Change 4:3 footage to 4:3 anamorphic (widescreen)

Hello All,
I have taken some footage on my Canon Ixus camera in AVI format. I have converted it to 4:3 Quicktime Movie format 720 X 576, but now I want it to match all the other footage I took with my camcorder which is 4:3 in widescreen. All my other footage has black bars top and bottom which I prefer. How can I do this?

Highlight the clips and select Video Filters>Matte>Mask Shape and adjust the horizontal and vertical sliders to make it match the rest of your widescreen foootage.
Ian

Similar Messages

  • Changing sequence from 16:9 widescreen to anamorphic widescreen

    I am working on a short video clip shot using 5D Mark II - 1080p. I am editing on FCP 7 and want to change my sequence from 16:9 to anamorphic widescreen without any distortion...anyway this can be done? All my raw files and transcoded file are 16:9.
    Thanks
    Sid

    sure.  fcp will automatically adjust this when you edit a clip into the sequence, so after changes the sequence settings, simply edit a source clip at the end of the sequence.   Does it display correctly?  If so, select the clip, copy, and then select all the other clips in the sequence, hit option-v (paste attributes) and make sure just basic motion and distort are checked.  Should fix everything.  Then delete that clip you added at the end of the sequence.
    Oh yeah, probably a good idea to duplicate your sequence before doing this, in case you make a mistake (or if I've made a mistake - nah, that wouldn't happen).
    good luck.

  • FCP 7 Captured/Imported letterbox footage incorrectly marked as Anamorphic

    I recently installed FCP 7 and captured 24pA footage with the Easy Setup for 23.98 with Advanced Pulldown Removal. The footage was not shot anamorphic but was shot letterbox (on DVX100b). FCP batch captures the footage and I notice afterward that the anamorphic box checked on all the clips (and correspondingly visually distorted). I notice the same after I import 24pA footage (non-anamorphic) that I had already captured into new FCP project, also setup with the 24pA Easy Setup for Capture and Sequence.
    This is fixable by unchecking the anamorphic column for each of the clips, of course, but it's tedious and shouldn't be happening i the first place.
    Why is FCP 7 interpreting all new letterbox footage as anamorphic? I checked the settings for the Easy Setup and the box for anamorphic is NOT checked! I did not check non-letterboxed video. Also, the pixel aspect ratio. is set at CCIR601 on both the capture and sequence settings. Any ideas about the letterboxed video? Thanks.

    I don't have an answer to your core question, but I own the DVX100B and shoot/capture at 24PA/advanced pulldown removal. However, I either shoot SD or I attach anamorphic lens adapter for 16:9.... have never tried using either Letterbox or Squeeze mode.
    Reading through "The DVX Book" by Barry W. Green, he suggests that Letterbox mode is useful for simulating a wide screen look on a 4:3 TV screen, which is what you may be trying to achieve, but if your viewers are watching wide screen, you would get better looking results using the Squeeze mode.
    My workflow is designed to create deliverables that are properly formatted for 16:9 flat screen displays because the majority of my clients and end users no longer own a CTR monitor or TV.
    Eddie

  • Creating anamorphic widescreen dvds

    Does iDVD (in combination with iMovie) now produce anamorphic widescreen DVDs from a 16:9 camcorder source?
    I'm currently using iLife '05, and the DVDs it produces are not anamorphic widescreen, which means when I play them back on DVD Player, they have a 2" border on all sides of the screen.

    Andrew,
    You are talking about two different issues with iLife 05 - Importing anamorphic video into iMovie HD (in iLife 05) and then burning anamorphic 16:9 DVDs with iDVD.
    Many 16:9 cameras work great with iMovieHD. I even created anamorphic 16:9 DV files with both iPhoto and PhotoToMovie that also worked great with iMovieHD (05). However, some cameras do have the pillarboxing issues you pointed out and Matti referenced. I do not know whether or not this was fixed for your camcorder for iLife06.
    The second issue iLife05 has is how it creates 16:9 anamorphic video in iDVD5. Actaully this does work correctly! It's only the conversion of the anamorphic 16:9 to letterboxed 4:3 for 4:3 TV's that is an issue. If you take a "good" 16:9 anamorphic movie in iMovie and transfer it to iDVD5, it does encode as anamorphic - it just doesn't set the flag right for display on 4:3 TVs.....they are full screen 16:9 anamorphic DV for 16:9 displays, and play correctly on my 16:9 plasma TV at the normal WS setting with no distortion, just like commercial WS DVDs. If this were not an anamorphic signal, I would have to use the "zoom" setting, which is how I view letterboxed cable shows. If you read David Althoff's site carefully, you will note that iDVD5 can use 16:9 encoding, but the playback flag is not forced to letterbox it for 4:3 displays.
    Now I'm not saying that you haven't had the issue of getting 4:3 encoding....and your 2 inch border does suggest that! I think your main problem is the import of the movie into iMovie in the first place is creating 4:3 video, and once you've got that, iDVD isn't going to fix it.
    You need to make sure that your start a 16:9 WS DV project, and then import your video with the preferences "unchecked" as Matti suggests.
    And what kind of camera do you have???
    John B.

