Can PPro CS3 Edit-Export 1920x1080 (1080i) HD Video?

Can PPro CS3 Edit-Export 1920x1080 (1080i) Video? I have found no way to do this.
Any help would be appreciated.

Scroll down to where it shows CS3:
Choosing Premiere Pro Project Settings for HD Video | Longzijun

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Service sucks I can't creat editing exporting PDFS

I can't create editing exporting PDFS

Hi flossiem94432250,
Please specify more on the same.
What exactly do you wish for? Do you want to export PDFs to other formats?
Let me know.
Regards,
Anubha

Can Ppro CS3 projects be imported by Media Encoder CS4

Hello:
I have Ppro CS3. I also have the Design Suite CS4. I would like to render out Ppro CS3 sequences or projects into F4V files in Media Encoder CS4.
Does anyone know if this is possible? When I select "add Premiere sequence" in Media Encoder CS4 and find the Ppro project in the file tree Media Encoder hangs just upon selecting the Premiere project without even attempting to add to the render queue. I am not sure if this is because CS3 project are incompatible, or for some other reason. As mentioned, Media Encoder CS4 hands as soon as the Premiere project is clicked to selected and before "ADD" is clicked to add to the render queue.
Anyone come across this problem? Is it fixable, or are Ppro CS3 projects just incompatible with Media Encoder CS4.
Thanks.
Jeff

I appreciate the reply.
However, unfortunately, I do not have Premiere Pro CS4. This is why I am trying to export to Media Encoder CS4. I own the Design Premium CS4 suite which has Media Encoder CS4 version built in.
Media Encoder actually is a stand alone product. When you bring the program up, It has import options for the files you wish to encode. One of the options is to import a PPro sequence. However, when searching the system for Sequences, I could only figure out how to get to the Pproj files.
Documentation appears to indicate the Pproj files are compatible with Media Encoder. However, when I droped in the Pproj file from Premiere Pro CS3, I got a message that it was not a compatible file (message text may not have been that exact statement).
This is why I was curious to see if there is a version compatibility issue, or if someone can tell me how to other render out of Premiere CS3 into the Media Encoder version that comes with CS4 suites.
Thanks.
Jeff

Can I import/edit AVCHD (1920x1080, 60FPS) in Imovie 10.0.04?

Can I import and edit AVCHD (1920x1080, 60Fps) in Imovie version 10.0.04?

Thanks for the responce but unfortunately Precision Editor is greyed out just like all of the other editing tools. I hope Apple is working on a fix because I have some videos I'm trying to finish.

What's the best way of importing, editing, exporting and watching AVCHD videos without losing quality?

Whenever I import AVCHD (.mts extension files) to Final Cut Pro X (via Import from camera), iMovie, Adobe Premiere Elements 10 or Adobe Premiere Pro CS4; when I later export those videos to any format I can imagine, I can't get the same quality than when I play them through the camera connected by HDMI to TV (the camera's movements are not any smooth).
How have you solved this problem? Is it just me?
By the way, maybe the problem is in watching: what apps do you use to play the exported media? Do you watch the final videos just on TV? Do you create blu-ray discs?
I was also wondering what would happen if I created a blu-ray image, have you tried this?
Thanks in advance,
Pol

My video was shot by a Canon HF100 at 1440x1080 25fps 1080i 25i (interlaced) and imported to Final Cut Pro X without transcoding to ProRes (1st time) and transcoding (2nd time).
The project settings are set to: set automatically based on 1st video clip (so they're 1440x1080 1080i 25i) and I used to leave Audio and Render to default settings (Surround, 48kHz, ProRes 422), but I have also done a few tests with ProRes 422 HQ and Uncompressed 10-bit 4:2:2. Should I try with ProRes 4444?
I usually export the project using Current settings (in video codec), and I've also burned an AVCHD DVD (I plybacked it on PlayStation 3 - also looked choppy). I've also exported to H.264 codec.
The video looks choppy on Mac played by Quicktime and VLC. The video I could export to MP4 also looked choppy on PlayStation 3 and Samsung LED TV.
Thanks for taking your time,
Pol

Exporting from PPro CS3 -- lots of trial and error - and Cineform?

