Canon 5D Mark II and Canon 50mm 1.4 for sale

Hey guys I'm selling my Canon 5D Mark II and Canon  50mm 1.4. I'm looking to sell them as a package for $1200 or BO. I am willing to negotiate at a reasonable price.  I live in New Hampshire.  Thanks! 

Unfortunately, the 5D Mark II isn't yet have support for tethered shooting as does the 5D Mark I. There is an Automator action you can set up with a "Hot Folder" using the EOS capture utility that is a decent work around. Been using this technique for several months now. I'm sure an update or next version will include tethered support.

Similar Messages

  • Sales Order no and IDOC No Link table for Sales Out bound IDOC ORDRSP

    Hi Friends
    How to find Sales Order no and IDOC No Link table for Sales Out bound IDOC ORDRSP.
    Thanks in Advance.
    SR

    Hi
    If the idoc is managed by message, the link are stored in GOS (Obeject Service)
    U can try to use the function module NREL_GET_NEIGHBOURHOOD
    If you put
    IS_OBJECT-OBJKEY = <sales document>
    IS_OBJECT-OBJTYPE = <business object> (I think BUS2032)
    the function returns the idoc
    or if you put
    IS_OBJECT-OBJKEY = <idoc number>
    IS_OBJECT-OBJTYPE = <business object> (I think IDOC)
    the function returns the sales order
    You can investigate that function module in order to find out the tables
    Max

  • Standard smartform name and standard print program name for Sales Quotation

    Hi,
    I would like to know the standard smartform name and standard print program name which can be used for sales quotation through transaction VA23.
    For eg: The standard output type for billing document (For T code VF03) is RD00 and it' smartform name is LB_BIL_INVOICE. It's print program name is RLB_INVOICE.
    Similarly, I would like to know the standard smartform name and standard print program name for AN00 output type which is used for sales quotation. .
    Regards,
    Zahid

    Hello
    std driver prgram is /SMB40/RVADOR01
    form entry is ENTRY
    std smartforms is /SMB40/SDQUO_A an du can check this the in NACE tcode.
    Output Type     AN00          Quotation
    Application     V1            Sales
       Program                   /SMB40/RVADOR01
       Form Routine              ENTRY
       Form                      RVORDER01
       PDF/Smartform Form        /SMB40/SDQUO_A                 
    Thank u,
    santhosh

  • Canon 5D Mark II for sale

    Hey guys I'm selling my Canon 5D Mark II and a Canon 50mm 1.4 for $1200. If you could pass this along, that would be great!
    Thanks

    Stacie,
    Almost always things like this are the fault of the CF card but not entirely.  The things you need to know and do are....
    Buy top quality cards like Snadisk or Lexar.  Get them from known good retailers. Usually 4GB, 8BG or 16GB is best.
    Only format the CF card with the camera, never with a computer.  Format the CF card before each important shoot.
    Have spares.
    Another important factor is to set the camera back to factory defaults whenever you see someting you don't know how it happened!
    You may want to reinstall your camera's firmware and this is a good time to make sure it is the latest from Canon.
    Go to the 5D Mk II web page.
    And card readers go bad.  Get a new one.  They are cheap.  Even the USB port in your computer can fail so try a different port or another computer.
    It is also possibilt that one or two of the very tiny pins in the CF card slot have been bent over.  Use a flash light to see it they are all upright.
    I use the entire line of 5D's and they are truly great cameras.  You will love it.
    EB
    EOS 1Ds Mk III, EOS 1D Mk IV EF 50mm f1.2 L, EF 24-70mm f2.8 L,
    EF 70-200mm f2.8 L IS II, Sigma 120-300mm f2.8 EX APO
    Photoshop CS6, ACR 8.7, Lightroom 5.7

  • DRQ: Different default warehouse for Sales,Purchase and Production Process

    Hi Experts,
    In my recent Implementation Project I realised that there should be provision of capturing and using different default warehouse for Sales,Purchase and Production.
    For example in manufacturing company
    1. Default ware house for Purchase process should be QC ware house for raw material.
    2. Default ware house for Production process should be RM ware house for raw material (components).
    3. Default ware house for Production process should be QC ware house for Finished Good (Parent Item).
    4. Default ware house for Sales process should be FG ware house for Finished Good (Parent Item).
    I hope the idea is clear, I am looking for 3 different set as default warehouse for each item in Item master Inventory tab.
    Internally when a user create a document than default warehouse is to be picked up from this setting !
    Best Regards,
    Samir Gandhi

