Choppy video playback with FCP 6 and 5D footage already converted to Aplle ProRes 422

I am trying to edit a film I shot on the Canon 5D using FCP 6. I converted my raw files from the Canon 5D to Apple ProRes (HQ) .
But as I try to work on the timeline everything is super choppy and drops frames constantly. I am trying to sync audio as well and it's been impossible since the video in not playing properly.
I have read many post and did everything you say to do, but no luck.
I have chosen the unlimited RT and still dosent wanna play right.
I'm editing off a 1TB G-RAID drive. It currently has 200GB left of free space, so that shouldn't slow things down. My computer has a 500GB Internal Hard Drive and I currently have 250GB of internal free space. Here are the specification of my computer:
Hardware Overview:
  Model Name:          Mac Pro
  Model Identifier:          MacPro3,1
  Processor Name:          Quad-Core Intel Xeon
  Processor Speed:          3.2 GHz
  Number Of Processors:          2
  Total Number Of Cores:          8
  L2 Cache (per processor):          12 MB
  Memory:          18 GB
  Bus Speed:          1.6 GHz
THis should be a powerful computer, at least thats what I tough when i got it. There has to be a solution to my frustration..please help!!!

You could have a problem with your external drive.  Run diskutility: diskrepair and diskwarrior (if you've got it) on it  Is it formatted macosextended?   You might run a drive speed test and see if the drive is running up to spec.
Try copying one file to your internal drive and see if that plays any better.
Have you tried deleting your fcp preferences?  (get preference manager from www.digitalrebellion.com)
Are you just monitoring the video on the computer screen? 
You might try resetting your window arrangement in fcp;  window:  arrange:  standard and see if that makes a difference. 
Is playback uneven on both viewer and canvas in fcp?
I'd go out and buy a 7200 Sata drive and install it internally and try playing off of that.  MacPro's have 4 internal drive bays and it's extremely easy to install another drive.

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    I am trying to edit a film I shot on the Canon 5D using FCP 6. I converted my raw files from the Canon 5D to Apple ProRes (HQ) .
    But as I try to work on the timeline everything is super choppy and drops frames constantly. I am trying to sync audio as well and it's been impossible since the video in not playing properly.
    I have read many post and did everything you say to do, but no luck.
    I have chosen the unlimited RT and still dosent wanna play right.
    I'm editing off a 1TB G-RAID drive. It currently has 200GB left of free space, so that shouldn't slow things down. My computer has a 500GB Internal Hard Drive and I currently have 250GB of internal free space. Here are the specification of my computer:
    Hardware Overview:
      Model Name:          Mac Pro
      Model Identifier:          MacPro3,1
      Processor Name:          Quad-Core Intel Xeon
      Processor Speed:          3.2 GHz
      Number Of Processors:          2
      Total Number Of Cores:          8
      L2 Cache (per processor):          12 MB
      Memory:          18 GB
      Bus Speed:          1.6 GHz
    THis should be a powerful computer, at least thats what I tough when i got it. There has to be a solution to my frustration..please help!!!

