CANON XF305 into AFTER EFFECTS

I am working on a project shot on the Canon XF305 and want to import into After Effects and I know that the Canon MXF Codec isn't supported in AE so what is best way to import the footage without losing quality of the HD 1080 25p footage?

I have tried several different ways with a Canon XF300 and what happens is you can do a RAM preview and it will play just fine, but if you try to scrub anything past it or just play it will crash instantly.
http://forums.adobe.com/message/5072823#5072823
There is an ongoing discussion on this topic.

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Lost support for CR2 (Canon RAW) in After Effects following AdobeCameraRAW 8.4.0.199 update

Has Adobe dropped Canon RAW support in After Effects?
I do timelapses. I grade in Lightroom, create xmps, then drag the folder containing the CR2s and xmps from the Finder window into After Effects to create the sequence.
I was post-processing timelapses in After Effects on April 7th, 2014. I then receive an update notification for Camera Raw 8.4.0.199. I closed all open apps and updated. Once the update had finished, I reopened the same project in After Effects, to find that After Effects no longer supports CR2 (Canon RAW).
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Thanks Rick,
Though this workflow may be valid from this point on, I unfortunately have a library of around 11 TB of CR2 images that I use on a regular basis in After Effects. Going back and converting these images to DNG or JPEG would equate to an immesurable amount of time lost, not to mention the massive amount of additional hard drive space that would be required.
I've used this workflow on an almost daily basis for two and half years. I've only experienced a similar problem when Lightroom upgraded to version 5. AdobeCameraRaw was buggy when linking to other Adobe apps, but the problem was soon taken care of by Adobe.
Adobe still advertises CR2 support for After Effects 11 on their website. It worked without a hitch until the recent update.
Has anyone experienced similar problems?
Where can I find the install page for legacy versions of AdobeCameraRaw?

Importing Premiere Project into After Effects

When I import a Premiere Pro project into After Effects, it splits every shot onto a new track, ending up with a couple of hundred tracks at the end.
Is there a way to avoid this ?
Particularly, since I'd want to keep the option of bringing the project file back in Premiere for further editing.
My colorist suggested that I nest reels of my timeline and split it that way so that when he imports it he has nests on one timeline and the multiple tracks in each of those nests. Still, this feel very clunky.

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Is there a way of getting Merged Clips into After Effects?

Hi,
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I'm not sure if you have the capability, but did you try copying from your premiere sequence and then pasting into your after fx timeline? i was working with a MUCH shorter video with a mix of merged clips (interview footage) and video clips (b-roll). the video clips imported, but the merged clips did not. i put the timeline cursor to the right point in the after fx timeline, copied the premiere clip from the sequence, pasted it into after fx.

Trying to import boujou .ma tracking data into after effects, seems like it doesn't support the file.

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I also experience this problem. My mp4 clips has been taken with a Samsung NV24HD camera and are HD (720p). I haven't tried to convert these clips but I think it should not be necessary since I can play them in quick time. However I have perian installed, perhaps that's why they play in quick time? The next question is then: Is there a similar plugin to iMovie?

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We went back to Xsan with Tiger because we were told the issue had been resolved, it hasn't been fixed, and now we're back to square one.
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zikade wrote:
Depending on your storage and what you're up to with your footage I'd recommend uncompressed. Large files but you won't loose any quality. Animation is also lossless if you want to compress your footage. If your drives are not fast enough, go for ProRes HQ from FCP to AE, and Animation the way back...
Since you've converted to 422, stick with that. You cannot gain anything by exporting from FCP to a codec that has a higher bandwidth such as PRHQ or Animation. You just don't want to go down.
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i`m sorry about the screenshot size, but i could only upload pics with 605 px width.
Nevertheless it seems that you saved my day. looks like it was all about the scale to framesize thing.
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Haven't figured out how to make either method work.
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What is the best video format for importing into After Effects CS5

Please look at this video, work in progress.
http://www.youtube.com/watch?v=49_wbdKALQk
The opening, featuring a ribbon of videos, was created in After Effects, using Digieffects Freeform.
The issue is the poor quality of the videos that are featured in the opening -- compared to the higher quality of videos from the original Premiere project., which you can see at the end of the clip.
To create the After Effects project, I exported a series of video clips from Premiere to mp4.
Then I imported them into AfterEffects.
The bottom line, and the purpose of this question, is I am thinking that MP4 was not the best choice for the Adobe Premiere export.
What is the best format to export video from in Premiere Pro CS5 to import into after effects, or to import into any other editing program, incuding importing right back into Adobe Premiere, if that is eever needed.
AVI?
MOV
MP4
And any other settings that will result with the highest qualiity videos for importing.
Thanks

