Capturing Canon hx-a1 HDV to FCP

I can not get the camera to stay in playback HDV mode in signal setup. When I put in the firewire cable it goes back to playback STD and is grey. So when I try to capture the footage to FCP it says it is not getting any data. All settings seem
OK. Any explanation or solution out there?

Yes, there is a codec issue with footage shot on Canon camcorders and rendered with Sony or Panasonic equipment. If you can use the XH A1 for capturing it might solve the problem. I have a XH A1 and was warned by Apple NOT to shoot in 24F unless I was transferring to film as it could require the extension/compression of some frames when editing in FCP. Not sure why, but that's an issue I can do without.
Good luck,
Corpguy

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Canon HV20 24P HDV workflow, Some things with FCP and Quicktime are ODD.

Canon HV20, 24P, HDV, CMOS sensor...
First, I do hope and pray that the FCP dudes are making this work native at HDV 24p -- great!
But until then, there's a workflow (see below) and a real oddity I can't figure out, and if anyone has any thoughts about it that would be great.
Sometimes, the image captured/shown/exported is a lighter picture, and other capture/playing/export methods are darker picture. Example: the captured 60i from Final Cut Pro has a light gamma picture when viewed in Quicktime Player.
But playback in Final Cut Pro appears darker, and rich. But then exporting it out turns it light again, but export out to a MPEG-2 DVD is darker again? ODD.
Can anyone explain the FCP capture size of 1888 x 1062?
Anyhow, here is some workflow success that I had.
Capturing in Final Cut Pro using the HDV 1080/60i setting with HDV firewire basic NDF. But 60i is evil. So that's not enough. Got to get it to 24P,since that allows 20% more bandwidth, space, faster renders, and DVD players can play it.
Transcoding to a regular editing codec before converting to 24P is required. I found that MPEG Streamclip would create a wierd, jagged edges on small moving figures with high contrast, no matter what the settings, so I refuse to use it to export the footage.
So instead, FCP has an additional capture option of "Apple Intermediate Codec" or something like that, which transcribes it on the fly to AIC. I always stayed away from AIC like the plague, but they must have spent some time with it because it's nearly identical to the HDV original.
Next, open up in Quicktime Player, and start the clip on that second P frame. Sounds odd, I know. Goto the first interlaced frame, and back up two frames. Mark the "I", and then move that Out marker to the end, and then Trim the clip to the selection. Do that with all the clips, and then you can batch 24P them all.
If you don't want to find that one frame each time, here are the other settings:
First, open up the clip inside cinema tools, and then select Rev. Telecine button.
Find out which of these your clip is doing at the very beginning:
p-p-i-i-p - aa
p-i-i-p-p - bb
i-p-p-p-i - bc
p-p-p-i-i - cd
i-i-p-p-p - this is no good. must remove at least one frame from the beginning of source file
i = interlaced frame
p = progressive frame
all settings use the F1-F2, style one, standard upper/lower

Sometimes, the image captured/shown/exported is a lighter picture, and other capture/playing/export methods are darker picture. Example: the captured 60i from Final Cut Pro has a light gamma picture when viewed in Quicktime Player.
But playback in Final Cut Pro appears darker, and rich. But then exporting it out turns it light again, but export out to a MPEG-2 DVD is darker again? ODD.
This is known. This happens with ANY footage you look at in FCP and QT player. QT lightens the gamma of the footage. Why? Something to do with adjusting the image for computer monitors.
Shane

