Codec error from photoshop using fade in with final cut pro

I'm trying to render a video, but i get the error "codec error"
The clips are actually still layers coming from photoshop cs2.
The rendering 'breaks' when i try to add a video transition- fade in.
It still doesn't allow rendering even if i use the motion tab to mimic a 'fade in' by increasing the opacity from 0% to 100%

It is possible and very, very simple.
Just mark in and out on the still, allowing for enough extra frames (handles) to make the transitions.
Let's say that you edit a psd, or any still image for that matter, into your Timeline.
You initially decide on a hard cut in and out, with a duration of 5 seconds.
Now you decide to dissolve in and out of the same still instead but you need extra frames for the transition duration:
Double click the still, so that it appears in the Viewer. Click the box at top left that shows 00:00:05:00.
Change it to a duration that will include enough handles. Add your transitions.

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A Case Study Question in the Use of Stills with Final Cut Pro

Believe it or not, for the last week I have been reading endlessly about pixels, resolution, aspect ratio, Photoshop resizing, the bloody battle over the usefulness of the term "dpi" in video discussions, and generally about what one should do in order to use still images in a film edited in Final Cut Pro. And yet, though I have a PhD from an Ivy League university, and can understand a lot of things, I am sorry to say I am still at a loss.
Much of the discussions of photos on forums like this one are either quite technical or broadly philosophical. But my questions are completely practical and specific. I am not a photographer or a printer, nor am I an experienced editor. I am just a fairly smart person trying to use photos in his film. So I am going to ask some specific questions and hope for specific answers, without any philosophical waffling or technical mumbo jumbo.
I have one of those HP all in one printer/fax/scanner machines. I am told this device, while not fancy, is perfectly adequate to the task. Some of my photos I scan with this device from prints. Some of them I get from other people. (I have stopped downloading photos from the web, as the quality is nearly always poor.) I have Photoshop Essentials (not Photoshop). I am making a 90-minute HDV documentary, 16x9. The doc is mostly HDV footage with a still here and there. I want to be able to move on the photos (zoom, pan, etc.). I want, obviously, for them to look good. My sense is that the work flow is: (a) scan the photo (or obtain from some source as a digital file); alter the photo in some way in Photoshop; and (b) import the photo into your FCP project.
Question #1: If I have a 6x8 print, what settings should I scan it in with -- is it possible there really is no difference between scanning in it at 72dpi and 300dpi? Is it really all about the dimensions of the image? Isn't a photo whose dimensions are enlarged in Photoshop to make it available for panning and zooming in my sequence going to look fuzzier and more pixelated if it was originally scanned at 72dpi than at 300dpi? Also: Does it matter if I save it as a jpeg or tiff? Bottom line: What settings do I use in my scanning software when I scan a photo for this purpose?
Question #2: Once I have the image file on my hard drive, I suppose I now have to load it into Photoshop Elements and do something to it. What is it exactly I am using this program for? I'm going to take a wild guess. I use PS Elements to (1) crop the photo so that it has a 16x9 aspect ratio, and (2) resize it so that I can do pans and other Ken Burnsy moves on it in FCP. Bottom line: What exactly do I do in PSE to the photo and what settings do I use to both (a) make it available for moves and (b) not injure the quality of the photo by increasing its dimensions?
(In passing, I will say that I have done experiments that show that if I increase a photo's dimensions to, say, 4000 pixels by 2000 pixels, the photo's quality definitely and obviously suffers. I don't understand how a picture can be increased in size without losing sharpness. So, what am I doing wrong? Is this a function of it having been scanned in improperly to begin with?)
Question #3: If I am obtaining a photo from an outside source -- say, a professional photographer -- what are the specifications I ask for in both a hard print and a photo file? If the former, what dimensions do I ask for? If the latter, do I specify resolution and dimensions and file type?
These are my questions. At this point, I really don't want to know WHY any of this is the way it is. I just want someone to say: "Do this; do this; and then do this."
Thank you very much.

Studio X is absolutely correct; while DPI has no meaning in the video world, it often has significant meaning in scanning (and, of course, printing). If your scanning program only allows image size adjustments in DPI, then you'll have to adapt to that ... keeping in mind that the scanner's DPI setting directly relates to pixel resolution. And it is pixel resolution (not DPI) that will make all the difference in the world for images used in video. You can test this yourself by scanning an image at 1000 x 1200 @ 72 DPI and again at 1000 x 1200 at 300 DPI. They will look identical on TV or projection as long as the pixel resolution remains the same.
As an example, my Epson scanning software allows me to adjust image size by DPI or pixel resolution. Wanting to maintain the correct aspect ratio for the image area that I'm scanning, I adjust the DPI setting which in turn adjusts the pixel resolution automatically. But it doesn't work the other way around; if I adjust the pixel resolution settings manually, the DPI setting does not change. Your software may vary.
As Jim Cookman suggested, a scan setting of 300 DPI works well for most images ranging from 3 x 5 to 4 x 6 (typical snapshot size) in a DV Sequence. I may scan smaller images at 400 or 600 DPI and larger images (8 x 10 and up) at 150 DPI. Other size images fall in between those numbers. But I'm constantly watching the pixel resolution numbers to make sure I'm getting what I'll need to support the animation I intend to apply to the images once in FCP. Also bear in mind that I don't always scan the entire image. I only scan the area of an image that I intend to use in my program.
So the answer is that it all depends on your scanner's software and how far you plan to push into an image once in FCP. Do a few experiments ... you're a bright fellow so it shouldn't take long for you to find the formula that suits your purposes.
I haven't edited an HD Sequence using images yet, so I cannot offer definitive pixel resolutions for you there.
On to your specific questions:
1. See above. There is no one correct answer It all depends on what you intend to do with the image once it's in FCP. If you only plan to push in about 10%, you won't need much higher resolution than the equivalent of your FCP Sequence resolution. If you plan to push in further, you'll need a higher resolution to support that move.
2. I've been doing these for many years (SD Sequences only) and I've never loaded them into Photoshop first. I import the entire folder into FCP and drop it on the Timeline so I can see what the images look like on TV; unless your program is for CD-ROM or web delivery, that's where it counts. When you place them on the Timeline, FCP will automatically scale to your Sequence settings and pixel aspect ratio. If I see that some of them need adjustment using an external editor such as Photoshop, then and only then do I use that program. And by the way, if you have a vertical image and a 16 x 9 aspect ratio in FCP, how do you propose to crop it to fit? Perhaps you meant another term instead of "crop."
3. If it's a print, it won't matter what size they supply because you'll control the image size when scanning. If it's a file ... once again, the size (pixel resolution) depends on what you intend to do with the image once in FCP.
I really don't want to know WHY any of this is the way it is. I just want someone to say: "Do this; do this; and then do this."<<</div>
With that attitude, how did you ever earn a PhD from an Ivy League university? But if that is truly all you want, you might consider hiring an experienced editor to do it for you.
-DH

