Classical Music too soft

I have an issue with the classical music I've gotten off of iTunes for my iPod. It's just too soft. Using the "Sound Check" feature doesn't help as it only compresses the signal so it's all soft.
It's even more noticeable with the Belkin iPod system I just put in my Scion. It's cool because I can change songs with the iPod in the glove box, but on the classical music, I can turn the stereo up to "Max" and barely hear it. I'm about ready to have them take the Belkin system out.
Any ideas?

No, my volume limiter isn't on. It's at full volume, but that doesn't matter with the Belkin system.

Similar Messages

  • Uploading classical music (large files)

    Hi everyone.
    I'm having trouble uploading classical music from my MacBook to the iphone via itunes. Uploads all contemporary music, but won't bring the larger classical music files across.
    I can see the classical music albums in my itunes playlists and it has the option to select this file when i do a manual sync with the iphone (too much music on my Mac to do a complete sync with the small iphone) but nothing comes across.
    Not sure what to do and would appreciate any help!
    cheers
    B
    PS Not sure if this is relevant, but when I open Finder and go to the itunes folder, under the sub-folder "Itunes Music", none of the classical music folders are there. (but they're definitely in the library as I can play them on the Mac).

    I think its possible, You can use NPM modules like "ftp", "ssh2" and so on.
    I often use ssh2 module like below code:
    (function () {
      var Connection = require('ssh2');
      var conn = new Connection();
      conn.on('ready', function() {
        conn.sftp(function(err, sftp) {
          if (err) throw err;
          sftp.fastPut('<local file>',
              '<remote file>',
              function(err){
                if (err) throw err;
                conn.end();
      }).connect({
        host: '<server address>',
        port: 22,
        username: '<user name>',
        password: '<password>'
    Ten

  • Why is iTunes11 against classical music?

    As someone involved in the international regulation of cyberspace and the standards that enable it to function, I have watched Apple recently make a number of mistakes that are increasingly isolating it from governments and the commercial, particularly business, marketplace.  Their non-participation in many of the key international committees in our collaborative world is a pity, not just for Apple, but for its customers - including me. In particular, they aren't participating in key cybersecurity groups, so there is a real possibility in the future that Apple's hardware will be physically unable to connect to any trusted network for the handling of sensitive information, such as your patient record.  Their folly is breathtaking.   I am discovering more shortcomings in Apples latest products, which is a pity.  Most of these affect me professionally.
    However, this one affects me personally.  It is their refusal to engage with loyal customers that is the most frustrating issue - you can tell by the mood in these support communities.  What has really got me is the way in which Apple has really gone to war on classical music folks in iTunes 11, by removing a wide range of controls for managing and listening to tracks (not songs, these are (media) tracks, Apple, not all musicians are singers!).  In iTunes 11, Apple has completely failed to understand that Albums have Artists (as well as Album Artists) and Composers.  And Composers are at least as important as Albums or Artists. 
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    For Apple.  Pay attention - I want my flexibility back!!  Remember Apple - the Customer is Always Right! 

    You are SO right about making things useful to the user:
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    User interfaces should be natural and intuitive, not convoluted nor indirect, requiring the least thought and action, with ALL natural actions being in front of the user at EACH and EVERY step of a process.
    'Pretty' should be an addition or an option, way down the list past 'Functional' and 'Usable'.
    It matters less, strangely, what genre or type we're discussing, the issues are the same:  things which were once easy, natural and intuitive now require more actions in many cases to achieve the desired results while things that are decorative but less useful require few (but not always fewER) actions.
    Saddening, isn't it?