Problem Capturing from Sony HVR-A1U to FCP 5 using HDV preset

Hi,
i just got a Sony HVR-A1U and am new to HDV. I am a professional editor so i have a full understanding of FCP. Here are my problems and questions.
Specs of system : Power Mac Dual 2Ghz G5, 1.5GB Ram, GeForce FX 5200 64mb (Do i need a better GFX card?)
1) When i setup the project settings at the start I selected HDV 1080i/60, it automatically states "Codec not found. You may be using a compression type without the corresponding Hardware card." I am quite sure that i have all the codecs i could have without having a hardware card, since i don't have a hardware card. Does this mean that i need a blackmagic HD card or a Kona card just to process the HD into FCP as HDV 1060i/60 even though it is through firewire?
2) I advanced to the Log & Capture mode with the HDV settings, set properly across the board. I can not see picture, can hear audio and can log clips. When i capture it captures black for video but captures the audio just fine. I figure this is because of the missing codec which encodes HDV for FCP from Sony's HDV encoding?
3) I can capture on the fly with the Apple Intermediate Codec, no Log and Capture screen comes up, just a dialogue box that asks me to name the clip. I understand what this codec is and find that i am stuck at the moment using this until I find a way to capture the other way. Is there anyway to have the Log and Capture screen launch using this codec?
4) I can not have pre-logged clips using other methods and then batch capture them using the Apple Intermediate Codec, it just reverts to capturing on the fly. Anyway to Batch Capture using the Apple Intermediate Codec?
Funny thing is that i can digitize fine in iMovie HD although i don't know what codec it is using. This totally baffles me that it works in a certain manner, i can get the job done, but not the way i should be able to. I've been using FCP since '99 and have never encountered something in this manner. And since this is my first experience with FCP and HDV i have nowhere to go from here except get some help or settle for what i can do and change my normal post-production workflow.
A question i really want to know about is whether i need an extra hardware compnent, i know i asked that question above, and i could understand if i did. (i.e GFX card or Capture card - even though i am going through firewire)?
I appreciate any help, i might not respond over the next couple of weeks because i am shooting in Europe and will be back stateside at the start of February, so i will not be active on this post until then. Any input would be great and when i get back i will have loads of footage that i will need to digitize, so i will be very open to help with troubleshooting as well.
Thanks again!!!
Gabe
PowerMac G5 DP 2Ghz, 1.5GB Ram, GeForce FX 5200, 20" Cinema Display Mac OS X (10.4)

All the settings are proper, like i said, it captures with the apple codec for HDV but that is only good for on the fly. iMovie captures it fine, it's just when the settings in FCP are set for HDV it won't capture picture through log and capture.
Are you guys actually reading my post??? I have given all the information that i can, settings are proper, so the post so far are completely redundant.

Log and capture problems for HDV using FCP 5.0.1

I cant seem to get a picture in my log and capture browser when using HDV. The screen says my camera is connected, I see timecode correctly rolling in sync with my cameras timecode, I can use the controls, but no picture on the screen?
When I hit capture now, the capture screen pops up and gives a message "waiting for data from device".
we shot at 720p at 25fps, there is no capture preset for this in my version of FCP. Could this be the problem? Please help!!

Thanks for responding.
It's a mac osx 10.4.11 and a 2 ghz intel core duo. I'm using easy set up in final cut pro, but there is no option for hd fire wire basic (which apple support told me to look for). The only hd options are 1080i50, i60 and 720 p30. The other hd options are for the apple intermediate codec. When I use the easy set up for hd 1080i60, then go to log and capture, it doesn't give me the preview window to set in's out, batch capture etc. It only lets me capture straight from the camera and I have to manually stop it and start it which is a major pain. Plus the clips need to be rendered once I put them in a timeline. I've shot and edited on mini dv with final cut for nearly 7 years, but now that i've tried to upgrade and shoot hd mini dv, all of these problems have arrived in capturing. I'm starting to think my version of final cut pro (5.0.1) just doesn't work with hd, unless it's very time consuming. Any ideas?

Premiere Pro 1.5.1 HDV VIDEO CAPTURE - Canon HV20

Hi,
For the life of me I cannot get my camera to capture in HDV. I can switch over to DV and it will capture everything just fine. The settings I recorded in are HDV standard, Widescreen 29fps. Not the 24. But it just tells me the device is ofline no matter what I try. I grabbed a stand alone CineForm HDLink and that doesn't detect it either. Any help would be greatly appreciated. The Client wants HD, not DV.
Premiere Pro 1.5.1 HDV VIDEO CAPTURE - Canon HV20 firewire
Thanks in advance!

