Capture with FCP - Use in Avid?

I absolutely could not get my Avid software to capture the 30F footage I shot with my Canon XH-A1. FCP can capture it, however. I am hoping that I can import (or export) the FCP-captured media for use by Avid Media Composer 2.8.
Is this possible? Do I have to transcode or something?
Any help/tips appreciated!

Yeah, I believe importing like that into an Avid doesn't carry over time code nor reel information. This is why it is very important to capture footage with the system you intend to edit it on.
Shane

Similar Messages

Capture with FCP - Edit on Avid

I have been asked by a friend if I can digitise (via FCP) 6 hours of DVCam for them to edit in Avid - they have asked for me to supply it as OMFI files. Now the only reference I can find in the 'Export' option is for Audio export as OMF. Surely OMFI is a file exchange format and not a video file. Can anyone fill in the blank spaces for me please?

You cannot capture footage as OMFI with FCP. FCP captures as Quicktime. You cannot convert the footage to OMFI...only Avid can do that. Well, now Automatic Duck does that too, as mentioned:
http://automaticduck.com/products/pefcp/
"New in this release you can export Avid MXF media that connects to your exported AAF file, write media that is external to the OMF or AAF file avoiding file size limits as well as translate many effects from Final Cut Pro to your Avid or Quantel Generation Q system."
Is this true Wes?
Shane

Red interference during capture with FCP 5.1.4

I have FCP version 5.1.4 . I am using OSX 10.6 snow leopard (Macbook Pro). Have captured and edited without any problems. All of a sudden I am getting an interference during capture. This interference comes in the form of a bright red color which suddenly fills half my screen from corner to corner forming a right angled triangle and hiding half of my picture triangularly. it flashes and then remains. Anyone know what the **** this is and how I can rectify it?
I would be EXTREMELY for any help anyone can give me. Thanks in advance.

This is happening to me today as well. Has it got something to do with 10.6.7 I have just updated and now I seem to be having the same problem
Pleasa Help

Quality capturing with FCP & an analog converter?

i am making VHS(PAL) -> DVD transfers using a Canopus ADVC110 analog converter with iBook G4 with Tiger. previously i was using iMovie HD in capturing which worked fine and gave me good quality DV files, but since i needed more editing possibilities i turned to FCP. i was surprised to find out that it looks like i cannot maintain the quality nowhere near where i've used to since FCP (i have FCP 4 only unfortuntely) only produces me small-sized Quicktime Movie files with mediocre quality compared to the huge but good-looking DV files i got with iMovie. the quality of these is simply way too low for me. and i cannot use iMovie HD for capturing and then import the files to FCP because FCP 4 doesn't understand iMovie HD projects. now am i just being stupid and missing something with the FCP settings here? or is updating my FCP a solution?
i don't need to work with DV cameras, just with VHS->converter->iBook combination.
i'd be very grateful for quick tips/solutions.

A few points: [cliff notes version: get a monitor]
1. Without a TV (aka NTSC/PAL Video Monitor) to see your footage sent out via Firewire, you have no way of know what your footage looks like. QT may do a better job of representing DV stream files, but it in no way means they are of higher quality.
2. Capturing in Final Cut Pro IS computationally intensive. Here's why. DV stream, (the stuff iMovie uses) is a direct write out of the muxed (mixed audio & video) as it is written on the tape by your camera. FCP (or more accurately Quicktime) takes that Muxed stream and separates the audio and video into individual streams IN REAL TIME. If the computer can not keep up, dropped frames or corrupted files are the result.
3. This demuxing does not change the QUALITY of the video. The file started as ones and zeros and remains as ones and zeros. There is nothing to convert at this point - it still is a direct digital transfer - just pulling apart the strings.
4. Playing these more complex Quicktime files places greater demands on your system than iMovie's DV stream.
5. The people who wrote FCP recognized that displaying a high data rate file on a limited computing platform may overwhelm that platform. So, in response, they designed FCP to create a low resolution proxy for the display.
6. Why do this? Now listen closely .... because FCP is designed as a Professional application and professionals (or serious dilettantes) will invest in the proper equipment to monitor the audio and video components of their work This is how a SOFTWARE based editing solution can compete with very, very expensive hardware based systems. FCP is quite scalable. It will run on the minimum configurations but really works much better with more horsepower.
Now, the limited ram, video speed, hard drive capacity and frontside bus speed of your computer is being tested by this process and is not holding up well. A second hard drive to be a dedicated media drive will help. More RAM will help. A faster CPU will help. A machine that is configured from the beginning to run these kind of applications will help.
I'm not trying to be mean here, just trying to explain the complexity of the situation. I really do hold the Apple marketing people responsible for over selling the program. It is NOT rocket science, but does demand a much greater understanding of technology than most people I know to able to actually grasp.
good luck,
x
[cliff notes version redoux: get a monitor]

Video files captured with FCP 7 appear to be text files in the finder!