  • Anamorphic Widescreen Not Working

    I have anamorphic widescreen movies that play correctly in QuickTime, but when I play them directly in iTunes, they play in the anamorphic aspect ratio instead of their intended aspect ratio. Does iTunes just not understand anamorphic? It's hard to believe that such a mature program just wouldn't know how to play anamorphic widescreen, especially since Apple has it working with QuickTime. I've looked for settings, but can't find any that would fix this.
    Phredd

    While I am at it: Is it possible to make your own menus in iDVD or do you have to relay on the build-in themes?
    Hope these help & good luck:
    http://www.creativemac.com/articles/viewarticle.jsp?id=66079
    http://www.creativemac.com/articles/viewarticle.jsp?id=67633
    http://www.creativemac.com/articles/viewarticle.jsp?id=29770
    http://www.dvdthemepak.com/idvd.html
    http://creativemac.digitalmedianet.com/articles/viewarticle.jsp?id=31388

  • IDVD won't trigger anamorphic widescreen flag

    After I edit in FCEHD and export to quicktime and then put that quicktime in IDVD it doesn't put it back in anamorphic widescreen... is there anyway to fix this?

    OK... I went into my Pro apps and took notes. This is what works for me (in iDVD 5.0.1). I tested on a short 20 second video clip.
    While in Final Cut Pro (5): Export/Using Compressor...
    In Compressor Preview window, select file in pop-up on upper-left side of window.
    Click on the Batch window.
    Click on Setting button and choose Advanced Format Conversions, then DV NTSC Anamorphic.
    In Inspector: Click on Encoder button. Click on Video: Settings button and choose DV/DVCPRO-NTSC from pop-up. In Compressor section, Select Quality-Best, Scan Mode-Interlaced, Aspect Ratio-16:9, click OK. If you want to save this as a Custom setting (you should) click Save As... and give it a name like "Widescreen." It will show up at the bottom of the Setting pop-up in the Batch window next time you need it.
    Back to the Batch window. From Setting, select your Custom setting. Then select Destination. Then click Submit.
    Batch Monitor opens and shows progress. Double-click the file created in your destination location. Mine will show 720x405.
    Simple, eh? I did that without consulting a manual.
    I hope it works for others!!!

  • Anamorphic widescreen

    I have video (DV) in 4:3 but also shot one wrong in anamorphic widescreen.
    Can I import the anamorphic into FCE into the same sequence where the 4:3 on is?

    thanks Tom.
    I assumed it would be letter-boxed -> that means I could enlarged a little to move the letter box out of the screen as long as the video looks acceptable.

  • Help changing 16:9 footage to 4:3 with bars

    Hey we just shot some footage on true widescreen with an SDX-900 on DVCPRO and we want to change it to a 4:3 image with bars. How do you do that?

    I think your asking how to make your 16:9 anamorphic image into a 16:9 lettebox image, black top & bottom. Open in a 4x3 sequence and resize your image vertically to 75%. This will squeeze the 16:9 anamorphic image to the correct aspect ratio within a 4:3 frame giving you 16:9 letterbox.

  • Uh oh. How do I change my 1080iHD footage into 640x480 letterboxed?