Ok, I spoke to soon. I kept searching and searching. Finally found this..
http://www.hv20.com/showthread.php?t=12131
My camera was locked in DV mode. So I had to switch it to HDV/DV
"b) As many have said you need to be sure that the camera is set ot output in HDV, and not DV locked. Because I am a bit of a dunce I found it difficult to locate that, even with the manual so here are some foolproof instructions on how to get there:
in "Play" Mode > FUNC > MENU > PLAY/OUT SETUP2 > DV OUTPUT [set this to HDV/DV]"
That did it.

Capture Canon Legria HF R26 footage with Adobe Premiere pro cs5

Hello,
I need to capture some footage from Capture Canon Legria HF R26 using Adobe Premiere pro cs5.
I have a usb cable with the camera. I would like ot know if captirng via usb is a good option or if there are other better options .
Cheers m

Premiere can not 'capture' footage from any source using a USB connection.
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For your camera, you should use the USB connection to copy the media files
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Canon 650D doesn't support FCP 7 log and transfer...

Canon 650D doesn't support FCP 7 log and transfer...
anyone know how to solve this problem? thanks alot

Download and install the latest version of the E-1 plugin from Canon’s website here:
http://www.usa.canon.com/cusa/support/consumer/eos_slr_camera_systems/eos_digita l_slr_cameras/eos_rebel_t4i#DriversAndSoftware
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I shot at a Live performance last weekend by using the 'capture now' button. Now, my FCP is only playing the first 6 frames - how can I access or recover the full hour I shot?

I shot at a Live performance last weekend by using the 'capture now' button. Now, my FCP is only playing the first 6 frames - how can I access or recover the full hour I shot?

FCP X? Then you need to use a different forum...This is the FCP 7 and earlier forum:
https://discussions.apple.com/community/professional_applications/final_cut_pro_ x
FCP 7? Did it look like it captured normally? Everything go smoothly? Stop normal? Did an error occur at any point? Can you open the file in QT?
In the future...do not rely on ONLY FCP for this task. Get a reputable recorder that can record to ProRes. AJA KiPro, KiPro Mini, Atmos Ninja, Decklink Recorder...lots of options.

Is capturing in iMovie before transfer to FCP affect clip quality?

Capturing in iMovie detects all the start/stops. Then, importing in FCP is a fast and easy way to get all start/stops. But, does the resulting video quality just as good as if the capturing had been done entirely in FCP ?
jcjber
PowerBook 12" Mac OS X (10.4.6)

#20 Using iMovie to Capture for FCP edit
Shane's Stock Answer #20:
iMovie handles the media differently from FCP, specifically where audio is concerned. So it is not a recommended workflow. Here's why...
iMovie captures using DV Stream (.dv) standard which does not use timecode. That is a big disadvantage over the way that FCP captures in that you can't go back and recapture the material at a later date if you need to revisit a project.
The DV/NTSC specification (the one FCP uses) also calls for seperate tracks for audio and video, even if you capture it as one clip. iMovie' DV stream format is muxed audio and video, which means that they are tied together (I can't get into specifics because I ain't no engineer or programmer). FCP is a bit more demanding and captures the seperate audio/video tracks, either in a single media file or as seperate video and audio files. With FCP you could capture video only or audio only because each is defined by the DV specs. while with iMovie you can't.
Also, if you drop the iMovie footage into the timeline, your will get the RED render bar forcing you to render the footage in order to see it...
Shane

Canon VIXIA HV40 HDV Camcorder question

I'm considerring purchasing the Canon VIXIA HV40 HDV Camcorder. Has or does anyone used this Camcorder? and or do you know if it is compatible with FCE 4.0.1.?
Also is the VIXIA the US model equivalent to the LEGRIA in the UK? I can't seem to find the VIXIA on UK websites
Denis
Message was edited by: Denisimo

