Checking movie file for NTSC or PAL

Hi,
Is there a way to check if a .mov file is NTSC or PAL? can anybody give me some directions on this topic? if there is sample codes for this, much better.
Thanks,

Christian
I knew about the 'all new projects' setting thanks - this is fine but awkward because you have to create a project before you can get to this setting and the project is a waste of time as it will be in the wrong setting (if you can follow that).
But I didn't know about the 'reset all warning dialogs' thing - and so I am really grateful to discover I can get my settings box back.
I just really appreciate how these forums help people out when they're starting out. Hopefully one day I'll know enough to be able to return the favour.
Mike

Similar Messages

Importing/converting DVD to .mov file for FCP

I had a friend give me a homemade DVD that I want to import/convert into a .mov file for editing in FCP. I've read the threads on MPEG Streamclip, but it asks to select the file(s) to import (vs one file). Not sure if I'm on the right track.
Here's what I see on the DVD:
http://i149.photobucket.com/albums/s63/jtnacc/ishot-4.jpg
Any help would be appreciated.
John

Hi Piero... Congrats man... your explanation is the best simple explanation of getting material off a DVD into a form where it can be editied in FCP.
Just to make it clear to anyone else...
1- go to http://www.squared5.com/ and download the FREE program MPEG STREAMCLIP.
Install it in your applications folder. Start Mpeg Streamclip, and insert the DVD into your drive.
2- Go to FILE > OPEN and use that to navigate to the DVD, look in the video_ts file and select the first .vob file of a series, e.g. VTS010.VOB; you'll be asked if you want to open all files of that stream, and you answer yes. You'd better also apply the command Edit/Remove Timecode Breaks before exporting.
This takes a minute or three depending on how much material ois on the DVD.
3 - Now go to the Mpeg Streamclip command line and select **Export to QuickTime** (NOT Export to DV)
Use these settings :
Compression: Apple DV-PAL (DV-PAL for UK/Europe, or Apple DV-DVCPRO/NTSC), Quality: 100%,
fps: 25 for PAL or 29,97 for NTSC,
Audio: uncompressed, Stereo, 48 KHz.
AND hit go !
Mpeg Streamclip will promt you to name the new file name and a location for saving.
This can take a minute for every minute of material.. so is a slow process.
I decided to use the "in" and "out" markers on Mpeg Streamclip to define smaller chunks of the DVD to convert at a time... rather than risk it running for 40 minutes and crashing (which it did first time). If you're ripping the DVD for editing purposes then this should not cause any problems.
Once it's finished, go to the save location, and you should see a Quicktime movie with the name you gave it.
You can now go into FCP and IMPORT this Qtime move and edit it.
MARVELOUS
Thanks again Piero - this has really helped me
P

I recently purchased QuickTime 7 Pro to convert avi files to mov files for editing on Imovie. However, QuickTime won't play the files. How can I get them to play and how can I convert them to mov files?

I recently purchased QuickTime 7 Pro to convert avi files to mov files for editing on Imovie. However, QuickTime won't play the files. How can I get them to play and how can I convert them to mov files?

I recently purchased QuickTime 7 Pro to convert avi files to mov files for editing on Imovie. However, QuickTime won't play the files. How can I get them to play and how can I convert them to mov files?
Both the AVI and the MOV file extensions refer to the file container and not the compressed data the file contains. Both are generic file containers in that each may contain any valid combination of audio and/or video data that is compatible with the codec component configuration of the system on which the file was created. On the other hand, whether a file is playback compatible, conversion compatible, and/or edit compatible depends on the data actually contained in the file container. So, you are basically dealing with two separate issues here—the container and what is inside it.
Basically, if you want to make your files ediit compatible with iMovie, you must change your file container to one that is acceptable to iMovie and convert the data to edit compatible audio and/or video compression formats as may be necessary. The best approach is to determine what codecs were actually used to create the original AVI files and add them to your system if possible. In most cases a codec package like Perian can be added to your system's codec component configuration to may the AVI file playable. Once they are playable, in the QT 7 app then they can be chnged or converted to file types and compression formats that can be edited in iMovie. (While Perian handles most codecs commonly used to create AVI files, it does not handle all possibilities and, while the Perian codec package still works under cureent Mac OS versions, its development group has decided to drop further development/support of the package.)
Background: AVI is a file container originally developed by Microsoft back in 1992 but for which official support was discontinued about 11 years. Despite its limitations, Windows users still tend to use this file based on its open source ease of use and generic nature, thus, making its use so popular that most users are unwilling to switch to more modern but less generic file types. Since some AVI legacy compression formats have never been transcoded for the Mac or use beyond OS 9 or OS X PPC platforms, it is often important to know what specific compression formats are contained in the AVI file to know which codecs to add to your system and which not to add in order to avoid possible codec conflicts.
You can use many different converters to convert AVI files to iMovie edit compatible files. Most third-party apps contain their own buit-in codecs which do not relay on the Mac codec component configuration. Free ones, like HandBrake, usually have limited conversion capabilities while those that have more varied outputs are usually commercial in nature and will cost you additional cash. QT 7 Pro or the free MPEG Streamclip app allow you to access you own system's component configuration and use any available codec component like DV, AIC, MPEG-4, H.264, Photo JPEG, etc.—all of which are iMovie compatible for editing purposes—but only after making the AVI file QT 7 player compatible.
In order to determine what compression formats wewre used in your AVI files you can
1) Try checking the Finder "Info" window,
2) Use the "Inspector", "Media Info", or "Properties" window of any player app that will open the file, or
3) Use a general media utility app like "MediaInfo" to read the file characteristics.

