Capture question (novice alert!)

Hi. My wife and I just purchased Final Cut Studio 2 last week and are ready to import footage from our indie film production last spring. We shot the film using a loaner Panasonic DVX100 and plan to use our Sony DCR-HC90 NTSC Handycam to import the footage from the miniDV tapes.
My wife wants me to just plug it in and import it automagically, just like in iMovie. But I have the feeling that the process is more involved then that.
Will FCP auto-configure itself when I have the DCR-HC90 plugged in? Are there issues capturing from a camera that was not used to shoot the footage?
I imagine I will have to tweak the Easy Setup based on the parameters our DP used during production. Can anyone give me an idea of what settings I should use for the DVX100?
Best,
dior

Dior wrote:
Thanks for the assurances on using a "lesser" mini DV device to capture footage shot with a prosumer camera. I guess it's all bit stream at this point.
I guess I've not repeated this info in a few months, even though it's all there for anyone who starts a search.
One would think that it's all digital, just zeros and ones, so it'll all transfer, right? Not so fast. Not all dv devices will pass the digital bits that flag the pulldown fields so you have to decide how you will create your edit. Will you remove the pulldown and edit 23.98 fps or will you leave the pulldown in tact and edit NTSC? Well, as I just said, some devices won't read those pulldown flags so you won't be able to remove the pulldown, even if you want to.
This can't be stressed enough: Research and test your workflow, ESPECIALLY if you think FCP will perform some sort of "auto-magical" magic cause it won't. Years on into this grail of video, this 24p business, people still get it wrong as apparently it's difficult. Case in point, you aren't sure if you recorded 24p or 24pa even.
http://www.adamwilt.com/24p/index.html
http://www.kenstone.net/fcphomepage/24p_in_FCPnattress.html
I would thoroughly digest the above reading material before proceeding with your edit.
Yes, Studio X is correct again. DV25 is NTSC video with a visible raster of 720x480 pixels. It is either 4:3 or 16:9 anamorphic aspect ratio.
Good luck.

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Questions on Alert monitor

Hi,
I have few questions on alert monitor.
1. If we create an alert and have it as default macro, does it display in interactive planning book without a alert profile assignment? or should we assign an alert profile to see alerts in planning book. I remember that we just need alert profile if we need to check the alerts in a separate screen for our convenience.
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Can somebody help me understand what's going wrong?
Thanks.

I think you can select that standard type.
However since it was SAP delivered, we chose not to, and instead created more line items in SPRO with text such as "Alert Message 1" etc. We created numbers ranging from 9001 to 9010. While defining the custom alert, under alert type, it showed up these numbers that were setup in SPRO. I would assume that just like you pick up 9001, you should be able to pick up 4100 or 4101 (alert type numbers) which is the standard status alert. If you run out of the numbers, you would definitely need to add more in SPRO settings. Remember the alert text is picked from SPRO, where you can change and make it more meaningful so that users can do sorting on those alerts.

Question on Alerts

Hi all,
We have a requirement where in are validating the incoming messages using the standard XML validation feature in PI 7.1.(we are using validation by integration engine)
If the message validation fails in Moni we have to send an alert email as well.Now alerts are coming in the alert Inbox using the standard alert functionality where in I am able to capture the error message which comes under the tag <SAP:Code area="XML_VALIDATION_INB">CX_XMS_SYSERR_VALIDATION</SAP:Code> using the standard container variables available(SXMS_ERROR_CODE and SXMS_ERROR_CAT)
Now the requirement is that the description of the error message which is the root cause of the validation failure appearing in Moni needs to be captured in the alert mail.This comes in Moni under the below mentioned tag as given below:
<SAP:P1>XML Validation for payload with root element name ReplenishmentOrderNotification , target namespace http://sap.com/xi/SAPGlobal20/Global Failed!Errors Encountered During Parsing 1.cvc-enumeration-valid: Value 'I' is not facet-valid with respect to enumeration '[1, 2, 3, 7]'. It must be a value from the enumeration. 2.cvc-type.3.1.3: The value 'I' of element 'DeliveryPriorityCode' is not valid.</SAP:P1>
Kindly guide me on how this message for the validation failure can be captured??
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Edited by: sowmya venkit on Feb 19, 2010 8:44 AM

We have a requirement where in are validating the incoming messages using the standard XML validation feature in PI 7.1.
(we are using validation by integration engine)
If possible change the check to AE...Validation in Adapter Engine and use the alert container variable SXMS_TO_ADAPTER_ERRTXT ....you will receive the alert more quickly (as it will happen in AE) and you will also be able to receive the error text.
Regards,
Abhishek.

