Canon Vixia HF 100

I updated my Mac Mini 1.66Ghz Intel Core Duo, 2GB RAM, to Leopard 10.5.6 with ilife 09.
I was told this should allow my Canon Vixia HF 100 to connect to imovie via USB. I'm still unable to transfer footage, only still pictures. I know other people are getting files from this camera to imovie, what am I doing wrong?

I am concerned about your problem as well. I also have the HF100 camcorder. reading the minimum specs for iMovie 09 (http://www.apple.com/ilife/systemrequirements.html) it lists;
Intel-based Mac, Power Mac G5 (dual 2.0GHz or faster), or iMac G5 (1.9GHz or faster)
Your mini with a 1.66Ghz processor could be part of the problem, is you mini a core dual processor?
Does anybody know if the Core 2 dual 2.0Ghz mini is the only mini that will run iMovie 09 using the AVCHD video.

Similar Messages

  • Canon Vixia HF10, 100, 20, 200

    Ok Allan,
    Best value? I have reviewed the 10 to great reviews and its in my price range. Whats the comparison of the other 3 models compared to the 10? I will definately be buying a Canon, but which one?

    The difference between the 10 and 100 is built-in memory.  Not worth the costs with SDHC cards dropping rapidly in price.
    Similarly, the only difference between the HF20 and HF200 is the built-in memory.
    90% certain the HF10/100 are discontinued.  I have an HF100 and love it.  The HF200 is its replacement.
    Or are you talking about the HF S10/S100?  That is a new model, and if I recall correctly, had a physically larger sensor than the HF100 (and the HF200, which has a smaller sensor than the HF100), which means the S100 should be the best choice in terms of low-light performance.
    *disclaimer* I am not now, nor have I ever been, an employee of Best Buy, Geek Squad, nor of any of their affiliate, parent, or subsidiary companies.

  • Canon Vixia HFS 100

    Working with Final Cut Pro 6.0.6 and am not sure how to get the 24p footage into the software. Everytime I bring it in, it reads as 29.97fps. Any thoughts as to why it does this? What's the workflow to get the 24p footage in there?

    Hi -
    The HFS 100 records 24p as 60i, which is 29,97.
    From the Canon USA spec sheet for the camera:
    !http://www.spotsbeforeyoureyes.com/CanonHFS100FameRate.jpg!
    Hope this helps,

  • CS3 or CS4 -Import/Edit HD video from memory card Canon Vixia HFS100

    Can someone 'jumpstart' or direct me to good tutorial(s) for the following:
    Video recording with Canon Vixia HFS 100 camera is full HD 1080, 60i frame rate, AVCHD specs, onto a SDHC card.
    I have CS3, getting ready to install upgrade to CS4.  Most project files created are for NSTC standard TV broadcast.
    Answer to specific questions appreciated as well as additional information or resources.
    What preset is best to use for project files?
    Do you have to install the Pixela imagemixer to recognize for video import from the memory card?

    Unfortunately, you have posted into the Premiere forum. This is an older series of programs, prior to the introduction of the Premiere Pro line, with PrPro 1.0.
    Now, for AVCHD material, CS4.1 offers full native support for this format with most of its variations. One DOES need a beefy computer to process this footage, as it is very heavily CPU-dependent.
    I'll bet that Curt, or Jeff, will move your post to the PrPro sub-forum, so look for it there. You will get many more responses in that forum.
    Good luck,
    Hunt

  • Canon vixia hf s20

    I had a canon vixia hf 100 and it worked fine with fce and imovie 09. now I have a canon vixia hf s20 and it will not be recognized by anything but iphoto. any help? fce and imovie 09 are all up to date.

    Hi-
    Yes, you are correct. File transfer (and the required conversion from AVCHD to an editable format) can be faster than real time, in fact much faster with a fast computer and raid storage.
    When dealing with event/news acquisition and delivery, and every second counts, then file based is the clear winner.
    The down side is the reliance and drive space and stability, and lots of both. And the discipline/organization required to run a backup program that is both effective, searchable and ready to be pulled into service at a moments notice,
    When a student comes to you and says: "Mr. Peach, the disc drive that holds all our class projects isn't mounting and is making a funny clicking noise!" are you going to be able to swap in a backup drive with the required media on it?
    That"s my point about switching to file based acquisition. There's no tape to fall back on. Because we have switched to XDCamEx and Red production, we had to add another crew member we call the "Data Wrangler" whose job it is to make sure all files or organized, accessible and backed up (in our case to several backup locations).
    You demonstrate that you are both technologically knowledgeable, and creatively knowledgeable (with your string of awards) and I just wanted to highlight side of the tape to file based transition that is often overlooked.
    One more comment - I wouldn't worry about using the technology of the "future". If that were the case, I would recommend you buy a bunch of Kodak Zi8 cameras, edit with iMovie '09 and deliver via You Tube.
    Hope this helps and I'm sure you'll make the right decision.
    MTD