I've recently updated to FCP Studio 3 and am having a strange problem with HDV video that I have captured. The video shows up in the browser and plays in the timeline just fine, but I am unable to send any footage to Motion. I get an error saying that the file is missing. I cant even import directly from within Motion because the video files aren't even visible to the program! I am also unable to use any of the video files in drop zones in Master Templates in FCP. If I navigate to my footage in the finder, the files appear as text files. Yet if i double click on one, it opens in Quicktime and plays. This happens whether I capture video with the apple intermediate codec or any of the new Pro Res codecs.
I should mention that I had no problems before i updated. Help!
Jerry

See this link:http://discussions.apple.com/thread.jspa?threadID=2108336&tstart=90
Another work around: after capturing in Pro Res, when you look at your clips in the browser, when you label them add .mov to the end of the label. Then modify>rename>file to match clip. This will convert file on your scratch disc from tesxt file to .mov QT file which you can then use in other applications.
Steve

Better capture with FCP than iMovie?

Hi,
I have an ADVC-100 and wish to archive some old VHS and S-VHS tapes. I'm planning to to that in iMovie HD. However, would I be getting bettter quality if I used FCP instead?
Any input on how to get the best quality out of old VHS tapes would be greatly appreciated. The tapes are in PAL, and as they are only intended for the computer screen, I'm keeping them in PAL. Also, what about de-interlacing? Is that something I should be concerned with during capture? What's the deal there?
Thanks,
Patrick

Since the ADVC-300 is relatively new product, you might not be able to find much of a deal yet. I have seen several stand alone TBCs on ebay though ... and they seem to be going fairly cheap these days.
I can't say much about iMovie. I've never used it, but from what I understand, it captures DV video as a "DV Stream." I don't know if any additional compression is added during that process.
I do know that capturing DV footage in FCP is basically just a data transfer and no additional compression is added.
-DH

SONY HC1 CANNOT CAPTURE WITH FCP 6.0

HELP PLEASE!!
This problem is driving me mental.
I have a Sony HDR HC1. I've been shooting in DV PAL 4:3 before and had no problems at all.
It's well past time when i should be shooting in HDV 16:9. I have changed the settings on the video camera to HDV, 16:9, including in playback mode.
No matter what settings i put in FCP i cannot get it to capture??? I just always get the message that says "Device is not connected or capture preset is not set up correctly. You may still log offline clips. This might also happen if you play DV footage in an HDV device."
Please can someone in the know come up with some suggestions? I'd be so grateful.
TIA! Regards.

I think you have to change a setting in your camera (I have an HC7 which is just a later version of yours). It's still playing back in DV so final cut isn't recognizing it as HDV. set your camera in playback mode>hit p menu>menu> scroll through to VCR HDV/DV. Unplug your fire wire cable. On your screen you'll have 3 choices: Auto, HDV, DV. Push HDV. (auto doesn't seem to work) Get out of the menus. Camera will now play back in HDV mode. Hook up your firewire cable again. Make sure your Easy set up in FCP matches the camera (I'm not sure what pal setting are). Hopefully, you'll be good to go.
Steve

Capturing to FCP using old video decks....

I'm going to connect a betacam and vhs player to a video switcher. The switcher will connect to a dv deck and send video feed via firewire to my mac for capturing.
Does anyone out there know if this configuration will work? Any advice is helpful. Thanks.

It will work if the the two tape players, the switcher and the record deck are all in sync and this depends on the type of switcher you have
method A
the outputs of the two decks each go through a TBC or a frame synchroniser to stabilise the signal, which feeds the switcher ( the Beta machine usually has a buit in TBC )Additianally, a sync generator has to send a sync signal to the three decks and the switcher.
method B
if the switcher has a built in frame synchroniser on eack input, the players can be connected directly to the switcher inputs
Why do you need to use a switcher?
why not capture each tape in turn direct to the Mac, dispensing with syncing problems

Capturing into FCP using a canon optura20 camera

This is just a recent problem, when i connect my camera(Canon Optura20) to my computer (iMac G5) and open up final cut pro 5 and go to the capture screen it sees the camera and knows it connected but when i click on "Capture" it bring up a bigger screen but its all black and after waiting a few secounds it will stop. What can i do?

