Changing audio channels, can it be done?

Hi,
I've been supplied several video clips in DV/DVCPRO - NTSC, 720 x 480 with two audio channels - 16-bit Integer (Little Endian), Mono, 48.000 kHz
Both channels are set to 1 with the assignment set to Mono.
If I play the clip in QuickTime Player then I can hear a mix of the two channels, if I try importing it into Final Cut then I only get one channel.
I'm guessing that its the channel id that is causing the issue as they are both set to channel 1, does anyone know of a way to change one of these to channel 2?
Thanks, Alan.

Open the .dv file with QuickTime and then open the Movie Properties window.
Highlight the audio track and click the Audio Settings button. You'll see the track assignments in the lower right.
Use Save As if you edit any setting.

Similar Messages

  • I have just created my first form and saved it as a PDF. The editable boxes have a background colour of Blue and I would like to change this. Can it be done?

    Hi guys i have just created my new form and it was very easy. however once i convert it to a PDF the editable boxes in the form are blue and i would like to change the colour. does any know if this can be done?

    The blue background is the field highlighting that you have the option of turning off. If you don't see the purple bar on top with Highlight Fields toggle button, it should displayed by clicking the top icon (purplish) in the navigation pane on the left

  • Changing audio channels

    Hi there...
    Someone edited a sequence for me in Premiere.  The audio was recorded 4 channel on a external recorder (four mics were used).
    At times, he used the wrong channel in the timeline. I believe what he did was take all the channel one audio and put it on the timeline and deleted the other 3 channels. Hence In many cases, using the wrong mic.
    IS there a way to swap channels in the timeline?
    I would almost need to do a reconnect, but swap channels at the same time.
    I'm posing here because I use FCP and will convert this to a FCP sequence using 7toX.
    Steve

    Update...
    I now moved the project to FCP X.
    Obviously, I still have the same issue

  • Missing one audio channel from MXF video

    Greetings,
    I have a bunch of footage shot with a Canon XF300 camera. Two wireless lav mics were feeding into the camera. On the day, I was monitoring audio and am 100% certain that it was recorded correctly. I found a couple of unerased CF cards from the shoot and was able to verify that the audio is good when I pop the CF card into the camera.
    However, when I transfer the footage to hard disk and attempt to play it out using either Premier Pro CS5, or VLC, I'm losing channel one of the audio. I've been attempting to troubleshoot, and have found a couple of references on the Web regarding missing audio channel 1 from MXF video files -- but nothing that is relevant to this situation.
    I'm on Mac OS X 10.6.6 and am running Premiere Pro CS5 5.0.3. No video cards.
    I've tried bringing the files in using: Finder, XF Utility and ShotPutPro. I'm copying the complete directory structure in all cases.
    Has anyone seen this problem before? Any troubleshooting thoughts?
    Thanks,
    Cameron

    It turns out that the MXF files are coming in with 2 mono audio tracks, and for some reason, in the clip viewer, one of the audio tracks doesn't play, but if you move the clip to the timeline, both audio channels can be heard. Ran into the same issue with Cineform encoded material coming in with two mono audio tracks. So I'm going to file a bug report.
    Ah, OK... now I understand. No need to file a bug report; maybe a feature request, but a bug report isn't necessary. Here's why:
    When you bring in clips with mono channels, by default, you only hear the first mono channel when playing back in the Source Monitor. If you toggle over to Audio Waveform view (click the Output button), you can select which of the channels (called "Tracks" which is a little silly, frankly) you want to monitor. Here's what this looks like:
    This applies to any format that has mono channels. If you interpret the footage to stereo (you must do this before you use it in a sequence), you can listen to both channels at once. Of course, then you have to deal with the audio as stereo, which is not always what you want. That's why I do a lot of my editing with MXF material (primarily P2) that has multiple mic sources in a sequence, where I can monitor more than one source channel.
    In any event, that's why this isn't really a bug; it might be a poor design decision, but it's otherwise working correctly. I'd definitely suggest making a feature request for a "Mixed" or "Plus" audio source option in the Source Monitor. I'm going to do the same.
    Anyway, I hope that helps explain the issue. Good luck!

  • HT5958 Audio prevents relinking to original media -- can I manually change the number of audio channels for a video clip?