  • Organising classical music

    I started to write this as a response to somebody else's query, but then I thought no, I'm asking for general guidance on the best way to organise classical music to be listened to on my Mac and on my iPod.
    I know that classical music lovers are a (threatened) minority, but oh, how I wish Apple would heed these regular sounds of anguish from us.
    *What we need*
    The 'Song' is an almost meaningless concept when organising classical music; 'Artist' is not much better.
    Classical music fans may want to:
    1. sort by composer
    2. within composer, possibly sort by type (eg symphony)
    3. within type, sort by work (eg Symphony 1)
    4. within work sort by movement.
    *Nested folders?*
    A pretty obvious case for nested folders? (Not to mention having a clear consistent way to order and group movements.)
    Yes - provided you dont have an iPod.
    Thus I can have a folder 'Beethoven', within that I have a folder 'Symphonies' and within that I can have a playlist 'Symphony 5' ( actually two playlists for my two different recordings, otherwise I risk hearing the first movement twice before moving to the second movement). To ensure the movements are played in order, I have to ensure they are listed in the right order in Names (ie have 1,2,3,4 in the title).
    This cludge sems to work in ITunes (although how nice it would be if Names and Albums were replaced by something a bit more akin to the world of classical music, and how nice it would be if one could have an Opus field.
    *Not if you have an iPod*
    But then this scheme falls apart if I sync with my iPod, which can't handle nested folders.
    I quote from my message of 21 October 2006:
    +... is there any sign of Apple introducing nested folders for the iPod (as it did with iTunes) and if not is there any manageable workaround for organising large collections of music?+
    If you have a playlist for every symphony within a folder called Symphonies within Beethoven, you end up with at least nine playlists to scroll through! (Imagine the effect on my 400+ Bach items.)
    I have found the only two useable viewing methods on the ipod are Playlists and Composers and both have serious problems. This is how they seem to work:
    Under Playlists on the iPod:
    If in iTunes, you have a playlist Symphony 1, within a folder Symphonies, within a folder Beethoven,
    on your iPod there will be an item for each playlist, ie lines for each of the nine symphonies And if you select one, you will get the four movements of that symphony.
    If you had made a playlist Beethoven Symphonies, there would be just one item in the playlist - but then once selected there would be all the movements of all the symphonies.
    Under Composers on the iPod,
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    *So, what am I doing?*
    When not cursing Apple, I have already grouped music in folders by composer/broad category of music (in the case of the main composers) and under one playlist for minor composers (ie ones which I dont have much music for).
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    So, for example, for the first movement of one recording of Beethoven's Symphony Number 1 I have the following:
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    Artist-- Nikolaus Harnoncourt; Chamber Orchestra Of Europe
    Composer-- Beethoven (I also put Bach for JS and only put the initials for the other Bachs)
    Album-- Beethoven: Symphony 1 In C, Op. 21
    *Is there a better way to do this?*
    Wouldn't be surprised. But you don't expect Apple software to be so bad that simple users like me have to work out a logic to make things work on both Mac and iPod.

    ed2345 wrote:
    What, for example will you do with an albmum of Maria Callas singing arias from many composers?
    I have indeed got an album of Maria Callas and I put each song under the composer. (I can after all select Callas under Artist and get all her songs that way.)
    ed2345 wrote:
    As a workaround for the iPod, I suggest to manually add the composer in to the Artist field (since the Composer field does not show on the iPod).
    As I said, I tried that and, apart from finding it a messy fix, it means changing EVERY entry, whereas sometimes I get a semi decent one from the CD or the database. (Actually the Composer field does show on the iPod - the problem is that I scroll for ages to get through Bach.)
    I'm pretty certain I sent feedback a couple of years ago, but see absolutely no signs of development of the metadata behind iTunes or the iPod. Sad. I'm an Apple user going back 20 years.

  • What does iTunes match do to my indexing scheme for classical music?

    Over the years I developed a fair-sized collection of classical music CDs. It took time to decide on a scheme to pigeon-hole them into iTunes, but I did a fair job of putting them in by genre (Medieval, Renaissance, Baroque, Classical, etc.).
    Then I standardized the composer names. The problem was that the online CD library was not consistent. Sometimes Mendelssohn was entered as F. Mendelssohn, other times as Mendelssohn, Felix, etc.
    Additional problems arise when you want to find all piano concertos in a minor key or symphonies that are scored for triple winds.
    Anyone still reading is probably a musician and may understand these idiosyncrasies of classical music taxonomy. What happens when there are alternate endings or even movements (e.g., Mahler)? What happens when there are different orchestrators of the same piece (e.g., Pictures at an Exhibition)? What happens when you have multiple recordings of the same piece either played by different artists or the same artist at different times in his/her life (Gould)?
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    Can anyone shed some light on how iTunes Match works with classical music?
    Thank you.

