Canon Vixia HG20 okay for Final Cut editing?

Anybody know if it's a problem to take footage off a Canon Vixia HG20 and start editing in Final Cut? I normally import my minidv footage through firewire on another camera but was interested in this particular camera. Not sure how it'll change my workflow so I figured I'd check with the pros!

That's an AVCHD camera so you need an Intel Mac and Final Cut Pro 6.0.5. You would then use FCP's Log & Transfer function to transcode to Pro Res or Apple Intermediate Codec.
To use this format on a G5, you would have to get a copy of Voltaic.
Transcoding would take around 20 hours for each hour of video.

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I need help: Canon HF S10 settings for Final Cut

Hello, i am a German guy, so i am sorry that my english is not very well.
I got the Canon HF S 10 from Japan, so its an NTSC one. For Cutting i am using Final Cut Pro. I want to produce online Videos in the best possible Quality.
My Problem is, that i dont know witch settings i should take for best Quality.I already tryed much. The Quality is good if i dont move the camera. If i move it the Video becames very bad Quality.
The Cam has these possibilitys:
Frame Rate: 60i (Standard), PF30, PF24.
24Mbps (MXP), 17Mbps (FXP), 12Mbps XP+,7Mbps (SP), 5Mbps (LP)
I dont know with import Settings i should use for Final Cut.
Could you please help me to find the right settings?
Thanks alot

I tryed it, but there is no besser result. Could you maybe help me again? If i import from my hdd cam, i just need to put the Final Cut Settings for the Sequenz right? There i put ProRes 1920 x 1080i60.
I push import and it opens the window to import my files. There are also settings on the top:
P2 Plugin
P2 AVC-Intra - Nativ
AVCHD Pugin
AVCHD - Apple ProRes 422 (HQ)
AC - 3 Audio - Matrix Stereo
Is that all right?

Importing From Canon Vixia HF M30 to Final Cut Pro

Hey there, I have been trying to import to final cut with some success. Importing From Canon Vixia HF M30 from my sd card.
I used the easy setup.
FORMAT HD
USE HDV APPLE INTERMEDIATE CODEC 1080I60
I go to log and transfer select the clips I need and click add to que.
So perfect there are my clips in my bin, I bring them to my timeline and a green line appears above my video, uugggggh. I know this is a rendering issue but why.
Please help does anyone know why this is happening.
This is very frustrating, I have been trying to read the other discussions I didn't see anything on it let alone the info on the net, trying different things just not working for me.
Thanks Gang

Your camera records AVCHD. Convert to prores 422 or prores 422(LT) on log and transfer and make sure your sequence matchs your footage.

Canon Vixia HF100 24p and Final Cut Pro 7

Hello all,
Just got the HF100 and Final Cut Pro 7. New to both. My plan is to shoot everything at 1920x1080 @24p. I've heard though, that the 24p on this camera has 3/2 inserted to make it 60i. My goal is to remove the 3/2 and do all editing and fx at 24p so I can have a universal master that I can then convert to various formats (Bu-Ray, DVD, web, etc., but will not ever go to tape). What is a good workflow/settings for this? Also one possible concern is disk space (so multiple codec suggestions would be great), but may be able overcome disk space if necessary. Again, I'm completely new to final cut (I do have some post experience, but am clueless to final cut right now). A long question, I know. Thank you in advance.

ebrunoski,
Welcome to FCP 7 and to Canon AVCHD camcorders. I was in your shoes a couple of weeks ago, as I have a Canon HF11 and FCS 3 myself.
I also try to film and edit everything in 24p with my Canon and my recommendation would be to do exactly as suggested in this Apple tutorial and using Compressor:
http://support.apple.com/kb/HT2410
What it essentially teaches you is to (1) log and transfer your Canon 24p wrapped in 60i files, (2) make them "true" 24p in Compressor, and (3) use them back in FCP 7. Once the files have been compressed into 24p you can get rid of the ones you had logged and transferred in their 60i wrappers and use only the resulting 24p files.
Yes, it's an extra step in the process, but it's one efficient way of doing it.
Works for me!

