Capture with Aver Dark Crystal Card

I am trying to use an Aver Dark Crystal HD Capture Card with Adobe Premier Pro - but Premier Pro does not seem to recognize the capture device. Is there a way to use the Aver Dark Crystal HD Capture Card with Adobe Premier Pro CS6?

Any internal card must have software from the card vendor to integrate with PPro, to then allow PPro to "see" the card
You will need to either ask the vendor if they have such software, or use the software that came with the card to capture video into a compatible codec

Similar Messages

Problem with video capture with Blackmagic Intensity Pro card

I have just installed a blackmagic Intensity Pro card to download analogue VCR tapes to DVD. I have set all the input parameters to the Blackmagic card in both Premiere and the input routine for the card. I am using the breakout cable for NTSC input with the green Y input for the video and the L & R audio inputs. When I try to capture I get snow in the premiere capture window, but it does record the L & R audio. When I stop the tape deck I momentarily get the blue screen with STOP showing and then back to snow. I am hoping it is just a setting somewhere but where????
The computer is running Vista 32 home premium with 3G ram
Comments very welcome

Is there a BlackMagic setting required to tell the driver to see the green as composite rather than component?

AverMedia Dark Crystal HD Capture SDK II (C729) + flash player = NO Audio devices

Hi
I am trying to get flash player to play nice with averMedia Dark Crystal HD Capture SDK II (C729). But Flash player does not find any audio devices on the system. IE: Microphones.Names is 0 in length. Flash player settings window also dont show anything.
However using Chrome with built in flash player i can see audio device and it works. I have tried uninstalling and uninstalling different versions of flash player with no luck.
Any hints adobe ?

I have to assume that it's not be exposed through DirectX in the case of Internet Explorer. Chrome is probably using a different mechanism for enumerating the audio devices. The hardware vendor may have some tips, but we're not really doing anything special in terms of detecting or blocking your audio device.

Unable to batch capture with Premiere Pro CC via Kona LHi

AJA's web site claims Premiere Pro CC is compatible with the Kona LHi card, but I can't get the two to work together properly. After repeated tries, I uninstalled and reinstalled everything AJA, but still no luck.
I need to batch capture DV clips from some mini-DV tapes on my Sony MVR035U tape deck. But I also need to upconvert them from 480i to 720p60 using my Kona Lhi card. I should be able to do this with Premiere Pro CC. But the PPCC Capture window won't give me any audio feedback when I select "AJA Movie Capture" in the Capture Settings pull down menu. I only get audio feedback when I enable "DV capture" but then I'm no longer able to upconvert.
Looking forward to any feedback on this issue. Been tying all day to trouble shoot this problem.
[Text formatting removed. Please type your posts here, rather than pasting.]
Message was edited by: Jim Simon

And now with CC June 2014 you can't even capture from HDV, I need to go back to Premiere CC 2013 for that....Adobe might think tape capture is over... but it isn't totally yet...

Image Capture doesn't recognize SD card

In Tiger I would pop in my SD card into a reader in my pcmcia slot and image capture would read it as a device and I could then use it to embed color profiles etc. as it downloaded to the correct folder.
Leopard's Image Capture won't recognize the card as a device. It will mount and I can pull from it like a flash drive in the finder window, but I would love to use Image Capture again.
Anybody know what happened?

Geoff Cleary wrote:
I have filed a bug report with Apple.
I spoke on the phone with an Apple Developer Connection representative and have communicated with Apple via e-mail on a couple occasions now about this issue. They have had me follow some troubleshooting procedures and send them the results.
The bug report is still considered open, so they must be working on fixing the problem. Otherwise I would think they would have close the bug report by now. Maybe we'll see a fix in 10.5.2?
Also, I noticed the following interesting phenomenon: I made a disk image of my SD card and then ejected SD card. Upon mounting the disk image of the SD card, iPhoto launched, just as it used to under Mac OS X Tiger when I inserted my SD card. Intriguing!