    What settings need to be changed and how do I automatically resize the image so I don't have to alter each file on the timeline by stretching it into place? Also, is there a way to do it so I don't have to render all the footage over again?

    you've a few different issues at play here
    on frame size, yes, HD in an SD timeline will need scaling down to fit, but no need to do it for every clip
    scale down the first clip appropriately, then copy that clip ie select it in the timeline and press Cmd-C
    next select all in the other clips in the timeline (easiest is to just press Cmd-A to select All the clips, then Opt-Click the first clip you just copied to deselect just that one)
    then press Opt-V, which evokes "Paste Attributes", and in the following dialog tick the "Basic Motion" checkbox (untick the rest if), and press OK
    that will copy the Scale setting (all Basic Motion settings actually) from the first clip across to all the other clips.
    you'll still probably want to step through each shot though, and reframe accordingly, as the important action you want to keep may lie in the cropped area at the sides of your 16:9 source ... you may also need to correct for the blanket scale adjustment you did, if there are clips in the edit that were scaled separately for different purposes.
    the interlace issue is likely that your DVCPRO HD original footage is upper field first, whereas your NTSC (i'm guessing DV) sequence is lower field first
    in that case you need to check to see whether FCP added a shift fields filter to your clips when they were copied in the timeline? if not, you'll need to add it yourself ... again, select all in the timeline, then drag and drop the Shift Fields filter from the Effects tab to the selected clips (or select Shift Fields form the Effects menu > Video Filters > Video)
    see how that goes. render you sequence, check the timeline output on an NTSC monitor. post back
    cheers
    Andy

  • Adding transitions changes picture/video footage times

    Hi there,
    When i have photos or video footage in my project, and i insert transitions it auto changes/shortens the length of the pic/footage either side of the transition. I have to manually retype the timeframes in to change each back, but that even sometimes doesnt even work...
    Please help!

    This is expected behavior, however frustrating it might be. You might want to become familiar with preference settings. Some apply just to your current "project", where you can set things like how long photos play, the length and type of transition and so on.
    I find it useful to have the automatic preferences set while I put a project together, so that whatever transition and slide timing I prefer is applied to everything, and then turn off the automatic feature so I can change the individual details of just those pics or transitions that need it. This way, I don't have to change nearly as many once everything is in line.

  • Widescreen footage look stretched in anamorphic

    Received 'widescreen' footage, shot with the Panasonic HVX 200. FCP is (as usual) set to NTSC 48 KHz Anamorphic. However, the footage is stretched and shows the letterbox, both on my TV and in FCP. What went wrong? Do I now need to distort the clips? If yes, what are the attributes for this?
    Thanks, much!
    Alex

    SD, 720x480, letter boxed
    That's not widescreen, black bars (letterbox) is printed in your video.
    You can use a Anamorphic sequence and scale up your movie to fit the screen, but be aware of the quality loss of upscaling.
    Some links about formats:
    Mulitple Aspect Ratios (from www.proapptips.com)
    Understanding 16:9 in Final Cut Pro
      Alberto

  • Changing a 720x405 animated sequence to fit anamorphic screen

    Hi to all,
    I just recieved a series of jpegs for an animated pal anamorphic sequence.
    They are in 720 x 405 (true pal 16/9) but should have probably been in 768 x 576 to compensate for the 0.9 pixel width.
    So in my Pal seq i get either a doubly vertically squeezed image but it fits horizontaly (when i flag it as anamorphic), and when i don't flag it , i get a correct looking anamorphic image with borders on all sides.
    These jpeg series can not be rerendered. Time does not permit it. So i've scaled the 3D animation to make it fit vertically, and then squeezd the aspect ratio to make it fit horizontally. The aspect is not quite correct but it fills the screen. And loses quality!
    Any suggestions on how i could solve this 720 x 405 problem with minimum quality loss, and have it fit my screen?
    thank you for all your help,
    Tee.

    Interactive PDF on a mobile device is a crapshoot. The reader apps are all
    over the place as far as capability.
    If you can control the app, great, but if you’re sending the PDF you’re
    taking a shot that the recipient will have a reader capable of displaying
    it.
    You might consider creating a DPS folio and using the Adobe Content Viewer
    to either share of display it. DPS is far more capable of interactivity.
    We have a forum dedicated to it: https://forums.adobe.com/community/dps

  • Anamorphic widescreen or letterbox output to iDVD?

    I'm kicking myself.
    We recorded our footage of a school play in 16X9 mode, edited tape to tape then, imported to a Final Cut Express project set to NTSC Anamorphic mode in "Easy Set-Up" and now can't figure out how to get widescreen or even letterbox output to iDVD.
    The video appears letterboxed in FCE's preview window. But for kicks, I exported a short clip and burned an iDVD of it and it was streched on my set-top dvd player and 4X3 TV.
    If the widescreen version would be truly anamorphic and appear letterboxed on standard (old) 4x3 screens, but actually scale up and fill a new widescreen monitor that would be great.
    But at this point I'd accept a good, old-fashioned letterboxed version of the video. HDtv users be damned!
    Any help? Hacks? Etc. P.S. I also posted this question in the FCE forum where someone suggested I ask it here.
    Doing this on a 1Gig Powerbook with 1Gig of ram. iDVD 5 and FCE 2.?

