wrote:
Hey Tim - Premiere Pro can process natively in Rec709 with signal from 16-235 you do not need special adjustments. Curves are the wrong tool for numeric adjustments, try Levels or RGB Corrector. Sub black values are not necessarily clamped on export. --sh

Why can't I export to CSV (CRExportFormatType.crEFTCommaSeparatedValues)?

Some basic info you may need from me:
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See this [post |Crystal Reports in Visual Studio 2010;for more info...
As of CR 2008 the RDC is no longer shipped and you are not licensed to use it or distribute the dll.
Upgrade to CR .NET assemblies.
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Root Page
http://wiki.sdn.sap.com/wiki/display/BOBJ/BusinessObjectsHome
Non-Enterprise Samples
http://wiki.sdn.sap.com/wiki/display/BOBJ/CrystalReportsSDKSampleApplications
Exporting Samples (RAS)
http://wiki.sdn.sap.com/wiki/display/BOBJ/NETRASSDK+Samples#NETRASSDKSamples-Exporting%2FPrinting
Thank you
Don

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Can compresor 4 export flv to APR 422 LT?

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