Can I work on Premiere Pro projects uploaded to the cloud?

Hello, I am new to Creative Cloud and I am too sick to go into the office to work. I am wondering if I can work on Premiere Pro projects from home that have been saved to the Cloud. I haven't really been able to get a clear answer... Can anybody help?

1st, moved to the program forum
2nd, as far as I know PPro will only work with local (on your hard drive) files, not files in the Cloud... but you may be able to work locally if you copy the project and media files to your computer

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Maybe.
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Though not exactly the solution I seek, I've tried an alternative approach... it works (if anyone's interested)... but my original question still stands.
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When I copy & trim my Premiere Pro project via project manager to its new location, I can open the new file and see the track editor now includes broken links to AfterEffects compositions. Since I don't wish to relink these to the current .AEP file, I may package** the original AE project to a location near my newly-located Premiere Pro project folder. To do this, I open the original .AEP file containing any compositions linked to my original Premiere Pro project, and use File < Dependencies < Collect Files. This feature copies all files (and a new .AEP copy) from this AE project to my newly selected destination (as long as no files are missing).
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Thanks.

Oh my god. I figured it out. For anyone having the same issue, it was really so simple I'm kicking myself. I forgot I had a freebie CC account for personal use, as well as the paid one for business use. 2 different email addresses for logging in. I was logging in with the free one. You need to have a paid CC account to access the Premiere Pro CS6 download from your CC App Manager. I logged in with my other email address and bang, there it was.
Just for your own edification, Mr. Waller, when a woman comes in and asks a question she probably already is aware of system requirements, etc. You did not answer the question. If you had read fully my question you would have noticed I've already downloaded Premiere Pro CC, so telling me to make sure my machine meets system requirements is a waste of breath. What you did is called "mansplaining." It is the equivalent of patting me on my little female head and sending me on my way to let the big boys do all this techie stuff. You have no idea my background with technology. Mansplaining is neither warranted nor acceptable. Even if you thought you were being helpful, even if you didn't realize that's what you were doing, it is nothing less than sexist and insulting.

Problem opening Premiere Pro project after upgrades to 4.1.0 and Shockwave

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It sounds like your app isn't activated anymore. When it's in that state, the MPEG codec options aren't available, and unfortunately the RED presets
use the MPEG codec for preview rendering (at least on HD sized presets). So the upshot is that when the MPEG codec isn't available, the RED presets
fail to load.
Reactivating your serial number should fix the problem. Or if it doesn't, you'll need to sort out with tech support why your MPEG isn't coming back online. (You're probably looking at more reinstallation fun unfortunately )

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I'm using Speedgrade to grade clips in a Premiere Pro project. I'm trying to adjust a primary layer grade across a clip using different keyframes. It is not working: when I set up a second keyframe, I try to make adjustments to the offset, gamma, and gain in the second keyframe and, while the sliders slide, I'm not seeing any results in either the clip or the scopes.
It's working fine when I create a Speedgrade project. But it's not working with an imported Premiere Pro project.
I can't find any indication of a bug related to this. Anyone have any suggestions?

I've submitted the bug report.
Here's a bit more information about my environment:
MacOS 10.10.1.
Macbook Pro Retina (mid 2012)
2.7 GHz Intel Core I7
16 GM memory
Intel HD Graphics 4000 1024 MB
I have some 3rd party plugins installed in Premiere, but none used in the test case. And in fact I can reproduce the problem with a fresh project by following these steps:
1. Create a new project in Premiere.
2. Import a video file. (The video file is one that I recorded with my Canon 5D mk iii, but the original problem was using files gotten from a GoPro, so that detail doesn't seem to matter.)
3. Create a new sequence.
4. Take a 3 second clip from the video file and put it in the sequence.
5. Take a different 2 second clip from the video file and add it to the sequence.
6. Use the File/Direct Link to Speedgrade menu option to load the sequence in Speedgrade.
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8. Select the second clip. Position the cursor over the first clip and hit "c" to copy the grade changes from the first clip to the second.
9. Position the read head about midway through the second clip.
10. Hit the diamond to add a keyframe.
11. Make changes to the offset and gain brightness sliders at that keyframe.
12. Hit the keyframe left arrow to move to the initial keyframe in the clip.
13. Notice that the brightness changes made on the original keyframe show in this keyframe. This is unexpected behavior.
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My 50-minute Premiere Pro project suddenly degraded between work sessions. It contains mixed footage - mov files the smallest and the sequence settings match that - and dv footage.
It looked perfect, but when it was opened to resume work on another day them image quality had degraded badly. When rendered It plays ok but is degraded in pause. Color correction is now impossible.
I hope you can help.

For starters, you can't perform a proper color correction using the built in monitors. They are not designed to show you an accurate image, as you're now discovering. You MUST get the signal off the computer and onto a properly calibrated TV. This will ensure you're seeing the signal accurately, which is the first step in color correction. Trying to remove too much red that was put there by an inaccurate display is an exercise in futility.
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When I import a Premiere Pro project into After Effects, it splits every shot onto a new track, ending up with a couple of hundred tracks at the end.
Is there a way to avoid this ?
Particularly, since I'd want to keep the option of bringing the project file back in Premiere for further editing.
My colorist suggested that I nest reels of my timeline and split it that way so that when he imports it he has nests on one timeline and the multiple tracks in each of those nests. Still, this feel very clunky.

