Clip Settings Audio Log and Capture

Whenever I go to capture video from my AJA connected to our DigiBeta deck using Log and Capture, I have to uncheck 14 of the 16 audio tracks turned on under Clip Settings, as I only need two tracks. This seems to be the default audio capture setting. Is there any way to change it to two tracks as the default?

I have this exact same question, only with a Black Magic Deck Link card.

Similar Messages

  • Clips I've logged and captured are too fast

    I'm trying to log and capture AVCHD clips from an external harddrive and use them in FCE 4.0.1
    All seems to be going well, I can preview them and they look great.  Once I put a clip into the queue, it transfers over into my project.  The only problem is that it plays twice as fast (I can't readjust the speed in the timeline or else it looks choppy).  The audio plays normally and gets cut off when the clip ends.
    It's endlessly frustrating that the clip looks great in the load and transfer window when I'm previewing it, but is completely wrong in the project.  What is going on?  And how can I fix this? 
    Thanks

    From the existing info, particularly the clip info it seems like that clips are AVCHD Lite NTSC.
    Panasonic still cameras typically use this format. It's not a standard AVCHD format that FCE likes.
    It won't work directly in FCE so you will have to transcode to Apple Intermediate Codec.
    Try Streamclip from Squared 5 and set the Quicktime export to match FCE>Easy Setup>AVCHD-Apple Intermediate Codec 1920 x 1080i60.
    BTW: To identfy the EXISTING Sequence properties right click the Sequence Icon in the Browser and select Item Properties.
    Al

  • No Audio during Log and Capture

    Hello, I have FCP 6.0 and am unable to hear my audio during log and capture. I have this problem on all 5 G5 Macs that I have, and have tried different editing docks and cables. I have used FCP for more than 5 years and have never had this problem. iMovie has audio during capture, so I am convinced that there is a pre-set in FCP that I don't have checked properly, but I've been over them many times and still have no answer. I searched past forums and didn't really find anything helpful to me.
    My pre-sets are set to DV NTSC 48kHz and the playback pre-sets are set to default. I can hear audio of my clips after I log and capture, but I still need to hear audio during importing. I'm more confused than anything. If anybody has had this problem before or any suggestions for me, I'm all ears.
    Thanks.
    John

    ... as Bogie says.
    However... this is a non-feature that dates back to slower CPU days... yet, still with all the different formats and such I (ME!!) I believe it's still good practice to leave it off.
    Devoting as much CPU work to the capture process lessens the chance for something to go wrong. You can easily monitor the audio directly out of the deck as needed.
    Sure -- octo cores need 30 apps open just to get your money's worth and I'm sure you won't have any issues using an 8th of one to send audio thru itself while the other 7 and 7/8ths are used for capture... but who wants to risk it?
    Not me... I'm to old to change my ways.
    Blast you FCP v1.2.5 on a beige G3 with 7gig and 15gig hard drive -- you taught me well.
    CaptM

