Change Adobe Camera Raw background color

Anybody know how to change the background color in Adobe Camera Raw from grey to white?

Unfortunately there is no option for changing the background color of the UI for ACR. However, this feature is available in Photoshop and Bridge.
Julia

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Adobe Camera Raw changes not reflecting in Premiere Pro

I was super excited to try out the new CNDG support in Premiere Pro CC 2014, but I have to be honest - I am a bit disappointed...
I am using 16bit Cinema DNG files and the source settings sliders really aren't doing it for me (notice the pink highlights)
That's alright though, I would much rather use Adobe Camera Raw!
Right click > Edit Original
There we go, that looks nice - no pink highlights, nicely recovered details in the shadows and highlights.
PERFECT, click DONE!
Nothing...For whatever reason, changes are not reflecting.
Adobe - please allow us to use Adobe Camera Raw, there are so many folks out there that want to incorporate it into their workflow. I have tried SpeedGrade and various other color correcting tools and I have found Adobe Camera Raw to work the best IMHO
Thank you for your time.
-Loyal Paying Customer

Hi Ekombokom,
ekombokom wrote:
Hello! I too am having this same problem. I used Camera Raw (both in Bridge and Photoshop to make sure) to adjust and correct the Cinema DNG files I shot with my BMPCC; however, the video sequence in Premiere does not reflect any of the changes made. Why would Adobe not support Camera Raw settings in Premiere?
Sorry, but Premiere Pro does not have a camera raw importer. You adjust the settings in the Source Settings dialog box instead (for RED, ARRI Raw, BMCC and BM Pocket Camera DNG files). You do have access to some controls for these formats, but in some cases, Camera Raw has more controls.
ekombokom wrote:
Camera Raw is an amazing tool for refining an image and gives me the best results compared to SG and Davinci. I was so excited to be able to use it once Premiere supported CinemaDNGs but now I'm confused as to why it's not supported.
Cinema DNG from the Blackmagic Cameras are supported, you just adjust settings in Source Settings, as I mentioned. Have you tried that? The reasoning behind this is that Cinema DNG video coming from camera raw is too difficult to playback and edit with.
That said, some users bring Cinema DNG footage to After Effects, adjust the video there, then render out files that are suitable to edit with.
ekombokom wrote:
I thought the point of using Adobe was that all their products worked together seamlessly? I really hope they fix this.
You can always make a request here: http://adobe.ly/feature_request, however, I don't see a camera raw importer going into Premiere Pro any time soon (if ever) because of the reasons I previously mentioned (editing with camera raw would be too cumbersome). I think the more realistic feature request would be to add more controls in Source Settings.
Thanks,
Kevin

Adobe Camera RAW (All Versions) Import Canon .CR2 / RAW images with an orange / green color cast.

All versions of Adobe Camera RAW including the latest 7.3 import .CR2 images with a greenish / orange color cast.
Tested on 7D, and 5D III
Makes Hardwood floors, and flesh tones look abysmal.
Canon's Digital Photo Professional renders the colors fine, as does ACDSee 5.0 Pro (when viewing) Exporting from ACDSee however is another story as things look even worse than Adobe. DPP can export perfectly.
Changes to Color Gammut / Space have little or no effect.

Good day!
You might want to post on the dedicated Camera Raw Forum.
http://forums.adobe.com/community/cameraraw
Also posting some screenshots might help illustrate the issue.
Regards,
Pfaffenbichler

Adobe Camera Raw for Nikon - generate JPEG with color off

Hi,
I am learning Photoshop and Camera RAW. I am using CS2 and ACR 3.7 on Windows XP.
I have noticed that the JPEG file generated by CAMERA RAW has the color slightly off (towards the bluish direction).
This is what I did, I started Adobe Bridge, I opened up the Nikon RAW file (from D200) with Camera RAW and then generated the JPEG file without using any AUTO or custom setting (took the As SHOT setting). After the JPEG file is generated, I compared the JPEG file, with the file on Camera RAW window, the color of the pictures don't match up. So what you see on Camera RAW window is not what you get in JPEG. The color shown in the Camera RAW window is warmer than the JPEG file. I used the Widnows default jpeg viewer and the Arcsoft Editor to look at the JPEG file, and confirmed the color of the JPEG file is off from the original RAW filed viewed Camera RAW widnow.
However, when I opened that same JPEG file (generated by Camera Raw) in Adobe Photoshop, and the original RAW file (without any modification) in Photoshop, the color of the JPEG file matches up the color of the original RAW file only in Photogroup. I am confused now.
Why the color of the JPEG file (generated by Camera RAW) looks OK on photoshop, but it is off in other viewers (default Windows viewer or ArcSoft Editor). However, when I used PictureProject (supplied by Nikon) to generate the JPEG file from that same original RAW file (without any modification), and I looked at the JPEG file (generated by PictureProject) on Photoshop, Arcsoft Editor, and default Windows viewer, the color matches up to the original RAW file on all viewers. So the problem only happens to the JPEG file generated by Camera Raw. Any idea?
Thanks,

When you saved out the JPEG in Camera Raw, what color space did you save it with?