  • Canon VIxia HF S 100

    I have the most recent of Final Cut Express (4.01) and can not upload footage from my Canon Vixia HF S100. I have it set for AVCHD-Apple Intermediate Codec 1920x1080i60 which is the setting compatable to my camera. I have tried so many things and have a large video project on my hands so i can't transfer through iMovie as that would take way too long.
    Any suggestions please?

    which manual are you talking about? the camera does show up on the desktop but will only let me view photos from there not video. when i try and open it from final cut as a folder it also just uploads the photos to the program.

  • Clip looks different in every single editor/player? (Canon Vixia)

    Hi guys,
    I have a new camcorder and am trying to understand how things work...
    I recorded a short clip and then realized it looks notably different in every app I play it back in, even if they're all set to 100% zoom. While it doesn't look incredibly different, it does look noticeably different, even though one might've thought it should look exactly the same.
    The clip was made with a Canon Vixia HF R300, which is capable of Full HD, but the clip used the camera's lowest AVCHD setting of 1440x1080 ("LP" mode). It's a small MTS clip of 69.4 MB for 82 seconds of video.
    In DivX Plus Player 9.0.2, it makes a very crisp clean display of 1440x1080 (measured) - but it is also clearly stretched vertically; circles are ovals and people are tall and thin. It's not ridiculously stretched, but it's unmistakable, side by side to an unstretched version. I can't find a place where DivX says what it thinks the clip's properties are.
    Despite the stretching, DivX clearly gave the best-looking replay. Very crisp looking.
    Premier Elements 11 says the clip's Properties are 1440x1080 with pixel aspect ratio 1.33, but at "100% mag" it actually plays as 1920x1080 (?!) and it looks grainy. But it's not stretched vertically.
    In Windows Media Player 11.0, it is blown up to approx 1832x1039 even when set to video size 100%. It says the clip's properties are 1440x1088 with Aspect Ratio 1.76:1(?!). It is a little grainy, but not stretched looking.
    RealPlayer 16.0.2.32 won't give clip info (it's grayed out, for some reason), but at size 100% it has the oddest thing - a very clear border (within the full-screened player) of 1440x1080, and then the video itself is playing within this border, letterbox style, at 1440 by ~808. (That's an aspect ratio of ~1.78.) This replay was not as crisp as DivX, but was probably better than the other two.
    So, every single player actually plays the same clip differently. One stretches it vertically, another letterboxes it, and the other two blow it up much larger than its original 1440x1080 - even though I set every single app to 100% magnification.
    What's going on here?
    My theory is that perhaps the Canon used some funky way to achieve its lowest resolution AVCHD, and the various players don't know how to deal with it, and/or they have problematic / hidden / non-obvious defaults.
    Possibly the camcorder actually made a 1440x808 clip, but in a 1440x1080 container. Look at how Real has an apparent aspect ratio of 1.78 - and that's what WMP says it was using, even though it didn't make sense given the dimensions. And, if DivX mistakenly stretched 1440x808 to 1440x1080... well, that's what DivX looked like.
    Maybe both WMP and PE11 somehow converted it to 1920x1080... and in doing so, they did some things right, and others wrong. They correctly dropped the useless white space, if it's a 1440x808 in a 1440x1080 container. And correctly kept the proper 1.78 aspect ratio (the same as Full HD). But they incorrectly magnified it to 1920x1080.
    Comments on the above... Does it sound like any of this could be possible? It's pretty amazing that a "simple setting" didn't translate to a SINGLE ONE of these popular video players/editors!
    Thanks if you have the time to spare!!
    Mike

    Mike,
    When you are dealing with 1440 x 1080 HD anamorphic 16:9, that frame size is stretched to 1920 x 1080 for display after encoding. So its playback on a player is often dependent on how well or poorly or if at all the player recognizes and/or has problems reading the 16;9 flag. On the other hand 1920 x 1080 16:9 has no flag. It is what it is 1920 x 1080 16:9 square pixels.
    I suggest that you go by the book with regard to Premiere Elements project preset matching the properties of your source media. So, if you import this 1440 x 1080 HD anamorphic 16:9 into Premiere Elements, use the appropriate 1440 x 1080 HD anamorphic 16:9 project preset. However, when it comes time for export, then use one of the 1920 x 1080 16:9 exports so that you will not have to depend on your player reading a 16:9 flag.
    The results that you report regarding your camera's video in various players seems to confirm what I have just tried to say. Unless you have a special reason why not to, shoot at the highest quality settings your camera has to offer. That will be a 1920 x 1080 16:9 setting.
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  • Panasonic HDC-SD100 vs. Canon Vixia HF11