  • Logging and Capturing

    As a result of this thread: http://discussions.apple.com/message.jspa?messageID=3857627#3857627
    I did a test of various ways to capture footage into FCP. Sorry for saying this again but I’m new to FCP - after 20 some odd years editing with proprietary, Avid and Premiere Pro NLE’s. I mention this [again] because it is hard to teach an old dog new tricks, and some of the bias that I’ve gathered along the way might show up in the way I approached this.
    I have four one hour HDV tapes recorded on a Sony HC1; I used the same camera that created the tapes to down convert and capture standard definition NTSC anamorphic DV. Each taped averaged about 70-80 clips.
    Tape 1
    The first tape I logged the clips using the controls in the log and capture window. Fairly straightforward, but the HC1 was not very responsive to the J/K/L keys and the image in the capture window was very low resolution during scrubbing and searching. This made the process of logging slower than it should be. Once logged, batch capturing was fairly quick [about 1:12:00:00 to capture a 60 minute tape] and pretty much what I expected.
    This was not a very efficient way to capture 70-80 clips, a lot of time wasted with pre and post roll. If you had fewer, 20-50 this might be the better way to capture but for what I was doing this was my least favorite way.
    Tape 2
    After entering the clip information into the log window I hit K key and capture “Now” button and captured the entire tape. I was a little concerned at what would happen when timecode ran out at the end. Nothing happened, it stopped and the clip appeared in the capture bin – all was good.
    Once captured I created a custom Browser window with only the columns I wanted to log and make subclips: [following Steve Braker’s instructions]
    1) Loaded the master clip into the viewer.
    2) Set in and out points for the first clip.
    3) Command-U to create a subclip.
    4) Re-named the subclip, added description and label.
    5) Click in Viewer and
    6) Repeated steps 2-5 until 70 clips later it was complete.
    Steve suggested deleting or moving the master clip, however checking the folder in the finder where the master clip was store revealed that this process didn’t produce individual clips. Apparently the subclips are simply pointers to the master file so I didn’t delete it.
    This process was surprisingly fast but I still ended up with a single file that was approximately 5GB’s which made this process almost useless for working with subclips in Motion2 for example.
    Tape 3
    Marked an [in and out] in 20 minute intervals to create three master clips for this reel.
    1) Loaded the master clip part 1 of 3 into the viewer.
    2) In the Mark menu selected DV Start/Stop
    3) After FCP placed markers at the scene breaks I “clicked the disclosure triangle” next to the master clip to reveal all of the markers in the Browser.
    4) Selected all of the markers to highlight them
    5) Chose Modify>Make subclip after which the subclips appeared in the same bin as the master clip and markers [note* at this point I checked my hard drive to find there was still only one contiguous master file for these subclips.
    6) Re-named each subclip, added description and label and then placed them in a separate bin and placed the subclips that I didn’t want to keep in a bin to be deleted. [temp trash]
    7) Highlighted the subclips that I wanted to convert to Independent clips
    8) Chose File>Media Manager
    9) Chose Use Existing from the “Media referenced by selected clip” drop down.
    10) Selected the “Delete unused media from selected clips.”
    11) Chose Clip Names from the “Base media file names on” drop down (Oops, sorry that’s for a PC) pop-up menu.
    12) Un-checked the “Duplicate selected clip and place into new project.” This placed the independent clips in the same folder on your hard drive as the master file for the subclips. I suspect although I did not test it that if I had this checked I could choose a different folder?
    13) Held my breath and clicked OK!
    14) That’s when FCP started treating me like a total idiot “are you sure you want to do this, you’d better be because there’s no going back. Are you really, really sure…” Anyway for me since this is the only project on this machine I didn’t even read the warnings [yes I am an impatient idiot] **** the torpedoes full steam ahead..
    15) Done! NOT Quite yet. You’d think that since I un-checked the “Duplicate selected clip and place into new project,” that FCP would be smart enough to place the new clips in my project window. Didn’t happen, had to control click and import files.
    This process requires a bit more explanation. I had 16 subclips that I converted to independent clips, after which I deleted all associated subclips and markers. When I imported files there were only seven clips in the folder where the master clips was saved [now deleted as part of this process].
    On further inspection all of the footage that I wanted was there, HOWEVER, by using the DV Start/Stop to create markers and then using those markers to create subclips if there are two or more clips with continuous timecode it consolidates them into one contiguous clip thereby defeating the purpose of creating the subclips in the first place. I’m guessing but if I hadn’t deleted some of the subclips I didn’t want to convert I would have ended up with the same large file with a different name.
    The manual recommends that you delete the master clip from the Browser before converting the subclips into individual clips. I was suspicious of the need to do this so I left it and after the conversion it did what I expected, became offline. It was a good thing because I could use it to recapture. Also, any logging with description and labels etc is history it is not included in the new independent clip.
    Tape 3 Part 2
    I won’t bore everyone with going through the steps I’ll just explain how this one was different.
    1) I didn’t use the DV Start/Stop option, instead marked I/O separately leaving at least 2 frames between edits to make sure there was discontinuous timecode.
    2) I also didn’t bother naming or logging at this point and left whatever ridiculous name the subclip process assigned.
    3) The settings in the Media Manager were all set from the previous conversion hit OK [this time read the warnings which would have done nothing to correct the previous attempt].
    4) 12 subclips went in and 12 new independent clips came out.
    5) Once I had the new clips I logged and added descriptions and labels etc…
    Although this sounds like a very convoluted process, and it is certainly much more difficult than it needs to be, by the fourth tape it was predictable and quite fast.
    I will say though that because FCP consolidated any continuous clips without warning you really have to pay attention to detail. And it would be nice if we could use the log & capture window for this process so any descriptions, labels etc would be carried forward to the new clip.
    Certainly not as easy to accomplish as it is in PPro but definitely possible. There might be more functionality that I just missed, if so please let me know. Anything that can be done to simplify this would be helpful.
    Mac Pro. 5GB RAM. 1TB SATAII RAID 0.   Mac OS X (10.4.8)   FCP 5.1.2

