Can FCP X export .m4v directly?

Can FCP X export .m4v directly without usig Compressor?

Looks like .m4v to me.
iPad is the same. Do not use the Mac & PC compatible option. That makes .mp4 for PC compatibility.

Similar Messages

  • Can FCP 5 export mpg 2 video?

    I don't see the setting in FCP 5 and the option in Compressor is greyed out.
    Thanks,
    Chas

    Click the name of your source material in Compressor's Source Media column or click the "Click the pop-up to apply a setting" button in the Setting column.
    I don't see a "Click the pop-up to apply a setting" button.
    Also, the mpeg 2 file extention is .m2v. I need just .mpg.
    Any ideas?
    Thanks,
    Chas

  • Can you send/export a still frame from an FCP sequence?

    Can you send/export a still frame from FCP as a picture to the desktop? Doesn't matter if it is a .jpeg, .tiff, . bitmap
    G5 Mac OS X (10.4.8) Dual 1.8

    serach the forum for any of the hundreds of posts detailing this process -
    my personal favorite is shift-N, apple-9, type name, drag to bin, batch export.
    The best thing about the batch export queue is you can set up a batch with the file format and destination folder and then keep adding new clips/stills to export.
    Hope this helps -
    Max Average

  • FCP to Compressor (can I still work in FCP will export is happening)?

    This may be a dumb question.  Usually I export from FCP to a master ProRes, THEN bring the ProRes into Compressor to make various formats.  And I know I can continue working in FCP while this is happening.
    I want to short circuit that process on this job, go straight out of FCP to Compressor.  Which works fine.  I'm wondering, once I've started the batch process in Compressor, can I be working with FCP while it is exporting THROUGH Compressor?
    Or am I going to crash the whole process?
    All ears,
    Ben

    Please excuse typo in question:
    FCP to Compressor (can I still work in FCP WHILE export is happening)?
    S'cuse me.

  • PC users can't open iMovie .m4v file

    my son made a really cute movie in iMovie, and saved it as an iTunes file, which put it in the .m4v format. i emailed the .m4v file to all our family and friends ... and the PC users can't open the file. can i do something about this (ie. save it in a different format)? please explain it to me in real simple terms ... i am a Luddite. thanks!

    can i do something about this (ie. save it in a different format)? please explain it to me in real simple terms ... i am a Luddite.
    You could always point out that anyone whould really wants to watch it could download and install the free QT 7 Player in much the same way that many Mac users would have to download and install either a WMV Player or a WMV component for their QT Player.
    You realize, of course, things will likely get worse once you start "customizing" your exports of each recipient? My Sister only wants WMV 9 ($50 for Microsoft "approved" bi-directional components), my brother-in-law "prefers" DivX 6 minimum ($20 for the components), my nieces are into YouTube (posted directly from iMovie '08 for the price of iLife '08) and want everything posted there, and my Aunt (whose computer is more than a decade old) only wants MPEG-1 (which I used to make with iVCD (don't remember what that used to cost or Ti Toast 9 at $80) and of course there is always Visual Hub (at just under $24) for all of the others who will settle for older AVI or WMV files. You can also try exporting some of the "less recent" or "older" codecs like MPEG-4/AAC, Sorenson Video, Sorenson 3 Video, H.263, Cinepak, etc. There are dozens of audio and video codecs that can be combined in in hundreds of combination and placed in various file containers but the problem is you will probably never find a single compression format that really satisfies everyone all of the time. So before anyone can "draw you a map," you will have to make a decision as to "down which road you wish to travel."

  • FCP 5 export to .AVI for Windows client? Advice needed!

