Capturing footage in FCP7

Just up-graded from FCP6 to FCP7 and upgared operating system from 10:4 to 10:6 and uploaded latest version.
I've been working on an HD project in FCP6 and loaded clips with NO problems.
However, FCP7 crashes every time I've tried to capture new footage from camera. Tried to capture footage previously captured from camera in FCP and crashes again.
However, footage seems to capture in iMovie but unable to transfer to FCP.

Take a look at this especially deleting the user preferences.
http://support.apple.com/kb/TS1846?viewlocale=en_US

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Unable to Capture Footage, File Error: Unknown file

Alright, I've been at it for hours trying to figure out what the heck is going on. I have been able to capture footage before but not with this version.
-I have already repaired disk permissions twice, ran disk warrior also.
-I have it on the basic DV NTSC Setting, which worked perfectly on the laptop, but I need to edit this project on the tower.
-Have been through numerous settings and no go.
-I can control the deck/camera but it will not control the camera when trying to capture
Running Final Cut Pro HD 5 completely updated with the most recent software.
Need some help, this project cant be delayed this long.
-Caleb

If you recently upgraded/updated QT, you might check this link.
http://docs.info.apple.com/article.html?artnum=301852
K

Capturing footage to FCP 6.0.1 from Sony HVRZ1U HD Camera

I'm doing an HD project using a Sony HVRZ1U camera. I'm capturing footage from a Sony HDV GV-HD700 deck. I get nothing in the viewer when I go to log and capture and I cannot capture anything when I press capture because there is no video signal. I can see video on the viewer for the deck. When I change the settings on the deck from AV-DV out, I can see a stretched version in DV quality when I change the settings. I just cannot see a HDV signal to my computer. What are the correct settings for capturing this format? I've tried all the various possibilities and haven't been successful. The deck is connected to the computer via firewire to the HDV/DV iLink cable. Is this deck compatible with FCP? Is the video too much info for the computer?

When setting any Sony HDV device to output HDV you should disconnect the ilink/wirefire cable first, in the menu find Rec In/Out and set the ilink Conv to OFF for HDV. Then connect to the computer when both computer and deck are turned off.
If you have 6.0.1 then why not updated to the latest version, if you do update you will also need to update Quicktime.

Exported QT file: DV captured footage at DV resolution w/ titles in HDV?

Given that DV and HDV clips may exist in the same sequence in Final Cut Express 4, then when working exclusively with DV captured footage, is there a way to get clips containing only titles to display with HDV resolution in an exported QuickTime file (while the captured footage gets displayed with DV resolution)? Set the sequence to HDV format, even though all of the captured footage is in DV format?

Thanks for your response, Tom.
Just to be absolutely clear, would it be possible to create a DVD that consisted of a mixture of DV-resolution frames and HDV-resolution frames, all intercut, such that there would be, say, 60 frames at DV-resolution for approximately 2 seconds (assuming 29.97 frames per second), followed immediately by 90 frames at HDV-resolution for approximately 3 seconds, etc.?
What about exporting each DV portion of a Final Cut Express 4 sequence as a separate QT file at DV resolution, and exporting each HDV portion of a Final Cut Express 4 sequence as a separate QT file at HDV resolution, then concatenating the files to create a single QT file, then using the latter with iDVD or some other DVD-authoring software to make a DVD? Would you not end up with the kind of DVD that I described in the first paragraph of this posting?
Thanks.

Capturing footage without timecodes

I love editing with Final Cut Express, but capturing footage is a nightmare. The program keeps trying to locate timecode breaks on my Hi8 tape during capture, which results in me losing three to four seconds of footage from the beginning of each scene.
Is there a way to tell FCE to disregard timecodes? When I capture family movies, I'd like the importing to be as seamless as possible -- much like when capturing in iMovie. (I do know that I can capture in iMovie and edit in FCE, but if it's possible, I'd like to do all my work in FCE without relying on iMovie.)
Thanks to anyone who can help!

Thank you both very much for your quick replies! I tried switching my Easy Setup as suggested, and now my capturing seems to be working smoothly. Awesome!
Thanks so much again -- I really appreciate it!

FCE not capturing footage

I am using FCE 3.5.1 on a G5 Dual Processor using OX 10.4.10. I can not capture video to FCE from my two Sony DV cameras. FX1 and TRV 22. This just started after years of no problems. I have pulled preferences and reinstalled FCE several times. But the problem continues.
I can operate the camera, but it acts as though there is no time code on the tape. The time code on the tape is fine as I have captured this footage on other systems.