    I recently updated to Final Cut X 10.1. I had a project for which I was heavily editing the audio, so I was using the "detach audio" feature and in some cases deleting the audio track. Now, when I try to go into the timeline and relink the movie files (which weren't linked automatically after update), the original media won't relink because "the original file didn't have audio, but the new file does."
    Is there anyway to edit the misreferenced file so it beleives it has an audio track?
    Thank you for any and all suggestions. I really don't want to start this edit over from scratch.
    Ben

    Thanks for the responses, guys. I guess I wasn't really all that clear. Something to do with FCP 6 and the Kona III card is telling FCP to set up each project with 16 channels of audio - and ONLY 16 channels of audio. Anywhere that there is a drop-down or check box, the drop-down or check box is either grayed out or only provides choices centered around 16 channels of audio. So, for example, let's say I go to the "Capture Presets" tab under "Audio/Video Settings" and click on "Edit" to modify the current preset. Under "QuickTime Audio Settings," I select "AJA Kona" as my device. Then, under the "Format" drop-down, I have four possible audio formats to choose from - ALL of them showing 16 channels (e.g. - "48.000 khz 24-bit 16-channel"). Nowhere is there an option of selecting, say "48.000 khz 24-bit 2-channel." Everything under every tab specifies 16-channel. So, as a result, I can't tell it to disable the fourteen tracks that I'll NEVER use. I even tried starting with the "Generic" settings tab, used to create your own presets, and even that would ONLY allow me 16-channels - and I couldn't over-ride it!
    So far, the only way I've found to work around this is to manually go in and turn off the little green nodes indicating which audio track(s) you don't want to capture. The problem is, every time I have to do this, I'm manually turning of FOURTEEN audio channels.
    Hope this helps clarify...
    Tim Walton
    KVIE Public Television

  • How Do I Change The Number Of Default Audio Channels for Log & Capture

    We just upgraded from FCS 1 to FCS 2. And, at the same time we upgraded from Kona II le cards to Kona IIIs. Here's the problem: we work almost exclusively with digital-based video formats where the audio is encoded into the video signal. Something with this new set-up appears to be causing FCP to "assume" that there are 16 audio channels coming into the project (I'm guessing because the Kona set-up offers "16 channel embedded audio" as the only embedded format). Worse, there doesn't appear to be any way to tell FCP to change the default. In fact, the only apparent way to change the number of tracks being ingested is to go in and manually turn off all 14 of the unwanted audio tracks. It gets to be VERY time consuming. There's got to be an easier way of resetting the default tracks.
    Anybody have any ideas?
    Tim Walton
    KVIE Public Television

    Thanks for the responses, guys. I guess I wasn't really all that clear. Something to do with FCP 6 and the Kona III card is telling FCP to set up each project with 16 channels of audio - and ONLY 16 channels of audio. Anywhere that there is a drop-down or check box, the drop-down or check box is either grayed out or only provides choices centered around 16 channels of audio. So, for example, let's say I go to the "Capture Presets" tab under "Audio/Video Settings" and click on "Edit" to modify the current preset. Under "QuickTime Audio Settings," I select "AJA Kona" as my device. Then, under the "Format" drop-down, I have four possible audio formats to choose from - ALL of them showing 16 channels (e.g. - "48.000 khz 24-bit 16-channel"). Nowhere is there an option of selecting, say "48.000 khz 24-bit 2-channel." Everything under every tab specifies 16-channel. So, as a result, I can't tell it to disable the fourteen tracks that I'll NEVER use. I even tried starting with the "Generic" settings tab, used to create your own presets, and even that would ONLY allow me 16-channels - and I couldn't over-ride it!
    So far, the only way I've found to work around this is to manually go in and turn off the little green nodes indicating which audio track(s) you don't want to capture. The problem is, every time I have to do this, I'm manually turning of FOURTEEN audio channels.
    Hope this helps clarify...
    Tim Walton
    KVIE Public Television

  • Can i select displays mirror and change audio output with applescript

    Hi
    I am trying to write an Applescript the will gather and mirror displays and change the audio out setings. Can this be done?

    Hi Keith,
    you can handle the channels like "normal" strings. See the attached picture.
    Hope it helps.
    Mike
    Message Edited by MikeS81 on 07-25-2008 06:46 AM
    Attachments:
    Unbenannt1.PNG ‏6 KB

  • Which verison of FMLE can support 5.1 or 7.1 audio channel

    Hi all,
    Did anyone know which version of FMLE can encode the multi audio channel file for streamming? Or anyone knows how to do it using adobe products? thanks
    Estray

    It is some problems related to the using sound cards. Most of them are related to the fact that NI has done a VERY poor job with the sound interface. The sound system is full of bugs. And NI do care to do anything with that fact at all. I am also somewhat uncertain on how many channels the NI sound system support. I Think it is four but it could also be six.
    Another fact is that neither Labview or Windows is a real-time system. So you have to write data in chunks to the sound card. The NI labview sound system will fail more or less if you update more than about 10 times pr second. But within this limitations something may certainly be done.
    You can also use this sound system. http://www.zeitnitz.de/Christian/waveio The difference is that this sound system interface. Is all that the Labview soundsystem is not. It supports up to six channels I think. And it works. The NI sound system do not. But with this system you also have to forget all about so called realtime performance
    Besides which, my opinion is that Express VIs Carthage must be destroyed deleted
    (Sorry no Labview "brag list" so far)