If you clicked, "Capture Now," then that window is supposed to be there. Just press the play button on your camera the next time you see it or try capturing using "Batch Capture," or "Capture Clip".

Format Hard Drive for Capture w/ FCP and use on PC?

Can someone tell me how I can format a hard drive that will ultimately be used by a client with only PC's -- so that I can capture video on my Mac using FCP?
In the past, I thought FCP broke up captured video into 2 GB segments when a hard drive was formatted for MS-DOS. But tonight I formatted my client's external hd using Disk Utility and the drive wasn't even available under system settings on FCP.
I'm really not at all PC-savvy anymore...can someone tell me if there is way to do this?
If it matters, I'm capturing home video from several sources: Canopus ADVC-300, and mini-DV tapes using a Sony camcorder.
Thanks!
Jenny

Thank you so much. The NTFS-3G did the trick. I have one more dumb question (again...I'm completely PC-illiterate). Would .dv be the best format for me to capture video again for a client who is a home user of a PC? I was planning to capture with FCP (in .mov format) -- but perhaps for ease of use for the client, I should use Toast or iMovie and capture in .dv?
Again...thanks for your help. This is the first time I've encountered this situation!
Jenny

Partitioning a MyBook to use with fcp... can it be Mac Extended and FAT32?

Hi, I'm a film student and a little while ago I just bought a MyBook 1T external hard drive (USB only).
I'm looking into reformatting my hard drive because when capturing with fcp (straight to the hard drive) I keep getting an error at around 9 minutes.
I did some research and found out that its because its formatted to FAT32 instead of Mac Extended.
However, I do a lot of work with PC's and transferring files on my hard drive and I read that once formatted to Mac Extended my hard drive would not work on a PC.
I was wondering if I partitioned my MyBook would I be able to make one part Mac Extended (for my capture scratch files) and one part FAT32 (that I could use like a regular hard drive for files between Mac and PC)?
Also just to be clear once the hard drive is Mac Extended I can still keep other files besides capture scratch files in that portion of the hard drive, it's just I can't transfer those particular files to PC. (Some of the website forums I read made me more confused haha)
Any help would be greatly appreciated,
Kyle

@ nick would that let me capture my footage to my hard drive without having to babysit
NTFS does not have the file size limit silliness that FAT has so you should be OK in theory.
Run a couple of test captures and see what you think.
USB is generally not a good interface for video as it delivers data in bursts. You need a constant stream as provided by FireWire or SATA drives. If you are working with low bandwidth video codecs such as DV, you might get away with it for a while.

Avid Mojo with FCP

Hi,
I work for a broadcaster which predominantly uses Avid products on PC's.
I've managed to buck the trend and have ordered a 17" MacBook Pro to use with FCP (and possibly Avid DV Express).
I will have access to an Avid Mojo to import my Beta SX rushes, has anyone had any experience of using this with a mac before? Will it even work?
Thanks for any assistance...
Mac Mini, G4 iBook, G4 Quicksilver, G3 Powermac Mac OS X (10.4.10)

John
Sorry to do so much avid stuff in this forum but the avid site, (like many FCPro v Avid issues) is much less easy to use. IMHO
I also run avid and FC. The mojo is of no use to FC ( I'm happy to be corrected on this point). But there are a few other Avid things you need to be aware of.
1. the mojo needs its own firewire bus. you cant have drives on the same bus as the mojo. The power book only has one firewire bus, several connectors, but one bus. I think the mac book pro is the same. This means you can either have the mojo or material drives connected to the laptop. Not both. (it will drop every other frame on record or playback). I even bought a PCIMCA firewire card for the powerbook but this still uses the same bus.
I understand that you can get a PCIe Sata card for the Macbook pro which can be used to run sata raid drives leaving the firewire to the mojo.
2. Avid say you must turn off software update. This is true as the latest qt has caused problems for avid. The way I run my G5 and MacPro desktop is to have FCStudio on the main hard drive and a second hard drive which is a boot drive loaded with the avid. This is kept for avid only. I then have a pcie firewire card to run the mojo so disks go on the built in firewire. That works fine but I have now upgraded to external sata raid drives so thet the firewire problem goes away.
3. You may know this but only the mojosdi has sdi in/out. the light grey MOJO does not.
I tend to use the avid only for jobs which have been started on an avid. Then I copy the digitised rushes to my system and send the pjoject or an avb bin back to the main system for output etc.
Hope that helps avoid some of the costs I needlessly incurred.
John