Capturing Question #1

Hi. I have two capturing questions that I could really use some help with, I'll keep them seperate.
Since downloading the new FCP update I have had a new warning before capturing and I can't figure out what I'm supposed to do about it. Quoted as follows:
WARNING: You are about to capture drop-frame media to a non
drop-frame clip. If you proceed, you may experience changes in
logged in and out points, problems relinking media, or removal of
master clip relationships.
Cancel OK
I just don't know as much as I should about this stuff. Not even what other info you guys might need. I'm capturing Firewire from a Sony TRV-22 to a 250GB external LaCie.
Thanks,
Ariel.
Dual 2.3 GHz PowerPC G5 Mac OS X (10.4.7) FCP 5.1.2, QT 7.1.3, 2 GB DDR2 SDRAM

The difference is in the TIMECODE. Somehow you have a batch of clips that have been logged with NON-DROP timecode...the : separators are all colons ":" that indicate that the footage logged was NDF TC. Drop frame separators look the same, but the last one is a SEMI colon ";" indicating drop frame code.
Re-log that tape and you should be good to go.
Shane

Drop-Frame vs. Non-Drop-Frame Capture question

Hi,
I'm using Final Cut Pro 5 capturing 16:9 anamorphic video and removing an advanced 24 frame pulldown from my Canon XL-2. This is for a documentary for which I have captured over 30 full tapes of footage. I've been logging in the clips FIRST, then going back and batch capturing everything afterwards.
My question is this: I have logged everything the same way with seemingly all the same settings. However, when I capture some tapes I get the warning that I'm capturing Non-Drop frame media to a Drop-Frame clip and it could cause problems in the future with relinking. Then some tapes don't give me that message at all. Is there something I'm not noticing about how I log some tapes but not others? Would it have to do with the presets I have Final Cut set to when I'm capturing a tape? I'm fairly positive I've always setup FCP to the proper capture settings before logging anything...but could something else be causing this? Thanks for your help.
-JD

The thing to watch out for, both in logging and in capturing, is when you log or capture multiple tapes with mixed NDF & DF timecode.
There are three or four things that can affect this:
FCP5 and later allow you to set the TC format of the capture preset, such that the Log & Capture window would default to NDF if you are working with NDF tapes.
Otherwise, Log & Capture will still auto-detect during playback when logging, but you have to be sure to play the tape some before logging the clip. If you capture multiple tapes using capture now, You could easily start recording before the time code format updates. This kind of error results in a clip whose in point is the correct "number", but the format is wrong.
During Batch Capture, the device control is not always able to change the time code format. I'm not sure about FCP6, but I am in the habit of grouping my clips in batches according to the TC format. You ma be seeing this alert because you are switching the TC format of the tapes in the batch capture, but device control is "stuck" in DF mode, for instance. This is not an issue during logging, only capture.
I think it may also be possible to override the clip's logged TC format at capture by unchecking "use logged clip settings".
Capturing clips with the wrong TC format can really mess up recapture later. The offset that happens as the format gets converted back increases as the starting hour of the timecode gets bigger.
So basically you can have clips that get logged wrong, and clips that were logged correctly, but captured with the wrong TC. It's easier to miss it when logging, since there's no alert message to pop up. But the other alert is there to tell you there is a mismatch somewhere, preventing you from making the second kind of error. Your only error may only be that you had both DF and NDF clips in the same batch.
There is a trick to get the TC format to switch to the non-default for batch capture - Open Log & Capture and play the tape until you see the TC format update. Now start the batch capture with Log & Capture still open - device control will stay in that TC format now. Otherwise, I think device control switches to the format of the first clip in the batch, but stays there until you cancel and start a new batch.
Hope this helps -
Max Average