    When you delete the master clip from the browser, you aren't deleting the media file it referenced. So the subclips reference that same original captured QT movie, it's just not in your project.
    It will work. try it. It's how I've been working for about 6 years now. I don't have problems with subclips at all doing anything I want to with them.
    Subclips are nothing more than reference files that reference a portion of a master clip. A Master clip is nothing more than a reference to the media file that you're capturing... it's not the media it's a reference to it.
    Subclips are how FCP was really intended to be logged I think. I don't like long captures at all, and would prefer to actually capture the way you did the first time... but because it takes longer, I usually don't have time to do things that way. However, if you do things that way, you can add descriptions etc. to the logged clip in the Log and Capture window, if that helps your workflow.
    The responsivness you lack with your HDV camera is because it's HDV... HDV doesn't contain all of the pixels of every frame, so to see a single frame the computer has to do a lot of processing to show it to you. It's an MPEG stream, which uses whole frame information every 8 or 15 frames only. The rest of the frames are the difference between the frames only on the recorded tape, thus the work and slow response to HDV logging and capturing.
    P2 on the other hand, would make ALL of this MUCH easier to deal with. For one thing, each take is an individual file, and it's an all I frame format so it's easier for the computer to deal with. It renders 8 times faster than HDV does... no "conforming" necessary.
    Jerry

  • Audio lag from Canon XHA1 speaker during log and capture

    Hey All,
    I'm working with a Canon XHA1. I'm logging and capturing video shot in HDV (1920 by 1080) @ 60i, . I can see the video on screen but the audio playing back from the camera is about half a second behind what I'm seeing on screen.
    My video monitor on the camera sincs up fine with the audio during this process AND my final capture is fine. It's just hard to work with this audio delay during the log and capture.
    Is this a settings issue? I don't think I can monitor sound through the computer during log and capture, right?
    Here are my settings:
    Sequence preset:
    HDV - 1080i60
    Capture preset: HDV
    Device control preset:
    HDV Firewire Basic
    Video Playback: None
    Audio Playback: Default
    Any suggestions?
    AND can anybody tell me what Apple Intermediate Codec 1080i60 means?
    PowerBook G4   Mac OS X (10.4.5)  

    Oh, and I neglected to mention I'm using a MacBook Pro running 10.4.10 and I'm running FCP 5.1.4
    Thanks in advance.

