Changing colour hue on camera - faces look reddish

is it possible to change the colour hue on the front camera as faces (its sole use) come across as reddish in hue.

I appreciate the answer, but I'm not sure to be honest.
My family always tells me my pictures look lifeless and dull compared to other people's pictures. It's really easy to tell my colours are screwed up when I save an image to my desktop and open it in Windows. Looks really different from what I see in Photoshop (using the exact same picture as an example of course).
edit: Am I not supposed to see change when I'm selecting another color profile in Photoshop when I'm editing a picture at the same time? I can see both the picture and the color profile screen at the same time. Yet, when I change the settings, nothing changes in my picture.

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Mike

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ssprengel wrote:
My camera is set to shoot sRGB JPGs and is set to all zeros for the brightness/contrast/saturation parameters.
What is your camera set to as far as these basic toning settings, as well as any automatic things like DLighting or highlight compression and perhaps any custom curves or whatever that is called for Nikons?
First paragraph - so is mine.
Second paragraph - all other settings are neutral/zeroed/turned off, as per my post to which you responded. That is, no additional tone curves - Active D-Lighting turned OFF (why anyone would let the camera decide what to do do with highlights and shadows is beyond my level of trust) , Jpg compression is Optimal (least possible) et cetera.
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I 've had the newest iPad for about one week. Just started using face time..why does face time camera take pixelated pictures? The iSight camera pictures look fine.

I 've had the newest iPad for about one week. Just started using face time..why does face time camera take pixelated pictures? The iSight camera pictures look fine.

Kathleenfromks wrote: ...why does face time camera take pixelated pictures? ...
Because something is wrong.
You will need to troubleshoot to find out what needs to be fixed.
One of these suggestions may resolve your trouble.
FaceTime (and other video) quality problems can be caused by problems at either end of the connection. Unless your video callers' FaceTime connections work properly with everyone else but you, both parities to the video call should consider these possibilities.
(1) Restart your iPad and test again. Sometimes a simple restart fixes things.
(2) Use a fast broadband internet connection for best possible FaceTime video.
Broadband speed matters at BOTH ends, so you use something like http://speedtest.net/ to test both ends of your video connections.
Speeds less than 300 Kbps (up and down) at both ends are unlikely to give best results.
(3) Try from a different wi-fi connection.
If the problem is ONLY at your current location, restarting your internet connection may help. Shut down your iPad or turn Airplane Mode "on". Then check your cable connections, restart your modem and wireless access point, reconnect iPad to the wi-fi, and test again.
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Message was edited by: EZ Jim
iPad2 iOS 5.1

CS3 and lightroom raw converters change colour of 5D files when importing.

The problem is that lightroom and CS3 systematically go through raw 5D..CR2 photos and change colours, even when set to "as shot". I think part of the problem is that i upped the saturation in camera, and the raw converters have been stripping this away to desaturate colours... but in doing this they have taken too much away and left photos very desaturated and looking nothing like colours that were actually there.
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Ali.
P.s. Using vista, but same on windows XP.

>I think part of the problem is that i upped the saturation in camera, and the raw converters have been stripping this away to desaturate colours
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Dear All! Lightroom changes colour in my RAW files captured with NIKON D300. Some of the images are completely ruined. I am sure Adobe must be aware of this problem. What could be done? Is there a solution? Many thanks for your help. Regards, Stanislav

You want "something different" but this "something different" is quite hard to define.
I want a result which reflects the result on the camera. Have the feeling the display
of the D800 is not the greatest, at least (not only the color issue which is often discussed)
but also the exposure. Often I think I would need to compensate it, but then afterwards
on the computer the non corrected version looks most of the time better.
I think its interesting to see how allergic people react when the word jpeg comes up.
This is also just a rendered result, just by the camera. There are many options in my cam.
I like the vivid setting with some modifications. And that gives me a result I like.
And if I like the result, why shall I spend way more time to replicate it?
I do not talk about that I would want the jpeg, I only say that what I get color wise out of the
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On Lightroom I did not manage to have a profile that looked as appealing to me.
It also consumes way more time in my workflow to fix all pictures manually and results might differ.
To work on an image you need a starting point, I do not say the jpeg look is always perfect and
what I want all the time, but most of the time it is.
You say yourself you use profiles. So why should there not be a profile which automatically adjusts to the camera settings.
Its so frustrating to see a look which you like (the preview image when the pic is first accessed) and
then Lightroom switches to its own rendering which is flat and which I do not like.
For me its clearly something Adobe and/or Nikon should fix, like the mentioned "auto correct to preview look",
Nikon profiles/settings/raw-details in Lightroom or for example a Nikon import module.

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Hi, Im new to Camera Raw. You can choose the colour space that your file will open up in photoshop as eg. adobergb or srgb. However when you select the colour space does it also ultimately affect what colours you are working with in camera raw? As you can make adjustments to the image like exposure but if it uses srgb that has fewer colours than adobe rgb then you wouldnt be able to see all the colours that your are affecting with the changes you make in Camera Raw. Any help is appreciated. thanks

Welcome to Color Management 101! Your are essentially correct, although the problem is deeper than you describe.
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There is a lot more to the subject, particularly when you factor in printing, since many printers will render colors outside of the display gamut, sometimes tough to visualize the final print from the display rendering. Many books exist on the subject, time to start Googling.
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Hi
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Please see the below pictures to see what I mean:
Correct colours:
Dropbox - Correct Colour.png
Incorrect colours:
Dropbox - Incorrect colour.png
PDF export settings:
Dropbox - PDF Settings.png
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Hi,
Adobe Pr Pro CS3 system
I am not at my machine so please forgive if I haven't got the exact terminology correct, but the essence of my query does not change.
I am doing some "lower thirds" (banners) in the titler for a DVD of a music concert. Basically I'm creating a rectanglar box filled with near-opacity black and adding text on top of this. The black rectanglar box has its left and right edges outside the screen area so are not relevant. However, I have added a coloured edge to the top of bottom of the "banner" (I think this is an outer stroke with size 3.0) The thing is, it looks fine on screen, but when the video is rendered, the lower edge of the box has changed colour. It was originally a yellow/gold (as the top still is) but the bottom is now a pinkier shade.
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The footage with lower third was rendered to a new AVI within Premiere and imported. The colour change then appears on whatever system is used to view it (even the new render on the timeline shows it), on screen, preview monitor, subsequent DVD burned from Encore, etc.
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I guess I can guess and grade and take a look at the later half of the clip, but is there a way around this?
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Look at the bottom right of the Image Window
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Temperature Display.vi ‏16 KB

Tabs are probably the weirdest choice here. Why not use e.g. a simple colorbox or button?
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I probably would use an array of clusters, each containing a colorbox and a numeric with transparent background. Modify as needed. (see attached in green box).
Of course you probably would want to make it a it prettier than my draft.
For a larger ramp, I would use a plain array of flat colorboxes. Now simply index into a color ramp to generate it according to your temperatures.
LabVIEW Champion . Do more with less code and in less time .
Attachments:
Temperature DisplayMOD.vi ‏18 KB

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Is there a way to format multiple images at once? Change colour mode or resolution?

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Changing colour hue on camera - faces look reddish

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