    Hi !
    I guess the indicator "Exclusive" in the accessess of the access sequence can meet the requirement if I have note misunderstood the issue.
    Press : F1 help on Exclusive Indicator -
    Indicator: Exclusive condition access
    Controls whether the system stops searching for a record after the first successful access for a condition type within an access sequence.
    Thanks & Regards

  • Canon 5d Mark II and Raw Images in CS4

    HI
    I have a Canon 5D Mark II and have just upgraded to standard CS4. When I go to view my Raw files on bridge I am unable to do this - all I see instaed of the thumbnail is the CR2 file. When I click on the file it states 'could not complete your request as it is not the correct type of document' - can you please advise how I can view these files?
    Thanks

    hu38 wrote: I have a Canon 5D Mark II and have just upgraded to standard CS4. When I go to view my Raw files on bridge I am unable to do this - all I see instaed of the thumbnail is the CR2 file. When I click on the file it states 'could not complete your request as it is not the correct type of document' - can you please advise how I can view these files?
    The Canon 5D Mark II requires at least version 5.2 of the ACR plug-in.  See http://kb2.adobe.com/cps/407/kb407111.html
    The CS4 default installed ACR 5.0 so you have to upgrade the plug-in.
    Get version 5.6 here: http://www.adobe.com/downloads/updates/

  • I have CS4 and was using a Canon 5D Mark II with raw photos. I just got the Canon 5D Mark III and CS4 now can not read the raw photos. It has raw version 5.7.0.213 and CS4 version 11.0.2. Can anyone help?

    I have CS4 and was using a Canon 5D Mark II with raw photos. I just got the Canon 5D Mark III and CS4 now can not read the raw photos. It has raw version 5.7.0.213 and CS4 version 11.0.2. Can anyone help?

    Camera Raw plug-in | Supported cameras
    Camera Raw-compatible Adobe applications
    EOS 5D Mark II
    CR2
    5.2
    2.2
    EOS 5D Mark III
    CR2
    6.7, 7.1
    4.1
    Photoshop CS6
    7.0
    8.3
    Photoshop CS5
    6.0
    6.7
    Photoshop CS4
    5.0
    5.7
    The 5D Mark II was first supported by Camera Raw 5.2 which is compatible with CS4+.
    The 5D Mark III was first supported by Camera Raw 6.7 and 7.1 which is only compatible with CS5 and CS6.
    So the CS4 will never be able to open Raw 5D Mark III files.
    Why doesn’t my version of Photoshop or Lightroom support my camera?
    Choices:
    Purchase CS6 full version (CS4 is too old to qualify for an upgrade)
    Join the Cloud
    Free option: download the free Adobe DNG converter, convert all 5D Mark III Raw files to DNG format then edit the DNGs in CS4
    Photoshop Help | Digital Negative (DNG)

  • Recently upgraded to a Canon Mark 3 and now having issues with my RAW files in Bridge and Photoshop. I am operating with CS4. Photoshop produces an error " Could not complete your request because photoshop does not recognize this type of file"

    Recently upgraded to a Canon Mark 3 and now having issues with my RAW files in Bridge and Photoshop. I have operating with CS4. Photoshop produces and error " Could not complete your request because photoshop does not recognize this type of file"

    Assuming you mean 5D Mark III, Photoshop CS4 cannot directly open raw files from your camera.
    Generally speaking, Adobe stopped updating older versions to be able to read raw files from newer cameras when they released a new major version of Photoshop. Photoshop CS4 is no longer receiving Camera Raw updates.
    You can double check this yourself:
    First you need to determine whether Adobe has released support for your new camera in your version of Photoshop. To do that, look at these two pages. You'll want to find out the earliest version of Camera Raw that can support your camera, then what version of Photoshop can run that version of Camera Raw.
    Camera Raw plug-in | Supported cameras
    Camera Raw-compatible Adobe applications
    If you find your camera is supported by your version of Photoshop, you need to download the latest update for Camera Raw. There's more information on how to do that here:
    Keeping Photoshop Up-To-Date
    If your version of Photoshop cannot support your camera, you can download and install the latest version of the free Adobe DNG Converter, which can take your raw files as input and put out DNG format files, which your version of Photoshop can open.
    Photoshop Help | Digital Negative (DNG)
    The DNG converter DOES work, but if you want maximal quality from your raw files (not to mention the convenience and ease of use of directly opening your raw files) you'll want the latest version of Photoshop. Adobe has made substantial improvements in raw conversion quality in recent years.
    -Noel

  • Bought a new camera and Photoshop advises me that it can not read my type of file.. Its canon 7d mark 2 and the extension is CR2.