How to use .mov files for video in Flash...

Hello-
I am trying to use .mov files for my Flash videos. I know it uses .mp4/flv/f4v, but I really need to use .movs. I know this works... but how?
Suggestions?

unfortunately running it through Adobe Encoder makes it a much, much larger file and the quality goes out the window. i really need to use .mov.
any suggestions?

Exporting 14:9 video for NTSC and PAL

Hello,
I'm working on 1080p video that will need to have a few output format, namely HD and SD 14:9 for NTSC and PAL.
At the moment I have no issue with getting the 14:9 video inside SD format, but my question is more of, should I turn my aspect ratio to PAL, NTSC, or should I keep it as square pixel? Viewing from inside a computer, the ones that has aspect ratio looked a bit squashed or stretched, and that worries my producer. I'm not technically savvy enough in broadcast knowledge to ensure her that everything is going to be fine once the video goes into broadcast, hence I'm posting the question here. I did my search on the web, but nothing seemed to help. Or maybe I'm just a big doofus that missed the very big hint in front of me. If anyone could help me figure this out, or point me in the right direction, I would really really appreciate it.
Regards,
Deo

Hey guys. Thank you for your input.
I think I may have overcomplicated the question in my state of panic with the 14:9 thing. Yes, the client did ask for 14:9 video, which to my knowledge is a scaled down HD video in SD sequence. A bit bigger than 16:9 in SD sequence, with smaller letterbox and cropped sides. From what I've read (in wikipedia), it's used in UK, Irish, French, Spain, and Australia. So the PAR should still follow SD PAL and NTSC PAR.
I've been barking the wrong tree, and after reading this, it seemed clear that I should be using PAR as TVs pixel is not square. And it's fine to have squashed and stretched picture of these outputs because computer's pixel is square. Right?
I'm not really in a position to ask the station, as this is a regional job with a few countries involved, so I'm not directly in contact with the stations themselves. But hypothetically, if I can ask, will they give me a set of guidelines to follow?
Regards,
Deo

Internal error has occurred. Check log files for details.