Will Canon Vixia HF20 work with Final Cut Pro 5?

Hello,
Just bought a new Canon vixia HF20, and heard that it doesn't work with Final Cut Pro 5, only six. Is this true?
Also? Whats the first step in importing from this camera if it does work?

iMovie saves the footage inside its project file.
Right click the icon, choose "Show Package Contents".
Open the Contents folder -the footage is in the Media subfolder.
Can you bring it into FCP?
Dunno. Give it a try.
If that does not work iMovie has various export options.

I own a Canon Vixia hf s200 and final cut pro 7. How do I convert my video?

As this will show you, I am not very good with computers...
When I open final cut pro it asks me to choose my sequence settings. Which one should I choose?
It has settings such as DV50 NTSC 48Kh but I have no idea what that stands for.
Also, I have the iSky video converter and I convert it to final cut pro but does it matter how high of quality I make it?
The video goes in, but it always tells me that it does not match my settings and asks me if I'd like to change it but when I do, it goes a little screwie.
Thank you so much for the help!

That camera records either MPEG-4 files or AVCHD. Which did you shoot?
Jerry

Getting my Canon Vixia HF M52 HD footage to edit on FCP X.....

I have just bought a new imac and i want to be able to edit footage from my Canon Vixia HF M52 on Final Cut Pro X. What do I need to do to get the best results? I've read some converter reviews and I'm not thrilled with the idea. What is the best way for me to proceed? Thanks ahead of time to anyone who can help me.

I have an HFS100 and yes BUT don't just copy the .mts files. I copied the whole folder structure across not just the .mts files and started editing right away.

New Canon EOS Movie Plug-in-E1 for Final Cut Pro

Just thought your would like to know. From canonrumors.com
http://www.canonrumors.com/2011/04/canon-updates-e1-plugin-for-fcp/
Canon today announces the latest update for EOS Movie Plug-in-E1 for Final Cut Pro – the company’s custom-developed software application that provides quicker and easier editing of EOS Movie footage in Apple’s Final Cut Pro software suite.
Launching to coincide with the start of the 2011 National Association of Broadcasters (NAB) Show in Las Vegas, EOS Movie Plug-in-E1 for Final Cut Pro version 1.2 will make the importing of EOS Movie files even easier, allowing users to transfer files from any folder, without needing to mirror the folder structure on the camera itself.
The update also enables smoother importing from Canon’s EOS 7D, EOS 5D Mark II and EOS-1D Mark IV models, allowing users to import footage without requiring the THM file generated by the camera.
Originally launched in February 2010, EOS Movie Plug-in-E1 for Final Cut Pro is designed to quickly and seamlessly convert EOS Movie footage from Canon’s leading range of EOS DSLR cameras to Apple’s high-quality ProRes 422 codec. The plug-in allows users to convert footage at approximately twice the speed of Apple’s standard conversion, creating a smoother workflow for the rapidly growing number of videographers shooting HD video content on DSLR cameras.
EOS Movie Plug-in-E1 for Final Cut Pro version 1.2 will be available to download for free from 25th April 2011.

And I just spent over an hour yesterday explaining to a client how utterly essential it was to maintain the exact folder structure for proper log & transfer:/
If I say that once a day to students, I say it a thousand times.
On top of that I just started Carbon Copy Clone today with all my updates in my editing lab. Not the end of the world but it's a little time consuming on 80 stations. Oh well.

Canon EOS MOVIE Plugin-E1 for Final Cut Pro Now Available...

There's been so much talk about the 5D, 7D, 550D on this board that I'm going to point to the EOS MOVIE Plugin-E1 for Final Cut Pro. This is supposed to speed to transcode of Canon Camera H.264 to FCP-friendly formats and let you add more metadata along the way.
Enjoy!
Canon webpage. Under Drivers & Downloads. Once you select your OS, "Mac OS X", the download should appear near the top of the "Software" list.
Note: (from Quickstart Guide)
This plug-in software allows you to convert MOV movies shot with an EOS Digital camera into ProRes files at high speed in the (Log & Transfer) window of Apple's Final Cut Pro.
FWIW: The quick start guide says cameras involved are 7D, 5D, 1D, no mention of 550D. Sort of odd.