  • How can I separate Left and right audio channels in labview 8.5 tia sal22

    How can I separate Left and right audio channels in labview
    8.5 tia sal22
    Greetings All
    I have a working Labview vi that converts a math formula to an
    audio signal.  I would like to have the
    right and left audio channels playing different math audio signals is this
    possible?
    Example
    Right channel -> plays the audio signal created by a math
    formula
    Left channel -> plays the audio signal created by another
    math formula with adjustable phase control
    I’ve included a VI with a working audio and math formula but
    I’m not sure how to separate the left and right channels.
    I’m using labview 8.5
    I looked up a similar question on the
    support board and it said” use an instance of the the Sound Output Write that
    has a 1D waveform data type input (i.e.  Sound Output Write (DBL)). Each
    element in the array would correspond to a channel.”
    But I’m not exactly sure what he meant.  I’m using a formula to generate the wave file
    Tia sal22
    Attachments:
    fixed mathscript formula to sound test.vi ‏680 KB

    Sorry it took so long to get back.  Here's the new VI with it splitting out the left and right channels. 
    I'm using a Gigaport HD 8 output usb audio device but I'm experience clicks and pops.  I increase the buffers
    but I still get the clicks and pops.  I know gigaport HD can use ASIO drivers which most likely would solve the problem but one needs to code in C for this which I'm not proficient in.  Can someone recommend a work around to prevent this clicks and pops, can I somehow change my VI to fix this? Does anyone have a VI that will allow access to the ASIO latency properties?
    I'm using labview 8.5
    And a gigaport HD which is a USB audio device which outputs 8 analog signals (it is ASIO compatible)
    tia sal22
    Attachments:
    lvt_audio_realtime-out left right device ID test.vi ‏68 KB

  • Need help with my TOP Box--can't change the channels

    I can't change the channels, go to Guide or Menu by using the Remote Control. (it's not the remote control because i use this remote for my other topbox and it works fine)
    This happened a few hours after i had my Fios installed. (at first, it let me change the channels, then 5 times,2 and now i cant)
    Does any one have the same problem and have a solution for this?
    Thank you very much.

    do the front display buttons work?   and how close is it to the tv,  some tv's create IR interference, and if the set top is too close then it acts how you are describing. 
    three solutions if that is the case.
    move the set top box further away
    change the TV brightness and color settings from the "vibrant" setting or whatever brightest they have and then try again
    Get an IR Extender so that you can move the IR 'eye' - verizon can send you one, they have them on their site or you can buy one at radioshack. 
    try moving it further away for a test only,  or try to get like a piece of cardboard and shield the eye from the TV.  So if the TV is on top put that piece of cardboard inbetween the two, if they are sitting side by side, then put it inbetween the tv so it shields from one another and try it again.  
    Might not be your problem, but we have seen it before. 
    Also don't forget to do old faithful,  unplugging the power for the set top box, wait 30 seconds plug it back in resolves a lot of minor hiccups. 

  • Does FCP 4.5 have audio channel bug, and can only do 2 audio channels?

    I transferred my digibeta project with 4 audio channels (2 are Music & Effects) to an uncompressed QT at a dubbing facility. I can play the QT with all 4 channels heard on my G-5 Powermac, but when I import the QT file into FCP 4.5 (to do some re-cutting), it will only import two audio channels (the Music & Effects) and not my other two stereo tracks with dialogue. and it's not the timeline because I have four channels available -- it's the actual imported file losses two of the audio channels on import into FCP. I tried importing the same file into iMovie and it plays all four channels,unlike FCP. I have three computers with 4.5, and each of them have the same problem. Is there a setting that will change this, or should I just throw FCP 4.5 away. Will I have the same problem with 6.0?
    Bryan

    If you want to work with 4 Channels, throw out version 4.5 and get 6. Version 4.5 could only work with 2 channels. This changed with the 5.0 version. It's not really so much of a bug with 4.5 as just not being implemented in that version.

  • Premiere Pro Timeline with 3 video channels and 4 audio channels, audio channels change to 8 channels when clip dragged onto timeline.

