Change NIC speeds/Duplex of all machines by script or other ? Is it possible

Hi, we need to change the duplex settings ona all our desktops. Anyone know if this can be done via script or any other way please ?

Hello joebhoy,
These steps may vary a little but should provide some guidance for you.
Click here
Instead of choosing auto-negotiate, select desired link speed.
Best regards,
Bgriffin2
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Change speed, duplex, auto negotioation of NIC using Powershell or command line

Hi
I created Hyper-V cluster using nodes with Microsoft Hyper-V server 2012R2. So these nodes don't have GUI. How to change for example NIC speed? I have 1GB NIC but in system autonegotiation use 100MBps? How to force 1gps speed.
This is one of example. Using Power Shell Get/Set-NedAdater commands don't have power to do it.
Thank you for help!
Kind Regards Tomasz

Is this the nic on a VM or on a VM Host?
A physical NIC can usually only be changed by the vendors utilities. A VM can change NICs in the config file.
This might be helpfulk in deciding:
https://social.technet.microsoft.com/Forums/windowsserver/en-US/8746cfc4-df49-4b12-9e66-81d80605e717/configure-hyperv-vm-nic-speed?forum=winserverhyperv
¯\_(ツ)_/¯

How to change clip speed w/o moving all the other clips in a sequence?

when I have many clips in a sequence and try to change the speed of a clip (which changes the length) FCE automatically shifts all the following clips. is there a way to turn this feature off?

Not in FCE. FCP 7 has that feature.
Think about it; when you speed up a clip, the duration is shorter, therefore the clip is shorter. When you slow down a clip, the duration lengthens, therefore the clip is longer. How would FCE know that you don't want the clip to remain the same duration?
You'll need to trim the clip accordingly based on the amount of speed adjustment you want.
-DH

I am running my first time machine backup onto a Western Digital MyBook Live. It is taking forever. Is there antivirus software running in the background or any other settings I need to change to speed it up? Also I am on a wireless network.

I am running my first time machine backup onto a Western Digital MyBook Live. It is taking forever. Is there antivirus software running in the background or any other settings I need to change to speed it up? Also I am on a wireless network.

The initial Time Machine backup can certainly take a long time over wireless. Days, possibly. It's impossible for anyone here to be able to predict how long it will take, and wireless environmental conditions can change at any time.
Is there antivirus software running in the background
Only you can determine that. If you're using third party AV software, anything is possible.
NAS devices may not be compatible with Time Machine, regardless of what their manufacturers may claim. Even after the Time Machine backup completes, your backup may be unreliable. You may not discover that until you need to rely upon the backup for some reason, and corruption can occur months or years from now.
Time Machine supports the following backup configurations:
A locally mounted volume
Time Capsule
A volume resident on a USB hard disk connected directly to a Time Capsule or current production AirPort Extreme Base Station.
That's it. Any configuration other than the above list places you in an experimental category. If your backup fails, you're on your own.

Changing the speed and duplex setting on the WRT54GS

Can I manually change the speed and duplex setting on the internet port to 10Mb full on a Linksys WRT54GS router?

You can change the speed on the computer connected to the router's ethernet port...not on the router.

I was listening to Audio Books on my iPod Touch in the car when the speed changed to fast forward on all the audio books. How do I correct this?

I was listening to Audio Books on my iPod Touch while on a motor trip when the speed of the playback suddenly changed to fast forward for all the stored audio books. How can I correct this?

Actually found this answer in the archives: When the audio book is playing, hold finger on middle of screen until the speed selection message appears and change from 2x to 1x. Thanks for your response though!

IPS Speed & Duplex settings

I have a 4240 inline between an ASA and a Switch, and am experiencing errors on the switch indicating receive discards.
The devices are directly connected like this, ASA --- IPS --- SWITCH. The ASA and Switch have the speed/duplex fixed to 100/Full, but the IPS is auto negotiate. Both ports have negotiated to 100/Half, which I believe is causing the issue (open to alternative suggestions) however if I change to fixed parameters I loose connectivity. How should these connections be configured to remove the errors?