Rather than showing up on this forum out of nowhere and asking, "what is the best codec for exporting HDV edited material from PPro CS3 when the desired presentation is standard definition DVD" I thought I would do my homework first, and post my results. Then, if anyone has any suggestions on how to improve or if their mileage has varied from my results, I hope to learn from your comments.
My camera is a canon HV20, filming in 1080/60i and capturing using HDVSplit (due to premiere's inability to keep my audio and video in synch). I am operating in Windows XP Pro w/SP2 with a dual core AMD 6000+, 2GB dual channel DDR2 800 RAM. Seems powerful enough for me.
My finalists in terms of visual quality when burned to DVD using Encore CS3, 7MB 2 pass VBR, came down to these:
1) H.264 max bit depth
2) QT Animation Sorenson
3) QT Animation Sorenson3
The H.264 takes a little longer to encode, but the visual quality wins out.
So, after doing this and reading posts on here about using Cineform AspectHD I thought I would download a trial and see what it does for me. The strange thing is, I don't seem to understand what advantage it offers, but surely it must be something since it costs $500!
After trying the Cineform trial for a couple of days, I'm not sure I understand what good it is doing. The CFHD files have to be rendered upon placing on the timeline, and they have longer render times when applying standard effects such as the Premiere color correction and time-remapping effects. No apparent difference in visual quality, but much larger file sizes to store. So why is it that folks use Aspect HD???
Hoping if you read this far you will share your preferred HDV-->SD export codecs and settings so I and others can learn from your efforts.
Oh yeah - and eventually, I will be purchasing a blu-ray burner so I want to export these same projects from Premiere into blu-ray format. But for now, it is standard def in 16:9 format.
Thanks for any comments or suggestions.
MS

My computer is similar to Mystroh and Esc in KC. I am not as picky and I want to work in standard definition, I've been making movies in Premiere since version 5.5. In Premiere Pro version 2 I have been making movies using 3 different Sony videocams, usually about 30 minutes long, and exporting to tape and DVD.
So, I splurged for CS3 Production Premium and installed it. No problem.
I composed my first movie called 'Swindle Part 1'and exported it to Encore, (direct to DVD - no authoring) and it bombed near the end of the transcoding phase with the following message:
PGC "Swindle Part 1" has an error at 00;29;46;09. Internal software error: %0, line Swindle Part 1, ref = Bpgc, time = 00;29;46;09
The referenced timecode is one second from the end of the sequence.
I tried again with different clips in a different project and got the same error message.
I can successfully export this movie to tape and to a movie.
Any ideas?

Exporting to encore dvd with trial version of PPro CS3

My question:
Are we supposed to be able to use Encore DVD with the trial version of PPro CS3?
If so, then what are the proper steps?
Background:
i have downloaded a trial version of PPro CS3. I have wanted to check out the Encore DVD maker that now is included with the PPro. However, when i attempt to export a timeline to Encore, the 'export to encore' is not active. In other words, i see the words 'export to encore' but they are faded and thus the link to it is 'dead'.

Trial does not with any flavor of MPEG due to license restrictions
You may import-edit-export DV AVI type 2
Encore is not activated until you pay and convert the demo to real
Read the FAQ article
Converting Download Trial to Registered
(read subject
How do I convert a trial version to a version for unrestricted use?)

Can In-Browser Editing be used on a site exported as html?

can In-Browser Editing be used on a site exported as html? (Local Intranet)
Thanks

Since In-Browser Editing is not able to connect to servers that are within local/private networks, the FTP host must be publicly available. Also, it will only work when published via "Upload to FTP Host..." which saves additional details needed for In-Browser Editing to function that "Export as HTML..." does not.

How can I export 1920x1080 Mp4 directly from FCP

How can I export 1920x1080 Mp4 directly from FCP

Thanks Russ.
I wasn't thinking about the Apple Devices so much as the Master File set to Audio & Video which produces a .mov file.
I have normally used the Master File to export my videos but will experiment in future with "Computer".
I've taken a closer look with VideoSpec and notice that the data rate of the .mov file is about 70% of the .mp4 and the file size is correspondingly smaller.
The export/render time of the .mov is also somewhat quicker.

Can't install PPro CS3 on new computer

After doing previous research it appeared that PPro CS3 (and the rest of the Production Premium Suite could be installed on a 64 bit machine.
I attempted to install Production Premium (but only selected PPro, AE, Soundbooth and Encore) and got an error message after all 4 discs were completed as instructed in the installer. The error may have to do with the fact that I installed a download version of Design Premium CS4 a few weeks ago. The download was made to my desktop. The installation was then directed to the C drive. After the install was complete, I deleted the download file since I did not want a 500MB file on my desktop.
The CS4 programs all seem to work fine. However, when I tried to install the CS3 Production Premium programs, I got a lengthy dialog box of the errors which referenced missing files that the installer identified as being on my desktop.
Is there a way to install Production Premium CS3 successfully on a 64 bit machine given these conditions?
Many thanks.
Jeff in Palmetto, FL

If you have Win7 64bit PRO or higher, go to http://www.microsoft.com/windows/virtual-pc/