    My apologies as I know this is an FCP forum, but I figured some might have experience with these cameras, and also I'm curious of each cameras' AVCHD integration with FCP.
    I'm debating between the Panasonic HDC-SD100 vs. Canon Vixia HF11. The use would be for recreation and as a B camera. I love my DVX-100 and was so excited about the HDC-SD100 because it has a small form factor, can record to SD cards in 24p, and has an audio input jack. I cannot count the number of times I wish I had a small 24p camera that I could take with me when it wasn't convenient to take my DVX. I really feel this is the wave of the future.
    I like Canon's still camera line, but I still have a slight distaste of their camcorders cause of the XL1, which had beautiful image quality but IMHO crappy handling and interface. Camcorderinfo.com reviewed both cameras and leans on the HF11 because of the better image quality. I'm going to a store to checkout both cameras, but any opinions/insights would be most appreciated!
    Best,
    Alexander

    AVCHD integration?
    It requires 6.0.4 and an Intel Mac.
    Transcodes are about RT to prores. A rumored next version of FCP will facilitate native AVCHD editing.
    My issues?
    Canon uses a single CMOS rolling shutter. It also records at 24mbps, the highest AVCHD recording data rate.
    Panny uses a 3 1/6 inch CMOS imagers, but at 17 mpbs.
    I'd like to look at each, because we use a HPX170 and need a B-Roll.
    Costco has the HF11 at sub $1k. You can return it.

  • Is Canon Vixia HFS100 best for $700?

    I've changed my mind from SD only - it's time to think about selecting a flash memory camcorder
    My Sony 8mm (analog) tape camcorder still works, but it IS aging... and the batteries have never had really great shooting life due to the tape motor, plus I'm going to have to replace my set of OLD style batteries one of these days 'cause they no longer want to hold a good charge... so, it's time to select a flash memory camcorder
    NO hard drive models (several notes about drive problems) and NO models that write to a DVD
    After lots of Googling and looking at specifications and reading reviews, my current choice is the Canon Vixia HFS100... which will cost me about $700, plus just under $100 for a 32Gig class 6 SDHC memory card
    CS5 and the (NOT overclocked!) Intel i7-930 64bit computer I am going to build should edit the AVCHD files fairly easily... WITH buying an nVidia 285 card to use Cuda/MPE instead of the less expensive ATI card I was going to buy
    In my price range (total of $800 is already more than I want to spend, along with building a new computer, but the HFS100 reviews are good) is there anything else I should consider for a flash memory camcorder?

    Yes, budget is important since I don't do this to make $$, only as a family hobby
    I'm already up to about $2,500 for (revised) computer and software... so another $900 to $1k for camera and accessories is a big addition for me
    The HFS100 does get good reviews for overall camera and video quality and low light filming (the biggest problem I have for impromptu family movies) so unless I come across something at the same $700 basic cost, that is what I will buy some time after the computer is finished

  • Canon  Vixia HV30 capture issue on CS6 (Mac OSX)

    This might be (hopefully) something in setup, but under Mac OSX Lion (10.7.4) / Premiere CS6, i am unable to capture video from my Canon Vixia HV30 - it's either i get a monstruous noise or simply get a 'capture device offline' message.
    No one ever had a similar problem even withanother cam here? I posted weeks ago but never got any reply.
    Am using the same cam under Windows with Premiere CS4 and never faced such an issue.
    Matter of some sort of CODEC ?  Does not seem to require any specific driver for Mac based on Canon website.
    Any suggestion?
    Thanks,
    Rob

    Solved... (Almost!)
    Someone pointed out that Canon has a software (they said there was no driver for Mac OS X so I had stopped looking...) But if it may help others, there is a ''CameraWindow'' for Mac OS X 10.6, 10.7 and 10.8  available. 
    As soon as I installed it, I could capture both from Adobe Premiere CS6 and iMovie.
    One problem remaining though : the noise (feedback-like) that gets out from... the system's sound card ! (when capture is ongoing). I have to shut down the volume completely.  Never had this issue under Windows, need to figure out why this happens now.
    Jeff thanks again for your assistance, even though the solution was somewhere else.
    If anyone has a clue for the noise issue ... please let me know
    Rob

  • I have a Canon Vixia HV30 and would like to know if I can transfer video from it to a new MacBook Pro? The camcorder has a HDV/DV output. Is that compatible with firewire?