Network Interfaces do not support fixed configuration of speed and duplex on one device and auto negotiate on the other device.
The device set to auto negotiate will send out negotiation queries to the other device, but because the other device is fixed it will not respond to the queries. The devices with the fixed speed and duplex does Not respond with the fixed speed and duplex, and instead just simply does not respond at all to the auto negotiation queries.
So the device with auto negotiation is not able to determine the settings for the other device, and will set it's own speed and duplex to the default settings for that NIC. On most 10/100 and 10/100/1000 copper interfaces the default will be 100 Half Duplex.
So for auto negotiation to work properly you Must set Both devices to auto negotions.
If you will fix speed and duplex on one device, then you must also fix speed and duplex on the other device.
The other thing to keep in mind is the type of cable connecting the 2 devices.
For 10/100 interfaces you have to be very carefull of the type of cable being used. When connecting the sensor to a switch it must be a standard cable. BUT when connecting the sensor to a Firewall, Router, or PC, then it likely needs to be a CrossOver cable. (The switch has built in the equivalent of crossover directly within its ports, but firewalls, routers, etc... generally do not)
If you are using 10/100/1000 interfaces on both devices, and have both devices set to auto negotiate; then in most cases the type of cable will not matter. When auto negotiate begins they will determine the cable type and one of the 2 will automatically do a sort of internal crossover if needed, and will then auto negotiate to 1000 Full.
HOWEVER, if you fix the speed and duplex then just like with 10/100 interfaces you have to be very carefull that you are using the right type of cable. There will not be any negotiation and so your cable choice must be very specific. In most instances you will need to use a crossover cable when connecting the sensor to a Firewall or Router, but use a standard cable when connecting to a switch.
So be sure to set speed and duplex the same on both devices. Either both devices with fixed speed and duplex, or both devices with auto negotiated speed and duplex.
And be sure you are suing the right type of cable for your particular connections.

Help: Clips rendered in AE turn blue when changing clip speed and exporting in Premiere Pro

Hi
I've been having this problem in Premiere Pro CS5 (I'm just not sure with CS4 & ealier versions).. ok the problem is that in Premiere Pro CS5 when I change the speed of a clip that is rendered in After Effects and export it either in AVI or in MOV, it produces some blue flicker on that clip or sometimes the entire clip turns blue..This only happens when I am using Quicktime Animation codec in AE..I can't find any forum that discusses this problem..And I don't know if others are also experiencing this (except for my friend who is also experiencing this in MacOSX)..by the way my version of Premiere Pro is 5.0.3 and my After Effects is 10.0.2.4 (Windows 7 x64)..I don't know know if this is a bug in PrPro or AE, or if Adobe is aware of this problem..
Here's a video of what I am consulting to you guys for you to better understand what I'm saying.. (sorry, no audio)
P.S. CS5.5 users please tell me if you also experience this..
Thanks in advance!

This only happens when I am using Quicktime Animation codec in AE
So don't do that. It's probably not the best choice for video, anyway. I mean it says right in the name - "animation". There's a reason for that.
On a Windows machine, Lagarith and UT are two free lossless codecs that play well within the Adobe suite. Give them a try.
Or better yet, don't render out of AE at all. Use Dynamic Linking instead.

What would be a sensible way to setup my Gigabit network? Will using both NICs improve performance at all?

Hi everyone,
I work in a small digital agency, we do some post production, animation and some web dev.
I'm looking to improve slightly our networking setup as it is a little disorganised and not always as fast as it should be. In the long term we're looking at spending sensible money on faster centralised storage, fibre etc, but for another year or so I need to do something more affordable based around what we already have.
In brief, we have currently one Mac Pro Da Vinci grading workstation with attached highspeed storage RAID, and four Mac Pro edit machines for Premiere/After Effects. There are also various other machines and NAS devices, printers etc.
Currently everything is on one unmanaged Gigabit switch. Each edit machine has a 4 disk RAID set of SATA disks, two of which are in what used to be the SuperDrive bays before we took them out. There is an SSD for the boot drive, and then one empty slot for transfering data in and out on other disks etc. When a project is ready to grade it's moved over to the storage attached to the grading machine over the network. That all works fairly well for us at the moment.
However, with increasing frequency we're now working on projects with a few animators and editors at once, working over the network on the same files rendering them to one or other Mac Pro machine. I was wondering whether there is any way to improve our network architecture to make this a little faster (I know that ultimately we need a more expensive multi user centralised storage system of some sort, but in the short term..).
I was considering a couple of options-
1. Create a content only network on one NIC of each Mac Pro, into a dedicated switch, with jumbo frames turned on identically configured across all machines. Then on the second NIC join them into the 'everything else' network so they can access printers, the Internet, the slower NAS admin shares etc.
or
2. Configure a virtual ethernet device on each Mac aggregating the two NICs together (is that LACP?), taking both ethernet lines into the switch, and also using that switch for every other device (but connected in the normal manner).
Is either of those a sensible way to go? I understand that there isn't any speed increase over link aggregated NICs when only doing one transfer, but is there any performance benefit at all if the machine is getting different files from different machines simultaneously, or if two machines are rendering over the network to one?
I currently have one unmanaged Netgear JGS516 switch and one TP Link SG1024DE half-smart switch (has some useful functions but not what you'd expect from a more expensive model). Happy to buy a different switch is there's more management to be done, though don't want to spend a huge amount at this moment.
Any advice whatsoever gratefully received, I could be way off here
Thanks all.

