Capture into FCP

Hi Guys, Im currenly using a decklink extreme capture card with the new mac pro. The file sizes are massive at the mo. Is it possible to capture into a lower format dirrectly into FCP. Something like a h264 codec or do I have to capture in 10bit uncompresed.
Owen

H.264 is a delivery codec, not one used for editing. But sure, you have MANY options open to you. DV, Offline RT are the lower quality ones.
Shane

Similar Messages

  • Footage incurs drop in brightness after capturing into FCP... Help?

    I have had this problem intermitently over the past few weeks and have only found very casual references from other users regarding it. However recently I tried to import HDV footage and the brightness dropped to about 80% of what it is when previewing in the log and capture window.
    So to explain in more detail...
    When I preview footage to capture into FCP within the Log and Capture window it is consistent with the brightness on the lcd and in the viewfinder of the camera. However after the footage is down capturing and I preview it in the canvas window the footage is about 80% of the brightness it was when capturing.
    I have tried everything in these posts; I have reinstalled. Deleted the receipts for quicktime 7.1.3 and reinstalled, tired to capture the HDV footage as DV.
    No help. This problem has now become consistent and I found no topics that directly address this. I have to import this footage and deliver it to my client asap and I am honestly at a loss.
    Any help would be greatly appreciated.
    Thanks
    PowerBook g4 Mac OS X (10.4.8)

    I want to apologize if I keep sounding like a broken record and sounding like someone who doesn’t really understand what they are talking about. I first want to layout that I completely understand, and have understood, the dangers and the incompatibility issues associated with video and a computer monitoring system. Therefore I can safely say that I am working at a fcp station that allows me to monitor my footage on a true video monitor where the color spaces and gamma match.
    I have since my last post tried several things and want to reiterate the few things I have already tried because I feel this discussion thread makes it seem as if my issues are generic newbie issues with someone who does understand the editing systems. I assure you that I do.
    That being said I have taken a few steps to find the problem. Since my last post I have tried to edit normal NTSC video and have had no trouble. My trouble is solely with hdv. I would also like to clarify, or rather restate that the image brightness qualities that are different are between the log and capture preview and the viewer and canvas windows, as well as when monitoring with my external video monitor which is a 1080i Panasonic multiformat monitor. So I want to stress that I see the image on my screen, even my computer screen, with an acceptable brightness. It is only after bringing them into fcp that the brightness drops.
    Does the low-rez proxy image issue really mean that when editing hdv on my comp that I will only be able to see the true product after outputting to a quicktime movie and viewing on my monitor using quicktime? If so, that ***** and I am importing using standard dv.
    Again though I want to thank you all for responding and trying to help me out here. It’s really been frustrating me and I appreciate the help in trying to get to the bottom of this.
    Dan

  • How to delete 4 out of 6 audio tracks that were captured into FCP?

    I accidentally left all the mono tracks setting on while capturing video and audio media files. I would like to know how to get rid of 4 out of the 6 tracks other than when the clip is cut into a sequence then I delete the extra tracks.
    PowerPC G5 4x 2.5 GHz   Mac OS X (10.4.6)   Kona card

    I've never tried this, so I'm not sure of the gotchas you might need to overcome, but if you open the media file in QuickTime Player (Pro), and go to Window > Show Movie Properties, you can delete any of the audio tracks you care to, by dragging them to the Trash, or click Delete, or choose Edit > Cut, or press Delete.
    I'm thinking that if you go that route, you might need to delete the clip in the Browser first, make the changes in QTPP, then Import that media file into the Browser. Otherwise, FCP might complain about the track deletions.
    Or maybe after making those changes in QTPP, Export as a different filename and Import that file into the FCP Browser, keeping the original as is. Just guessing.
    But I repeat: I've never tried this.

  • Hi8 capture into FCP problem...

    FCP is not recognizing the camcorder I have connected to the computer in order capture Hi8 tapes. I believe that this setup should work, but perhaps someone knows more about it.
    I have a digital 8mm camcorder that plays hi8 tapes and has a firewire connection. It is the smallest one, the 4pin, so I bought a 4pin to 9pin adapter to put it through the firewire 800 port on my MacPro.
    I set the Capture Preset to DV NTSC Basic, and I clicked non-controllable device in the Capture window. Actually, once it saw it and captured an audio file with nothing on it I have tried all those old tricks like shutting down the computer and starting up again with the camera on. I've tried two different ports; the back and front.
    I guess the problem could be the adaptor; but I want to check all the settings/presets against those that people have used successfully. If anyone has experience with this, please tell me how you did it!
    Thanks!