    I have a Canon Vixia HV30 and would like to know if I can transfer video from it to a new MacBook Pro? The camcorder has a HDV/DV output. Is that compatible with firewire?

    Hi Codye24
    I don't know if you saw this thread
    Connecting a Canon HV30 camcorder vai a thunderbolt port to a new imac
    Hope that this helps
    Kevin

  • MacBook Pro won't recognize videos on my Canon Vixia HG20

    I have a Canon Vixia HG20 and had no trouble copying video to my Mac laptop in the past. Now I have a MacBook Pro and when I connect the camera with a USB cable, the videos are grayed out and the computer doesn't recognize them. The videos play fine on the camera itself. Also, the still photos show up on the computer and transfer easily. I've seen older posts & sites (2008, 2009) that are related to this issue, but I'm not sure they apply anymore. Any new help for 2012 out there? Please explain in layman's terms, as I am not very technically literate. Thanks!

    Go to the Canon Drivers and Software page here and download the March and April software updates for OSX Lion. This should help in transferring video.
    There is also a firmware update for the camera here.
    Regards,
    Clinton

  • How to import MTS files from Canon Vixia HF M40 to Mac for editing?

    I recently bought a Canon Vixia HF M40 and I have been able to import the MTS video files to iMovie, but now that I want to edit in Adobe Premiere, I am at a loss. Can someone tell me an easy way to import these files to either my computer or into the program itself for editing. It is entirely too time consuming to import into iMovie and convert every single file to quicktime only to import into Premiere and export yet again (not to mention the quality loss). Thank you for any help you can give me.

    http://www.wonderhowto.com/how-to-convert-avchd-mts-files-into-hd-mpeg-2-premier e-160152/
    or
    http://www.moyea.com/import-flv/

  • How to view original video files from my Canon Vixia

    Hi -
    I have a Canon Vixia camcorder and I cannot find a way to view the original mts files on my iMac.  I hate to say this, but my old windows laptop to does this without any issue, so that's what I'll continue to do until something changes.
    When I mount the camera on my Mac, it only shows one giant AVCHD file.  I have read the posts about using iMovie to import the AVCHD file and then export the individual clips, but frankly that ***** for a few different reasons that I don't really feel the need to explain. 
    Why does Mac not allow me to simply view the files as they are on the camera?  I don't edit with iMovie, I edit with Premiere and the original mts files are just fine with me.  I love my iMac and all my other Apple products, but let me view my files! ...please?
    Thanks
    Joey

    AVCHD utilizes a proprietary container format. The MTS files are in there, you just have to know where to look.
    Navigate to the root directory of the memory card. You should see a rather large (depending on how many clips are on there) file called PRIVATE. You need to right-click that and select "Show Package Contents". Inside, find the file AVCHD, right-click it and select "Show Package Contents". Inside, find the file BDMV, right-click it and select "Show Package Contents". Inside, find the folder STREAM and open it. You should find the MTS files there.
    HTH.

  • Canon Pixma Pro-100 printer ejects 3.8 in of a 4X6 paper and prints only 2.2 in of the image printing from Photoshop CS6, I'm sure I set everything correctly - what could I be missing?

    Using Mac Pro running Snow Leopard (10.6.8) & editing & printing from Photoshop CS 6.
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    Hello again. I recognize that a print is good if you like it and bad if you don't, despite what others might say, but I will at least share my experiences. They might help you or others who are following this thread.
    My monitor is calibrated with Spyder 3. Gamma 2.2, 6500K, 83 cd/m^2. Contrast at 50%; brightness about 52%. My monitor lets me choose blackness level - it defaults to 50%.
    When I print the test image I linked to above, using Lightroom, with no adjustments, my technical output is as follows:
    Middle step wedge shows twelve disticnt steps. Whitest step is color of unprinted paper.
    It varies from paper to paper, but I can discerne at least the 252 step and on some papers 253 - telling me I have good highlight detail.
    On the black side I discerne 8 or 10, nothing lower. (That sounds like what you are reporting).
    Artistically I am very happy how my print looks - nice red strawberries, good flesh tones, etc.
    One my monitor, the on-screen image is almost identical to the print. I am surprised that you can see the 2 wedge step on screen at a very similar brightness.
    I also checked out this B&W test image:
    http://www.northlight-images.co.uk/article_pages/bw_printing/bw-test-image-2.html
    You are probably aware of this since you are printing with Print Studio Pro, but others may not be.
    You can print a series of test images:
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    You can do a similar thing in Lightroom using the printer driver and User Templates.
    There would be some one-time trial and error to that approach.
    John Hoffman
    Conway, NH
    1D Mark IV, Rebel T5i, Pixma PRO-100, MX472

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