G'Day Mate
Thanks for the reply. I have tried the Quicktime Receipts removal, but did not solve the problem. Only had one Quicktime pkg listed. It did have numbers. While I was there I pulled the FCE HS pkgs as well with numbers.
FCE HD does recogizine the cameras and will control it from Capture, but does not capture footage correctly. With clips it pays no attention to cues in and out. In "now" it will freeze the picture while continuing to record the sound.

Capturing footage from Canon XH A1

Hi All -
I'm a bit new to Final Cut Express but ran across the following problem:
When I try to capture footage from my Canon XH A1 HD video camera, FCE does not recognize that there's any connection or that the camera is plugged into my MacBook Pro via the firewire cable. When I plug in my Sony VX2100 it does recognize this camera and I'm able to capture footage when I use that camera, but no luck with the Canon.
Funny thing is, when I try to capture footage from my Canon using iMovie it recognizes the camera and captures the footage with no problem.
Any idea why FCE is not recognizing this camera when iMovie does? Is there a setting on FCE that needs to be changed?
Any help would be appreciated.
Thanks!!

Are you using the correct Easy Setup?
Normally it should be HDV-Apple Intermediate Codec 1080i50 (or i60 if you are using NTSC).
I believe your Canon is an HDV camera whilst your Sony shoots DV.
They both need different Easy Setups. iMovie deals with this automatically.

FCE: Capturing footage from my Canon XL1

Got FCE and when capturing footage from my Canon XL1 I get the video however there is no audio!
Tried capturing footage via iMovies and works no problem!
Not sure if this has anything to do with it but I'm using a external mic. on my XL1 into one ch. on the audio inputs. Also scratch disks is on a external 1TB WD drive. Finally tried virtually all the set-ups on the 'easy set-up' but still no joy.
Can anyone throw me a life line on this one?!

sorry I should have made myself abit clearer.....when the tape is played back in my XL1 I can hear audio when my headphones are pluged into the camera also the camera has audio monitors which I can see movement verifying there is audio. However in FCE I don't see any audio level movement.
In terms of equip. I just have a external WD 1TB drive (USB), firewire cable for video camera and the USB cable for the keyboard & mouse.
Additional application: Flip video s/w (however had fce issue prior to installing this).

Final Cut Express HD- capture footage

Can you capture footage live to My iMac computer. I hook up a fire wire to my camera and it only captures for a second. Then says the tape is near the end eventhought it is at the begining of the mini dv tape.

Welcome to the Apple support site.
It appears you have wandered into the wrong forum.
You want the FCE forum
Good luck.
x

Splitting events when capturing footage from tape

Using Final Cut Pro x, I want to capture footage from tape which is of a more then one event. what is the best way of doing this so as to avoid all of the footage captured as one event.

One way of doing this is to simply go into the Import from Camera window and select the clips that belong to one event then hit the Import Selection button. A window will come up asking you which event you want to import to and also give you the option to create a new event. After the little clocks fill up on each of the selected clips, that import is done. Now you can select the other clips and import them in the same way specifying a new event when you are asked where they are to go. Best wishes.
stpehen

What is the best workflow procedure for importing DV SP 16x9 footage into FCP7 and then exporting the best quality 16x9 to standard DVD so that it looks great (or at least good) on a 50" Samsung LCD TV ?????? Please help! anybody?? Thanks!

We are using a Sony HDV-Z7U camera for acquisition. We recently recorded an event using the camera's non HD capabilities. We set the camera to record "DV SP" 16x9 settings on both Mini-DV tape and CF card.
To import the DV SP footage into FCP7 we chose the "DV NTSC anamorphic" setting in the log and transfer settings window. After a successful transfer from the CF card (the CF card held approximately 83 minutes) we checked the size of the file and found it to be 16 Gigs! Why so big? An 83 miniDV tape shot in SD should easily fit on a standard 4.7 gig MPEG2 DVD.
We need to burn DVDs of this show - we sent it to compressor and got horrible quality.
What is the best setting to use in FCP7's log and transfer settings window to import DV SP 16x9 standard def. footage and what is the best method for exporting for outputting this footage to DVD that preserves the original quality of the DV SP footage?? Anyone? Many thanks