Spool Error capture question

Hi,
I am trying to spool data from tables into flat files. I am using the following scripts to accomplish it
1. A cmd file (windows) that makes a call to a sql file
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For eg : if i do this just to generate an error and execute it from command line, the query generates an error and writes the error to the spool file , but at the command prompt where I executed the command I do not see any error and the process seems to have run perfectly well
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ORA-00936: missing expression
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Thanks

Thanks for the reply.
Querying the data dictionary will work only when the issue is a invalid table name. My question is can i capture any run time error, not only incorrect table name.
If there is any run time error (for eg the one I showed where I used a >< sign which is a invalid operator) the error gets written to my spool file, but there is no way I am able to capture that in my calling sql script and subsequently in the calling command file so that I can do something with the error. For eg if a spool file may get written with error messages, some batch process or user may pick up the spool file and start processing which i dont want to happen. i would like to trap that error or at least be notified of the error at my outer calling sql file or outer command file level, so that I can write the error to a log file and delete the erroneous spool file etc.

Question about Alert Framework in Solution Manager

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We can define auto-reaction methods for monitors to send CCMS alerts to Alert Framework where the alerts can be forwarded to the personal responsible via Email or CCMS.
Is there any difference when using Solution Manager? Which additional functions dose Solution Manager provide in alerting?
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Hi Hui,
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+ The only feature that is unique with System Monitoring with SAP Solution Mnager is the possibility to change threshold values for all the MTEs / MTE Classes that are defined in User Define Alerts an one button click
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Live audio capturing question

We're using Reflectmedia and a Ultimatte DV. Since the ultimatte DV only captures either S-Video and output Firewire, we have no audio. Therefore, when the receiver of the wireless mic is connected to Digidesign M Box 2, I can hear it on the speaker. However, I can’t seem to log and capture the audio in on Final Cut Pro HD. Is there a way to log and capture the audio using a wireless mic?
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FCP sees the DigiDesign interface in the capture setting. I think that DigiDesign limits the abliliy to record from FCP. However, if FCP is actually recongnizing the interface, why couldn't I use it to capture audio from usb (MBOX2)while video from another firewire source, Ultimatte DV.
The problem here is, I'm attempting to "Log and Capture" the Ultimatte DV (whick only processes video and not audio), through firewire while I capture audio through another source.
Thanks for all your effort
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c3lolle wrote:
It would be very nice if you people could share some thoughts on a little problem I have.Sure thing.
I'm gonna try and capture audio from a flash-application (www.delorean.se/mixer) and convert it to a .mp3-file.
I browsed the web for a few days for a solution and first thought of using The Java Soun API but later read that it doesn't convert to .mp3 :(
I managed to read and create .wav files with it and it wasn't too difficult at all so it was kind of sad that there's no .mp3 support
Then I found JMF and saw that it has a mp3 converter plug-in :)Technically, no. JMF has an MP3 plugin that allows JMF to play MP3s, but the plugin does not allow you to create MP3s. Actually, the same plugin allows JavaSound to play MP3s too..
[http://java.sun.com/javase/technologies/desktop/media/jmf/mp3/download.html]
Would the JMF be a good tool to use for my problem?No, because you cannot encode MP3s. Only decode them...
Does it work like Java Sound API?Not at all.
Does anyone have any general tips when it comes to capture audio from the web using java? (It feels like I've looked over the whole web and I didn't find anyone trying to do the same thing or someone who has done anything similar in the past)Capturing audio is easy. JavaSound + applet...but if you need to store it as an MP3, you're probably going to want to build an Adobe Flex application.
Adobe Flex is their free API you can use to build Flash applications. Google it.
I would be so very happy if I could get some answers on these questions! Be happy. :-)

Is JMF the right choice? (audio capturing question)