    Scalzmoney,
    The link on the previous post will work for you, I have done this.
    First use the Anamorphicizer
    http://homepage.mac.com/sith33/FileSharing34.html
    to make iDVD5 see your movie as anamorphic. (iDVD5 is only looking for WS projects from iMovieHD, and this app does the trick for FCE/FCP projects)
    Once this is done you'll fill up 16:9 TVs, and the video will letterbox on some 4:3 TVs/players combinations, but will appear "squished" on some 4:3 TVs/players. Changing the settings on some DVD players will help, but not all.
    That's where you need David A's "cookbook" as listed & linked your first reply, above.
    I've hacked several DVDs this way. For example, if I make a WS DVD without the cookbook, it plays as letterbox on 2 out of 3 DVD players in my house (not counting Macs). The cookbook fixes it for that last DVD player, a PS2.
    John B.

  • SD file "becoming" anamorphic widescreen...?

    I work at a university and we currently shoot performances in SD and capture to an older G4 with FCP 4.5 (multi-cam through a Grass Valley switcher, converted to firewire for capture through a JVC miniDV deck, if any of that matters). Anyway, I'm using the standard preset captures (NTSC Firewire DV, or whatever the basic one is) and everything appears fine on the capture system. However, we transfer it to a computer in our lab running FCP7 (new iMac) to edit and burn to DVD, or whatever delivery method we need.
    Anyway, the problem is, when we open it in FCP7, the frame is stretched to widescreen. Checking the format of the clip, the anamorphic field is checked. Unchecking this corrects the issue. Looking at the preview in the finder back on the G4 it was captured on, it is still stretched to widescreen, but opening it up in FCP4.5 it is 4:3 (and the anamorphic field is unchecked). I've double-checked the capture preset we're using and any reference to anamorphic is blank. How does it become anamorphic the moment you look at it outside of the version of FCP it was captured in (while even still on the capture system's Finder), yet returns to normal when you bring it back into that version? And more importantly, what am I overlooking to change so I don't have to constantly change it once we get it down to the edit suite?
    Message was edited by: Rikakiah

    Fairly certain I'm not...
    When I check the clip's info (right-click on it in the bin) on the G4 machine (with FCP4.5), anamorphic is unchecked. I opened up the Easy Setup and the current setup was Custom (but no anamorphic--was custom because it was set up from the DV-NTSC setting, but device control changed to non-controllable device since it's a live source). Opening up the Capture window and going to the Capture Settings tab showed Capture/Input as DV NTSC 48kHz (not anamorphic).
    I went ahead and just reset the Easy Setup and changed it to non-controllable device again, in case something was screwed up and it just didn't show. Guess I'll try to record something and see how it turns out now. Worst case, we'll just always uncheck anamorphic once we get the clip into the FCP7 editor.

  • Is anamorphic widescreen possible in iMovie 09?

    I am editing HD footage and am trying to create a DVD that will play on SC and HD tvs without losing the 16:9 aspect ration. Any suggestions would be appreciated,

    Yes.
    It sounds like you want to do "letterboxing". To do this, try the following:
    1. Click on the project you are working on.
    2. Select File->Project Properties.
    3. Set the Aspect Ratio to "Standard (4:3)" and click "OK".
    4. Click "Edit Project" (if you aren't already in that mode).
    5. Hover the mouse close to the beginning of the first clip you have in your project, and you will see a sprocket wheel button with a down-arrow on it. Click on that button.
    6. Select "Cropping & Rotation".
    7. On the preview pane toward the upper left, there are two buttons: "Fit" and "Crop", and "Crop" is probably already selected. Click on "Fit", and click "Done".
    Voila!
    You may have to repeat Steps 5 through 7 for as many clips as you have in your project.
    This feature is not very well documented in the help. The help talks about how to do this when adding NEW video to the project, but if you've already added video to the project and want to switch it, I couldn't find anything that explains it. Perhaps Apple will want to address this? Or perhaps it is explained somewhere that I couldn't find?

Maybe you are looking for