  • Audio Not Matching Up after Log and Capture

    After I log and capture my film on my computer a message puts up and says something like your audio is not aligned with your film you may want to fix the audio. The audio is way off from what I was filming. I tried 3 different Mini DVs and all had the same results. The good thing was I was just trying to make a sort of pump up video for a friend for colleges to look at so it wasn't that vital for most of the film. But when I needed the part where she was speaking about her stats and everything I had to relign the audio to match the movement of her mouth. Did I accidentally change a setting when importing film onto my computer?

    hello
    You might have captured the media with a different audio sample rate to how it was recorded in the camera. The default, standard audio rate in FCP is 48kHz, so the tape might have been recorded at 32kHz, or alternatively, it might have been recorded at 48kHz but you might have you project set up at 32kHz...
    Your capture/project settings should match the media.
    You can check the audio rates by looking in the browser window... scroll accross to the column that reads Aud Rate... what does it say?
    Then check your sequence by clicking on the timeline and pressing command(apple)+0... this will bring up the sequence settings window... look at the Audio Settings... wgat does it say there?
    J.

  • Why is my time audio out of sync when I log and capture?

    When I log and Capture from my server, it copies everything.  But when I play it, that audio doesn't match the video, but when I pause it, it stops on the place it is supposed to be?  Anyone have this happen to them before?  Please let me know.  Thank You!

    I don't understand.  You log and capture FROM tape.  You could log and capture TO your scratch disk which could possibly be over a network.  If this is the case, try capturing locally and see if that works.  If so. the problem is with your network, not fcp.

  • Log and capture or Log and transfer?

    I'm a newbie to FCP, I've been working at it and researching, so I have a basic understanding, been able to do some good stuff, now I'm looking to find more time-economical ways to do things.  I'm a football coach, looking to cut up game films into individual plays (1 play per clip), and ideally being able to name each clip by it's play name "Trap" or "Pop Pass" for example.  It looks like I need to get into logging if possible.  My workflow at present when dealing with an opponent's film is to take a DVD, and get it onto my computer using MPEG Streamclip.  I've been using DVC-PAL as a codec at someone's suggestion, I can't rmemeber where I got that.  Is this a mistake?  Anyhow, I now import that movie file into FCP using File>Import.  At this point I can't do any logging though, if I try Log and Capture or Log and Transfer I get "Unable to initialize video deck", though it tells me I can still use Capture Now.  Once it opens the Log and Capture window, I get "Error: this operation requires a controllable deck."  and directs me to the Audio/Video Settings.  Here's where I'm pretty much lost.  Do I try to adjust settings from here?  If so, to what?  Do I need to start by changing my MPEG Streamclip settings and then trying to match those up in my FCP Audio/Video Settings?  Or do I need to completely overhaul the way I'm approaching this?  ARGH!  I've been impressed with myself getting to this point, any help from here would be greatly appreciated, thanks all!
          Grouch

    Log and Capture is used if you are capturing footage from tape based formats.  DV, HDV, HDCAM...others.
    Log and Transfer is for tapeless camera systems.  P2, XDCAM, Canon DSLR, AVCHD. 
    If your footage comes from DVDs...and you convert the footage to QT files...then you simply go to FILE>IMPORT.  You don't log with this method.  Just import and work with the footage.

  • Why wont my footage log and capture?

    Why wont my footage log and Capture?
    I have my Canon XH A1 connected to my Mac OS X computer. I am using Final Cut Pro to download the footage onto my Mac. The capture settings are set to HDV capture but it wont download properly.
    The computer downloads the first 20 seconds of footage then stops. The tape in the camera continues to roll to the end and then gives me the 'End of tape' window- but nothing has been downloading past the initial 20 seconds.
    Usually when HD footage is downloaded Final Cut creates many little clips. (Unlike normal DV which creates one big file). For some reason this isn't happening after the first 20 seconds.
    Then, even though I have already created a named folder for the footage to be saved into, the computer asks me to save it as an untitled project somewhere else.
    What is going on?
    My download settings for HDV log and capture are:
    Sequence Present: Apple ProRes 422 1440x1080 50i 48 kHz
    Capture Present: HDV
    Device Control Present: HDV FireWire Basic
    Playback Output Video: Digital Cinema Desktop Preview-Main
    Playback Output Audio: Default
    Edit to Tape/PTV Output Video: HDV (1440x1080) 50i
    Edit to Tape/PTV Output Audio: Default
    Help!
    Message was edited by: Caroline2

    Do you have an external firewire drive connected? Canon equipment is unreliable capturing via firewire to a firewire drive, or even when capturing to a non-firewire drive when there are other devices present on the firewire bus.