    Try transcoding to garden variety Pro Res for great quality, much smaller files, and less strain on your system.
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    0.000000 @SIP/Transport.c:2362 type=1 (00000000/0)
    [SIP/2.0 200 OK
    Via: SIP/2.0/UDP 24.9.170.64:16402;branch=z9hG4bK253ca464241b86c5
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    From: u0 <sip:user@lip:16402>;tag=242696585
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    Contact: <sip:[email protected]:16402>
    User-Agent: Viceroy 1.3
    Content-Type: application/sdp
    Content-Length: 443
    v=0
    o=SDEAN 0 0 IN IP4 68.109.25.62
    s=skiier526121
    c=IN IP4 68.109.25.62
    b=AS:2147483647
    t=0 0
    a=hwi:17412:2:2400
    a=bandwidthDetection:YES
    a=iChatEncryption:NO
    m=audio 16402 RTP/AVP 110
    a=rtcp:16402
    a=rtpmap:110 X-AAC_LD/22050
    a=rtpID:163897054
    m=video 16402 RTP/AVP 126
    a=rtcp:16402
    a=rtpmap:126 X-H264/90000
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    [ACK sip:user@lip:16402 SIP/2.0
    Via: SIP/2.0/UDP 24.9.170.64:16402;branch=z9hG4bK758f935e51030677
    Max-Forwards: 70
    To: 0 <sip:user@lip:16402>;tag=1748993363
    From: u0 <sip:user@lip:16402>;tag=242696585
    Call-ID: f7d46dbe-1d60-11dd-9664-c634114a4012@lip
    CSeq: 1 ACK
    User-Agent: Viceroy 1.3
    Content-Length: 0
    0.131540 @SIP/Transport.c:2362 type=1 (00000000/0)
    [SUBSCRIBE sip:user@lip:16402 SIP/2.0
    Via: SIP/2.0/UDP 68.109.25.62:16402;branch=z9hG4bK3c1d470911bfc4fc
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    To: u0 <sip:user@lip:16402>;tag=242696585
    From: 0 <sip:user@lip:16402>;tag=1748993363
    Call-ID: f7d46dbe-1d60-11dd-9664-c634114a4012@lip
    CSeq: 1 SUBSCRIBE
    Contact: <sip:[email protected]:16402>
    Event: conference
    Expires: 3600
    User-Agent: Viceroy 1.3
    Content-Length: 0
    0.258925 @SIP/Transport.c:347 type=2 (00000000/0)
    [SIP/2.0 200 OK
    Via: SIP/2.0/UDP 68.109.25.62:16402;branch=z9hG4bK3c1d470911bfc4fc
    To: u0 <sip:user@lip:16402>;tag=242696585
    From: 0 <sip:user@lip:16402>;tag=1748993363
    Call-ID: f7d46dbe-1d60-11dd-9664-c634114a4012@lip
    CSeq: 1 SUBSCRIBE
    Contact: <sip:[email protected]:16402>;isfocus
    Expires: 3600
    User-Agent: Viceroy 1.3
    Content-Length: 0
    0.266139 @SIP/Transport.c:347 type=2 (00000000/0)
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    Max-Forwards: 70
    To: 0 <sip:user@lip:16402>;tag=1748993363
    From: u0 <sip:user@lip:16402>;tag=242696585
    Call-ID: f7d46dbe-1d60-11dd-9664-c634114a4012@lip
    CSeq: 2 NOTIFY
    Contact: <sip:[email protected]:16402>;isfocus
    Event: conference
    Subscription-State: active;expires=3600
    User-Agent: Viceroy 1.3
    Content-Type: application/conference-info+xml
    Content-Length: 0
    [<c-i v="0" st="f" en="sip:user@lip:16402">
    c<h>i</h><m t="a"/><m t="v"/>
    c<h>o</h><m t="a"/><m t="v"/>
    c<h>o</h><m t="a"/><m t="v"/>
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    0.267647 @SIP/Transport.c:2362 type=1 (00000000/0)
    [SIP/2.0 200 OK