    I have a Windows platform client that wants my Exported FCP 5 Sequence in .AVI format.
    Obviously, I normally always use Export to Quicktime Movie in FCP, and I do know that their is not a direct choice in FCP to export/convert as an .AVI file. (I usually hand off the FCP file to another facility that does DVD Studio Pro authoring work, and haven't had a need to make different file formats).
    This has made me to ponder of few bits of info, that I'm sure I could get great ansers to, here.
    My normal "workaround" for making an .AVI for a Windows user is to Export as Quicktime Movie in FCP, like normal, and then open that exported file in Quicktime Pro, and use Export Movie to AVI in Quicktime Pro. Is this the best method? Secondly, I am a little unsure as to the best settings I should use in QT Pro to achieve this. For example:
    I just did a routine NTSC 48k,16 bit stereo, 30 second ad in FCP, and my normal, Export to Quicktime Movie was about 260 meg in size for the finished, self-contained movie file.
    I opened this in QT-Pro and ran Export to AVI. In the settings dialog, I chose "uncompressed" for video and 48k-16 bit stereo for audio. The resulting export was about 680 meg in size! Because of file size restrictions for the clients product, what settings change or choice should I be making in QT-Pro to get an "equivalent" of the 260 meg file the FCP is exporting? Should I not get an equal file size of the QT-Pro AVI versus the FCP export (both 260 meg?).
    If the answer is compression, what is the best settings in QT-Pro? Cinepak? Intel Indeo?
    Perhaps, I have always misunderstood what FCP Export to Movie is giving me, but I thought that was uncompressed video? If so, why do I get the 260 meg out of FCP, and then 680 meg from QT-Pro Export to AVI (uncompressed) for the same 30 second clip? Is it simply a data rate difference?
    Lastly, I have actually had a Windows user take a FCP Export to Movie file, straight from me, and they say it opened fine in Windows Media Player as is for viewing. However, there is no (dot) file extension name on the end of the filename. They can simply click File/Open in Windows Media Player and choose the "unrecognized" file because of no extension, and play it just fine to at least view the clip.
    So what exactly is the file type that FCP is creating? It's not a .MOV and not an AVI file. What would be the equivalent file type association (just for my curiosity).
    Thanks for any help to the above as I value the more-experienced users here.
    Wade

    Hi Wade,
    Sorry for letting your post unanswered for two days, we were all busy (I know, it is not an excuse).
    Seriously, I think the reason you are not getting answers is you have asked too many questions in one post. Don't know about others, but I get slightly confused.
    Let me tell you what I do with FCP material when I send it to our sound department where they work with Nuendo on PCs. I export sequence using QT Conversion. My settings are: Format - AVI, Compression type - DV-PAL, Compressor quality - Best. I do not bother much about the sound. I sent the resulting file over network to a Maxtor FireWire external drive connected to a colleague's PC and then take the drive down to the sound guys. If the AVI file is smaller than 2 GB I can burn it to a DVD and a PC can open it, if it is larger, PCs cannot open. Also, the sound guys ask me not to use Cinepac, they do not like it. Therefore, I use DV-PAL; I guess you may safely use DV-NTSC but it depends on who will open the AVI file. Ask your client what it wants.
    I think my routine is a bit more streamlined than yours - I export straight from FCP and do not bother with QT. You are wrong in saying that there is no direct way in FCP to export AVI.
    Hope this is a starter for more answers. Also, have you tried searching the forum? I am sure all the answers are already there.

  • Orarrp can't print pdf file directly to printer

    oracle remote print utility (orarrp) can't print pdf file directly to printer.
    we expect orarrp utility can handle ".rrpa" file (i.e. pdf file generated on the application server) by directly print the file to the client's printer, i.e. invoke the acrobat reader on the client side, display the the printer selection dialogue, after confirmation print the pdf file, then the acrobat reader close automatically nicely.
    However we are disappointed as the acrobat reader startup and display the pdf file content but does not print and does not close.
    After testing the problem several times, there are some findings:-
    Finding (A):-
    (a) for the success of direct printing of pdf file, a physical path must be provided; we have tried 2 methods:
    1) using drag & drop to copy the pdf file directly to the browser
    2) open pdf file in the browser directly using browser menu-->File-->Open.
    (b) for the failure of direct printing, a virtual path is involved and we have also tried 2 methods:
    1) when web.show_document() is used
    2) enter the url to the URL bar of the browser,
    eg. http://appsvr.com:7777/report/test_printout/APPSVR1094707.rrpa (this is a virtual path/url)
    Finding (B):-
    (a)when the physical path is used, a temporary pdf file is generated in the same directory where the rrpa file exists in the application server,
    e.g. in application server: d:/printout/yyy.pdf is generated for d:/printout/xxx.rrpa when direct print occurs
    (b) however when the virtual path is used, there is no such temp "pdf" file generated and direct print failed.
    May be when virtual path is used, orarrp utility don't know where to generate the temp "pdf" so direct print doesn't occur.
    So, anyone has similar experience or further queries or has solutions, please join.
    Thanks for your attention.