    No, but I can use Google.
    Don't use DV NTSC Basic. Use regular DV NTSC, unless your audio is 32k, in which you'll have to make a 32k DV NTSC preset. There might be a problem with the FW800 connector. Quite a few people are reporting problems with these cables. Definitely use the rear FireWire port. Do you have any other devices connected?

  • Formatting a MiniDV tape for Capturing into FCP 6

    How do I format a miniDV tape so that I can review footage as I shoot without breaking the time code? I am having huge difficulty capturing because of broken time code.

    You use tried and true shooting technique. Pre-striping is a myth, because all cameras crash record, not insert record.
    Good practice states:
    Run at least 30 seconds of color bars at the head of a tape.
    If you're going to be doing a lot of powering down, reviewing takes in camera, etc, it's good practice to run 10 or 20 seconds of bars every time you stop the camera. Then when you are ready to record again, back the tape up into the bars and hit the magic button. That way the code will re-generate from where you left off.
    Also good practice to roll tape at LEAST 5 seconds before you call action. and the same at the end of a take.
    Shooting documentary style? Do the above, only more so.

  • Capturing into FCP using a canon optura20 camera

    This is just a recent problem, when i connect my camera(Canon Optura20) to my computer (iMac G5) and open up final cut pro 5 and go to the capture screen it sees the camera and knows it connected but when i click on "Capture" it bring up a bigger screen but its all black and after waiting a few secounds it will stop. What can i do?

    If you clicked, "Capture Now," then that window is supposed to be there. Just press the play button on your camera the next time you see it or try capturing using "Batch Capture," or "Capture Clip".

  • Capturing from Beta SP via Canopus ADVC110 into FCP HD - HELP!

    please help - desperately trying to capture into FCP HD using DV PAL 48 preset. I have BNCtoRCA adapter out of the beta SP video out going into the RVC video in of the canopus converter. Then 4 pin firewire out of the converter into my firewire 400 port. Have switched to all the correct relevant settings on the bottom of the canopus ...... but ... in my log & capture window the video appears to have no reference. i.e. black & white, scrambled. Any ideas?

    Unfortunately I am sure... very confusing because you're right - that's exactly what it looks like the problem is! Sound is coming in scrambled also. If I try to capture it for longer than a couple of seconds I get an error saying there is a "problem with the source tape" Have tried every combination with the switches on the canopus box, changed cables, everything I can think of.

  • How to import audio/video from DVD into FCP

    Hi, I need to import/capture into FCP from a dvd. When dvd files are open on my Mac it show VOB fotmat for video. I imported those files but they don't have audio, also the total time is 20 minutes but when imported into FCP it shows only bout 25 seconds. can someone help on this matter?
    Thanks in advance

    Cinematize works great. You can select portions or the entire DVD. It will not read encrypted DVD's so assuming you are using media that you have rights to it will do fine.
    You can import in several compressions. If you like you can import only the audio, only the video, etc. It will give you a QT file at the end.
    http://www.miraizon.com/products/products.html

  • I have upgraded to Mavericks and I now cannot import DV into FCP through the capture presets.

    Since upgrading to Mavericks, I cannot import DV vision through my Sony FX-1E. I have tried various connections - DV to Firewire 400 + 800 with no success. I now have to get the vision ingested at another facility and exported to a hard drive in order to edit.
    Is there a way I can get vision into FCP?

    FCP (not FCPX) is legacy software, now EOL and not designed or guaranteed to work with Mavericks, some people report no problems others do, it depends on your setup. I'd suggest using iMovie to capture your footage then transfer to FCP to save using (or paying) another facility. An alternative (and my own solution) is a second boot drive with 10.8.5 and FCP 7 which still works OK.  

  • Capturing a VHS tape into FCP

    Hello
    I have a short VHS tape I need to get into FCP-6 and onto a DVD.  I have my old Canopus ADVC-100 so I know the hardware.
    My question is can I record directly to the timeline or do I need to log and capture?  Reading the manual says something about 'capture now' to capture the entire tape.
    Do I just connect my VHS player to the ADVC FW into the MAc Pro and go into FCP?
    Thanks
    Allen

    Yes, you use the NTSC preset... I think you could also use Apple Pro Res as the compressor... it will look slightly better then NTSC DV... You simply Log and Capture... as you mentioned, just hit Capture now then hit Play on your VCR....
    I do suggest though not capturing the entire tape in one session. Incase there is a glitch and you waste 45 minutes of recording... divide it into 15 minutes stretches. (I am speaking of experience)...

  • Capture Edirol V-8 into FCP - help please!