Hello everyone!
It would be very nice if you people could share some thoughts on a little problem I have.
I'm gonna try and capture audio from a flash-application (www.delorean.se/mixer) and convert it to a .mp3-file.
I browsed the web for a few days for a solution and first thought of using The Java Soun API but later read that it doesn't convert to .mp3 :(
I managed to read and create .wav files with it and it wasn't too difficult at all so it was kind of sad that there's no .mp3 support
Then I found JMF and saw that it has a mp3 converter plug-in :)
These are my questions:
Would the JMF be a good tool to use for my problem?
Does it work like Java Sound API?
Does anyone have any general tips when it comes to capture audio from the web using java? (It feels like I've looked over the whole web and I didn't find anyone trying to do the same thing or someone who has done anything similar in the past)
I would be so very happy if I could get some answers on these questions!
Cheers!
Edited by: c3lolle on May 15, 2009 6:05 AM
Edited by: c3lolle on May 15, 2009 6:05 AM
Edited by: c3lolle on May 15, 2009 6:06 AM
Edited by: c3lolle on May 15, 2009 6:07 AM

c3lolle wrote:
It would be very nice if you people could share some thoughts on a little problem I have.Sure thing.
I'm gonna try and capture audio from a flash-application (www.delorean.se/mixer) and convert it to a .mp3-file.
I browsed the web for a few days for a solution and first thought of using The Java Soun API but later read that it doesn't convert to .mp3 :(
I managed to read and create .wav files with it and it wasn't too difficult at all so it was kind of sad that there's no .mp3 support
Then I found JMF and saw that it has a mp3 converter plug-in :)Technically, no. JMF has an MP3 plugin that allows JMF to play MP3s, but the plugin does not allow you to create MP3s. Actually, the same plugin allows JavaSound to play MP3s too..
[http://java.sun.com/javase/technologies/desktop/media/jmf/mp3/download.html]
Would the JMF be a good tool to use for my problem?No, because you cannot encode MP3s. Only decode them...
Does it work like Java Sound API?Not at all.
Does anyone have any general tips when it comes to capture audio from the web using java? (It feels like I've looked over the whole web and I didn't find anyone trying to do the same thing or someone who has done anything similar in the past)Capturing audio is easy. JavaSound + applet...but if you need to store it as an MP3, you're probably going to want to build an Adobe Flex application.
Adobe Flex is their free API you can use to build Flash applications. Google it.
I would be so very happy if I could get some answers on these questions! Be happy. :-)

Out of my League- video capture question.

I'm strictly an amateur here, so don't assume much prior knowledge. I just bought a nifty little video camera called the Hawk Eye nature cam, to be installed as a spy cam in a squirrel house (long story...!). It even has a little IR lighting system built in for low light situations - pretty cool. Its output is RCA jacks, white and yellow, which work nicely directly plugged into the TV.
Obviously, what I'd like is to get this feed to my computer, preferable eventually to be recorded/edited. I picked up a video DVR capture device, but being unaware that there was software involved, I did not check for Mac compatibility and found one that is not Mac compatible. It was quite inexpensive - go figure. ( Amazon link: http://www.amazon.com/SABRENT-USB-AVCPT-Creator-Capture-Adapter/dp/tech-data/B00 11N9QNC/ref=deasmtd )
Questions:
1) might I be able to find 3rd party software that would let this capture device work for me? ( when I check my "about this mac" with the device plugged into the usb, it recognizes it as a video capture device.
2) If not, I have an EyeTV hybrid unit, which I used to use when I could get free network TV (yes, really, just through the Air!) but now sits idle since none of the digital signals are strong enough to use here. Is there some way that I can use its hardware or software to reach my goal? Would this require the "RF modulator" that I see, which converts rca to the coax that goes into the EyeTV?
3) Would I be better off just purchasing a different video capture device, specifically compatible with Mac? Recommendations?
4) Other issues I don't know about? format compatibilities, etc??
Many thanks - this is probably stuff most of you can do in your sleep!