    Hi,
    It is really late to give response this post. But still who ever refering to this post for the same issue this solution is useful for achieving same in background:
    Even same can be used in smartforms, for getting spool request in PDF format as well which will decrease the size of file when printing in SAP printer.
    ct_tline is PDF output:
    DATA: lv_pdfsource TYPE xstring.
    FIELD-SYMBOLS:<p> TYPE x. " <p> type any.
    LOOP AT ct_tline INTO cs_tline.
      ASSIGN cs_tline TO <p> CASTING TYPE x.
      CONCATENATE lv_pdfsource <p> INTO lv_pdfsource IN BYTE MODE.
    ENDLOOP.
    * ->Create spool request in PDF format
    CALL FUNCTION 'ADS_CREATE_PDF_SPOOLJOB'
      EXPORTING
        printer  = 'LOCL'            "Printer name supporting PDF device type
    *   DEST     =
        pages    = 1
        pdf_data = lv_pdfsource        "XSTRING internal table
    *   NAME     =
    *   SUFFIX1  =
    *   SUFFIX2  =
    *   COPIES   =
    *   PRIO     =
        IMMEDIATE_PRINT         = 'X'
    *   AUTO_DELETE             =
    *   TITLELINE               =
    *   RECEIVER =
    *   DIVISION =
    *   AUTHORITY               =
    *   LIFETIME = '0'
    * IMPORTING
    *   SPOOLID  =
    * EXCEPTIONS
    *   NO_DATA  = 1
    *   NOT_PDF  = 2
    *   WRONG_DEVTYPE           = 3
    *   OPERATION_FAILED        = 4
    *   CANNOT_WRITE_FILE       = 5
    *   DEVICE_MISSING          = 6
    *   NO_SUCH_DEVICE          = 7
    *   OTHERS   = 8
    IF sy-subrc <> 0.
    * Implement suitable error handling here
    ENDIF.

  • How can I import an m4v movie from my desktop to my event Library in iMovie?

    How can I import an m4v movie from my desktop to my event Library in iMovie?  I want to include the m4v movie into another project in iMovie.

    When you import DV Stream from tape, iMovie 11 will assume that you are importing raw footage from a camera, rather than a finished movie. It will create a new clip everytime it detects a scene break (the record start/stop button was pressed). These clips will be placed in chronolgical order - not the order they were on the tape.
    One way around this is to import the tape into the application that you used to create it. For example, if you used iMovie 6, import the tape back into imovie 6. In iMovie 6, you can export the tape back out using FILE/EXPORT USING QUICKTIME. Choose the DV codec in an MOV container.  You can then import this MOV file into iMovie 11 and have everything in the proper order for your finished movie.
    Another option is to use FInal Cut Pro X.

  • FCP not exporting or sharing

    My son upgrade our mac 10.1.1 9 Mavericks a month ago and upgraded FCP X....and now I can't burn DVDs, export or share.  The only thing i can do is export a file as a 'fcpxml' which won't open with anything but FCP X. Can someone please help me? Thanks!

    So your copy of FCPX is version10.1?
    Are the Share options unavailable or does it hang or crash when you export?
    Russ

  • Avid to FCP DV export

    A question for my learned colleagues... I have a chance to create a tapeless workflow based on exporting a finished PAL DV25 420 sequence from Avid Xpress Pro and using that somehow in FCP, but the absolute proviso is not to take a quality hit on the way. The typical Avid plethora of confusing choices for QT export surely means they can't all export the media content in a native state...
    I know Avid DV codecs reverse the field order of DV to match standard 601 (is that how they mix res's in timelines?) so some wrapper translation is inevitable. But I'd like to find a way to export the "essence" (to borrow a term from MXF) without modification. Most people suggest DVStream as the best "rewrap", but DVStream, though native to iMovie, has never been the best choice for FCP...
    If it all gets too hard I'll go via tape but a faster-than-real-time picture export is tempting, especially as we need one for ProTools. Can anyone shed any light on this?
    Thanks!
    Quad G5, 3 x Dual G5s, G4 AGP @ 1 GHz   Mac OS X (10.4.6)   FCP 5.0.4, Final Touch HD

    might be worth installing Avid's DV codec onto your FCP Mac, and then take a look at Shane's tip for Editing non-standard FCP codecs
    hope it helps

  • Anyone get FCP to 'export using compressor' without it crashing?

    As per the subject lads, for a long while now FCP 6 produces the spinning beachball and hangs indefinitely when I try to 'export using compressor'. I have to export using QT, then import the QT file into compressor where it works from time to time ( I think it's a really buggy app ).
    Done all the usual things to try to fix it including full updates etc but it still crashes FCP. It would be handy to get it to work so if anyone has an answer I'd be grateful.
    Peter

    Yep trashed the lot, but I do use instances. I've come across some folks who allow compressor to employ all the available instances but expect FCP to function in the background and they experience hangs and crashes. I have allowed compressor to use half my instances and it fairly whizzes through the work when dealing with self-contained QT movies ( when it isn't playing up ) but I didn't think that using half my instances would still crash FCp when exporting directly off the timeline.
    I'll disable instances and see if that cures it. If it does then it's actually worth abandoning 'export using compressor' off the timeline when I know Compressor works so quickly with self-contained QT movies and instances.