    I'm wondering if anyone can give advice about how to move a classical CD library to iTunes match cloud storage starting from scratch -- that is to say, nothing is presently in iTunes or on computer yet.
    And has anyone has tried Amazon cloud music for the same function, is it easier?
    I have a few hundred CDs, 99% classical, and have never ripped or digitized them. So my library is entirely on the original CDs, and I dread spending hundreds of hours loading them one by one into a computer drive, copying them, and then having iTunes match try to upload and "match" it.
    However, some of my CDs date to the 1980s and although they have no scratches (I care for them very gently) they seem to be corroding. So much for a lifetime of music.
    I don't even have a CD/DVD on my Mac so I will have to buy a Superdrive -- or could I use a networked CD/DVD from an old Windows PC?
    So, does anyone know if:
    (1) can iTunes match recognize a CD as soon as its inserted, if it is indeed a match, save time? 
    (2) If not, for those who have "ripped" to iTunes many classical CDs, what are some tips so that tracks are handled properly -- what format for lossless copying, how to ensure the different movements of a symphony are not shuffled, operas don't have weird pauses between tracks, etc.; and what format so that playback is as close to original quality as possible
    (3) Are there any 3rd party programs that will save time so I don't have to type in all the info -- composer, orchestra, conductor, lead performer... I'd like all that in the library on the Mac but with me having to take as little time as possible to type it in. Any way to take a PDF of the liner note booklet and "link" the scan to the electronic version of the disc that's in the cloud iTunes match so I could keep the liner notes online too? Any 3rd party programs that can take the barcode from the back of the disc and match with an already-online copy of the liner notes so I don't have to spend hours scanning booklets?
    (4) Any services where for a reasonable sum I can ship my CDs and have someone else take care of all this?
    Would appreciate any pointers. Thanks!

  • What's Best Approach for Multitrack Classical Music?

    Can someone suggest the best approach for recording classical musicians onto
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    measure 24, stop, then (take 2) go back to measure 20 and play until the next
    rough spot, and so on. Ultimately there may be 15 takes that all need to be
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    In the old (tape) days, this was pretty basic editing. I would use a blade and block
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    Al the Drifter wrote:
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    I could be wrong about this in the classical music environment,
    where things are not close-mic'ed but if I am, I am confident Steve
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    You always run the risk of small changes between takes - and that's where Audition 3 and the new improved crossfades score rather heavily. You won't notice 1dB on a single instrument across a fade though - it's hard to spot this as a jump, even, unless it's on pure tone. No, I very rarely close-mic stuff at all, although I did with a clavichord recently - it's seriously too quiet to mic any other way.
    jaypea500 wrote:
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    That's the way they used to work, certainly - but not nowadays, especially if it's done on location, which most classical recording is. What's more likely to happen is that you'd use decent mic preamps feeding straight into a multitrack, or even some software on a laptop. I generally record like that - but I also feed the multitrack outputs to a Yamaha mixer via ADAT, do a mix on that and record it back to a spare multitrack pair. I don't actually need to do that - but having a mix available from the multitrack that's pretty much there is good as far as being able to play back takes to conductors is concerned.
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  • Classical Music Track Listings

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    This is particularly problematic for classical music listeners. I just purchased an album of Bach Violin Concertos, and the first few track titles are:
    Violin Concerto No. 2 in E Major, BWV 1042, I. Allegro
    Violin Concerto No. 2 in E Major, BWV 1042, II. Adagio
    Violin Concerto No. 2 in E Major, BWV 1042, III. Allegro assai
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    Violin Concerto No. 2 in E Major, BWV 1042, II. Adagio
    Violin Concerto No. 2 in E Major, BWV 1042, III. Allegro assai
    On the iPod Touch display, this translates to:
    Violin Concerto No. 2 in E Major...
    Violin Concerto No. 2 in E Major...
    Violin Concerto No. 2 in E Major...
    Considering Apple's much-vaunted design prowess, this is a surprising user interface flaw.
    I submitted an enhancement request, but I wanted to vent publicly, too. I feel better now.