    Bought a new camera and Photoshop advises me that it can not read my type of file.. Its canon 7d mark 2 and the extension is CR2.

    Hi EddieGerdak,
    The update is available now.
    Release details:
    Lightroom 5.7: http://blogs.adobe.com/lightroomjournal/2014/11/lightroom-5-7-now-available.html
    Camera Raw 5.7: http://blogs.adobe.com/lightroomjournal/2014/11/camera-raw-8-7-and-dng-converter-8-7-now-a vailable.html
    Regards,
    Pete

  • Mac Lion 10.7.3, LR 4.1, CS6, Canon 5D Mark III and all the plug ins upgraded! Need the RAW update!

    My workflow has tripple because nothing wants to run smoothly! I am so bent because Adobe, Canon, Apple and every other plug-in software provider can't seam to get on the samer fricken page and I've spent BIG $ over the last 2 months trying to make everything run better... Where is the latest RAW?
    I Purchased the Upgraded Adobe LR 4.1, CS6 Beta & got the Canon 5D Mark III, Mac Pro server update to Lion, WHEN is next dot release Camera Raw? My workflow has trippled in time because of this issue. I'm so frustrated with having to convert images in a slowed up piece of crap canon software package and then wait another decade for the newest LR to load the images I could crap fire! Come on Adobe, where's the release? After a few grand you'd think we'd get a better response time. As for Canon, they are not consistant with community software sharing and can kiss my *!! because to leave Adobe hanging sux!
    There should be new laws that penalize jerks that screw with workflow!
    Time is money, let's go Adobe!

    Let's see:
    5 Minutes of research would have told you about 5DMKIII support availabitliy but that is too much time to spend additionally researching a 15K purchase.
    You paid 79.00 for the LR Upgrade and 14,000 plus for the rest of the package.
    You bought a camera that was released after the 79.00 software.
    You are using a Public Beta for the other software (no cost to you)
    A Camera Raw release candidate with support is availabe. I(again no cost to you
    Yet you say:
    "Come on Adobe, where's the release? After a few grand you'd think we'd get a better response time. "
    So far, you've paid 79.00
    Finally: this is a user-to-user forum-not a direct conduit to Adobe.

  • I just bought the canon 5d mark iii and my photoshop elements 10 wont read my raw files. I want to buy photoshop elements 13...is this compatible with my new camera?

    I just bought the canon 5d mark iii and my photoshop elements 10 won't read my raw files. I want to buy photoshop elements 13 but want to make sure my camera is compatible with it first. Thank you for your help!

    Photoshop elements 10 should be able to open those files if you update to camera raw 6.7
    Which operating system are you using?
    windows
    Adobe - Photoshop Elements : For Windows : Camera Raw 6.7 update for Elements 10
    mac
    Adobe - Photoshop Elements : For Macintosh : Camera Raw 6.7 update for Elements 10
    Also, photoshop elements 13 will open those files as well.

  • Just got me a new camer canon 5D mark iii and now I can't send the images from lightroom to open in photoshop anymore

    Hi Mark, I have lightroom and Photoshop CS6 and worked with it with my old camera, Canon 60D and had no problem
    now I got me a new one, Canon 5D Mark iii and I can import the images into lightroom but I can't not send it from lightroom to photoshop. Also tried to drag and drop the picture image directly into photoshop but it wouldn't allow me to do so.
    What do I have to do to get that working?

    In Bridge, go to Edit->Preferences->File Type Associations

  • Dark pictures with canon 5d mark 3 and 600ex flash, night indoors in Auto Mode and flash on.