  • FCP cant export any video

    Hi,
    I have been dealing with editing a feature film for some months now. I've been able to easily export the sequence until now. I have tried a few things. I exported a self-contained quicktime movie, I used compressor in FCP to export it that way and none work. I even erased my hard drive, and installed all the software again. With no luck. I use to have an aja kona LSe card connected to an external monitor, but that stopped working about a week ago. When the problems started happening. I am trying to play with that and see if I can get it to work again, but no luck. When the project is open now FCP in general has become very slow. My settings now for FCP are the standard DV-NTSC anamorphic set-up. Any help would be much appreciated thanks.

    You likely have some media that's corrupt and that is what is stopping the export. The LHe card is another thing altogether.... you might call AJA about that. Try moving your media to another folder on the same hard drive, then open the project and reconnect the media files a few at a time until you see a crash or warning, or something that lets you know that the media needs recapturing. If this fails to fix you up, I'd suggest a clean erase and install of OS X, then FCS on top of that on a fresh startup disk. If you've not done this in a while, it's likely time anyway to do it.
    Jerry

  • FCP keeps exporting progressive ProRes files as Interlaced

    I have captured a clip from tape using 1920x1080 25i setting on Kona3 card with the ProRes HQ codec. The tape is progressive but there was no option to capture 1080 25psf so I was informed that 1080 25i would be fine.
    FCP states the clip has Upper field dominance so I set it to 'None' and dropped it into a 1920x1080 ProRes HQ 25fps sequence.
    The Sequence timeline settings were 'None' and the Prores Advanced codec options the Interlaced option was also unchecked. All fine, exported the clip based on Current Settings to render a new (progressive) Quicktime.
    I then reimported the rendered clip it back into FCP and it stated that the rendered clip is still Upper Field dominant. Short of reencoding through Compressor (v slow and creates a second generation encoded file) I cannot seem to get FCP to export this material as progressive.
    Is there a way I can just change the Field Dominance flag/tag of the clip within FCP or another application to "None" withut any rerenders/encodes?
    Any help gladly appreciated as this is becoming a real mystery/headache!

    Jerome Colas wrote:
    If I manually change it for every source file to progressive (which should be done automaticallt by Compressor), I then get a progressive output.
    But that defeats Compressor's purpose and is a source for error.
    Jérôme.
    I'm not sure what this means.
    And I wonder whether it's a metadata thing and, and while disconcerting, whether it will have any practical effect on your project.
    As a test try a single clip. Turn on frame controls with output fields set to progressive. See if it is now identified correctly. If it is bring that into FCP and compare against that against the one that is identified as interlaced.
    If Frame Controls doesn't work, then I think I would use MPEG Streamclip. It's fast and has a very good batch feature.
    Good luck.
    Russ

  • Can FCP-X send interlaced SD-video to iDVD ?

    Hi all FCP-X users - Please enlighten me.
    Can FCP-X send interlaced SD-video to iDVD ?
    Or is it like iMovie'08 - 11 ?
    Yours archeological - Bengt W

    So this will result in NO Loss when exporting out to iDVD as with FinalCut previous versions and iMovie up to HD6.
    Nothing like iMovie'08 to 11 will occure ?
    Just to be sure and to be able to give proper answers at forum/a.
    Yours very thankful and admiring Bengt W

  • Novice here,,, Why can't we export to DVD ? Policy or Technology or ?   thx

    Novice here,,, Why can't we export to DVD ? Policy or Technology or ? thx

    Why can't we export to DVD ?
    Am afraid I don't quite understand your question since we can export and create/author DVDs. If you are asking why iMovie does not do so directly, then yes there is a problem of technology involved. QT is basically a "temporal" synchronization multimedia "engine" while DVDs are based on "spatial" compression and synchronization. Therefore, a different "engine" is required for processing the data -- Compressor alone for advanced compression and DVDSP for advanced authoring or a combined simple compression and authoring application like iDVD. If you are asking if it is possible to combine the capabilities of iMovie and iDVD into a single application, then I suppose it would be possible but probably violate the standing policy of Apple's normal "KISS" (Keep it Simple, Stupid) approach of doing things and likely create a whole new level of problems to add to the current ones already present.

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