    OK, here's my setup:
    2 - Panasonic DVX100B's
    1- MacPro (Quad)
    1- Edirol V-8 (http://www.edirol.net/products/en/V-8/index.html)
    FCP software
    Here is my dilemma. I just bought the Edirol V-8 video mixer but have not gotten it yet. It does everything that I need it to do in a video mixer, but it does not have a Firewire output.
    I do a 2-camera shoot (1 side, 1 overhead). I am trying to mix these signals on-the-fly thus avoiding a lot of FCP editing in post.
    My question(s): What is the best way to capture the signal directly into FCP (using capture now) from the V-8? It has BNC and S-Video outputs but I've heard that these signals are of a low quality. I need this to be SD, DVD quality.
    Do I need a card like a Aja Kona LS SD to capture the S-Video or BNC signal to FCP?
    (http://www.usedvideogear.com/catalog/aja-kona-ls-sd-10bit-digital-and-12bit-anal og-capture-and-outp-p-748.html)
    Should I return the V-8 and get something else that is in the $2K price range?
    Should I get a miniDV deck, hook up the cameras to the V-8, then the V-8 to the miniDV deck and then go firewire into FCP?
    I am "learning as I go" here, so ANY help is greatly appreciated!

    Before you buy...make sure FCP will recognize the unit as a DV device...DON't take a salespersons advice on this factor.
    We have the Videonics (now Focusinfo) MXProDV 4 channel switcher...4 analog in/2 out - 2DV in / 1 out.
    We have two issues...FCP won't recognize it as a FW device, so can't directly do 'Capture Now' with it.
    Secondly, our cameras are anywhere from 25 to 100 ft from the unit. FW cable length is best when under 12 ft or so. There are some FW repeater/boosters available (search this forum or google), which might help, but we've not tried them. (Besides we're limited to 2 FW inputs and work w/4 cameras)
    I have been partially successful getting the switcher to recognize DV cameras on 25' FW cables, but not consistently.
    If you purchase the unit, make sure it's from a reputable dealer (who will take the unit back if necessary) and save your receipts...run some tests to make sure it's solid before committing to it.
    Hope it works for you. If it does, post back and let us know.
    K

  • Capturing from a dvd into FCP

    I have a bunch of QuickTime files on a DVD that I need to capture. I have already imported them into FCP and it works fine but when I want to capture, FCP does not recognize the DVD deck (which is built in my Mac) and says "No Communication".
    what should I do?

    because when I log a clip it shows "Media offline" message, so don't I have to capture the footage to my hard drive in order to use it in my project? How do I avoid the "media offline"? I also have some still pics that I have imported from another DVD, but once I take out the DVD from the deck it shows the Media offline message again...

  • When capturing mini dv footage into fcp,  the media comes in sped up.

    when capturing mini dv footage into fcp, the media comes in sped up.
    fcp 4.5
    g5 running OS 10.4.10
    has never happened before.
    [email protected]

    DVCam decks should automatically lock onto the control track and playback OK, it's normally not the case the other way around with regular DV decks that don't pick up on the fact it's DVCam material and play back slowly and with picture and sound breakup.

  • Capturing Only Audio directly into FCP via a line in connection?

    Basically I'm wondering if you can source directly into FCP 4.5 from a Walkman pro? So I can capture directly into FCP. Is this possible. Any help would be appreciated.
    Ken

    Basically I'm wondering if you can source directly
    into FCP 4.5 from a Walkman pro? So I can capture
    directly into FCP. Is this possible. Any help would
    be appreciated.
    Ken
    Depends. You've got to find a way to bring in analogue audio through a digital system. You can hook the walkman up to a digital camera and then into FCP. Does a walkman even have an output connection?

  • Blackmagic Card into FCP is only capturing Black/White video .. need help

    Hey all, I just bought a Blackmagic Decklink SP video card. Going into FCP when digitizing video only comes in Black and White.
    Here's the setup:
    OLD VHS player (RCA out) into the Blackmagic card (BNC).
    We're just using the (Y-in from deck) cable that came with the breakout cables. This is plugged into the VHS deck with a BNC to RCA adapter.
    Does anyone what might be causing this ?
    Is there a setting that I'm missing.
    Appreciate any replies

    First off...show all of your students this tutorial:
    http://library.creativecow.net/ross_shane/tapeless-workflow_fcp-7/1
    It isn't long, and it shows the proper way to deal with tapeless footage in FCP.  Step 1: BACKUP THE CARD! Never import directly from the card. You need a backup first. Unless you are in a hurry, then you can import and backup later...before you erase the card.
    But this camera is tricky...it shoots SD to those cards.  Standard Def.  With the world moving to High Def, I'm not sure that was the wisest purchase.  You really should be getting an HD camera.
    As for the computers...do they all have the same OS version?  QT version?  FCP version?  They all should be at least at Mac OS 10.6.8, QT 7.6.6, and FCP 7.0.3.
    But yeah...get a different camera.  And HD one.  And show that video in class.  Instill proper tapeless workflows while they are young!

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