While configuring software library on OEM 11g grid control, i get the error as Internal error has occurred. Check log files for details.
On checking emoms.trc i see the following error
2011-08-08 22:15:13,298 [EMUI_22_15_13_/console/provision/admin/admin] ERROR em.provis
ion checkAllSoftwareLibLocs.216 - AdminUtil:checkAllSoftwareLibLocs: No software libra
ry locations configured.
2011-08-08 22:15:13,320 [EMUI_22_15_13_/console/provision/admin/admin] ERROR em.provis
ion handleValidateLocsSoftwareLib.1754 - AdminController:handleValidateLocsSoftwareLib
: ComponentException while fetching all software library locations from repostiory.
oracle.sysman.emgc.provision.component.ComponentException: Software Library location i
s not configured.
at oracle.sysman.emgc.provision.ui.model.admin.AdminUtil.checkAllSoftwareLibLo
cs(AdminUtil.java:218)
at oracle.sysman.emgc.provision.ui.model.admin.AdminUtil.checkAllSoftwareLibLo
cs(AdminUtil.java:146)
at oracle.sysman.emgc.provision.ui.controller.admin.AdminController.handleVali
dateLocsSoftwareLib(AdminController.java:1746)
at oracle.sysman.emgc.provision.ui.controller.admin.AdminController.handleEven
t(AdminController.java:397)
at oracle.sysman.emSDK.svlt.PageHandler.handleRequest(PageHandler.java:578)
at oracle.sysman.emgc.provision.ui.controller.AbstractProvisioningPageHandler.
handleRequest(AbstractProvisioningPageHandler.java:235)
at oracle.sysman.emSDK.svlt.EMServlet.myDoGet(EMServlet.java:738)
at oracle.sysman.emSDK.svlt.EMServlet.doGet(EMServlet.java:329)
at oracle.sysman.eml.app.Console.doGet(Console.java:352)
at oracle.cabo.servlet.UIXServlet.doPost(Unknown Source)
at javax.servlet.http.HttpServlet.service(HttpServlet.java:727)
at javax.servlet.http.HttpServlet.service(HttpServlet.java:820)
at weblogic.servlet.internal.StubSecurityHelper$ServletServiceAction.run(StubS
ecurityHelper.java:227)
at weblogic.servlet.internal.StubSecurityHelper.invokeServlet(StubSecurityHelp
er.java:125)
at weblogic.servlet.internal.ServletStubImpl.execute(ServletStubImpl.java:292)
at weblogic.servlet.internal.TailFilter.doFilter(TailFilter.java:26)
at weblogic.servlet.internal.FilterChainImpl.doFilter(FilterChainImpl.java:56)
at oracle.sysman.eml.app.EMRepLoginFilter.doFilter(EMRepLoginFilter.java:311)
at weblogic.servlet.internal.FilterChainImpl.doFilter(FilterChainImpl.java:56)
at oracle.sysman.core.app.exception.EMRuntimeExceptionFilter.doFilter(EMRuntim
eExceptionFilter.java:58)
at weblogic.servlet.internal.FilterChainImpl.doFilter(FilterChainImpl.java:56)
at oracle.sysman.emas.fwk.MASConnectionFilter.doFilter(MASConnectionFilter.jav
a:41)
at weblogic.servlet.internal.FilterChainImpl.doFilter(FilterChainImpl.java:56)
at oracle.sysman.eml.app.BrowserVersionFilter.doFilter(BrowserVersionFilter.ja
va:122)
at weblogic.servlet.internal.FilterChainImpl.doFilter(FilterChainImpl.java:56)
at oracle.sysman.emSDK.svlt.EMRedirectFilter.doFilter(EMRedirectFilter.java:10
2)
at weblogic.servlet.internal.FilterChainImpl.doFilter(FilterChainImpl.java:56)
at oracle.sysman.eml.app.ContextInitFilter.doFilter(ContextInitFilter.java:502
at weblogic.servlet.internal.FilterChainImpl.doFilter(FilterChainImpl.java:56)
at oracle.adf.library.webapp.LibraryFilter.doFilter(LibraryFilter.java:159)
at weblogic.servlet.internal.FilterChainImpl.doFilter(FilterChainImpl.java:56)
at oracle.dms.wls.DMSServletFilter.doFilter(DMSServletFilter.java:326)
at weblogic.servlet.internal.FilterChainImpl.doFilter(FilterChainImpl.java:56)
at weblogic.servlet.internal.RequestEventsFilter.doFilter(RequestEventsFilter.
java:27)
at weblogic.servlet.internal.FilterChainImpl.doFilter(FilterChainImpl.java:56)
at weblogic.servlet.internal.WebAppServletContext$ServletInvocationAction.run(
WebAppServletContext.java:3592)
at weblogic.security.acl.internal.AuthenticatedSubject.doAs(AuthenticatedSubje
ct.java:321)
at weblogic.security.service.SecurityManager.runAs(SecurityManager.java:121)
at weblogic.servlet.internal.WebAppServletContext.securedExecute(WebAppServlet
Context.java:2202)
at weblogic.servlet.internal.WebAppServletContext.execute(WebAppServletContext
.java:2108)
at weblogic.servlet.internal.ServletRequestImpl.run(ServletRequestImpl.java:14
32)
at weblogic.work.ExecuteThread.execute(ExecuteThread.java:201)
at weblogic.work.ExecuteThread.run(ExecuteThread.java:173)