Captures are too dark

My Sony DCR-TRV460 camcorder bit the dust a few weeks ago, so I bought a used DCR-TRV103 to continue capturing from the tapes I recorded with the 460. The problem is, the captures are much darker when capturing them using the 103 than they were when capturing from the 460.
The video looks fine on the camcorder's LCD screen, but is way too dark when viewed in FCE, and when clips are placed on the timeline next to clips that were captured from the 460, the difference in brightness is striking.
Is there any way to compensate for this during the capture? There is no brightness or levels control during the capture process that I can find. Or am I stuck with manually adjusting and rendering these clips to match the other clips in the project?
Thanks for your help

Thanks. So far, I have not even shot any footage with the new camera. I am using it to capture from tapes made with the old camera. With the old camera (DCR-TRV460) captured clips look almost exactly the same in FCE as they do on the camera's LCD. With the new camera (DCR-TRV103) captured clips look a lot darker in FCE than they do on the camera's LCD.
I just wish the Viewer and Canvas windows could be calibrated, so that they look closer to the final output medium (for me, a DVD played on a TV set). With laptops and LCD Macs, it's probably not possible to get it to look on screen like it will look on a TV, but I am still using a CRT Mac. The Viewer and Canvas windows are generally too dark compared to what the video will look like on a TV. It's hard for me to use filters, or do brightness or contrast or color correction, when what I see on screen is not an accurate prediction of what it will look like on a TV.

Tethered Capture with 3.4.1 x64 and D7000

Hello everybody,
I am starting this discussion about issues with Tethered Capture with LR 3.4.1 and Nikon D7000.
I tested the Capture on 3 different PCs: a Windows 7 Ultimate 32bit and two Windows 7 Ultimate 64bit.
I can properly do capture with the 32bit version of LR, even thought I am no longer able to browse the files on the SD card after a shooting session with Tether. I suppose this has something to do with exclusive access priority, but this is actually not the big problem I am encountering.
On Windows 7 x64 machines, it appears LR 64bit is not able to do Tethered Capture as in the capture window I only see "No camera detected".
I did a search on the Internet and I found just a few examples of this issue with apparently no explanation or solutions, but I think this is a general problem as it happens on two different Windows 7 x64 installations, but not on the 32bit one.
My D7000 already has the latest firmware installed and I already tried different USB cables to be sure this is not a hardware malfunction.
I am now really lost to this problem and I do not know how to proceed in troubleshooting or solving it.
Anybody can help?
Thanks a lot and have a nice day
Luca

Did I miss something?
Yes, the link to troubleshooting!
http://kb2.adobe.com/cps/894/cpsid_89486.html

Premiere Pro CS5 not responding after 55 minutes of capture with intensity shuttle

Hi and thank you for the valuable resources on this forum.
I am capturing analogue video into Premiere Pro CS5 using he Blackmagic Intensity Shuttle (with Time Base Corrector in the video path). My captures are stopping at 54 or 55 minutes when the computer becomes non responsive. This has happened with the Blackmagic motion jpeg codec as well as the 10 bit YUV capture. Same thing happens if I capture with media express (the blackmagic capture software)
I have tweaked my system as per many of the recommendations in the forum.
Running CS5 5.03, autosave set to 10 minutes (same problem with no autosave or autosave at 20 minutes)
Windows 7 64 bit fully updated
i7 - 930 cpu
Gigabyte x58A - UDP5 (Revision 1)
24 Gb Ram
Nvidia 470 - MSI with the twin Frozr cooling solution.
Restore off, indexing off, windows search off,
Followed tips from forum and Viper regarding optimizing system
3 Hard drives
System on standard Sata 2 drive
Project capture to OCZ Vertex 3 120 g SSD drive (nice bit of gear) running on Sata 3 controller
Page file on another hard drive
Norton 360 unistalled
Anything else I could find unistalled or turned off.
Firmware and drivers for on board USB latest from Driver Station as per Blackmagic Recommendations.
Very succesful capture of things shorter than 55 minutes but I have some longer things I would like to capture in one go.
I have used process explorer to watch what happens. Nothing special that I can identify in terms of processes but cpu seems to be going to 100%.
With progessive tweaks the problems remains the same.
I am not aware of any file size limits with Premire Pro or Blackmagic - are there some?
Considering reinstall but would greatly appreciate any insights. My first post so I hope I have provided the right info to help you help me.
Thank you
Andrew