    Via: SIP/2.0/UDP 24.9.170.64:16402;branch=z9hG4bK07f3cf2d27e5dc4f
    To: 0 <sip:user@lip:16402>;tag=1748993363
    From: u0 <sip:user@lip:16402>;tag=242696585
    Call-ID: f7d46dbe-1d60-11dd-9664-c634114a4012@lip
    CSeq: 2 NOTIFY
    User-Agent: Viceroy 1.3
    Content-Length: 0
    0.489410 @:0 type=1 (00000000/0)
    [Bandwidth Detection]
    [Received the first BWD packet from 24.9.170.64:16402]
    0.809558 @:0 type=1 (00000000/0)
    [Bandwidth Detection]
    [Avg=98115.00, NSDev=6.54%]
    1.049428 @:0 type=1 (00000000/1)
    [Bandwidth Detection]
    [Avg=1063830.90, NSDev=55.48%]
    1.396681 @:0 type=1 (00000000/2)
    [Bandwidth Detection]
    [Avg=1218589.60, NSDev=19.06%]
    1.555003 @SIP/Transport.c:347 type=2 (00000000/0)
    [MESSAGE sip:user@lip:16402 SIP/2.0
    Via: SIP/2.0/UDP 24.9.170.64:16402;branch=z9hG4bK7a3f72b46979010e
    Max-Forwards: 70
    To: 0 <sip:user@lip:16402>;tag=1748993363
    From: u0 <sip:user@lip:16402>;tag=242696585
    Call-ID: f7d46dbe-1d60-11dd-9664-c634114a4012@lip
    CSeq: 3 MESSAGE
    User-Agent: Viceroy 1.3
    Content-Type: text/plain
    Content-Length: 8
    [SECUPD:0]
    1.555264 @SIP/Transport.c:2362 type=1 (00000000/0)
    [SIP/2.0 200 OK
    Via: SIP/2.0/UDP 24.9.170.64:16402;branch=z9hG4bK7a3f72b46979010e
    To: 0 <sip:user@lip:16402>;tag=1748993363
    From: u0 <sip:user@lip:16402>;tag=242696585
    Call-ID: f7d46dbe-1d60-11dd-9664-c634114a4012@lip
    CSeq: 3 MESSAGE
    User-Agent: Viceroy 1.3
    Content-Length: 0
    22.411383 @SIP/Transport.c:2362 type=1 (00000000/0)
    [MESSAGE sip:user@lip:16402 SIP/2.0
    Via: SIP/2.0/UDP 68.109.25.62:16402;branch=z9hG4bK225017670f058825
    Max-Forwards: 70
    To: u0 <sip:user@lip:16402>;tag=242696585
    From: 0 <sip:user@lip:16402>;tag=1748993363
    Call-ID: f7d46dbe-1d60-11dd-9664-c634114a4012@lip
    CSeq: 2 MESSAGE
    User-Agent: Viceroy 1.3
    Content-Type: text/plain
    Content-Length: 4
    PING]
    22.552977 @SIP/Transport.c:347 type=2 (00000000/0)
    [SIP/2.0 200 OK
    Via: SIP/2.0/UDP 68.109.25.62:16402;branch=z9hG4bK225017670f058825
    To: u0 <sip:user@lip:16402>;tag=242696585
    From: 0 <sip:user@lip:16402>;tag=1748993363
    Call-ID: f7d46dbe-1d60-11dd-9664-c634114a4012@lip
    CSeq: 2 MESSAGE
    User-Agent: Viceroy 1.3
    Content-Length: 0
    23.667085 @SIP/Transport.c:347 type=2 (00000000/0)
    [MESSAGE sip:user@lip:16402 SIP/2.0
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    Max-Forwards: 70
    To: 0 <sip:user@lip:16402>;tag=1748993363
    From: u0 <sip:user@lip:16402>;tag=242696585
    Call-ID: f7d46dbe-1d60-11dd-9664-c634114a4012@lip
    CSeq: 4 MESSAGE
    User-Agent: Viceroy 1.3
    Content-Type: text/plain
    Content-Length: 4
    [PING]
    23.667857 @SIP/Transport.c:2362 type=1 (00000000/0)
    [SIP/2.0 200 OK
    Via: SIP/2.0/UDP 24.9.170.64:16402;branch=z9hG4bK0d3ce7637235b638
    To: 0 <sip:user@lip:16402>;tag=1748993363
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    Call-ID: f7d46dbe-1d60-11dd-9664-c634114a4012@lip
    CSeq: 4 MESSAGE
    User-Agent: Viceroy 1.3
    Content-Length: 0