An editor at work was using our Avid to do a grade on a short promo and I
wanted to see what I could do in After Effects. So when he was out of the
office I exported the timeline as an AAF and copied the OMFI media. When I
brought the project into After Effects I ended up with a massive number of
layers and freaked at first at the idea of doing anything with it.
However I thought about it again and decided to precompose all the layers,
as this gave me just one layer to work with. I then added a couple of
Adjustment Layers above it; one with a Levels effect added and the other
with HSL. I also added Masks to the Adjustment Layers so I could vignette
any effect.
The key to working like this was to use Hold Keyframes at the beginning of
each new shot for each effect, Mask Shape and Feather. I could then adjust
that shot, scrub to the next shot add new Hold Keyframes adjust that shot
and so on. When I wanted to repeat any effect settings on a shot, I just cut
and pasted the relevant keyframes. Mixes across shots can be tricky but you
can always go back to work with the original shots on their separate layers
if you need to.
I ended up with a quick grade that stood up nicely against the one done on
the Avid and I only had work with 3 layers on my timeline!

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This post is not a question. It's here, because I've found a solution and want to share with You.
I've noticed a strange problem during export from AE to PR.
Ok, here I go.
AE = After Effects CS3
PR = Premiere Pro CS3
My AE project is D1/DV PAL Widescreen. It is a sequence of slideshow with some video effects applied. I needed that sequence in PR. I was happy to find a new feature - export as premiere pro project (new for me - i am pretty rookie ;). Thaks to this feature I have saved most of my disk space that is always to low. But, like every first try, this one was not perfect too. I had two problems.
Problem no 1.
I opened exported project in PR and saw message like "video effect AE.CC COMPOSITE not present".
Whole composition was working perfectly except that one video effect that was fundamental for this project.
*Solution was as easy as it can be. I've just copied that effect from AE plugin folder to PR plugin folder. It worked for this.
Problem no 2
Like says AE Help "When you export an After Effects project as an Adobe Premiere Pro project, Adobe Premiere Pro uses the settings from the first composition in the After Effects project for all subsequent sequences."
Project settings in PR was exactly D1/DV PAL Widescreen. So where is the problem You ask?
Therefore why my Timeline works in NTSC 29,97 frame rate if all settings match PAL 25 frame rate?! I don't know.
*Solution to fix this annoying bug is to create a new project in PR with all settings for D1/DV PAL Widescreen in this case. Than just import that PR project exported from AE. Now timeline works like it should in PAL frame rate.
That's it.
I hope this post is helpful, because I didn't find any answer for this here in Adobe forum.
Adam

Who's says that Microsoft can't debug?
I used msconfig, first disabling startup items, -same result.
Enabled all startup items, disabled all non-microsoft services - AE worked!
I re-enabled each service in turn until AE crashed.
The fault was related to an item for a video streaming device I have in my house. It was Monsoon-multimedia's Vulkano Service. Sometimes under the old name of Hava, this is an app that acts like a sling-box to send my Cable TV to my screen. It does load a couple of virtual devices in device manager, and uses a proprietary codec.
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USB Mic not working in Premiere Pro CS6 for Mac

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Importing a Premiere Pro Project file in AE

Hi,
I've just finish editing a long feature with Premiere Pro that I've broken down into 10 project files to allow Premiere not to have the memory crash.
Now I'd like to import in AE the project file to be able to do image stabilization on different shot and sky replacement.
My questions are:
a) If I import the project files, can I make modifications in AE (like color correction, stabilization, sky replacement,...) then save the project so that it can still be opened in Premiere
b) Can I recombined my whole feature into one project in AE or the memory won't handle it as Premiere's memory didn't ?
Thank you.

> If I import the project files, can I make modifications in
> AE (like color correction, stabilization, sky replacement,...)
> then save the project so that it can still be opened in Premiere
You can save a Premiere Pro project from After Effects. See
"Export an After Effects project to Adobe Premiere Pro".
Note that there are several other ways of moving data between After Effects and Premiere Pro, including copy & paste and Dynamic Link. See
"Working with Adobe Premiere Pro and After Effects".
> Can I recombined my whole feature into one project in AE
> or the memory won't handle it as Premiere's memory didn't ?
The size of the project doesn't tend to be a problem for After Effects. (Frame size, occasionally; image buffer size, occasionally; but not project size.)

Exporting Premiere Pro project to Final Cut

Anyone knows if it's possible to export a Premiere Pro project (possibly a CS4 project) into Final Cut 6.0.6 and how should it be done?
Thanks in advance!

Premiere Pro fo Mac or PC?
The PC version captures footage and wraps it in an AVI container. Final Cut Pro works with QuickTime.
You will need to recapture the footage if it was originally done on a PC version.
Can Premiere Pro export an EDL?
It's primitive but at least your shots will be in the right order and length. No filters or effects will be carried across though.

Can I work on Premiere Pro projects uploaded to the cloud?

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