Good that you got it fixed... bridging device drivers have cause problems clear back to the computer version of the stone ages
I still have a Pinnacle Dv500 card (used via dual-boot with WinXP and Premiere 6x) that went through several device driver versions to get everything working right
While everything is working right... make a full "picture" of your hard drive to external USB drive to make recovering easy in case something goes wrong
Hardware crashes or virus infections happen, so you should buy software to make a full
backup of your hard drive to an external USB hard drive... plus, making step-by-step
backups during a new install or major program addition makes it easy to go back a step
if something doesn't work
This backup and then restore is, of course, only to the same computer with a new drive
(or the same drive as long as you don't mind writing over everything) since doing a
restore to a new computer won't work due to Windows and many programs having activation
information that is keyed to your hardware (which is why Windows will force you to RE-
Activate if you change very much hardware)
The product I use is at http://www.terabyteunlimited.com/image-for-linux.htm
Image runs off of a bootable CD via Linux (the Zip you download includes a program to
make the bootable CD) and it reads EVERYTHING on the drive, even the hidden
registration information, so everything is restored when needed... and you may restore
the image to a brand new drive in case of a crash, and not have to re-install anything
Please note that I own no part of Image, and I don't get a referral fee (that is just a
plain web link) but I use the program and it has saved me a LOT of trouble when I had a
hard drive die... and I was able to restore everything and not have to re-install or
re-activate a single program, from Windows on up

Can not capture with CS6 and blackmagic multibridge pro on HP Z820

This is the setup:
Z820 and Windows 7 pro
Multibridge Pro and driver 9.7.7
CS6.0.5
In premiere I can not capture via the Multibridge. The app crash when entering capture mode. I can not change setting in my capture device.
On the same PC I CAN capture with Media Composer v7 and BM Media Express.
I've tried several version of the BM driver, no changes.
The BM PCIe card is in slot 1 and the PC bios I have update to v3.50.
Anyone having the same experience?
Regards
Danny

Thanks for the reply. I know YouTube is not the way to check quality but it shows the stutter in playback. The quality wasn't the issue and it is filmed with my phone. The video shows what it needs to show.
Disk setup is a ddp server (check http://www.dynamicdrivepool.com/ for info) connected with 2 network cables for optimal speed.
Video cars is a NVIDIA Quadro K4000.
Premiere Pro CC is up to date with the latest version.
Export settings? I think you mean sequence settings:
For the record: I'm not trying to play a sequence with multiple layers of video of different codecs and loaded with effects. It's just a video chopped to pieces and an adjustment layer with some simple effects. The way Adobe is advertising the performance of Premiere Pro, one would think that couldn't be a problem for any Z820. Or that's what I was thinking. Hope you or anyone can help.