2011-08-08 22:24:58,397 [EMUI_22_24_58_/console/provision/admin/edit_sw_lib_dir_config
uration] ERROR svlt.PageHandler handleRequest.640 - java.lang.NoClassDefFoundError: Co
uld not initialize class oracle.sysman.oii.oiip.osd.unix.OiipuUnixOps
java.lang.NoClassDefFoundError: Could not initialize class oracle.sysman.oii.oiip.osd.
unix.OiipuUnixOps
at oracle.sysman.oii.oiip.oiipg.OiipgFileSystem.getVolumeName(OiipgFileSystem.
java:615)
at oracle.sysman.eml.swlib.bitstore.FileBitStore.getFreeSpaceInKB(FileBitStore
.java:1044)
at oracle.sysman.eml.swlib.LibraryServiceImpl.getFreeSpaceInKB(LibraryServiceI
mpl.java:1572)
at oracle.sysman.emgc.provision.impl.component.SoftwareLibraryImpl.getFreeSpac
eInKB(SoftwareLibraryImpl.java:2582)
at oracle.sysman.emgc.provision.impl.component.ComponentManagerImpl.getFreeSpa
ceInKB(ComponentManagerImpl.java:664)
at oracle.sysman.emgc.provision.ui.model.admin.SoftwareLibContext$OkButton.han
dleClickEvent(SoftwareLibContext.java:860)
at oracle.sysman.emgc.provision.ui.controller.AbstractProvisioningPageHandler.
handleEvent(AbstractProvisioningPageHandler.java:427)
at oracle.sysman.emgc.provision.ui.controller.admin.SoftwareLibController.hand
leEvent(SoftwareLibController.java:53)
at oracle.sysman.emSDK.svlt.PageHandler.handleRequest(PageHandler.java:578)
at oracle.sysman.emgc.provision.ui.controller.AbstractProvisioningPageHandler.
handleRequest(AbstractProvisioningPageHandler.java:235)
at oracle.sysman.emSDK.svlt.EMServlet.myDoGet(EMServlet.java:738)
at oracle.sysman.emSDK.svlt.EMServlet.doGet(EMServlet.java:329)
at oracle.sysman.eml.app.Console.doGet(Console.java:352)
at oracle.cabo.servlet.UIXServlet.doPost(Unknown Source)
at javax.servlet.http.HttpServlet.service(HttpServlet.java:727)
at javax.servlet.http.HttpServlet.service(HttpServlet.java:820)
at weblogic.servlet.internal.StubSecurityHelper$ServletServiceAction.run(StubS
ecurityHelper.java:227)
at weblogic.servlet.internal.StubSecurityHelper.invokeServlet(StubSecurityHelp
er.java:125)
at weblogic.servlet.internal.ServletStubImpl.execute(ServletStubImpl.java:292)
at weblogic.servlet.internal.TailFilter.doFilter(TailFilter.java:26)
at weblogic.servlet.internal.FilterChainImpl.doFilter(FilterChainImpl.java:56)
at oracle.sysman.eml.app.EMRepLoginFilter.doFilter(EMRepLoginFilter.java:311)
at weblogic.servlet.internal.FilterChainImpl.doFilter(FilterChainImpl.java:56)
at oracle.sysman.core.app.exception.EMRuntimeExceptionFilter.doFilter(EMRuntim
eExceptionFilter.java:58)
at weblogic.servlet.internal.FilterChainImpl.doFilter(FilterChainImpl.java:56)
at oracle.sysman.emas.fwk.MASConnectionFilter.doFilter(MASConnectionFilter.jav
a:41)
at weblogic.servlet.internal.FilterChainImpl.doFilter(FilterChainImpl.java:56)
at oracle.sysman.eml.app.BrowserVersionFilter.doFilter(BrowserVersionFilter.ja
va:122)
at weblogic.servlet.internal.FilterChainImpl.doFilter(FilterChainImpl.java:56)
at oracle.sysman.emSDK.svlt.EMRedirectFilter.doFilter(EMRedirectFilter.java:10
2)
at weblogic.servlet.internal.FilterChainImpl.doFilter(FilterChainImpl.java:56)
at oracle.sysman.eml.app.ContextInitFilter.doFilter(ContextInitFilter.java:502
at weblogic.servlet.internal.FilterChainImpl.doFilter(FilterChainImpl.java:56)
at oracle.adf.library.webapp.LibraryFilter.doFilter(LibraryFilter.java:159)
at weblogic.servlet.internal.FilterChainImpl.doFilter(FilterChainImpl.java:56)
at oracle.dms.wls.DMSServletFilter.doFilter(DMSServletFilter.java:326)
at weblogic.servlet.internal.FilterChainImpl.doFilter(FilterChainImpl.java:56)
at weblogic.servlet.internal.RequestEventsFilter.doFilter(RequestEventsFilter.
java:27)
at weblogic.servlet.internal.FilterChainImpl.doFilter(FilterChainImpl.java:56)
at weblogic.servlet.internal.WebAppServletContext$ServletInvocationAction.run(
WebAppServletContext.java:3592)
at weblogic.security.acl.internal.AuthenticatedSubject.doAs(AuthenticatedSubje
ct.java:321)
at weblogic.security.service.SecurityManager.runAs(SecurityManager.java:121)
at weblogic.servlet.internal.WebAppServletContext.securedExecute(WebAppServlet
Context.java:2202)
at weblogic.servlet.internal.WebAppServletContext.execute(WebAppServletContext
.java:2108)
at weblogic.servlet.internal.ServletRequestImpl.run(ServletRequestImpl.java:14
32)
at weblogic.work.ExecuteThread.execute(ExecuteThread.java:201)
at weblogic.work.ExecuteThread.run(ExecuteThread.java:173)