    I have purchased a new canon 5d mark 3 and speedlight 600ex-rt flash. While testing it indoor at night , the room lights are on and I was using the Auto Mode with Flash on. The pictures are Dark with the Flash on and when the flash is turned off the pictures are brighter. I am confused. How to get the AUto mode working with the Flash on.

    Automatic mode, it it's attempt to be reasonably foolproof, is going to lock you out of having any control over the exposure.
    The E-TTL metering system on your camera & flash are attempting to find the correct exposure for your subject.  
    Due to laws of physics (the inverse-square law), light has "fall off".  It's not actually possible to use a single light source and expose a large room with that single light.  Either the subject is nicely lit but everything else will probably be too dark.  OR... the background is nicely lit but the subject is heavily over-exposed.  (BTW, there are two ways to get around this.)
    The amount of fall-off is based on the relative distance from the light.  Every time the distance increases by a factor of 1.4 the amount of light is cut in half.  This means if you have subject 10' away, but you have a foreground object only 7' away and a background object 14' away, and the flash is exposed for the subject at 10', then the foreground object will be over-exposed (with twice as much light as needed) and the background will be under-exposed (with half as much libght as needed.)  Incidentally... if you "double" or "halve" the distance then the light difference will be 4x or 1/4 (depending on if you are getting closer or farther.)
    Here's a video which both explains and then later demonstrates the concept in a way that makes it very obvious to see and easy to understand.  If it seems confusing at first... stick with it.  The video is only 12 minutes long.
    In fully automatic mode the camera wont let you control anything (except how far away you stand from your subject). 
    If you switch to "Program" mode, it essentially works like automatic mode EXCEPT it will actually allow you to override settings or set compensations.  
    When you use a flash in a room with some ambient lighting (but otherwise dimly lit) there's a technique called 'dragging the shutter' (which the camera can actually do for you somewhat automatically).
    To do that, set the camera to Tv mode (Tv = Time value... which is shutter priority mode).  Dial in a slow-ish shutter speed... say around 1/60th of a second.  Use a moderately boosted ISO (400 would probably work well... you might even go up higher).  
    The camera is going to evaluate the exposure needed for the room as though you don't have a flash... and it'll set the camera settings accordingly.  However... since it knows you have a flash, it'll still perform the E-TTL II exposure metering and will use the flash anyway.  What you end up with is a shot that has a nicely exposed primary subject (because the camera used flash) AND... a nicely exposed background which was primarily illuminated with ambient light -- but looks pretty good because the camera used an exposure that was adequate for the ambient light.
    The reason I suggest using Tv mode and NOT Av mode is because you can control the mixture of flash vs. ambient light by controlling the TIME that the shutter is open.  But this does NOT work if you control either the aperture or ISO.  
    Here's why:  The flash is "momentary" but the ambient is constant.  If you were to adjust the aperture settings, that will increase or decrease ALL the light sources that contribute to the exposure... so it increases (or decreases) the amount of flash AND the amount of ambient light ... and it does them in the same proportions.  If you want to bright up the background lighting WITHOUT over-exposing your foreground subject, then you don't want to increase both... you only want to increase the amount of ambient light.
    Since the flash is a momentary burst of light, if you leave shutter open longer you wont actually collect any more light from the flash (because the flash was providing illumination for only a tiny fraction of a second.  Extending the amount of time that the shutter remains open means the camera will _only_ collect more of the ambient light... and that helps bring up the dark backgrounds.
    One way to get around the flash fall-off problem is to greatly increase the distance between flash and subject.  You still get "fall off" but now the distance you have to change to notice the fall off really increases.  But this method usually isn't very practical because you'll be standing much farther then you'd prefer to be to get the shot.
    The second way (and much more practical) is to "drag the shutter" (deliberately use longer shutter times so that the camera can collect more ambient light long after the flash is done.).
    Tim Campbell
    5D II, 5D III, 60Da

  • Canon EOS 5D Mark III and Tamron lens

    I have just ordered a EOS Mark III body and a Canon 70-200 F/2.8 II USM IS lens. Now I want a wide angle zoom lens to complete the package. I'm interested in a 24-70 f/2.8 lens. Canon's version does not have an image stabalizer and is over $2000. Tamron offers the same focal and aperture in their 24-70 f/2.8 with an image stabalizer for around $1300. Are there any issues concerning using a Tamron lens on a Canon body?