[SOLVED] No sound on SPDIF with Intel ICH10 Sound Card

Hi everyone,
I'm coming from Fedora 12 and recently got a fresh installed Archlinux. I'm very satisfied by the distribution and everything works just as expect for the moment, except one thing : SPDIF output of my sound card.
I installed the following packages :
$ pacman -Qs alsa
local/alsa-firmware 1.0.20-2
ALSA firmware package
local/alsa-lib 1.0.22-1
An alternative implementation of Linux sound support
local/alsa-plugins 1.0.22-1
Extra alsa plugins
local/alsa-utils 1.0.22-2
An alternative implementation of Linux sound support
My actual configuration in a few commands :
$ aplay -L
null
Discard all samples (playback) or generate zero samples (capture)
default:CARD=Intel
HDA Intel, STAC92xx Analog
Default Audio Device
front:CARD=Intel,DEV=0
HDA Intel, STAC92xx Analog
Front speakers
surround40:CARD=Intel,DEV=0
HDA Intel, STAC92xx Analog
4.0 Surround output to Front and Rear speakers
surround41:CARD=Intel,DEV=0
HDA Intel, STAC92xx Analog
4.1 Surround output to Front, Rear and Subwoofer speakers
surround50:CARD=Intel,DEV=0
HDA Intel, STAC92xx Analog
5.0 Surround output to Front, Center and Rear speakers
surround51:CARD=Intel,DEV=0
HDA Intel, STAC92xx Analog
5.1 Surround output to Front, Center, Rear and Subwoofer speakers
surround71:CARD=Intel,DEV=0
HDA Intel, STAC92xx Analog
7.1 Surround output to Front, Center, Side, Rear and Woofer speakers
iec958:CARD=Intel,DEV=0
HDA Intel, STAC92xx Digital
IEC958 (S/PDIF) Digital Audio Output
hdmi:CARD=Intel,DEV=0
HDA Intel, INTEL HDMI 0
HDMI Audio Output
$ aplay -l
**** List of PLAYBACK Hardware Devices ****
card 0: Intel [HDA Intel], device 0: STAC92xx Analog [STAC92xx Analog]
Subdevices: 1/1
Subdevice #0: subdevice #0
card 0: Intel [HDA Intel], device 1: STAC92xx Digital [STAC92xx Digital]
Subdevices: 1/1
Subdevice #0: subdevice #0
card 0: Intel [HDA Intel], device 3: INTEL HDMI 0 [INTEL HDMI 0]
Subdevices: 1/1
Subdevice #0: subdevice #0
The following command :
$ aplay -D front:CARD=Intel,DEV=0 tmp/Norrlanda.wav
gives me sound on the analog (HP) output but this one :
$ aplay -D iec958:CARD=Intel,DEV=0 tmp/Norrlanda.wav
gives absolutly nothing (I tested the HDMI output and it's fully functionnal).
I unmuted everything that could be unmuted on alsamixer and tested varied combo of options snd_hda_intel model=XXXX (as I read that those type of card can have issue of this kind). I try to delete the /etc/asound.state file, various configuration in /etc/asound.conf. But nothing.
In last resort, I rebooted on a F12 LiveCD and there… everything works fine ! The SPDIF output works just great, without any manipulation (with the same command as above). I tried to import the configuration of /etc/alsa, /etc/pulse and /etc/modprobe.d from this F12 LiveCD (looking if there was any special options about sound card I can just copy/paste to Archlinux) but this failed one more time.
I really really don't see what I can do to solve this problem (and I already spend 2 entire days on this issue without any result… frustrating). So if someone's got a solution or suggestion (some configurations I can try) on this issue, any help would be greatly appreciated.
Last edited by DojoMortal (2010-05-01 21:31:41)

Thx to jonnor on the IRC Archlinux Channel, it works now !!
For everyone experiencing the same problem with DG45 intel sound card (Codec: IDT 92HD73E1X5 to be accurate), the documented module is not the right one. Use model=no-jd if you want to have the SPDIF output functionnal.

Has anyone integrated with PaymentTech for credit-card processing?

My client would like to capture credit-card payments using PaymentTech payment processor. We are using Oracles Apps 11i. I am aware that AR is integrated with iPayment for credit-card processing. However iPayment uses Cybercash as the payment system and it does not currently support voiceauth (i.e. ability to capture/settle payments based on an authorization not obtained via iPayment).
Has any one done any custom development to integrate directly to PaymentTech (or to a
3rd party application which integrates with PaymentTech)? I would appreciate if you can provide any directions.
Thanks.
- Tushar Khinvasara
Oracle Consulting, iServices Southwest
P.S.: If possible, please also cc your response to my internet email addr [email protected] which i can more easily access from the client site.