Hi, I followed all the steps correctly and also the owner of the directory is correct.
But i have not installed the patches which is listed at the bottom of the link page.
I had done this on RHEl and i had no problem but now i am getting problem on solaris.

Resolution for .mov files for film festivals

Some film festivals are asking for .mov files for screenings. Nowhere can I find what type or resolution they want or if there's an industry standard.
I have seen that if they play it back from a laptop (and you never know) that too high a resolution won't work.
Is there a standard for movie theaters?
Thanks.

Neal Fox wrote:
… Is there a standard for movie theaters?…
Yes and No
DCP is a worldwide, digital delivery standard for commercial theaters. But, by standards, is for example 'limited' to 24fps - sad news, for Mr P. Jackson or J.Cameron (no idea, how HFR nor 3D is delivered…)
highly complex to encode, there are specialized companies offering 'transfer services' - $$$, creates enormous files (an intra-compression codec), asks for 'Linux formatted/ext2'-drives, etc etc etc ,.. . (just read about it - no clue what I'm talking about!!)
Plan B)
ask the theatre what they want …or use.
Plan C)
1080/24p, h.264/high profile/20mbps in a mp4 should be very universal … (who asks for mov can playback mp4 too)
… but then, next question:
What media? stick, dataDisk, hard drive, ftp-upload?
What format? fat32 (doesn't work for longer movies…), exFat, ntfs??
some non-commercial festivals allow/prefer delivery by BluRay or even on DVD ...
again, 'limited' too, but very, very universal …

I'm sorry, I have to convert the mov file. for use with fce and / or imovie11, better ProRes422 or intermediate codec?

I'm sorry, I have to convert the mov file. for use with fce and / or imovie11, better ProRes422 or intermediate codec?

FCE only used AIC for HD.
Al

HT3523 I can play an .mov file but cannot open it to move it to another drive/disc/etc. When we try to open it, we get a message that says "The movie file for "beanmine.mov" cannot be found. Without this file, the movie cannot play properly."

We can play a .mov file (a full-length film created in final cut pro) but cannot actually open it in QuickTime. We get the error message saying that a file is missing, and the movie can't play properly without the file. The thing is, we can play the film, we just can't open it to move it to another drive. Help?
Also, can the lost file (which was deleted) be recovered from a Mac HD or an external hard drive?
Help!

We can play a .mov file (a full-length film created in final cut pro) but cannot actually open it in QuickTime. We get the error message saying that a file is missing, and the movie can't play properly without the file. The thing is, we can play the film, we just can't open it to move it to another drive. Help?
Sounds like you created a "Reference" file here. I.e., a "Reference" file is a file that tells the player how to play the data contained in a "Resource" file. When you try to open the "Reference" file in the QT Player app, the first thing the player does is check to see if the "Resource" data file is is still available where it is supposed to be. (I.e., moving/deleting the resource file or moving reference file without moving the resource file to maintain the relative path between the two will generate the error message you mentioned.)
Also, can the lost file (which was deleted) be recovered from a Mac HD or an external hard drive?
That depends. Deleting a file does not actually erase the data immediately. Instead, the operating system just tells the system directory that the space containing the movie data is available for reuse if/when needed. As time passes, the chance that some of the data sectors will be re-written by other data continuously increases. To restore the file normally requires use of a special utility that both locates and restores all of the linked sectors containing the "deleted" movie data in their correct order. Other methods of restoring files would depend on the software you routinely have active on your system. For instance, do you use "TimeMachine?" or orther software that automatically backs up your data periodically? If so, then follow the instructions for your particular application to recover a deleted file.

How can I convert .mov files for use with other apps?

When loading movies taken on a friend's digital camera to my PC, the video files were saved as Quicktime .mov files. I am now unable to pull those files into any other software program (I want to put them onto a CD or DVD and play on external players.) How can I convert .mov files to a .wmv or .avi or mpeg?
Thanks - J
RS720G Windows XP