  • Classical music organisation

    My carefully organised classical music collection on my iPhone is now impossible to navigate after updating to iOS5. I know I'm not the first to feel that iTunes wasn't designed with classical music listeners in mind and thankfully enough fellow sufferers were generous enough to post suggestions up to get around that, but iOS5 appears to have rendered them a waste of time. Can't say I feel too happy about re-categorising loads of music just to be able to easily access it on my iPhone. Think I'll lave my iPod running iOS4 unless anyone has any other bright ideas.

    Thanks to Mike and Lance for the replies. I had seen those four videos listed. Unfortunately, only the Lang Lang is a classical music video. Andre Rieu plays mostly "New Age" nonsense and the "East Village Opera Company" is -- I don't know what -- jazz-rock fusion, maybe. I like J-R fusion mind you, but I'm looking for classical recordings in this instance.
    Two Intel, Two Dual G5's, Three PowerBooks, etc.   Mac OS X (10.4.9)   A passel of Macs in the house.

  • Shuffle, Grouping, and Classical Music

    Okay, I've been struggling with advanced shuffles in iTunes. Here's the dilemma... most classical music has several movements.
    This becomes troublesome when I try to shuffle my music. I'll often listen to iTunes for 6 hours running, and would like it to randomly pick music. However, I would also like it to pick the movements of my classical music in order.
    I've successfully shuffled by album with my U2 collection, however I can't seem to shuffle by grouping with my classical collection. I assume this is because some tracks in a single grouping have different albums, but why would iTunes do this?
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    Do you have the cds of the music?
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    If this is already imported music, and you don't want to reimport it, there are applications that will let you join already imported music. It will not join protected AAC files. You would have to burn those to a disc and reimport.
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  • ITunes 9 store classical music nightmare

    I foolishly upgraded my iTunes from 8 to 9 and now I am finding it much harder to find things. One reason is that Composer and Release Date are no longer displayable in the "See all" view (which requires an extra click and wait to get to). Another reason is this view is divided into pages and sort only works within the current page.
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    I find this and the white background both very irritating. And, on my collections, they have split my Classical genre into two playlists: Classical & Classical Music. Why? I now can't browse in one category of music. I have no way of readily knowing if the two overlap or not, since there are 700+ albums in each slot. I'm all for upgrading the quality of the software engine and improving the experience of using it. But not when there are such ill-conceived changes that make it more difficult. I would like an option to retain genre categories and the store interface.

  • HT201272 I have several long classical music downloads that do not finish or skip after a minute to the next track. The iTunes store recognizes these as successful downloads.  They are not, but there is no way to complete the downloads now.  Or is there?

    Using ITunes support was useless.  The support help says that they can be downloaded if I go to the store again.  But the store says that they are downloaded and will not download them. It will only allow me to delete them or more correctly "hide" them.
    There are issues with downloads taken on two separate computers.
    Another question is why do all of the earlier Classical downloads, made five or so year ago or more, cut the very ends of each track of Classical music short and cue up the next track too quickly?

    Welcome to the Apple Community.
    Try deleting the problematic tune (electing to remove original file if/when prompted) and then re-downloading the file from the iTunes store.
    You can re-download content purchased from the iTunes store (availability varies depending on location) using the purchased option from the Quick Links section in the top right corner of the iTunes homepage in your iTunes application on your computer.
    You can re-download content purchased from the iTunes store (availability varies depending on location) using the purchased option at the bottom of the screen of the iTunes app on your iOS device.
    If the problem re-occurs, select the content which is causing a problem and use the 'Report a problem' button in Your Purchase History using your computer.