Adobe Camera Raw and Adobe Lightroom color profiles ....

Adobe Camera Raw and Adobe Lightroom color profiles .... for sony cameras

Adobe Camera Raw and Adobe Lightroom color profiles .... for sony cameras

How to change preference setting in Photoshop CC 2014 to not automatically lauch Adobe Camera Raw when opening Nikon raw .NEF file

When I launch Photoshop CC 2014 and then open a .nef raw file it launches Adobe Camera Raw and I click Open Image, then I "Convert to Smart Object" then launch Filter > Camera Raw Filter. Is there a preference somewhere for raw files that just bring you right into Adobe Photoshop without stopping at Camera Raw first? Thanks!

Gene,
Ah! Okay, makes sense now. I just learned tonight that some features are not available when using Camera Raw as a Smart Filter. One being Lens Profile Correction. So it makes sense to have have Camera Raw open right off the bat to make some tweaks first then continue on. I found the below on the Adobe website. Thank you so much!!
Note: The following features are not available when using Camera Raw as a Smart Filter (that are normally available in Camera Raw), primarily because they don’t make sense in the filter context: Workflow options and preferences, crop and straighten tools, rotation tools (rotate left/right buttons), snapshots, camera and lens profile corrections.

Why can't I send older RAW files from iPhoto to Adobe Camera RAW?

I have a 20" Intel iMac (OS X 10.5.8) and use iPhoto '09 (Version 8.1.2) for storing and organizing the digital images produced by my Nikon D200 and D700 cameras. When I wish to edit a photo I right click on the image and select Edit in External Editor. The external editor is Photoshop Elements 6 for Mac.
In iPhoto/Preferences/Advanced for RAW Photos I have checked "Use RAW when using external editor." Recently I successfully sent new D200 and D700 RAW images from iPhoto to PSE 6 for conversion by Adobe Camera RAW (Version 5.4.0.57). However, I was not successful in attempting to do the same thing with older D200 RAW images taken more than three years ago. In all cases what showed up in ACR were JPEGs rather than the RAW images. I don't understand why this is happening. What is needed to resolve this issue? Any remedial information will be appreciated.
Bob

Well all of that tells us that the Library is sound and not corrupt - which is good news.
Now the question would seem to be 'Why isn't iPhoto respecting the settings you've chosen in the Preferences?"
Try trash the com.apple.iPhoto.plist file from the HD/Users/ Your Name / library / preferences folder. (Remember you'll need to reset your User options afterwards. These include minor settings like the window colour and so on. Note: If you've moved your library you'll need to point iPhoto at it again.)
What's the plist file?
For new users: Every application on your Mac has an accompanying plist file. It records certain User choices. For instance, in your favourite Word Processor it remembers your choice of Default Font, on your Web Browser is remembers things like your choice of Home Page. It even recalls what windows you had open last if your app allows you to pick up from where you left off last. The iPhoto plist file remembers things like the location of the Library, your choice of background colour, whether you are running a Referenced or Managed Library, what preferences you have for autosplitting events and so on. Trashing the plist file forces the app to generate a new one on the next launch, and this restores things to the Factory Defaults. Hence, if you've changed any of these things you'll need to reset them. If you haven't, then no bother. Trashing the plist file is Mac troubleshooting 101.
Regards
TD

Bridge CS6 bad preview after adjustment in Adobe Camera Raw 7.0

Hi,
when i update camera raw from 6.5 to 6.6 the preview can`t give me right preview only after 1 or more adjustments in adobe camera raw (yes, "Always High Quality"and "Generate Preview-Size Previews").
Image apears and stays like when we open it in camera raw in the first few seconds with the yellow exclamation mark.
Months ago the only solution i found after several reinstals of phoshop, was to turn back to camera raw 6.5.
Now im trying beta bridge cs6 and problem come back for me again.
I use Nikon D3x with 14 bits ~49MB .nef files with Windows 7 64 bits .
Is any one have same problem?And why only in 6.6 (and new camera raw 7.0) and not in 6.5?
Thanks
Arménio Teixeira

When I saved a image to my desktop and wanted to open in Preview so I could do some altra fast tweeks like add sepia and then resaved it came up that I didn't have aothourization to save changes. I then as suggested went to finder - get info - and unlocked the file and entered the desktop password when prompted and closed but it still won't save the changes. I don't want to change it to open as a PS file because it is a JPEG and takes allot of effort when preview cnages under tools color is so efficient. Other suggestions to try?