  • Preview disabled in log and capture

    I am using Final Cut Pro 7 on the latest iMac i7.
    I have a DVCam deck connected to the iMac via a firwire 800 cable.
    There is a DV tape with DV footage in the deck.
    I am able to control the deck from log and capture but the display is the colour bar window with PREVIEW DISABLED on it.
    I have checked and double checked that my settings are correct, that video and audio are selected in capture settings etc etc.
    Everything is selected correctly on the deck.
    All mu suer preferences and presets are also correct.
    I have trashed FCP preferences as well.
    The content on the tape is viewable fine on the camera and on an external monitor.
    So, in summary:
    I am unable to log and capture DV material from the tape even though the deck is controllable from log and capture window.

    It's a Sony DVCam DSR 11 deck which will play mini DV or DvCam tapes recorded in PAL or NTSC.
    I haven't changed anything on the deck at all since last usung it a few weeks ago with the G5 and Tiger OS. I simply unplugged the firewire and plugged it straight into the new iMac.
    The old G5 was running FCP6, but because the G5 and Tiger (it's was a pre Intel machine) won't run FCP7 I decided to use this as the reason to upgrade and chage to the iMac i7 Lion OS.
    The material in question is PAL DV on mini tapes.
    The camera is a Panasonic DVX100A and only capapble of recording in SD DV.
    All the selection switches are correct on the deck. I'm puzzled why I can get the image and capture from the camera, with the same cable, and yet not from the deck.
    Thanks Michael

  • Perturbing FCP 7 Log and Capture Question

    I tried to digitize some HDV footage this afternoon, in theway I’ve always done it, but now suddenly it doesn’t work.  Details to follow, but first my rig:
    Mac Pro (Nehalem 2009) running Snow Leopard 10.6.8, NOFIREWIRE 400 PORTS
    Final Cut Studio 2 with FCP 7
    Sony Z1U HDV/SD videocamera connecting to Mac Pro via i.linkcable (aka firewire); I am using this to ingest because I can’t afford a deckat the moment.  I know about thewear on the heads, etc., etc.
    OWC Mercury Elite-Al Pro external media drive connected tocomputer via eSATA.
    Here’s the scenario (keeping in mind that I’ve done thiscountless times in the past with no problems):
    I connect the Z1U to the OWC drive with a 4-pin to 6-pinstandard FW 400 cable.  I do thisbecause the Mac Pro does not have any FW 400 inputs but the OWC drivedoes.  So I am in effect“daisy-chaining” and perhaps this is the problem.
    I turn on the camera.
    I start up FCP. It tells me:  “Unable tolocate the following external devices: HDV (1440 x 1080) 60i.”  After hitting “check again” a fewtimes, I hit “continue.”
    I load my new project, into which I want to bring all thiswonderful HDV footage of my friends’ wedding.  And, as I have done so many times, I hit command-8 to bringup the log and capture window.
    To my horror, it says, “Unable to initialize capturedevice.  Device is not connected orthe capture preset is not setup [sic] correctly.”  Etc., etc.
    I have read many posts here and elsewhere on similarproblems, so let me say what I have done:
    I check Easy Setup: It says HDV – 1080i60, which is what it should say.
    My Audio/Video Settings are:
    Sequence Preset: HDV 1080i60
    Capture Preset: HDV
    Device Control Preset: Sony HDV Firewire
    Video Playback: None
    Audio Playback: Default
    So now I go to my camera.  It is set to output HDV.  Component says 1080i/480i.  i.LINK Convert is off. Down Convert says Squeeze, but I assume that’s meaningless since thei.LINK Convert is set to off. A/V>DV Out is set to off.
    None of this makes a lick of difference, as far as I cantell.
    I shut off the camera and disconnect the cable, thenreconnect the cable and turn it back on. No help.
    I trash my FCP preferences, start FCP again, redo myprefs.  Nothing.
    I hit the reset button on the Z1U.  Nada.
    I do all this and then reboot the computer.  Bupkis.
    The footage was definitely shot in HDV.  I can play it fine on the camerascreen.
    I check the cable, which is brand new; it is firmly in placeon both ends.
    Okay, so now I turned off the camera, quit FCP, ejected theOWC drive and turned it off.  Iunplugged the eSATA cable.  I wentand got my MacBook Pro and connected it to the OWC drive with a FW 800 cable.  The camera was still connected to theOWC media drive via the i.LINK cable. I turned on the drive; I turned on the MacBook Pro; I turned on theZ1U.  I started up FCP, and here’swhat happened:
    It worked perfectly. No problem recognizing the camera, noproblem controlling it from the L&C window.
    You might say that this solves my problem.  But I prefer to edit on my desktopcomputer, and I am irritated that I can’t figure out what’s wrong.  My suspicions are that it must havesomething to do with the cabling. FCP is working just fine with the Z1U routed through my media drive, theOWC.  The only differences are thatmy drive is not connected to the computer via eSATA but FW 800.  I see no differences in the settings.
    Any insights?
    Thanks,
    Giraut

