Canon RAW images displaying color borders at contrast edges

I noticed annoying color borders in RAW images taken from my Canon PowerShot S120. They look like the color planes are misaligned. Around high contrast areas (between light and dark grey) I can notice magenta borders in one direction and cyan borders in the opposite direction, both approximately 5 pixels wide.
I record and store images as RAW+JPEG pairs. In Aperture I set RAW as master.
In the original JPEG of the image pair from the camera this error is absent, the color is neutral on both contrast edges.
The error in the RAW image can also be seen when the file is opened directly in Preview or if the RAW image is exported to a TIFF using Aperture and then opened with Preview.
I compared this to older RAW+JPEG image pairs I took with the previous model, a Canon PowerShot S90. There I see yellow and blue borders in opposite directions in Aperture or Preview, also approximately 5 pixels wide. In the camera's original JPEG image from the image pair this is still a bit visible, but far less pronounced.
My oldest RAW images taken with a Nikon E8800 (.NEF) don't show such artifacts when viewed in Aperture.
Since the JPEG from the pair does not have these artefacts my guess is that the RAW converter is not optimal or some metadata in the Canon RAW files (.CR2) is either missing (worst case) or not used correctly.
My hope is that I just have to adjust some presets to correct this. Else it is probably up to Canon or Apple.
Does anyone know how to fix this issue (without going through the individual files, if possible)?

Hi Keith
Thanks for the infos.
Just to clarify:
I didn't ask for RAW, I just use raw formats because there's curretly no better alternative. I would like to see what came into the lens - like an ideal hole camera . Ordinary JPEG is way too limited (8bit resolution per color channel plus really ugly compression artefacts).
For archiving I would much prefer the JPEG2000 format with lossless encoding and as many bits per pixel as the camera's analog to digital converters provide, linearly encoded (above the noise background but including one bit of noise, to be precise). But, alas, when I did my last experiments (Snow Leopard) the image framework in Mac OS X did still not support more than 8bit resolution per color channel in JPEG2000.
One good thing about raw formats is that the corrections could actually be better than what is always done by the camera's firmware for JPEG or standard TIFF at the time of the shot. Another good thing is that various sensor and color patterns can be handled directly.
If Canon can do it in DPP, then I strongly hope they will also provide a better converter for Mac OS X. On some pictures this aberrations are really obvious and irritating.

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