Trouble with Adobe Camera Raw

I have started to use ACR (Adobe Camera Raw) for making changes to my photos before opening them up properly in Photoshop, and I have 2 quick questions:
1. The Photoshop guide I'm reading says that in the White Balance section of the 'Basic' tab (on the right of the big preview image), that I should be able to choose from pre-set white balance settings such as Cloudy, Sunny Day, Flash, Fluorescent etc.
However the only options that are available for me are 'Auto, As Shot and Custom'. Am I doing something wrong?
2. In the main preview box, some of my photos load up with a funny blue outline around the image. Is there a reason for this?
Thanks for your help!
Alex

1) Those options are only available when working with raw files. When working with JPEG's you get only As Shot, Auto and Custom, it's a trade-off for lower filesize.
2) that blue color indicates that you have clipping in those areas. You can turn it on/off by clicking on the icons with a triangle in them from the top of the histogram
White balance controls in Camera Raw:
http://help.adobe.com/en_US/creativesuite/cs/using/WSC882A0B5-25E1-447d-8386-B5D60F24AE02. html
Preview highlight and shadow clipping in Camera Raw:
http://help.adobe.com/en_US/creativesuite/cs/using/WSF1B29B95-2419-4b50-A058-A5FE2D7E5E6F. html

Selection in Aperture , processing in ACR ( Adobe Camera Raw )

I'm trying to figure out if there is some way to see my ratings from Aperture in finder - on original master files.
I understand "holy raw" policy and I have been following the threads about painfull renaming techniques
( obvious workarounds ).
Seeing my in Aperture rated raw files in finder is crucial for me because I want to use Adobe Camera Raw for processing .
I might also use DPP or Capture One for this in some situations.
(I prefere Aperture for selection work , I love loupe )
So is there som simple way to do it ?
One way would be for example if you could give a
color label ( visible in finder ) to selected master files .
That would be fine for me .
And as I understand wouldn't make any changes to the original file ( so it would stay "untouched" ).
Thanks for any suggestions.

Just re-read your first post and realised that you want to apply a Finder label to every RAW file based on rating. This is doable, but would require someone to write an app or script, like Adam Tow's app that moves metadata between Aperture and iView.
The rating for each image is held in the OriginalVersionInfo.apversion file next to each RAW file:
<key>mainRating</key>
<integer>0</integer>
If you are only grading into two categories and Bridge is doing what you want, then there is no reason not to use Bridge, it's likely to be faster for you, which is the main thing.
Time - setting up a hot folder takes about ten minutes, and I'd never done one before. On the other hand I know my way around Automator etc., as should anyone dealing with large numbers of images. Most of the extra steps are to bring the converted file back into Aperture, automatically linked with the RAW file as a version.
Here's to hoping that the conversion quality gets better fast!
Ian

Images looks darker in Adobe Camera Raw than in Photoshop

when I open a raw image in adobe camera raw at 16 bit Adobe RGB and don't make any adjustments in acr when I then bring it into Photoshop is looks softer contrast and lighter.

James Bechdel wrote:
I think I solved it. Every place I could change to Adobe RGB I did
Er...I don't really think that solves anything. But you may succeed in temporarily hiding the problem.
You do have PS color management policies at "preserve embedded profiles", right? As long as you do, there's no particular need to synchronize PS / ACR / Lr color settings, any source profile should be honored anywhere.
The reason Adobe RGB works as monitor profile is because it's a known good, not corrupt, profile - not because it's the same as a document profile somewhere. Those two are not supposed to be the same. But for a wide gamut monitor it's close enough to work for diagnostic purposes.
NEC Spectraview is a solid and reliable calibrator. But that doesn't help if the OS doesn't load the profile correctly.
One gotcha with Spectraview (and Eizo Colornavigator) is that it's so easy to switch calibration target and the associated monitor profile. That's fine, but you also need to relaunch any color managed application that happens to use the monitor profile. That profile is loaded by the application at startup, and it will continue to use it even if it's changed at system level.