How do you export a 1080i AVCHD project as an uncompressed file

I have an AVCHD 1920x1080 60i 29.97fps project (shot on a Canon HF10) that I need to export as a self contained (audio/video together) uncompressed file that's playable in Windows Media Player or Quicktime Pro and that can be edited again later on if need be in Premiere Pro CS4.
I have all the latest updates to CS4 and drivers, etc. My PC is an i7 2.93 GHz, Vista SP2 32 bit, 6 GB RAM. I have a GTX295 video card.
Here's what I have tried so far:
-I tried exporting as a Quicktime file and despite choosing widescreen the video plays back vertically squeezed.
-I tried exporting using Uncompressed AVI and the file played back in Windows Media Player with aduio only and no video.
-I chose Microsoft AVI and then chose "codec none" so it would be uncompressed. I got video and audio but the video stutters.
If I export to a Blu-ray MP4 or reduce the quality to a DVD AVI (720x480) it exports and plays back fine.
On a different note, if I take the widescreen DV AVI and bring that into Quicktime Pro it looks vertically squeezed.
Can anyone tell me what settings I should be using to export? I want to be able to archive the file and reuse it later without losing quality.
Can anyone recommend optimal settings to go to burn to Blu-ray too? What's the best quality format to export to?

The MTS files that I imported into my project are 1080i 29.97 fps, upper field first, 1.0 pixel aspect ratio.
I tried encoding an AVI with the Lagarith codec with these settings and had better results this time but the frame rate still stuttered.
I even tried making an MOV with the H.264 setting and had strange results.
I can make an H.264 MP4 at 1920x1080 with no problem.
What are the exact settings for an MOV or AVI just in case I missed something? I really want to have an uncompressed file to archive that can be easily edited later on. I'm thinking that MOV would be the most flexible format.

OnLocation and PPro CS3 - DVCPROHD settings

I've just finished an extensive studio interview shoot capturing 1080p25 with my HVX200 and OnLocation CS3.
The capture worked fine and I can play the clips back without fault, in OL and various other media players.
However, I just cannot set-up Ppro (CS3) to edit the footage natively (without the red render bar in the timeline). Playback is choppy as a result.
I've tried every combination of preset and custom settings I can think of and still no joy. OL documentation even has a section on how to set-up your project but that has the same result. I wish that Premiere had the functionality of FCP where it will conform the project settings around a clip that you import. At the moment it's a matter of trying many combinations of settings in the hope one will work.
At the moment I'm having to use a P2 preset in Ppro, export each clip from the timeline as a P2 export and then bring them back into a P2 project and finally edit them. Very time consuming, 2 hours per 30 minute clip, of which I have about 20 (I'm currently on number 5). I find it hard to believe that two products from the same Suite are so hard to work with together.
I'm guessing it has something to do with CODECs but that's an area I'm pretty foggy on.
If anyone could provide some help, it would be greatly, greatly appreciated. I'm happy to email smeone a small fragment of a clip if that would help.
Many thanks.

...is not so good - bad colours. In Microsoft DV Avi-DV Pal compression. D1/DV PAL Wide is pixelate. I have click the de-interlace so it is not because of that. I have no problem to use encore it the file i send is compressed in those settings i mention before. I have no problems in compressing the file with those settings at all, like i have when i want to transfor the video in avi uncompressed.
Oaaa...i am going crazy here. I have had so many problems with this and if i end up working this documentary and not beeing able to export it i go mad!...this if i do not go there before because of this problems...

Crash PPro CS3 when launching AME

PProCS3 crashes with "Sorry, serious problem" box, when trying to export sequence through Adobe Media Encoder. Same happended with CS4, so we decided to downgrade back to CS3.
We've uninstalled/cleanuped everything Adobe related and done fresh install of PPro CS3 on following workstation:
Intel Core i7 920, 6Gb RAM,
WinXPPro x64, SP2, DX9,
nVidia Quadro FX1800, 768Mb RAM, dr.v. 6.14.11.8267,
Latest K-Lite and QT drivers.
sherlock.exe shows "known false positives" - H.264/AVC, MPEG. (are they really so false?)
dxDiag.exe passed perfectly, however Windows Error Reporting displays a number of identical entries:
"AppErr adobe_media_encoder.exe <ver>, faulting module winmediaopwriter.vwr <ver>, fault address 0x0002934d;
"
another computer (Intel P4, 512Mb RAM), runs PProCS3 and exports all and everything (except Encore). I even copied all those .ax and .dll files to i7's PPro with no change in its crashing.
reinstalled suite and QT already several times in different combos - no progress.
tired and no idea what to do next.
please, can anyone suggest any solution?.
P.S. Crash also happens, when in AfterEffects trying to set output format to MPEG/H.264

Cannot describe my feelings, but yes I did uninstall KLite with no change - crashed like before.
And then I recalled someone in forums sugesting to disable modules on crashy startup sequence (we have experienced this with CS4)..
on last resort I decided to disable that winMediOPWriter.vwr and couldnt believe myself when AME window dialog appeared.. I expected to PPro crash on encoding, but NO - IT WORKS WORKS WORKS!! (at least DV-AVI, MPEG1 and MPEG2).
Similar solution ALSO worked for After Effects, still I don't know what those modules are intended to do. Could anyone tell?
Tomorrow I'll check other formats and compatibility with other CS3 modules, like Encore.. or even K-Lite pack.
Thank you all for your will to help and I hope my experience will save someones hours, days, weeks and nerves..