Authorize.net is a supported payment gateway, take a look here - Supported payment gateway providers and here - Authorize.net for the steps to configure it.
Thanks,
Mihai

Strange Problem capturing with Apple Intermediate Codec

We have the following problem:
We capture with a blackmagic decklink studio card (but I could reproduce the same problem using a MacBook Pro and the internal camera) with a MacPro and CS4. When capturing a live video feed (1280x720) with the apple intermediate codec (set to 29.97fps or to 59.94fps) everything seems to work just fine. But the resulting videoclips happen to be exactly ONE half of the total capture time. So if we capture in Premiere for about 1 our the clip is only 30 minutes long. If we capture for 10 sec., the clip will be 5 sec. long. It's not that the captured clips play with double the framerate. Half of the actual footage is missing.
Any suggestions?
By the way: we live in a PAL50Hz country, but our video signal that needs to be recorded comes in as a 60hz signal.

Hi,
Well I did some googling...and I would bet that the problem is the 50hz vs 60hz...
Unfortunately most if not all info I got that even BRUSHES on this subject with the sort of material you're dealing with is the opposite....where they are in 60cycle land with pal stuff....rather than in pal land dealing with 60hz ...
This is a lot of misc stuff but if you get a little bit of info from various posts and make some notes you might be able to get an idea how to solve the problem...
In particular I was looking at how frames are flagged and new frames are created later ...( toward very end of these posts - the last four or so )
Also noted some timecode reading that was "doubled"....so if your deck thought you had a specific length and then it read the timecode doubled, it would be your problem in a nutshell... have you checked the last frame you captured and compare that timecode to the overall length ??
anyway, here is a TON of stuff to breeze through...good luck...
THIS IS EDIUS RELATED..so keep in mind re: specific presets etc
Steve Sherrick
03-03-2008, 11:14 AM
Hi chaps,
Can I just confirm that the SDI/HDMI outputs are only live in build 14? I'm on 13 and going SDI - HDLINK - DELL24" gives me nothing. I'm in PAL land so have tried switching between 50hz and 59hz in camera.
So do I need build 14 or is it something else?
Cheers
Jeff Brown
#708
I'm in NTSC land but that same setup gives me picture just fine. Which Dell model is it? Is everything set up right from the camera side?
Jeff Brown
03-04-2008, 12:42 PM
Hi Steve,
I believe so. Set to Preview in th viewfinder settings, plugged in on preview mini sdi, cam set to 50hz..
Anything I'm missing?
Cheers
To counter this, the AJ-HD1400 offers two modes specifically for this called '25(SD)' and '25(HD)'. They output the 25fps signal with new timecode on a 50Hz carrier (only over SDI/Analogue the Firewire doesn't work in that mode).
It only works with 25fps material too, any other 'offspeed' rate has to be dealt with separately with the deck operating in 59/60 mode.
When operating in either of these 25 modes, the deck generates new 25fps timecode from the tape (although our tests have indicated that it is frame accurate of multiple playback passes).
Basically, Varicam, while a very nice idea, has only ever been properly designed to work in a 60Hz environment. It is pretty much a nightmare in 50Hz environments.
I think I may have found the cause of the problem.
For some reason when I started my project it had a Device Control profile set to 720p50 (rather than the 1080i50 that the deck is operating in).
What this seems to have done is double the frame number on any clip it encountered. So if I took a clip with in marked at 01:02:40:22 and dropped it in the Log and Capture tool the In Point that FCP decided to look for was 01:02:40:44 (which isn't going to exist on a 25fps timecode obviously).
Since you are using Pal
Go :
Generic OHCI HD 50hz -> 960x720 25p over 60p
Because if I am right you can't do Pal over 60hz but you can do PAL over 60P at 50hz.
( but I could be wrong)
But the other problem is that you are using an ntsc profile to capture pal recorded footage.
50 hz 960x720 over 60P yields a frame rate of 25 progressive
60 hz 960x720 59.94p yields a frame rate of 59.94 progressive which is far from your original footage . Mostly used for countries using natively ntsc
Neither myself, nor Ricksta (I don't think) are using NTSC-rate profiles.
The Preset setting I've been testing with is:
Generic OHCI HD 50Hz 960x720 25p over 60p
Indeed, I've just tried what Rick mentioned, and with the deck in 59.94Hz operating frequency, I can capture with all three 720p 59/60 input settings. This is technically wrong however, as the tape has been recorded at 60Hz. But like I said before, until Rick hears from the big geeks at Panasonic about this, I don't know what the real outcome of that difference in frequency is.