Adobe Camera Raw (ACR), Jpeg Files and Metadata

I have been using Adobe Camera Raw (ACR) with my Canon EOS 30D, an 8 MP camera, for a while now. I would make non-destructive changes to the raw file (.CR2) in ACR where the changes would be stored in an adjoining .xmp file. Jpegs of the unedited and edited camera raw files would be created so I have a before and after versions of the images that can be viewed anywhere.
Now I have a Canon EOS 5D Mark III, a 22 MP camera and the raw files are much larger. I’m looking at using camera raw on jpeg files for some for my more casual photo shoots in order to save disk space. From what I have read, I can use ACR on jpeg files and that the changes would be stored in the metadata in the jpeg file. Is there a way for the changes to be stored in an adjoining .xmp file so that the original jpeg file is not modified, much like it is done with the .CR2 files?
I am using Adobe Photoshop CS5 on a Windows 7 machine. All software is up-to-date.
Also, I have found that Adobe’s camera raw handing is different than the raw handling of the photos using Canon’s software (DPP). Is there a way to make ACR closer to what Canon’s software does?
Thanks,
Mike

Probably not going to happen.
I agree, Canon's color is better than Adobe's in general - I just didn't know how good the Camera Standard profile might be for your particular camera. I had hoped maybe they'd made it a very close match.
Some time ago I got a very nice genius-level Camera Raw forum member named Vit to make me a custom profile that exactly matches the Canon color for my 40D, even to the point of emulating the way Canon fits the entire gamut of the captured image into the sRGB color space, so I'm more than happy.
Others might tell you that you're silly for wanting the color to match, but I understand completely your position - if you do get that kind of feedback just ignore it and push on.
Once you've set up a default to use Camera Standard, you may well be able to tweak the dozens of color controls to bring the Adobe default into line with the Canon color. I did that once before getting my special 40D profile, comparing embedded raw file JPEGs with the Camera Raw preview display with a variety of images - it was tedious but effective.
Best of luck.
-Noel

Lightroom 1.1 - Adobe Camera RAW 4.1 (Bridge, Photoshop CS3) problem

Dear all,
I am having some problems with the appearance of files developed in adobe lightroom 1.1 or in adobe camera raw 4.1 from e.g. bridge or photoshop cs3. When developing in lightroom the images look great, however when using acr 4.1 and the same xmp sidecar settings imported from lightroom, the image in acr looks very pale in comparison. For example when using the export into photoshop option in Lightroom, the image in PS3 looks very pale to the one in lightroom. The same problem persists with developing using ACR 4.1 from bridge. I have turned autotoning in ACR off. Also in the color management of PS CS3, the desaturate checkbox is UNchecked.
I am using an icc profile for my 30" cinema display, calibrated with colory eyes pro and a spyder2.
Has anybody had similar problems with ACR 4.1 or am I just doing something horribly simple wrong?
Thanks for your help!
Immanuel

Thomas,
thanks for your reply. In Mac OS X Preview the images look all good and very much like what I see in Lightroom. In any case not as pale or like with a slight white overcast to what I see when using ACR 4.1 from Bridge or Photoshop CS3. In PS color settings, preserving embedded profiles is checked. Yes, it seems to me as well that this is some color management issue. The 30" Cinema display was calibrated using Color Eyes Pro and Spyder2 to Gamma 2.2 and 6500 temp. However, even when reverting to the standard Apple color profile for the monitor, the problem persists.
No luck so far...
Immanuel

I cannot access Adobe Camera Raw Plug-in although it's listed in CS6 "PHOTOSHOP" menu along with my other plug ins. And I can't find it on my iMAC (10.9.5)

In CS6, how do I access the Adobe Camera Raw plug in that's listed with my other (easily accessible) plug ins: I can't find it through "automate", or "Filter" or "extensions".. I am on iMAC 10.9.5 (Mavericks)

I believe camera raw as a filter is CC only. You can access camera raw by selecting a raw, tiff or jpg image from your drive. Raw is the only one that will open by default. You must tell camera raw to open tiff and jpg in the preferences.
You can also use file>open or file>place then specify camera raw as file type. In this case it will open any of the three formats without changing the preferences.
Once the image is in Photoshop, it should be a smart object if you choose open as object instead of open as image in camera raw. As a smart object, you can double click on the thumbnail in the layers panel. This will open camera raw with that image.

Adobe Camera Raw Plug-in

I have Photoshop CS3 (Adobe Camera Raw plug-in 4.6.0.30) and Adobe Bridge CS5.1 (Came with Illustrator CS5 Academic Edition) on a Mac with OS X 10.6.8. I'm trying to change my editing practices to take advantage of Camera Raw. I try to open it in Bridge and I get the message: "Camera raw editing requires that a qualifying product has been launched at least once to enable this feature." What am I doing wrong?

You simply have a version conflict since your PS can only handle its own, older version of ACR. Nothing you can do about short of upgrading both programs to CS6 or something lioek that...
Mylenium

Change Adobe Camera Raw background color

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