I have the Canon HV20 which is excellent and compatible.
The HV30 was virtually identical so I should imagine the HV40 is also pretty similar.
Take a look at this review. The same site also has reviews of the HV20 and HV30 if you want to see the differences.
http://www.camcorderinfo.com/content/Canon-Returns-with-Another-HDV-Camcorder-th e-HV40-35813.htm#

FCP unable to Capture Canon GL2

Hello -
My system is noted below. Final Cut Pro is updated to 6.0.4.
I am unable to capture the video using Canon's GL2 using the current version of FCP. I believe that I have everything configured correctly because I am able to capture audio and video using my father's JVC GR-DV800U video camera. Actually that particular JVC camera seems to work quite well with FCP. But not Canon's GL2. I am able to control camera's Rewind, Fast Forward, Play, etc. So I know that some communication is taking place. However, no picture is present within FCP; no capture either. Instead, I get that dreaded beach ball wheel.
I believe the FCP settings are correct: Under "Audio/Video" settings, the audio is set to MOTU's 424 (for the 2408 MK3); the DV Capture Preset (and the Sequence) is set to "DV NTSC 48 khz"; Video Playback is set for"Digital Cinema Desktop Preview - Main" with the audio playback set (again) to MOTU's 424 card.
I am attempting to capture the video to an external hard disk drive using the Mac Pro's firewire port located in the back of the computer. Again, this all works using my father's JVC video recorder.
*Given the computer setting and operating system, is this a known issue between the FCP and the GL2??* My GL2 is an older video camera. I purchased it quite a few years ago. *It seems like the GL2 may be the culprit. Yes? No?*
I'm very new to FCP. My background is with SONY's Vegas program (currently I'm up to version 8). Been using the Vegas program for years. My Dell Workstation, unfortunately, is old; it definitely is showing signs of aging. So, to make a long story short, I've decided to invest time and money in a Mac Pro (I use it primarily for music sequencing using the Logic Pro program which I love!) Now I want to learn how to use the FCP which I purchased several months ago. Not being able to have FCP communicate with the GL2 is a minor significance for me, though. I'm in no financial place to purchase a new camera at this time. Luckily, I usually record the video using Focus Enhancement's FS4-Pro with the GL2. So I am not totally dependent on having FCP and the GL2 work together. *Thankfully, the FS4-Pro DOES works well with FCP!!* Too bad I didn't use the FS4-Pro today. Wish I did. UGH
Could there be a work around in getting the GL2 to communicate properly with FCP??
Thank you in advance for your thoughtful insights and suggestions.
Regards,
Ted Fiebke