For users in North America to make the Canon EOS REBEL T2i work (550D for Europe):
1. Install the new Canon EOS MOVIE Plugin-E1 for Final Cut Pro (http://www.usa.canon.com/consumer/co...nloadDetailAct)
2. Go to Library/Application Support/ProApps/MIO/RAD/Plugins/CanonE1.RADPLug/Contents/Resources/
2. Open up cameras.plist
3. After the 7D info add the following lines of code (keeping to the coding structure):
<key>T2i</key>
<array>
<string>Canon EOS REBEL T2i</string>
</array>
4. Save the text file. Close it. Everything should work now.
Cheerz.

Problems with Canon EOS MOVIE Plugin-E1 for Final Cut Pro

After about two weeks of using the Canon EOS MOVIE Plugin-E1 for Final Cut Pro, I've found some clips are cut short when they are transcoded to Prores and appear in the browser. Has anyone else had this happen?

Yes, just started using this and noticed pretty soon afterwards. Seems to happen when I start clicking around or doing anything that uses the processor more than just surfing the web, but that's just anecdotal. I immediately stopped and started using MPEG Streamclip, but I really want the timecode.
Most recently, I had Log and Transfer open, transcoding some 7D footage, and a few of the clips didn't come in—they were left with the red stop-sign symbol/exclamation point. When I clicked to "retry," it stopped importing the current clip and started on the clip I retried. I clicked "retry" on another unimported clip, and again, the clip import stopped and the new clip began processing. I let it go through and, after the checking the footage, I discovered it had been incorrectly named the first clip's filename! Needless to say, I hand-checked every file to make sure it was the right duration (a few weren't), deleted the files from the Capture Scratch folder, and reimported—making sure I didn't touch the computer.
I hope they fix this bug, whatever it is.
BTW, I've experienced it on two separate Mac Pros.

STRANGE: two Canon Vixia Hg20 cameras, only one is recognized by FCP

I have two Canon Vixia HG20 cameras and 2 iMac 3.06 GHz Intel dual core computers. Both have Final Cut Pro 6.0.5 (latest update for that version).
The mystery: Final Cut Pro used to recognize both of the cameras, but now it only recognizes one. I've tried both cameras on both computers with the same USB cable, and I get teh same result every time. I try to log and transfer, but it can only detect the one camera. Both iMacs show the camera as an icon on the desktop and I can see there are files on the drive. I can see ".cpi" and ".mts" files on the drive. I've tried restarting the computer, restarting the cameras, waiting 15 minutes. I go through the exact same process with the same model camera but get two different results.
Obviously, something must have happened to the second camera. Perhaps it wasn't disconnected properly? Perhaps files were pulled off, or maybe something placed on it? Perhaps it is recording in a different format?

I was going to suggest you copy the contents of both of the cards to the Mac and see if you can import from there. But, umm, I don't even know if that's possible.
I'd start by formatting both cards, twice, in the camera. Open the cameras and identify each card, camera 1 and camera 2. Put a piece of masking tape on each camera and write a 1 and 2 on the tape. Go through each camera's menus carefully setting and matching each of the shooting parameters.
Make a card that say CAMERA 1 and shoot two minutes of it. Do the same with camera 2.
Now you have a binary system that can yield repeatable and trackable results.
bogiesan

Is the NVIDIA GeForce 8800 GS worth the money for Final Cut Express?

Hi,
I'm considering a new iMac 24, but not sure if the speedier on is worth the money.
Currently I use a MacBook Pro 2.2 for Final Cut Express with a 23" cinema (mostly DV, some HD) and that works okay, but won't play back in real time when I composit video.
Anybody know if the NVIDIA GeForce 8800 GS will help in that area?
Thanks,
KC

The speedier video card is great for 3D stuff, but it won't matter a wink for Final Cut Express, which barely makes use of the video card.
Keep in mind that Final Cut is using the CPU, not video card, to perform the editing, decoding, and encoding of the video. The only time the video card comes into play is during playback of the video, and any of the video options available for iMacs will handle that just fine.
When you composite video, the hard-disk throughput will start to come into play. The dinky 5400 RPM disk in your laptop will adversely affect the performance of that.