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    I was expecting to have to install Final Cut Studio 3, Final Cut Pro X, Compressor 4, and/or QuickTime 7 with the QuickTime Pro key; however, none of those applications are installed and I am able to create custom QuickTime Apple Pro Res422 Sequences in Premiere Pro as well as export using Apple ProRes 422.  After Effects and Adobe Media Encoder also show all the Apple ProRes variations.
    Does CC 2014 eliminate the need to have Final Cut Pro and/or Compressor installed to access Apple ProRes 422?  Is it something happening on the OS or QuickTime level that would affect CC or CS6 in the same way?
    I've done a web search, but haven't really come up with anything other than older articles about needing to have FCP installed (and I typically work on systems with Final Cut Studio 3 installed as well as CS6, CC, or CC 2014).  If more detailed information is available, it would be great to be able to read up on it.
    The system is a 21.5-inch iMac running Mac OS X 10.8.5, QuickTime Player 10.2, and Adobe Premiere Pro CC 2014 (8.0.0 - I know an update is available for PrPro, but it's not my system to make that change).
    Thanks in advance,
    Warren Heaton

    Hi Emil:
    I use ProRes all the time as well, but I have Final Cut Studio on my workstations.
    I had not come across MindPower009's YouTube video.  That explains how ProRes could be showing up without FCP or Compressor.
    So, the answer to my question would be, "No, CC 2014 does not eliminate the need to have Final Cut Pro and/or Compressor installed to access Apple ProRes 422; however, if you are willing to be in violation Apple's terms of use, you can install the ProRes codecs anyway."
    Even though MindPower009's YouTube video comments claim "FREE and LEGAL", it's clear from both the Apple download page and the ProRes codecs installer that Apple expects you to own at least one of their applications.
    Thanks again for the link!
    -Warren

  • Apple TV 2 choppy video playback when mirroring from Macbook Pro (Yosemite) and Macbook Air (Yosemite) but not iOS devices

    Video playback is choppy (cuts out every 30-45 seconds) when air playing from both my MacBook Air 1.3 GHz Intel Core i5 running Yosemite and my husbands new MacBook Pro, but runs perfectly when mirroring from any of our iOS devices (iPhone 6+, iPad mini 3, etc.) We have Apple TV 2. This problem just started a few weeks ago, was working fine around Christmas. The problem seems to have coincidentally started right after our son tried plugging in and setting up his Chromecast on our tv. I disconnected the Chromecast, but we still have the problem. All of our software if up to date and I've tried disconnecting blue tooth, we do not have a microwave and our wifi network has a very strong signal. We have an Airport Extreme base station. Is there a solution to our problem?

    Hi leahmturner,
    I see that you are experiencing an issue with choppiness while AirPlay Mirroring from your computers to your Apple TV. I have an article that contains some helpful troubleshooting steps for you regarding this issue:
    About AirPlay Mirroring in OS X - Apple Support
    http://support.apple.com/en-us/HT201343
    Optimizing image quality
    Resolution matching modes
    You can choose between two desktop resolution matching modes that let you select which display will have the best image. When AirPlay Mirroring is turned on, select an option under "Match Desktop Size To:" in the AirPlay Mirroring menu extra.
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    AirPlay Mirroring changes the desktop resolution to best match your Apple TV, resulting in a 16:9 image that fills the HDTV screen. This setting often produces the sharpest image on the HDTV. The aspect ratio and/or resolution of the built-in Mac display may change to accommodate the Apple TV.
    Match Desktop Size To: This Mac
    AirPlay Mirroring scales the contents of the desktop to fit on the Apple TV, leaving the resolution of your Mac's display unchanged. Use this setting for the sharpest image on your Mac's display. Depending on your Mac model, the resulting image may not fill the HDTV screen.
    Troubleshooting AirPlay Mirroring
    If you don't see mirroring options
    If your Mac and Apple TV are on the same network, but no AirPlay Mirroring menu appears, your Apple TV may be asleep. Simply press a button on your Apple TV remote to wake it up. After a few seconds, the AirPlay Mirroring menu extra appears. If you still don't see the options you expect, make sure your Apple TV has the current software update installed. Also make sure that you have the "Show mirroring options in the menu bar when available" option selected in the Displays pane of System Preferences.
    If the menu bar or Dock is cropped
    Some HDTVs have bezels that cover a small percentage of the screen. This can result in a slight cropping of a full-resolution HDTV image. Depending on the HDTV model, AirPlay Mirroring may automatically adjust the picture size to prevent cropping.  If you are using OS X Mountain Lion or later, and you see cropping of the menu bar or Dock when using AirPlay Mirroring, toggle the Overscan correction option in Displays preferences.
    Minimize video post-processing
    HDTVs often apply picture quality enhancements intended to improve the look of film and video sources. In some cases, these enhancements can lead to over-sharpening artifacts when displaying your Mac desktop. Some HDTV models have built-in settings to change or disable the enhancements for use with a computer (computer, presentation, or game modes). Otherwise, the controls for sharpness, detail enhancement and noise reduction can be used to optimize the appearance of the Mac desktop. Consult your HDTV’s manual for guidance on the appropriate settings for use with a computer.
    Firewall security settings
    If you use a firewall, make sure the following firewall security options have been set to allow AirPlay Mirroring to work:
    Choose System Preferences from the Apple menu ().
    Click Security & Privacy, then click Firewall.
    Click the lock icon to unlock it if it's locked, then type an administrator name and password.
    Click Firewall Options.
    Deselect (uncheck) the “Block all incoming connections” checkbox.
    Select (check) the “Automatically allow signed software to receive incoming connections” checkbox.
    Thanks for coming to the Apple Support Communities!
    Regards,
    Braden

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