Kodak Digital Camera QuickTime MOV Problems
After battling a number of serious problems with the videos taken by my new Kodak Digital Camera, I decided to write up this page so that anyone searching the web would find out the true answers without as much grief!
I’ve also made some other comments about my experience with the camera, in case anyone was considering buying a Kodak camera in the near future.
I bought the camera just before Christmas 2004 in the US. At the time of writing, it is a pretty good model for domestic use—about 5.2 megapixels, costing about US$400 (or AU$600 back here in Australia). From a company as reputable as Kodak, I expected no problems.
The first disappointing thing was that the spring inside the spring-loaded battery clip, inside the camera, came loose within days. It proved impossible to reattach it without completely dismantling the camera, which (despite my engineering qualifications) I was not willing to do. This would usually have been a warranty item, but Kodak’s warranty does not extend to other countries. I’ve since had to jam cardboard in to keep the battery clip engaged, and have taped the battery bay shut to avoid it opening accidentally when taking the camera out of the case. This works fine with the docking station (an extra AU$100!), but it means I can no longer charge the battery without the docking station (since you need to take it out to charge it). I was not impressed!
The camera takes good photos, and I have no complaint with that. The controls and camera menus are well-designed. The large display is excellent.
The EasyShare software is not as easy to use as it looks, has a habit of crashing, has a web update program that is always running in the background of Windows, and transferring images is nowhere as easy or quick as it should be. I’ve now uninstalled it completely, and simply copy the photos directly from the device. (If the camera memory is nearly full, and you just want to transfer the last few photos, then it’s impossible to use the EasyShare software to browse the camera’s photos without it actually downloading the whole lot through the USB cable—and it takes forever! Copying from the device directly doesn’t hit this bug.)
The capability to take video using the camera was a great attraction when I selected it, and, if it worked properly, it would make it quite a handy little camcorder in its own right. With a 512 MB memory card in it, over an hour of video can be recorded at Video-CD quality (320 x 240 24fps video, 8 kHz audio). It’s not full digital video, but it would still be a pretty good feature for a US$400 camera. If it worked.
The first disappointing thing about taking videos is that the optical zoom cannot be adjusted while the camera is recording. It can only be adjusted between video sequences. I don’t know why this restriction was made in the design.
The real problems, however, start when you try to do anything with the video clips captured by the camera. Kodak has chosen to capture the videos in QuickTime format. This is fine—QuickTime is, technically, excellent—except that there is no simple way to convert QuickTime MOV files to AVI or MPEG or VCD. The Kodak software comes with a QuickTime player, so you can see the video clips on the computer you installed the software on—and they look good. Problem is that you can’t just dump those MOV files onto your Video-CD creator (it will usually want AVI or MPEG files).
It takes some time to realise that Kodak have not even bothered to include any software with the camera that can convert these MOV files to a more useful format. This is a serious PR blunder, and anyone bitten by this is unlikely to go near the Kodak brand ever again.
After some web searching, owners of these cameras generally find that the best (only?) freeware solution to convert MOV to AVI is Bink and Smacker’s RADtools program.
RADtools is amazingly powerful for the price (i.e. free), but it hits two fundamental problems with Kodak Digital Camera MOV video files, that are the fault of the Kodak camera, not RADtools. (I know this because every other MOV converter hits the same problems—except one, as you will see below.)
The first problem is that the sound cannot be converted properly. When you convert any Kodak MOV files, there is an “aliasing” of the sound at the upper frequencies. This is a technical description—you get a whispery, tinny, C3PO type of echo to everything. It really destroys the quality of the video clips (especially bad when I am trying to capture priceless memories of my 4- and 7-year-old sons—I don’t want their voices destroyed for all time).
Every conversion program I tried ended up with the same audio problem. I concluded that it is something strange in the way the Kodak cameras store the MOV files.
Strangely enough, I noticed that the QuickTime player didn’t distort the audio like this. The audio sounds just fine through QuickTime. More on this shortly.
The second, more serious problem is that RADtools could not properly convert some of the video clips at all. (This problem only affected less than 10% of the clips I originally filmed, but most of those clips were very short—less than 20 seconds. It seems that the probability of this problem gets worse, the longer the clip.) RADtools would misreport the number of frames in the clip, and would stretch out a small number of frames of video (in slow motion) to match the length of the audio.
Again, I confirmed that this is a property of some of the MOV files stored by the camera. Other conversion tools also had problems with the same MOV clips.
After more angst, I found a number of websites in which frustrated owners of these Kodak cameras have reported the exact same problems.
It was only then that I discovered that QuickTime itself can convert MOV files to AVI. Believe it or not, it’s built into the QuickTime Player that Kodak supplies, or that you can download free from apple.com. The problem is that you can’t use it unless you pay Apple to upgrade to QuickTime Pro.
After realising that this would probably be the only way to get decent audio for these clips, I paid the AU$59 to Apple Australia to get the licence key that enables the extra “Pro” menu options in QuickTime.
Sure enough, you can “Export” any MOV file to a number of formats, including AVI. And guess what? The audio comes out fine!
So, the first piece of advice I can give is: pay Apple the US$29 (or whatever amount it is in your country) to upgrade QuickTime to QuickTime Pro.
From here, however, there are still a few snags to untangle.
The first is that the default settings for Exporting to AVI don’t give a great result. It defaults to the Cinepak codec, medium quality. This looks terrible compared to the original QuickTime movie. Even on maximum quality, that codec just doesn’t give good results.
I finally found that the best option is to use the Intel Indeo Video 4.4 codec, set on maximum quality. This creates AVI files that are 10 to 20 times larger than the original MOV files, but the quality is there. If (like me) you only want the AVI files so you can dump them into your Video-CD program, then you want to keep the quality as high as possible in this first step. The extra hard disk space is not really a concern. When your VCD program converts the AVI files to MPEG, it will compress them to the usual VCD size.
Now for the biggest snag: those problem MOV files are still a problem, even for QuickTime Pro. Unbelievably, these Kodak cameras are spitting out MOV files which have some sort of technical flaw in their data specifications. QuickTime is able to play them back fine—and that seems to be all that the Kodak engineers really checked. However, if QuickTime Pro tries to export them, then when the progress bar gets to the end, it never finishes. It just keeps going. If you check the output folder with Explorer, and keep hitting F5 to update the file listing, you can see the file getting bigger, and bigger, and bigger. It never stops.
That this happens even for QuickTime itself (the native format for these files) confirms that the problem is with the software built into these Kodak cameras. It would be nice it they issued a patch or a fix. I couldn’t find one.
Fortunately, there is a “workaround” for this problem. I found it when trolling the net trying to find solutions to all these problems. The workaround is to use QuickTime Pro’s cut and paste facility. Open the problem MOV file, then press Ctrl-A (the standard key combination for “select all”—in this case it selects the entire film clip, as you can see by the grey selection of frames at the bottom of the player). Then hit Ctrl-C (i.e. copy, which in this case copies all the frames, but not the incorrect data structure in the original MOV file). Now hit Ctrl-N (i.e. new, in this case a new MOV file or player). In this new player, press Ctrl-V (i.e. paste). Now you have a new version of the MOV file with the bad data structure exorcised. You can save this under a new name, but make sure you specify “Make movie self-contained”—otherwise, it will simply be a link to the original (bad) MOV file, which you are probably going to delete once you save the exorcised version. (You also cannot overwrite the original file, because it needs to access that to make the “self-contained” movie. You need to give it a slightly different name, save it “self-contained”, then delete the original and rename the new copy back to what you wanted it to be. A pain, I agree, but at least the **** thing works—finally!)
The exorcised MOV file can now be used to Export to AVI format. (I also keep all the MOV files on a separate CD, in case I want to reconvert them to a different format in the future. I figure it’s better keeping the exorcised ones than the haunted ones.)
So I hope that all this answers a few of your questions. No, you weren’t being incredibly stupid.