Thanks Grant,
My knowledge of Jumbo Frames is limited.
A lot of what I know comes from here- http://www.smallnetbuilder.com/lanwan/lanwan-features/30201-need-to-know-jumbo-f rames-in-small-networks?start=3
One suggestion in there is to separate Jumbo and non-Jumbo supporting devices so that there is no impact on speed.
I don't know anything about store-and-forward, I'll have to read up.
I'm the same about Full Duplex

Patch compliance report for all machines in collection

Good day to all,
We are trying to create a report in SCCM 2012 that will show us all missing updates on all computers in collection. But we would like to display in this report only patches which are really targeted to the machines in collection. Let me explain.
We have multiple deployment groups for patching (OSD, Servers, Client, Test waves...) and current issue we have with all build in reports is that you have to either select one of these deployments and then select a collections - but this will give you only
status for current group of patches, for another one you have to select different one. And if there is a report where you have to select only collection the it will show all updates which are in deployment (this is not nice as for OSD we are putting some extra
patches to the image and then these patches are shown as missing on all machines - but they will stay that way as we are not deploying them...yet). The ideal report for us will be to select the collection and then show all missing patches that are targeted
to that collection. This was accomplished by this query:
SELECT
vRS.NetBios_Name0 AS 'Hostname',
Count(DISTINCT vUI.ArticleID) AS 'Missing Patches'
FROM v_UpdateComplianceStatus vUCS
INNER JOIN v_CIRelation vCIR ON vUCS.CI_ID = vCIR.ToCIID
LEFT JOIN v_AuthListInfo vALI ON vALI.CI_ID = vCIR.FromCIID
INNER JOIN v_UpdateInfo vUI ON vUCS.CI_ID = vUI.CI_ID
LEFT JOIN v_R_System vRS ON vUCS.ResourceID = vRS.ResourceID
WHERE vUCS.ResourceID IN (SELECT vFCM.ResourceID FROM v_FullCollectionMembership vFCM WHERE vFCM.CollectionID = 'CAS00296')
AND vUCS.Status = '2'
AND vALI.Title LIKE 'SWU Workstations ENG%'
GROUP BY vRS.NetBios_Name0
ORDER BY 2
However, if we would like to add more columns, like Reboot Pending, Failed, Installed, Not Needed... then the report will start to show incorrect data, e.g. for machine which is fully patched and according to "Programs and Features - Show installed
updates" have 235 patches installed it will show only 198 patches installed and 10 missing.
It have something to do with JOINs between tables but we are at the end of ideas how to proceed further (we already checked the official documentation for SQL tables in new SCCM).
Have any of you created a report like this? I tried to Bing/Google for hours but most of the reports are for SCCM 2007 and showing incorrect data.

Almost all SU reports created for CM07, still apply to CM12.
http://www.enhansoft.com/

How do I change the speed of a video clip after making it a Smart Object?

In order to apply the same Camera Raw filter to every segment of a clip I was going to split multiple times, I converted the whole clip to a Smart Object, applied my Camera Raw filter settings, and then split the clip and deleted some portions. Now I want to make certain portions of those clips slow-motion, but even if I right-click on the right side of the layer and select "Clear Smart Filters", all I see when I right-click on the clip in the timeline are the motion options; I can no longer change the speed or the audio. Is there a way to do this without having to make all the cuts in the beginning, changing the speed and the audio, and then having to go back and convert each individual segment into a smart object and then apply the same ACR filter to each one?

Brett,
Thanks for addressing this question. I tried it and see that the embedded file is the entire clip that I started with, not the trimmed version that I turned into a SO, but at least I could go back and make a change that way in a pinch.
If you wouldn't mind looking at this video between :50 and 1:40, and tell me if you think that AE or PP would give me significantly better results in the jumping segments where I slowed it down to 25%: 2014-06-26 And the last thing I expected to see jump out of the box was Albert Einstein! on Vimeo. I am trying to keep my expenses down by only using PS CC for video editing, and love the Camera Raw filter capabilities. By using PS CC it also lets me lay down my audio and edit to the audio w/o, as Mylenium suggested, outputting my file from PS CC into either AE or PP to do the slow-mo part.
Thanks again for your help!
Tara

How do I change the speed of the Final Cut Pro X "Ticker" Title option?

I am moving from iMovie to Final Cut Pro X. I used to use the "ticker" title option all the time in iMovie, but when I utilize it in Final Cut Pro X, it scrawls really slow and only shows the first line of text before the video ends. How do I adjust the speed of this option?

This Motion template effect isn't very useful at the moment.
Sadly, the only way of changing the speed is to modify the effect in Motion.
The speed is designed to get the word 'Information' at the default size and default typeface across the screen over the duration of the clip. If you add more text, or change its size, the text will not move off the edge of the screen by the end of the duration of the generator.
Alex4D

How do you change the speed of a detached audio clip?