  • Genius Question regarding classical music (or meta-data in general)

    OK - I have a fairly large library and probably 50% of it has meta-data that when pulled up automatically I leave (this is for the bulk, but not all of non-classical genres) as is post import and/or purchase from itunes. Now, here is the enchilada:
    I am a big classical music listener and m constantly tweaking my library to make it as easy as possible to organize classical music - I still don't have it perfected as there isn't a standard - there are many standards and many are based on how you want to prioritize/search for things: I use composer as the "main" field to search(I have it as Mozart, Wolfgang Amadeus as opposed to just Mozart or Wolfgang Amadeus Mozart) and then I also search by Artist as a secondary way which is fine should I want to focus on a conductor or a string quartet, etc.
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    3. My methodology: I do both 1 & 2 and more than 95% of the time I have to tweak the way it looks.
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    Thanks,
    Steve
    hearand I do it by last name, first name

    Based on what I have been seeing over at the Macworld forums, Genius does not play too well with classical music and the situation is really bad if the user modifies any fields to their liking. Using the ISRC code would make more sense, as it is something the user cannot modify and to rely on user-definable fields would result in many libraries being crippled in terms of the new feature.
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  • Volume is too soft.

    The volume on my iPod is too soft.  I've tried different headphones, but I have to have it at maximum level to hear the music.  I have tried resetting all the settings, but it did not work. 

    I have found playing from the headphone jack plays softer on car stereos and what not and while with earbuds I tend to use the volume around 1/3, when playing in my car I have to play the volume on the iPod up to about 80-90% to get "normal" levels.
    So have you tried simply cranking up the volume on the iPod itself first?
    When you play out of the dock connector, this doesn't work because it is a line level output and the iPod's volume control doesn't do anything. But when playing out of the headphone jack, the iPod's volume can be and should be adjusted up high.
    Patrick

  • ITunes match and classical music.

    I listen to classical music, and my iPhone won't download certain tracks over the 3G network.  It says I must connect to wi-fi.  I assume that it is because the file sizes are too large since movements of symphonies tend to be 10 or 15 minutes long. Anyone else having this problem and is there a solution?  I know I can download them over wi-fi, but doesn't that defeat the purpose of iTunes Match which should allow you to have access to your whole library ANYWHERE?

    Individual downloads over 20MB require wifi.  It can't be changed.  Like all things in life, there are limitations.
    http://www.apple.com/feedback/iphone.html

  • ITunes for classical music

    iTunes' structures are for "songs" (one song, one track). A CD of classical music contains one or more "works", each consisting of one or more "movements" (usually one track, one movement). How can I store and manage classical music with iTunes, or are there any alternative applications?

    Obviously, different users will have different approaches to this problem.
    I too am an avid fan of classical music (my iTunes library is over 90% classical). I'm not a great fan of a multiplicity of playlists, though, so I adopt a different approach. I have separate genres for different types of musical pieces — Chamber, Instrumental, Vocal, Operatic and so on. I then have one enclosing folder in my Source list (I call it Classical Categories), within which I have a number of smart playlists (Chamber Music, Concerto, Instrumental, Orchestral, Symphonic). I view these smart playlists as lists grouped with artwork and sort these lists by composer. This has the effect of neatly dealing with those situations where the original CD contains works by different composers, since it separates these out and displays them separately. CDs devoted to music by a single composer still remain grouped as a single item, but viewing as a list grouped with artwork helps make each CD stand out from its neighbours and aids clarity.
    Using the search field within any of my smart playlists gives me instant access, for example, to all symphonies or all concertos (or whatever) by any single composer. In many ways, indeed, iTunes has proved to be a better way to access music in my library than was ever possible with physical CDs on shelves — I've lost track of the number of times I've found it frustratingly difficult to find a particular piece of music 'in the old days' because it was part of a CD which I'd filed under a different composer's name because music by that composer was what I bought the CD for originally.
    As I say, we'll all find different solutions to the problem of using iTunes for classical music, but I'm happy with mine. What would be wonderfully helpful would be for Apple to introduce into iTunes the grouping by 'Work' which they use in the iTunes Store. I also wish they'd drop the use of that word 'song', which is so frustratingly inappropriate in a classical context, and replace it with 'track'. I've submitted feedback about these points on numerous occasions. Perhaps Apple will address the needs of classical collectors at some time in the future.

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