    Premiere Pro Timeline with 3 video channels and 4 audio channels, when clip dragged onto timeline audio channels change to 8 channels. Audio track mixer changes too. I edit undo to remove dragged clip and it reverts back to 4 channels of audio on timeline as does the audio mixer?  Any ideas as to why the audio channels and mixer changes?

    you can check the clip you are dragging to the timeline, if it has 8 tracks... can check by right clicking it in the project bin, choose modify, audio channels.
    The Video Road – Multichannel Audio in Premiere Pro

  • How can I separate voice from game sounds in a audio channel?

    Hello, I have Adobe Premiere Pro CS6 and I want to know how can I separate my voice from the game audio from a video gameplay who are in the same audio channel.

    As far as I know this cannot be done. Unless you do some really, REALLY intense editing in Adobe Audition.
    I am a fellow lets-player and what I do is record my microphone input with a free-ware program called Audacity and record the game sounds with Mirillis Action! (or FRAPS, whatever you use). This way my voice and the game sounds are seperate.

  • Can't separate audio channels into tracks

    I have four channel audio that was recorded for a short film - a wireless lav for each of the two actors, a boom, and an empty channel. I have it setup as four mono and can tick the box that turns a channel on or off but I am unable to separate this into individual tracks in order to edit their levels individually or export for my sound editor.
    The sound was synced in FCP X to the video for each clip, so what I have tried is selecting "break apart clip items" for a clip, which breaks the four channel audio out into one dual stereo track. Whether I change this to four mono again or not the end result is the same - I select it and choose "break apart clip items" again, at which point then I get this:
    Every time. Three tracks, one of which is positioned ahead of the other two and goes on for what would be the total duration of the take. If you click any of these tracks the Channel Configuration is grey and says "Audio Channel Configuration is unavailable for the selected clips". If you solo any of the clips it sounds like it's just a mixed version of the four original channels.
    I've tried going into the timeline of a synced clip and breaking apart in there but I get the same result as above.
    I need to be able to access, edit, and export these channels as individual tracks. If all I can get is a premixed version of the four tracks then how am I supposed to do a sound edit and mix?
    Any advice would be greatly appreciated. Thank you.

    I have tried both copying the tracks to a new sequence and also tried the Preferences Managers tool (thanks for that - great tool!). Still no luck. Any other suggestions?
    I've attached a screenshot in case there is something obvious that I'm missing.

  • I would like to know it it's possible to change the scroll bar from the right part of the firefox browser, to the left part and, if it's possible, how can it be done. Thank you!

    The scroll bar (the one used to scroll up and down any kind of website), that is normally in the right part of the firefox browser, would be of much help to me if it could sometimes be moved to the left part of the browser. Is this possible? How can it be done? Can anybody tell me the exact steps to take in order to do this (if it is possible of course)? This would be helpfull to me, since I think that the firefox scroll bar is overlaping the scroll part of the facebook chat sidebar, since I just can see a few people on this facebook chat sidebar and I can´t scroll along it, as I could a while ago. So my guess is that the firefox scroll bar is covering the other. In order to solve it in a simpler way, I guessed that if the firefox scroll bar could be moved to the left side of the browser, this problem could be solved. So, can anybody help me?

    http://kb.mozillazine.org/layout.scrollbar.side
    Type '''about:config''' in Location (address) bar
    filter for '''layout.scrollbar.side'''
    Right-click the Preference and Modify it to '''3'''
    You may need to reload any pages open to have scrollbar move to left after Preference change.

Maybe you are looking for

  • How to use Acrobat 9 standard to create a PDF form that an Acrobat reader can save

    Hi, I'm evaluating Acrobat 9 standard edition. I want to create a PDF with a form that allow Acrobat Reader users to fill in the form and save to their local machine. I looked at "Can I save a filled out PDF form using the free Adobe Reader? " Howeve

  • Nano formatted on IMAC now needs to be XP compatible

    OK, I bought an iMAC last year & a Nano. Sold the iMac (my mistake)but in the mean time can I upload music to the Nano using my windows machine (XP) without re formatting & losing all I have? Looks like thats what its asking but I'm not sure. I will

  • Saving Recording

    Hi I know you can save recordings to a local PC, but I have two questions.  Is there a quick way to save the recordings to my PC for others to view rather than having to have the recording playing full screen in the back ground.  If I don't have it f

  • Open Directory LDAPv3 Password and Diradmin recovery

    Hi Everyone, I have just inherited a 10.4.x PPC G5 server from another department and unfortunately the previous sysadmin didn't write down the Open Directory Admin username and password. Is there a way I can recover the username and reset the passwo

  • Blu Ray cisc burning via new Easy Export in FCP 7

    Would love to hear from anyone who has tried the new feature Easy Export in FCP 7 upgrade for Intel Macs, particularly the Blu Ray burning export from within FCP 7 to Blu Ray Disc. What is the quality (limits), H.264? and do we finally have actual Ch