Best practice for exporting a .mov file for YouTube

I am using FCPX 10.0.9 with a MacBook Pro. We are needing to upload relatively small-size high school football videos as .mov files to YouTube for my newspaper. I have been choosing the Export File option with the setting set to h.264, exporting the file to the desktop and then uploading that .mov file to YouTube. (I do not have Compressor installed on this Mac.) The other night the first of three files done like this uploaded fine, but the next two just kept processing and processing at YouTube and never finished. The following morning the files processed fine. Any thoughts about why ths might be happening?
And would it be better to export in another file format --.mp4 files -- instead that might cause less of a problem and which of the export options would be best?
Thanks,
Douglas

douglas i wrote:
Am I correctly uploading a .mov file to YouTube by using the Export File command with the export setting set to .h264 then if I wish a reasonable size file for upload?
Sure. There are many ways to get videos to YT and yours is a reasonable approach.
"Reasonable size" should be thought of in terms of upload time. Again, YT will re-compress whatever you give it. So depending on how quickly you need to get it up on the Web, it's better to upload files that have more information than less information. (To that end, some folks upload very large Pro Res files; they also have a lot of patience.)
Just to let you know, the majority of FCPX users follow one of two workflows:
1) Share>You Tube option and have FCP handle the uploading;
2) Export as a Pro Res Master File; bring the master file into Compressor and apply the user's custom settings; upload using YT's uploader.
FWIW, I prefer the second workflow.
Russ

Check Outsourcing file for vendor payments question

Hello everyone -
Does anyone know HOW or IF SAP could produce a checkbook code for a check payment file? I have a large client who sends a file out of SAP yet they insist SAP doesnt have the capability to put a checkbook code identifier.
In my experience I would think it could be handled based on the GL that it was being paid out of or maybe even handled in iDoc?
THANKS in ADVANCE!