Problem capturing video from Canon Vixia hg20 to Adobe Elements ,

Hey ,
So I am having alot of difficulty capturing video to Adobe Elements 2.0 from my Canon Vixia hg20 video camera . I am trying to capture using the USB 2.0 port , which I do have the drivers installed for.. If anyone else has had a similar problem and a solution , I would love to hear about it , .
Basically the camera is not even detecting in the software , not really sure what to do??
thanks John

From Cannon Web
Issue: What folder are the videos stored in on the camcorder?
Solution: List of the directory and file structure of AVCHD camcorders
For users who wish to "drag and drop" the video files created by the camcorder the videos can be located by drilling down thru the following folders.
Double click on the removeable disc drive icon to display the root folder of the drive.
Double click on the [AVCHD] folder
Double click on the [BDMV] folder.
Double click on the [STREAM] folder. The video files are located in this folder with a .mts file extension.
- Depending on the software you are using the file extension may need to be renamed to .m2ts to be useable in your playback or editing software.
PE7 Support MTS File

MacBook Pro won't recognize videos on my Canon Vixia HG20

I have a Canon Vixia HG20 and had no trouble copying video to my Mac laptop in the past. Now I have a MacBook Pro and when I connect the camera with a USB cable, the videos are grayed out and the computer doesn't recognize them. The videos play fine on the camera itself. Also, the still photos show up on the computer and transfer easily. I've seen older posts & sites (2008, 2009) that are related to this issue, but I'm not sure they apply anymore. Any new help for 2012 out there? Please explain in layman's terms, as I am not very technically literate. Thanks!

Go to the Canon Drivers and Software page here and download the March and April software updates for OSX Lion. This should help in transferring video.
There is also a firmware update for the camera here.
Regards,
Clinton

Following Media Files Are Not Optimized For Final Cut Pro

I'm sure you've seen this before and I've tried to search for a thread on it here and fell asleep, so sorry if this is a repeat.
I have edited projects in Premiere Pro (on my PC) and I have tried to transfer them in FCP. It worked with the exception of two things:
1. the error message, "Following Media Files Are Not Optimized For Final Cut Pro"
2. the quality *****! watching it on the playback in FCP it looks great, but then when I burn it to Disc it's pixelated in spots and generally has a lower quality picture.
I know that it's Standard Def. and can't expect the best, but I've done it before (once or twice) and it didn't seem this bad.
Can someone suggest anything to help the quality? Should I run my AVIs through MPEG Steamclip to make it a QT file and if so what is the best format in that since there are many to choose from and most I'm not familiar with?
Thank you,
Crayton

I did compress them to DV NTSC then burned it to DVD and the result was no bueno.
I thought what I would do is try compressing them again before I send them on over to DVDSPRO. Here is a simplified break down of the situation:
- I have edited the raw footage in Premiere Pro on my PC. They were recorded and captured as SD.
- I rendered them in Premiere, then transfered the rendered AVI file to FCP.
- When went to place the files in FCP, I received the warning message; "Following Media Files Are Not Optimized For Final Cut Pro" but I went forward anyways and it allowed me to do so.
- Originally I went ahead and compressed them from FCP to QT Movie as a DV NTSC, which ended up poorly.
- Therefore my question is, should I compress them using another file type (other then DV NTSC)? Which leads me to another program that I have called MPEG Streamclip, which offers tons of file types of which I am unfamiliar with most. I want the best quality of course but don't know what file type is the highest going from AVI to a format that can be accepted by FCP and ultimately DVDSPRO. Keeping in mind that I only have FCP5 and do not have Prores.
Did that make sense?
Thank you again,
Crayton

Canon Vixia HG20 okay for Final Cut editing?

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