Your Hawk Eye outputs a composite video signal (the yellow RCA connector). There are basically two ways you could connect this to your Mac -
1 - get an analog-digital converter (like the Canopus ADVC-110 ) or
2 - get an inexpensive miniDV camcorder that supports analog-digital passthrough and use it as your converter
In both cases you could use iMovie or Final Cut Express to capture your video. However you might find it useful to record from the Hawk Eye to a miniDV camcorder and later capture just the sections you want.
The little device you found on Amazon (and similar ones elsewhere) are not going to work. (Technical discussion available if you want to know why.)
The EyeTV Hybrid would require an RF modulator, as you guessed, and it would really mess with the video quality, so I don't recommend it.

Video Capture Question

I have a pretty basic question. I have been using Adobe Premiere Pro CS5 for the past few weeks and am positive this was an excellent purchase. It does what I need and more (I have taken several tutorials and understand basic functions fairly well). For my old data which was recorded on Mini-DV format (the new stuff is 1080P on SSD so it does not apply for my new stuff), my basic question is will capturing in CS5 using the DV out of my old camcorder provide the "same, better or lesser" results compared to using a specialized hardware converter. I will most likely get a response of "it depends", but would like guidance for those that have used CS5. I have used a hardware converter in the past with OK results.
Sorry for the newbe question, but would like a quick response if anyone has time. BTW - my PC is new build for video editing, has plenty of power and I do have mercury playback capability.
Thanks in advance.

I also have RCA jacks on the camera, however, no matter how good the A/D converter is (if using the RCA jacks), the firewire will still be the best.
Well, you basically have two different things there--yes, it's one camera, but you can use it to do two different things.
On one hand, if you have miniDV tapes, the Firewire is the only connection you'll use. At that point, you're not transferring video in the traditional sense, but rather you're effectively copying from the tape to your hard drive. Whatever is on the miniDV tape is the same as what you will end up with on the hard drive. The analog connections (the RCA jacks) won't be used for this process at all. So if you're talking about DV video, it's as good as it gets.
On the other hand, if you have some sort of analog tape like VHS or Hi8, you need to have an A/D converter between the tape deck and the computer--this is where the analog connections on the camera would come in to play. The basic map in this case is:
Analog deck -> RCA cable (or other analog connection) -> DV camera as an A/D converter -> 1394 cable (Firewire) -> computer
In this case, the better the analog signal is that you feed to the A/D converter, the better the captured digital video would look. Obviously, there are all sorts of variables here--playback deck, type of analog connections, quality and features of the A/D converter, and the DV codec itself--you can control some of those, and some you really can't, depending on what you have access to. If you're not dealing with analog video, though, you don't have to worry about any of this

Pass Through Capturing Question

Hi Guys-
I found a post very similar to my question that didn't quite answer it: I'd like to pass through my miniDV camera using a non-controllable device (either my VCR or 8mm analog camera). Usually when I have my AV cables AND firewire connected simaltanously I can get nothing, therefore nothing shows up on the capture screen. I have a Sony miniDV handycam, DCR-TRV 22. Any thoughts? Thanks!
-Jack

I take it you've adjusted the settings for your Camera? I use a Sony DCR-PC101 at home and, with the camera in VCR mode, I adjust the menu's VCR SET setting to A/V->DV Out.
Also, what are you feeding into the camera? In case it's anything that has MacroVision protection - hey, if your clients are like mine, it happens - Sony cameras do not pass those signals thru.

MiniDV camera/capture question

I have some MiniDV footage shot with an XL2. I need to get the footage captured as soon as possible but I don't have access to the XL2. I do have a $300 Consumer Panasonic MiniDV camera that's about 6 years old.
My question is will I have the same quality digitizing with the cheap camera as I would the XL2?

For the most part, the quality should be the same since its a digital transport. That being said, the heads on the XL are most likely a better quality and might do a better job of reading the information on the tape.
I make it a practice not to capture from the camera to limit wear on the heads, but thats comes with a debate from others who think that the tapes that writes the information will do a better job of reading it. I use a dedicated DV deck for capture.
Like Zeb says, give it a test and see if any noticeable flaws.

Capture question (novice alert!)

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