> Why so big? An 83 miniDV tape shot in SD should easily fit on a standard 4.7 gig MPEG2 DVD.
No it doesn't. DV is 13GB per hour.
In any case, a Video DVD uses the MPEG 2 codec, not DV.
>What is the best setting to use in FCP7's log and transfer settings window to import DV SP 16x9 standard def.
DV NTSC anamorphic.
>what is the best method for exporting for outputting this footage to DVD...
Use the Compressor DVD preset "Best Quality 90 mins".
>...that preserves the original quality of the DV SP footage?
Not going to happen, you are compressing by a factor of 1:4. Shooting as HDV would have given you better quality material to start with. DV is at the bottom end of the scale.

Premiere shows artifacts in screen-captured footage

Hi,
I get artifacts in my screen-captured footage (camstudio, lossless codec) that doesnt seem to appear on other peoples systems. tried different framerate-settings in camstudio, but always get premiere displaying it faulty.
Premiere also tells me that there are several empty frames in my footage, although AfterEffects and the win media player preview it without problems.
Export from AE gives the same results though..
I record at 1024x768 with 30fps and also use these settings for my project. i also set square pixels, progressive-scan, 30fps-timecode, videoforwindows and no compression (same prob w lossless codec)
im definitely a newbie so don't hesitate to point out the most obvious mistakes one could possibly make :) thanks for your time!

Well, in general this seems to work.
one more question though: I foolishly captured some footage at 200fps which I will hardly be able to shoot again. now when i let VDub revamp it to 30fps it just seems to play my 200fps footage at a 30fps rate,which is of course too slow. is that what the video>framerate option in VDub actually does, just stretch the footage?
I figured, i'd just take the original 200fps footage to AP and let it export to a 30fps clip. seems to work if i use the indeo compression.
recapitulating (for who ever cares):
- original capture: 1024x768 at up to 200fps...
- taking it to VirtualDub for recompression to huffyuv, to get rid of artifacts
- exporting from AP at 30fps with Indeo codec
awesome so far. any tips on improvement? thanks for now anyway!

Capturing footage and audio is off sync?

I'm capturing footage and then play it back on the timeline. I notice that the audio is off sync, why is that? I use Sony DVCAM Deck to capture without altering the setting, in Final Cut Pro 6, and the audio became off sync. Any solution?
Thank you
Luis

Is it consistently off-sync? Like is it always 2 frames off? Or does it trail off, like it starts in sync and then it drifts out of sync after several seconds? I recently captured a bunch of stuff that was recorded with a DVX100 and the audio was 2 frames ahead of the video (sometimes it seemed like it was only 1 frame off, but 99% of the time it was 2).
Then another problem that crept up was when it got to the end of a tape, which would confuse Final Cut. It would stop, and then make the last clip captured play at 29.97 when it should have been 23.98, though the audio would play back normally. So it would appear to be in sync for a moment and then it would get way out of sync very quickly. What I had to do then was just babysit the capture of the last scene on the tape and stop it before it got to the end.

Capturing Footage at 60fps

Hello everyone. I'm looking for a positive solution to the problem that some folks experiencing as well. This problem applies to the capturing footage that has been taped at 60FPS. I contacted several forums regardings this issue as well as Apple Tech Support unfortunately no luck. May be you have an answer to this mass. Thanks to all.

I did take two snap shots so you can take a look and see what I get once I try to indicate correct settings.

Capturing Footage that has been shot in Long Play?

Good Morning All,
I have been giving a tape that has been shot in Pal Long Play and I can not log and capture this DV Tape at all. Everytime I do try the footage is just useless.
This may sound like a silly question but :
Does anyone know the settings that I would put on FCP 6 to log and capture footage that has been shot in Pal Long play?
Any help would by highly appreciated.
Thanks for your time,
Kevin

LP mode slows the tape to extend the recording time. If the camera/playback device does not have this mode, the material will play back either as noise or accelerated. In either case the images will be unusable.
You need a camera that understands PAL DV tapes recorded in LP mode. Your best bet may be the original cam.
Once you have the original cam/ or one that records/plays LP DV tapes, dub the material to a standard play DV then capture the SP DV tape. LP tapes are notorious for audio and video drifting apart. The audio will almost certainly be recorded as 12 bit/32 khz.
x
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Capturing footage in FCP7

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