    From what you say, I would suggest that the OWC enclosure does not utilize/energize the firewire interface when it is using the eSata.
    This is just a guess.
    Connect the Drive/Camera to your desktop via the FW800 cable: Mac Pro > FW800 Cable > OWC enclosure >FW 6Pin to 4 Pin Cable > HDV Camera. The speed difference between eSata and FW should be minimal as in each case you are limited by the FW400 connection at the camera.
    MtD

  • FCP 7 Crashes Every Time On Log And Capture

    Hi,
    I have a Sony TRV950E connected to my new i5 iMac (10.6.4) via Firewire. I've selected Firewire PAL profile. Every time I hit 'Log and capture' FCP 7.0.3 crashes (I've included edited crash log highlights below). If I had any hair I'd have pulled it out long ago over this!
    Here's what I've tried so far:
    Trashed FCP Prefs
    Reinstalled FCP (using FCP remover tool) and patched up to latest version (7.0.3)
    Reinstalled Quicktime X from system disc
    Ran Disk Utility Repair Permissions several times
    Reset PRAM
    System profiler lists camera correctly under firewire settings
    Tried Firewire PAL Basic profile in FCP
    New firewire cable
    Noticed Quicktime 7 wasn't installed, so installed from Snow Leopard system disc.
    Captures perfectly in iMovie using DV VCR (which proves camera/firewire/cable are working).
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    If anybody could shed any light on what else I can try I'd be eternally grateful.
    Thanks.
    Partial Crash Log
    Exception Type: EXCBADACCESS (SIGBUS)
    Exception Codes: KERNPROTECTIONFAILURE at 0x0000000000000027
    Crashed Thread: 0 Dispatch queue: com.apple.main-thread
    Application Specific Information:
    objc_msgSend() selector name: release
    Thread 0 Crashed: Dispatch queue: com.apple.main-thread
    0 libobjc.A.dylib 0x998f5ed7 objc_msgSend + 23
    1 ...dio.SoundManager.Components 0x0fd02215 HALInputComponentDispatch + 341
    2 ...ple.CoreServices.CarbonCore 0x9886bd19 CallComponentDispatch + 29
    3 ...ple.CoreServices.CarbonCore 0x9886c0a2 CallComponentClose + 43
    4 ...ple.CoreServices.CarbonCore 0x9886bfcb CloseComponentInternal(ComponentInstanceRecord*) + 101
    5 ...ple.CoreServices.CarbonCore 0x9886bf4c CloseComponent + 46
    6 com.apple.audio.SoundManager 0x92fbe7a6 SPBCloseDevice + 53
    7 ...ickTimeComponents.component 0x925f1b30 _SGSoundClose + 237
    8 ...ple.CoreServices.CarbonCore 0x988735a4 CallComponentFunctionCommonWithStorage(char**, ComponentParameters*, long (*)(), unsigned long) + 54
    9 ...ickTimeComponents.component 0x925f0cba _SGSoundComponentDispatch + 129