Not all Canon cameras have connection issues, but hanging around this site I've come to recognize their ability to connect in FCP is the most problematic of all the camera brands. If you have a Canon camcorder, and can not get it to connect up with FCP, the following is a way to sort through the issues and get it to work. Some are elegant - some are ugly.
Before we go any farther
• You should be using 'Firewire Basic' as the control protocol. If you aren't, go change it and try again.
• Also, verify that you have a solid installation of Quicktime. You may want to reinstall it using the 'delete receipts' method.
With some confidence that the software installation and camera settings are correct ... the most direct solution is to purchase another, non-Canon device to use as your capturing machine. The (now discontinued) Sony DSR-11 is highly recommended for DV work. A deck will save wear and tear on the camera's lightweight drive mechanism and will allow you to permanently connect a NTSC/PAL monitor for proper viewing. If you are working with HDV, you may have other issues ...
Beyond that, the path you take depends on the model of computer you own.
1. If you have a G5 tower or a MacPro, capture to a second internal drive with only the camera attached. If you need to move material to firewire drive, disconnect the camera. A second internal drive is quite inexpensive these days if you do not already have one.
2. If you have a G5 tower (PCI) MacPro (PCI), G4 powerbook (PCMCIA) or MacBookPro (Expresscard 43) with an available slot, purchase the appropriate firewire card for the slot. Connect your camera to the card and you should be good to go. The new card creates a unique bus and will avoid collisions with the external drives.
3. If you do not have a slot or a second internal drive and you are stuck with the camera, welcome to the camera/drive shuffle.
• shut down and remove the external hard drive(s) from the system
• connect the camera directly to the firewire port of the computer
• start the camera then the computer
• capture to your internal (system) hard drive
• shut down the camera and computer
• disconnect the camera and reconnect the external hard drive(s)
• start hard drive(s) and computer
• move captured files to external hard drive(s)
• edit
If you output back to tape or wish to view your work on an external Video (NTSC or PAL) monitor, you need to set up the camera to use the firewire out as the A/DV converter or VTR - which means reversing the steps:
• copy the file back to the internal drive
• shut everything down
• disconnect the external drive(s)
• connect the camera to the firewire port (and the TV to the camera if needed)
• start the camera then the computer
• play the file.
One caveat here - You may have difficulty getting the file back to tape without dropping frames. Playing files off of the system drive is very demanding and they may have a hard time keeping up.
All in all, if you do not have the option for second bus (i.e. iMacs, eMacs, iBooks, MacBooks) you may want to think about a computer with expandable options next time.
There is the option of capturing using iMovie, but that brings on it's own set of problems and is not recommended.
Good luck.
x

HELP! No longer able to capture HDV in FCP 6

I had a seamless FCP workflow using my Canon XH-A1 and FCP 6. I always connect my camera and power it up first before starting FCP. My settings were perfect, then about a week and a half ago FCP would no longer capture HDV from the camera. I tried redoing the easy setups: HDV > HDV:1080i60. Then I tried all the other variations. I tried trashing the preferences and restarting my computer and all that. Then I tried to see if Toast 10 would recognize the HDV camera to capture... no. But all works fine when set to DV mode. Everything about this situation seemed to have pointed to the fault being with my camera, so I sent it off to canon to check it out ($$$). Today I borrowed a friends Sony HDV that has worked fine before and it too failed. FCP is not recognizing the HDV camera. In an act of desperation, I installed iMovie and opened it up, I connected the camera... wth, it works!?! I am now convinced that there is something not right with FCP. Any help on this would be greatly appreciated!!!

I figured out the problem!!! It was "Rosetta". Hopefully this issue will help someone else in the future!
When I upgraded to Intel Mac Pro from G5, many plugins were not supported. About a month and a half ago I opened an older project of mine and had problems rendering some vital sequences with several plugins from the G5. After going through every plugin I had and reinstalling them one by one, many plugins still would not work. My solution was to use Rosetta with FCP...
I had not captured any HDV media since turning Rosetta on for FCP, and I guess forgot it was even on. I clicked on the FCP App and hit "command + i" for info, unchecked Rosetta, and instantly my HDV is capturing perfect again!
I wish I could use an abundance of prolific and explicit vocabulary words to express knuckleheadedness of my inability to not figure this out sooner...
ROSETTA was the CULPRIT of this issue!

FCP acts weird when trying to Log Canon HV30 footage HDV

Hi all,
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Hi I'm attempting to capture HDV footage from a Sony Z1.
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I'm certain I've got all the settings correct:
- Camera is set to HDV firewire out
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Message was edited by: Matt Blyth

Thanks Adrian, since posting the thread I've thought of that too but unfortunately to no avail. From other forums I've read this seems to be a central theme to the solution to my capture woes. I since have sorted the problem it was in Audio/Video Settings.
In the end I set my Audio/Video Settings to:
Sequence Preset to: Apple Intermediate Codec 1080i50
Capture Pre-HDV- Apple intermediate Codec
Device Control Preset: Sony HDV 1080i50 Firewire
And hey presto my I'm capturing HD without any problems. Thanks everyone for your suggestions.
Message was edited by: Matt Blyth

Capturing Canon hx-a1 HDV to FCP

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