To follow on with Wade's suggestion...
There are lots of ways to get movies and projects and other things back and forth between After Effects and Premiere Pro. This page outlines them:
"Working with Premiere Pro and After Effects"
If you must render and export a movie out of one application to bring it into another, there is a very basic piece of video workflow advice that you need to keep in mind (which applies to _all_ video software, not just After Effects and Premiere Pro):
If you're creating a movie to be used in the next step of a post-production pipeline, you _never_ want to use a format that does lossy compression. You either use no compression or (preferable) lossless compression. Examples of codecs that provide lossless compression are the Animation codec and PNG codec at the highest quality settings; these can be used in a QuickTime container, for example. Never compress a movie with lossy compression except at the very end of your pipeline, when you're creating the final movie for distribution.
MP4 (MPEG-4) is a lossy codec. The quality loss is acceptable for the last stage in the pipeline, but it's not acceptable for an intermediate file.
It seems that you would benefit from reading this and and working your way through this.

Best export format for importing into After Effects or even back into Premiere

Please look at this video, work in progress.
http://www.youtube.com/watch?v=49_wbdKALQk
The opening, featuring a ribbon of videos, was created in After Effects, using Digieffects Freeform.
The issue is the poor quality of the videos that are featured in the opening -- compared to the high quality of videos from the original Premiere project., which you can see at the end of the clip.
To create the After Effects project, I exported a series of video clips from Premiere to mp4.
Then I imported them into AfterEffects.
The bottom line, and the purpose of this question, is I am thinking that MP4 was not the best choice for the Adobe Premiere export.
What is the best format to export video from in Premiere Pro CS5 to import into after effects, or to import into any other editing program, incuding importing right back into Adobe Premiere, if that is eever needed.
AVI?
MOV
MP4
And any other settings that will result with the highest qualiity videos for importing.
Thanks

Okay, here's where I stand at this point regarding exporting and/or dynamic linking between AfterEffects and Premiere.
I'm in After Effects. I create a composition I like. So I first tried the old fashioned way. I exported it into a MOV file with the animation preset. Millions of colors. Same frame rate as my Premiere project, which also uses MOV files with no problem.
Howver when I import the MOV file created by After effects, the NEW MOV file section of the premier project plays sluggish. And it also causes the videos that follow to play sluggish. And they are all MOV files at the same frame rate.
The same thing happens when I do a dynamic link between the two projects. A sluggish response starting with the After Effects dynamic link and affecting the MOV video files that follow.
It's a very short After Effects composition. About 3 second slong.
I have a very powerful computer built especially for CS5 and premiere --so that should not be an issue -- recently was in the top ten of the benchmark list.
Up to this point my video files have played perfectly layer upon layer with no problems.
Is there something I am not considering?
Thanks.
Rowby

Problems Importing Premiere Pro Project into After Effects

I've got my first Pemiere Pro CS6 project completed. Now i want to import it into After Effects CS6 to add titles.
The PR file includes two segments, two still photos and two AE compositions. I am trying to import the PR project into AE two different ways:
1. File>Import> Adobe Dynamic Link>Adobe Premier Project. When I do this, the project looks great in the Footage tab of the RAM preview window on the right. But when I make a new sequence to get it on the Timeline so that I can begin to add titles, I get only blackness in the Comp tab of the ram preview window whether I am playing a RAM preview or a spacebar preview.
2. File>Import> Adobe Premier Project. When I do this, the two AE segments are missing.
I am on an iMac with OSX.7.4.
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--Carol Gunn
Gunn Graphics
Austin, TX

You will need to render out those two AE compositions to video before you can bring them back into AE through dynamic link. If you are concerned with making changes, you can always replace footage in Premiere with a new render.
Dynamic Link is just not designed with your workflow -- AE doesn't open multiple projects at one time, and your workflow ends up with AE trying to open 3.
You can bring those two compositions into AE as imports. They won't be linked together (so any changes in original project will not reflect in imported version) but you would have all 4 elements in one AE project.

Importing a Premiere Pro Sequence into After Effects Crashes After Effects

Hello,
I'm on a Quad Core Mac, 2.8GHZ with 6GB of Ram.
I have a Premeire Pro project with varying MOV and MP4 files; from a DSLR and from a Sony EX-1 camera. This project has lots of media, over 3 TBs, and each and every time I try to import it into After Effects-After Effects crashes and does not respond.
Please help.
Thanks

Don't try and do a whole movie in AE. After Effects is for making shots or short sequences. Break up the projects. Organize. 3TB of source materials into AE's Project folder means linking, analyzing, interpreting, and generating previews for enough material to shoot a feature film. Bring in the shots you're working on, not the entire movie. If you need to do an entire movie, break that up to Scenes and make each scene a separate project.
Terabytes of data would also choke Final Cut Pro, Premiere Pro, Avid, or any other NLE if it was dumped in all at once. The only reason that a NLE can handle that much data is that there were some caches created when the footage was imported.

CANON XF305 into AFTER EFFECTS

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