Will FCP capture with this?

will a Sony GV-D300 Video walkman capture with FCP on leopard?
http://www.freetradephoto.com/SonyGV-D300Videowalkman.htm

I've had similar problems with short duration (less than 10 mins) DVDs from HDV from a JVC camera and H264 from Canon HD DSLR edited in Apple ProRes SQ.
After much mucking about with settings, and I'm not absolutely sure why this works I found the best results were obtained by first of Exporting a Quicktime from FCP with same settings.
Bring this version into Compressor, use the "DVD Best Quality 90 mins" setting but change the settings to "One Pass VBR Best". You can raise the "Average bit rate" slightly but don't play with the maximum bit rate, this can cause problems with some DVD players, and not necessarily the one you are using for testing.
Get yourself some re-writeable DVD-RWs for testing.
For me the results of using these settings on short duration DVD productions are enormous, the 2 Pass created results comparable to VHS quality. It was more like cooking and trying different herbs and spices to flavour the meal. Don't get me started on compression and delivery for the web...

GL2 fighting G-Drive with FCP

I'm trying to capture in FCP using my GL2. The camera only connects with Firewire 400. I plug in my G-Drive at the same time with Firewire 800 (both plugged directly into the laptop), and something terrible happens:
1) If I plug in the drive and then the camera, the computer ejects my drive.
2) If I plug in the camera and then the drive, FCP gives me the spinning beach ball of death until I unplug the drive.
Just wondering if anyone has similar problems. Even when I connect 2 drives (both FW, one 400 and one 800), they seem to clash and my computer ejects one or the other. Seems like I have to daisy chain when I want to use multiple drives, but since the camera is 400 only, I'm effed.
I even tried to use an adapter from the camera's 4-pin FW 400 to my drive which is FW 800. FCP wouldn't recognize my camera and then the computer spit out the drive.
Any ideas?

Canon devices have never completely adhered to the Firewire standard. They often don't play well with other devices on a Firewire bus. First make sure that you have "Device Control" in FCP set for "Firewire Basic."
A few workarounds are:
1. If your laptop has an ExpressCard slot, purchase a Firewire ExpressCard. This will create a second Firewire buss in your Mac so the camera won't have to share.
2. If your laptop doesn't have an ExpressCard slot, disconnect the external hard drive and capture to your boot drive. Once you've finished capturing, disconnect the camcorder and connect the external hard drive. Move the captured files to the external drive before editing.
3. Daisy-chaining; connect the camcorder to the Firewire drive and connect the Firewire drive to your Mac. Note that since DV/HDV camcorders are Firewire 100 devices, every other device in that Firewire chain will be limited to FW 100 transfer speeds.
4. Use a non-Canon device for capturing. Any DV camcorder other than Canon models should work fine.
-DH

External Hard Drive for PowerMac G5 for use with FCP Studio

Hello,
I'd greatly appreciate any recommendation for an external hard drive for a PowerMac G5 for use with FCP Studio.
Thanks.
-graziemile

We see alot of Lacie issues here and elsewhere.
Drives fail... period. I believe you hear more about Lacie drives failing because they sell a ton more of them than many other suppliers. I've got 8 of em sitting right here on the desk and two more at the second station. I've lost one since I started using them years ago (and it had problems right out of the box) and I use them pretty heavy.
I understand that they use several different brands of drives in their enclosures, but from my experience they must have pretty good QC standards for what they package.
The guy said the G Techs were a little overkill for his needs. Lacie doesn't pay me. But if someone asks "how are Lacies?" I'll tell them they've been great for me and many others I know, especially if your requirements are capturing DV.
In five years, I ain't heard anybody say anything about it.
As for FCP. I love it! In 20 years of business, it's probably the purchase that's given me the most bang for my buck. But if you haven't heard people knock it, you've never met an Avid zelot, bruhhhhh, just the thought gives me shivers.
The drives X mentioned are designed for video work.
What Studio said, well he gives out some of the best advice on this board
(and maybe the most! ) and my reply to his post... that's why I used the little smiley face. No offence intended X.
I only meant to say that, in a world where software like FCP can do what it does at the price it does it, and drives like Lacie and G Tech can give you the storage they do for the price they do, the line between consumer and professional products is easily blurred.
rh

Capture with FCP - Use in Avid?

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