I've also tried a 50p over 60p project setting (as 720p50 is what I will be editing with in Avid) - but, predictably, this works but gives me double-speed footage. Which, while amusing, isn't a lot of help for me
A large part of the problem I'm facing here is to do with the Varicam format. It will record any framerate from 1-60fps. It has to operate and a system-frequency of 59.94Hz or 60Hz. That is what Rick and I are referring to. The limitation I face is that the Varicam format is not widely supported for PAL-based rates (25/50) as it requires communication with a deck operating in an NTSC-based system frequency (either 60Hz or 59.94Hz). This difference (between project/timeline framerates, and deck operating frequencies) is enough to ensure that IEEE1394/Firewire/OHCI capture is not possible in these modes in Final Cut Pro, Avid (any version) or any other NLE I have found.
We realise that the framerate and frequency we're working in has to be 50-based, and we're not making any mistakes in that respect.
So far Edius is the only NLE on the market, that I have been able to find, that supports Firewire capture from 60Hz DVCPro HD material in a 50Hz based framerate.
When you have captured the file in that project select a clip in the bin press alt+enter go to video info and tell me what the framerate is .
In a 50p over 60p project, when I capture footage shot 25p over 60 with the 'Constant Rate' capture profile I get a clip in the bin that is 50fps, but that plays at doubletime - which is what I'd expect.
I can change the framerate in the properties to 50fps, and it plays at the correct rate, but I'm not happy with the way to refactors the timing in that mode. It seems to create interpolated frames to fill the gaps, which provide an unusual appearance that I don't really like.
At present if I capture into 25p over 60p project, then import the resulting 25p footage into Avid, Avid doubles up the frames to produce 50fps material.
Some clarification here. The Varicam does indeed record at a constant 60fps. If the frame rate is set to 25fps for example it simply flags the active frames. This flag is carried in the vertical interval data. The reason for this system, is as suggested, it is very difficult to vary the speed of tape in a helical scan recording system. With the advent of solid state recording that Panasonic introduced in the AG-HVX200 it is now possible of course to only record the active (native) frames and this would be called 25pn for example.
Originally with the Varicam you used to use a device called a Frame Rate Converter. This box contained a hard drive with HD-SDI I/O. It would recognize the active "flagged" frames in the incoming signal and buffer them through the hard drive and then play them out at the correct frame rate.
More recently NLE's such as Avid, FCP and Edius have incorporated this flagged frame recognition and perform the extraction automatically. Thus when I tested a 25fps Varicam ingest on a 25 Frame timeline I am getting realtime playback. If I had recorded at 50fps and I placed that on a 25 frame timeline I would have very smooth half speed. Also the newer DVCPRO HD decks such as the AJ-HD1700 and AJ-HD1400 have the ability to decode "on-speed" frame rates such as 30fps, 25fps and 24fps.
The issue that Dylan is facing is that the NLE's will not accept a firewire input at 60Hz, they only accept it at 59.94, this is a .001 frequency difference and should be negligible. The other alternative is to ingest via HD-SDI via a Black Magic or AJA Kona card etc. These boards also support the variable frame rate function.
I hope that this helps clear things up a little.
Rick Haywood
Manager Broadcast & Display Systems
Panasonic New Zealand Ltd.
Further to what Rick is saying... The issues with most NLEs for PAL users is the disparity between the 59.94/60Hz operating frequency of the deck and the 50Hz based framerates the applications are working with in PAL framerates.
As for the constant 60fps - it is indeed recording 60 images per second to a tape, but as I said before, only a certain number are unique - only the flagged frames. In 25fps, the camera samples the sensor 25 times a second and records that frame to tape. Essentially you get frame 1 recorded for 2 frames, frame 2 recorded for the next three frames, frame 3 recorded for 2 frames, etc... The first frame with each unique image is 'flagged'. To rebuild the recorded framerate, only the flagged images are captured.
The big bonus of Edius for me here is that it can capture the PAL framerates from the 59.94Hz deck over Firewire directly. Something that Avid and FCP are unable to do.