    Really folks, when I joined this forum I had no idea it was for only Canon related issues and did not mean to insult the hosts. I am a Canon gal. I also own a Canon 7D. I wish all my equipment could be Canon. I have just spent a great deal of time and money researching and purchasing a Canon 5D Mark III and the Canon 70-200 F/2.8 II USM IS lens. I don’t want to settle for less. But now to complete the package I really want a 24-70mm f/2.8 lens. I would have no doubts whatsoever about the Canon even at their price if it had IS. I do not want to regret not having the f.2.8 as I may be in some low light situations during my travels, or the IS as I may not be able to handle a camera and lens of that weight without a tripod. I bought the best tripod I could find made of carbon fiber( I won’t mention the name). It is compact, very light and has a load capacity of 25lbs. I plan on using it most of the time but there will be times that I just won’t have time to set it up.
    I have read a lot of reviews and 90% of them regret not having IS. After comparing the Tamron with the Canon on other sites that test different products, there didn’t seem to be too much difference in performance of either lens. Canon was favored as it should be, but for the price comparison and no IS it failed to make that big of an impression. I think the manufacturers of Canon know this and will probably come out with another version that includes IS. As Bob said…“if a competitor's lens is well regarded for whatever reason, it's in Canon's interest to know that and to understand why. And if a Tamron lens makes a 5D3 affordable by someone who would otherwise buy a Sony, I think Canon would gladly take his money.” That’s an excellent point. And Bob, I have considered the Canon 24-70 f/4 but I really feel that maximum aperture over the total focal range is a plus that only 2.8 can give.
    Ebbigs 1, I have considered the Sigma 24-70 f/2.8 but it doesn’t have IS. The price certainly is appealing, but the Tamron even though more expensive is a better lens (from what I‘ve read). I do agree about the L quality and durability of the Canon lens however and I would buy it if not for the IS. I am getting ready for a long trip and am in need of a wide angle zoom lens as soon as possible.
    I came here to find out if anyone knew if there were any issues with the Canon mount accepting a Tamron as I have never used anything but a Canon lens on my Canon cameras. Thank you for reading my rather long winded response and I apologize if I have offended anyone.

  • Canon 5d Mark III and Lightroom 4.3 tethered shooting issues.

    I bought a new Canon 5d Mark III and upgraded my lightroom to 4.3.  I have been having issues shooting tehtered.  I'll shoot and get some frames coming in and when I start plugging away the program bar will spin and I'll only get a few grey frames and it just kind of freezes.  I don't know what to do. 

    LR4.3 was supposed to improve Lightroom's built-in tethering, but in my experience it still has some reliability problems - especialy in recovering from broken connections (not just unplugging USB but also if the camera loses power by sleeping or when changing a memory card).
    Sorry if some of this is basic info, but I'd recommend you try a different USB cable - the cable end that connects to the camera is easilly damaged in a way that makes a connection possible, but unstable (I strongly recommend finding a cable with a 90 degree downward bend at the camera plug). Also, we often have to send a camera body in to have the USB port serviced. Canon has begun to provide a small rubber boot to reinforce the USB connection at the port, but they won't sell the part outside of a repair service. Be sure to use some kind of stress-relief for the cable at the camera. Tethertools sells one, but I've made mine DIY with a little string and a small binder clip... nearly free. Finally, be sure your cable is less than about 15 feet. If you need to go longer, I've successfully tethered with two cheap powered repeaters from Monoprice, but no single link should be over 15 feet.
    Oh yeah, also set your camera to not sleep for a long time.
    Beyond all that, is using EOS Utility for capture and LR Auto-import a viable option for you? It works very well for me. I use the Apple "Image Capture" app to tell my system to launch EOS Utility whenever the camera is connected - and set EOS Utility to launch into remote capture/camera control mode. It's very stable and recovers from disconnects or camera power loss and the remote camera control/live view can be pretty handy.
    Another plus is that if you do need to disconnect USB and shoot to card, you can just copy new images from the card to your watched folder and they are imported to Lightroom with the same settings and location.
    The only downsides for me is that there is no way to have a crop apply to new images using auto import -- and I have to re-save my develop preset each time I make a change. Using the "Same as Previous" option under develop settings in native tethering is so great for this and I'd love to see a similar option added to auto import.
    Hope this helps.
    -Andy

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