When you raise a vendor invoice then it will be captured in BSIK, and as the payment takes place the value in BSIK will be cleared and the value appears in BASK. If the invoice is cleared or say the payment happened for the invoice then the cleared item will be captured in BSAK (Payment), there is no other table apart from these that capture the payment.
Just tell you requirement clearly.

How do I convert wmv to mov files for fcp?

I have tried a couple of different conversion programs to convert a wmv file to mov or mp4, and all seem to result in a viewable mp4, but when I import into final cut and try to put the footage into my sequence, it won't render. The sound renders, but the video remains "unrendered." I'm using a Pro res 422 sequence. Does anyone know why this is happening and how I can fix the problem?
Thanks

Hello, this problem is not very difficult to solve a lot of software now can be converted, but can guarantee quality conversion software I've been using the Bros WMV to MOV Converter for Mac the effect is very good, high quality,you can try, and hope to be able to help you. You can google browser inside search keywords: Bros WMV to MOV Mac Converter to find this software.
Bros WMV to MOV Mac Converter is so far the best wmv to mov mac conversion program, which is specially designed for mac users to convert wmv to mov mac with excellent video quality and fast speed.
More useful information, please visit the official website：
https://www.google.com/#hl=en&tbo=d&output=search&sclient=psy-ab&q=Bros+WMV+to+M OV+Mac+Converter&oq=Bros+WMV+to+MOV+Mac+Converter&gs_l=hp.12...27138.27138.1.283 92.1.1.0.0.0.0.0.0..0.0.les%3B..0.0...1c.1.i0oHD4fTC2s&psj=1&bav=on.2,or.r_gc.r_ pw.r_cp.r_qf.&fp=8ff3de5a7c770af9&bpcl=38897761&biw=1426&bih=620

Batch conversion of MOV files for use in PPro Windows

I have PPro CS3 on Windows XP (the OS is more relevent to the question than the software version, I think). I have been buying some inexpensive stock footage, and the HD/SD libraries they have been offering lately come as MOV files with apple-flavored codecs, if you know what I mean. Fortunately PPro has been able to open everything I have tried so far, but of course they have to be rendered. And results in player software (for previewing clips) varies by frame size and whether the clip has audio (most don't, but a few do), and not being able to see thumbnails in Windows hampers my speed in selecting clips, especially since the files came named "1.mov", "2.mov", etc. (yeah, I'll eventually rename them to something useful). So I would like to just convert them all to AVIs with the Microsoft DV codec, so that they will play natively in PPro without rendering. I know I could use PPro to do the conversion (put them all on a timeline and do Export Movie one at a time), but I was hoping for a batch solution. I've downloaded and installed a number of free converter programs, but nothing seems to be able to output in the Microsoft DV codec.
Some of the files are HD (1920x1080), some are SD 16:9 that were reduced from those HD clips, and some are original SD 4:3. The codec for the HD ones is reported by GSpot to be "Apple Photo JPEG", and the SD ones use something simply called "dvc" or "DV". Noting the similarity of the name "DV", I did try just telling the conversion program to leave the video stream alone and just change the wrapper from MOV to AVI. WMP and Windows' thumbnail generator seem to understand the resulting file, but PPro shows colored noise - so much for that idea.
Any suggestions are welcome!

For my conversions, I use DigitalMedia Converter 2.7, and it does batch conversion very well. Now for the caveat (you knew one was coming, right?), Deskshare has introduced "new and improved" software, but I have not tried it yet. I do not know how it will handle your footage, so the trial might be in order.
Good luck,
Hunt

IPhoto won't recognize *.MOV file for playing and for importing

My iPhoto is giving me an "unreadable file format" error on *.mov files after I upgraded to iPhoto '11. I have problem with video files that were working in iPhoto before and on files trying to import from my iphone or from my camera. I made new library and tried to import *.mov file to the new library to check if my library is corrupted. I get same error message. The *.mov file plays fine with quicktime when I import files using Preview to my computer. I just cannot import new video to iPhoto and play videos from iPhoto.
How do I make iPhoto recognize the *.mov file again and make the video file play properly? I miss my old iPhoto

Henji,
have you used a maintainance application lately, that has cleaned some caches? Then check, if you still have the file "com.apple.xpchelper.cache" in the System Library in the folder "/System/Library/Caches/".
If this file is missing, that might be the reason that you cannot play or import videos any longer. Then restore it from your backup, if you have a clone of your system. ALJ posted a link to a copy of this file in another thread: Re: Import video to Aperture library on Mountain Lion
Regards
Léonie

Checking movie file for NTSC or PAL

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