Problem with SB1240 USB sound card

I'm pulling hair here! I've just bought a SB240. Windows (XP Pro, SP3) detected it and I can select it fine for listening. But when I open Sound and Audio Device Properties and select Sound Recording/Volume, I see the Capture panel with the three inputs, but all the controls are greyed out and immovable. I also use the application "Total Recorder" by High Criteria, in which I can select the SB240 device but the only input line it sees is SPDIF Interface.
I'm stumped. Can anyone help?
John?

&Re: Problem with SB240 USB sound card
Thank you. I did a complete uninstall, including the device itself (from Device Manager) as well as all drivers and any SB related software. As recommended by Creative, I had previously installed the driver software from the supplied CD and that seems to have been the problem.
I let Windows re-detect the SB, but? got a "problem ... device may not work correctly.." during the detection, so I was not hopeful (this had not happened the first time I installed the device).
Nevertheless it now does work fully and is properly configured in "Total Recorder" too.
So I would suggest not using the supplied drivers and software - at least not in WinXP. But it's not very confidence inspiring.
John

DV Capture with Premier CS4

Getting typical field combing effects when viewing and capturing with premier CS4 capture screen on LCD monitor. Using Sony TRV320 into firewire with a four pin to 6 pin firewire cable. Previously used Premier pro 1.5 on another computer with same camera and 4pin to 4pin cable with no problems. Could the firewire card or cable be causing such problems or might it be premier CS4? Have tried all clip and sequence settings but they don't seem to affect the capture settings.
Thanks.

Thanks Jim for your answers and quick reply. The other computer I have must do something to the frames before sending them to the LCD monitor because there are no combing effects.

I PXI 1010 with Digital Osci, RIO cards. Any simple projects to illustrate PXI with Signal Express and/or using Digital Osc.?

I have PXI 1010 with card for Digital Osc. Also have ELVIS. Any suggestions on oa simple project to illustrate applications of PXI - using Dig OSc and/or ELVIS. Any suggestions to illustrate PXI with Signal Express exercises. This is for undergraduates in EE Engg.

Hi, yes, that does help, thank you for your reply. Signal express does make it easy to work with multiple devices, as I am, though something seems to be amiss with the timing between cards. For example, setting Signal Express to do nothing more than log data at 100 pts/sec on all channels on all three cards (PCI-6289), and using the software trigger in Signal Express to start the digitization process, and the stop button, to stop data logging, certainly seems to be a very convenient solution. However, the longer I record (an hour seems to be enough time), the more likely that a signal recorded on all three cards, will not synch, point to point, (comparing signals recorded on channel 0 on all three cards, which I believe should be captured simultaneously through out the recording process, for example) and data recording does not stop simultaneously on all three cards. I can handle the data logging not stopping simultaneously, but my source signal apparently not being recorded synchronously is a whole other problem, and the impetus for my question. Thanks for the tip about NI-SCOPE, I was going to start working with that on a different project.
I am using the most recent versions of SignalExpress, NIDAQmx drivers, etc., on a PC running 64-bit windows 7.
regards,
Brian

Capture with Aver Dark Crystal Card

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