Problem exporting Quicktime 1080i

I'm using PPro CC, sequence and footage is 1080i 29.97. When exporting to a Quicktime H.264 file, I select the preset for 1080i 29.97. Upon export of the file, I can re-import it, and PPro interprets it correctly as 1080i (upper field first).
But, MediaInfo interprets it as Progressive (under Scantype).
I've searched these forums, and even googled for the answer, but can't find anything.
I don't know if it's a bug in PPro (or AME), or in MediaInfo.
I work for a TV station, and all of our spots/shows go through FlipFactory, which I believe scans the files the same way MediaInfo does, and don't want issues.
Any help would be appreciated.

Thanks everyone for getting bak to me. Your advice was helpful. After messing around further, I noticed that in the viewer window in FCP there is a little pop-up window which allows you to choose the size of the window as a percentage. At the very bottom of it, there is a choice that was checked off: "Show as square pixels." When I uncheck that selection, then it plays the movie within FCP with the same aspect ratio as the exported movie in quicktime.
As someone pointed out above, this has to do with the dimension of the pixels in DV, which are rectangular. So my new question is this:
Which is the correct way to display the image? Should I have the "show as square pixels" checked or unchecked within FCP? Or is the true image when it's unchecked, and the way it appears in Quicktime after exporting the movie? The quicktime movie looked stretched to me, but maybe that's just becuase my eyes were used to the "show as square pixel" version within FCP.
If anyone knows the answer to this, I'd appreciate it. And thanks again for all your help.
Bill

How can I "proxy edit:" a high-definition project?

This is an undocumented process, created by the always amazing Robert Johnston, and a good solution if you find that editing HDV and AVCHD video natively puts too much stress on your system's resources.
Proxy editing temporarily substitutes a sort of preview video for the native files, usually one of lower resolution so that you can work with it more easily. Then, when you output your project, the editing and effects applied to the proxy video are applied to the actual footage, creating a high-definition output.<br /><br />Here is Robert's solution:
I have a custom project preset for 1080i that has an editing mode of 360x270. Anything you render as a preview is only 360x270 "MPEG-2 I-Frame Only." You can create your own and see if it helps with editing.
To create your own, you first pick a project preset by clicking "Setup" on the startup screen displayed by Premiere Elements 4. Select the 1080i 30 or the 1080i 25 project preset from the HDV tree inside the NTSC or PAL nodes. Click the "New Preset" button, then click the "Save" button, then give the custom preset a name and description of your choice. Click "Save as Default." Exit out of Premiere Elements.
Now open up your custom preset with WordPad. The custom preset file will be in the following folder:<br /><br />C:\documents and settings\[login id]\application data\adobe\premiere elements\4.0\settings\custom\
Once you've opened it in WordPad, scroll down past the gibberish until you get to the line with ObjectID="6" and change the PixelAspectRatio from 1920,1080 to 480,360 and change the FrameSize from 1440,1080 to 360,270. Then save the file.
<VideoSettings ObjectID="6" ClassID="58474264-30c4-43a2-bba5-dc0812df8a3a" Version="8">
<MaximumBitDepth>false</MaximumBitDepth>
<PixelAspectRatio>480,360</PixelAspectRatio>
<FrameSize>0,0,360,270</FrameSize>
After saving the file, you can start up PE and create a new project based on that custom preset. Clips you drag to the timeline will look normal sized, but if you render a preview of it, it will only be 360x270. It will look best when magnification is set to "Fit" or 50%.
Add titles, effects, transitions. Then render a preview.
You may not think that this would export correctly, but so far it has worked for me. The only thing that I haven't tried is burning a Blu-ray disc
Titles won't come out correctly if you change framesizes in some of the other ObjectIDs of the custom preset file. Just change the one that I specified.
Hopefully that gives you the idea so you can change the frameszie to something else if you don't like 360x270."

Paul_LS
Thanks for the reply.
I am with you about editng preview file (proxy) instead of the original AVCHD HD1080i or HDV HD 1080i. But, I went off course with your comment:
"Using the proxy you can view the video/effect without rendering" since you do not see the preview file until after you have rendered your edit of the Timeline.
Perhaps my understanding of that will answer the question that I asked about the benefits of using the proxy procedure if the workflow is just import, no edit, export.
ATR

Can PPro CS3 Edit-Export 1920x1080 (1080i) HD Video?

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