I have a piece of detached audio. Video Frame rate is 23.98. The piece of Video above it is Video Frame Rate 24.
How do I change the speed of this detached audio clip?

Nope, the Automatic Speed did not work. I exported the XML, and then ran it through X2Pro to try and get my AAF, and it still spits out conform warnings/errors on those same spots. Automatic Speed apparently did nothing helpful to my situation. (Can Anyone explain Automatic Speed?)
Will have to try going through Cinema Tools per the similar issues noted in this conversation: http://forums.creativecow.net/thread/344/28007
Curious to see what FCPX would do with this media, importing the 24p file to a 25 Project cause a noticeable shift in both time and pitch.
I imported the time coded audio separately, and played it against the obviously speed and pitched changed video with embedded audio. The files did not sync.
The audio remained in time and pitch, while the video didn't. So the audio tc doesn't seem to effect playback in FCPX, but video definitely does, and it seems rather buggy.
So, if your video is 24.0 and your audio is 23.98 and you are in a 23.98 timeline, FCPX might be changing the speed of the video without really reporting it. Resetting speed doesn't do anything, hitting "automatic speed" screws it up a bit more (it goes the wrong way). Changing the speed to something like 96% (FCPX reports 96% but I know it's really ((24000/1001)/25) which is just short of 96%. Turning off the "preserve pitch" checkbox actually pitched the audio back to normal.
I didn't create the 24.0 vs 23.9 media that you have, but perhaps you are having similar issues, or a different combination/permutation therein.
But to answer your question, the time coded audio was not changed, only embedded audio.
and
But here some notes which makes things hopefully clearer.
Resampling and changing playback speed are two totally different things.
Samplerate for audio is the same as fps for video (not dpi for video) so let's call it sps.
You can record audio at any sampling rate. But let's take 48 kHz and 32 kHz here.
Record 60 seconds. Once recorded both files as stand alone files will play 60 seconds.
But forced to play back in a NLE timeline with a fixed sps of 48 the first file will playback correctly. The second one will play at 2/3 of the time (32/48). The other way round the 48 sps file will play longer in a 32 sps timeline.
Now for those poor guys who have to work with NTSC:
A real world second is not a second in NTSC video world. Its 1001/1000 seconds.
So selecting a 48k sps audio preset in a timeline preset means that a real world audio of 60 seconds is only 1000/1001x60. That means that those 60 seconds are only 59.94 seconds long. Its too short.
One way - if you stay strictly in NTSC - is to record audio with 48048 Hz. This way a real world 1 second audio will match a 1 second NTSC video.
Next option with BWAVE files is to change the playback settings in the BEXT header of the file. This won't resample the file!!!
Now about the TC. BWAVE doesn't have a TC in a way you're used when handling video. It has a timestamp in the header. This timestamp contains the Samples after Midnight. Based on that the NLE will convert this to TC which can be displayed. So in NTSC world this might give a wrong interpretation.
For example if you have a "Start TC" of 00:10:00:00 (thats what you see on your audio recorder) it means that using 48kHz the timestamp is at 600x48,000 = 28,800,000 samples. Since the real sampling rate in the timeline though is 48048 Hz you have to divide the source stamp by this number. This results in 9.99000999000999 minutes. So for a 23.976 fps project this is a TC of 00:09:59:10.
So setting the Bext header and/or iXML chunk to the correct playback speed will keep everything intact. Again this is without resampling!
Using an AIFF there aren't these options.
So you can edit all the stuff without resampling when using BWAVE. But resampling will happen when you export a final movie.

How to change the speed of a slideshow

How to change the speed of a slideshow

In my test, all I need do was right click the clip and make sure Frame Blend was not checked.

Changing Audio "Speed"

I have a 35 minute video segment in Quicktime DV format. When I play the clip in quicktime, everything aligns flawlessly. However, once I import the clip into the FCP timeline sequence, the audio runs about 2 seconds behind the video by the end of the segment. FIRST, can anyone shed some light on what might be misaligning the audio and video? and SECONDLY, I have separated the audio from the video and am trying to figure out a way to change the rate or speed of the audio playback to sync it at the beginning and end to see if I can manually realign the audio and video.
Any suggestions?
Thanks!
Chris
intel iMac 20"; 1.67 GHz PB G4; Dual 2.3 GHz PowerPC G5 Mac OS X (10.4.5)

What happens when you convert the file to DV-NTSC? The audio should be 48khz/16bit.
DV stream is not a native FCP editing format and is the source of all sorts of issues.
x

Change NIC speeds/Duplex of all machines by script or other ? Is it possible

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