    I removed the USB soundcard and it's fixed! All capturing perfectly. Thanks very much Jon.
    I have a supplementary question if I may. Ideally when I'm editing I'd like to run the sound through my Mackie MR5's connected via my Numark USB soundcard (the setup I use the rest of the time on this Mac) rather than use the internal iMac speaker.
    If I choose 'Numark USB Audio Device' or 'Default' under 'View-Audio Playbak' I only get audio on the viewer window not the canvas? If I change audio output to 'Built In' all audio plays fine on both viewer/canvas. I've tried rendering everything to no avail.
    Just seems odd the audio works in the viewer with the soundcard but not the canvas?

  • Canon Vixia HF M31 Log and Capture

    I would like to log and capture in FCP 7 with my Canon Vixia HF M31. It is USB connection only. I am able to Log and Transfer clips, but like to log and import to FCP 7 as I shoot, so Log and Capture.  Any ideas on the settings, or if this is even possible? Thx

    You cannot live capture with that camera...this won't work over USB.

  • Log and capture problems for HDV using FCP 5.0.1

    I cant seem to get a picture in my log and capture browser when using HDV. The screen says my camera is connected, I see timecode correctly rolling in sync with my cameras timecode, I can use the controls, but no picture on the screen?
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    we shot at 720p at 25fps, there is no capture preset for this in my version of FCP. Could this be the problem? Please help!!

    Thanks for responding.
    It's a mac osx 10.4.11 and a 2 ghz intel core duo. I'm using easy set up in final cut pro, but there is no option for hd fire wire basic (which apple support told me to look for). The only hd options are 1080i50, i60 and 720 p30. The other hd options are for the apple intermediate codec. When I use the easy set up for hd 1080i60, then go to log and capture, it doesn't give me the preview window to set in's out, batch capture etc. It only lets me capture straight from the camera and I have to manually stop it and start it which is a major pain. Plus the clips need to be rendered once I put them in a timeline. I've shot and edited on mini dv with final cut for nearly 7 years, but now that i've tried to upgrade and shoot hd mini dv, all of these problems have arrived in capturing. I'm starting to think my version of final cut pro (5.0.1) just doesn't work with hd, unless it's very time consuming. Any ideas?

  • Final Cut crash on 'Log and Capture' selection

    Hi guys,
    So I have a BlackMagic Decklink Extreme card installed, and hooked up to a Sony J-3 DigiBeta Deck.
    When I attempt to 'log and capture' final cut crashes before the capture window pops up. This happens on all setup's (10-bit/8-bit/JPEG) when I have device control turned on (RS-422). If I turn off device control, the capture window opens normally, and I can do a capture now, which is no good to me for logging purposes, or doing offline edits.
    So, my question: Is the device control crashing Final Cut due to the fact that Im using an intel mac with Final Cut 5.0.4? Can anyone confirm this for me? Or is there something I can do to fix this? Has anyone experienced this problem?
    Device control works outside Final Cut, in BlackMagic Deck Control, so I know its not a card issue.
    Im still waiting on a copy of Final Cut 2, its in the pipelines... but in the meantime if there is a quickfix to this, help would be much appreciated, as Final Cut 5.0.4 is otherwise extremely stable for me...
    Thanks,

    Some background:
    720x480 is a non-square format. It can either be the equal of 640 x 480 (4:3) or 954 x 480 (16:9) depending on what you tell your editing software the incoming stream will be.
    If you told FCP the incoming stream is DV/NTSC 4:3 and you are getting a pillarboxed image, FCP is thinking you are sending it a 16:9 version and is filling the the sides to keep the aspect ratio correct.
    It would help to know a whole lot more about settings within FCP and what your mixer is putting out.
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