Buying a mac book pro to use with final cut pro

does anyone have know what specifications I should be sure of before purchasing a laptop? I will be using it extensively with Final Cut Pro HD as well as many other programs
thank you all as always...

In addition to what Jerry and David said, if you have Final Cut Pro HD (4.5), you'll need to crossgrade to get the full benefits of your macbook pro.
http://www.apple.com/universal/crossgrade/

Use other codecs like DivX or mainconcept with Final Cut Pro

Hello,
I'm trying to use DivX and/or the h.264 codecs from mainconcept with Final Cut Pro X (10.0.2). Both tries failed...
Do I have to do something special to activate these codecs with Final Cut and Compressor?
Thanks in advance
Sascha

Ok, but neither DivX or the codecs from mainconcept appear in Compressor. Reinstalled everything but had no luck...
Can someone acknowledge that the DivX and Mainconcept codec ( http://www.mainconcept.com/products/apps-plug-ins/plug-ins-for-mac/movieexport.h tml ) are compatible with Final Cut Pro X?

Error messages during editing with Final Cut Pro

Hello,
I am working with Final Cut Pro for the first time, editing my first indie movie project. The software normally works fine and when I started this project it ran fine for a while. But the software is now operating increasingly slow, to the point where it won't let me advance frame by frame. And I am getting several error icons popping up in the viewer window and the clip window to the right and I don't know what they mean. One of the icons is a little yellow triangle with a black exclamation point in the middle. Another is a little whi circle with a black letter x in the center. Another is a small green circle with a check in it. Does anyone know what any of this means? Could I be out of ram on the hardrive? I noticed that the changes occurred as soon as I did ctrl + z to undo an edit - it went haywire right after that. I would greatly appreciate any tips, thoughts, suggestions. Thank you.

Slow performance can come from a number of different things. Without knowing more detailed information about your setup or workflow, it's difficult to accurately troubleshoot.
-What kind of Mac are you using?
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-Where is your source footage located?

Is it possible to use Speech Recognition with Final Cut Studio?

Is it possible to use Speech Recognition with Final Cut Studio?
Using either Speech, AppleScript, Automator or a 3rd party app
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to voice commands?
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thanks

Yes, I wish "Make it really good" and "Fix my rough cut"
were commmands too
I did hear from the folks at iListen that
they are planning on releasing a ScriptPak
for Final Cut Studio next year which could be
cool
and that yes, iListen has some capability to
integrate Speech Recognition with Final Cut,
guess I need to give it a try for a test ride

Can I use Final Cut Express 4 with Final Cut Pro 10

Can I use Final Cut Express 4 with Final Cut Pro 10 on the same computer?
Thank you,

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You can check this for yourself by downloading the free 30 day trial from
http://www.apple.com/finalcutpro/trial/

I get this message often with final cut pro 7 "Autosave: File Error: Unknown file?

I get this message often with final cut pro 7 "Autosave: File Error: Unknown file?

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Panasonic camcorder HDC-TM90 any experience using Pavtube Video Converter with Final Cut Pro X

Does anyone have any experience using Pavtube Video Converter with Final Cut Pro X for Panasonic camcorder HDC-TM90 shooting in 1080 P 60 ( mts file extension)

Don't use these generic offbrand converters to get footage into FCP X. they re-encode your video and cause loss of quality. If FCP X cannot import your video then use a utility that simply re-wraps it into a quicktime file with no transcoding or loss. I prefer Clipwrap which works great and is updated frequently but there are free alternatives like Media Converter or Rewrap.
But version 10.04 of FCP X should import it directly from camera as long as the folder structure is complete and you are not trying to merely import it from single mts files.

How can i make a picture from a video file with final cut pro x?

how can i make a picture from a video file with final cut pro x?

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Whats the best blu-ray writer to use with final cut pro x

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Created project using Final Cut Express 4, can I open it with Final Cut Pro

Created a short video using Final Cut Express 4, will my teacher be able to open this project up with Final Cut Pro???

Depends on exactly which version of FCP your teacher is using.

TS1846 I have some troubles recently with Final Cut Pro 7 and would like to remove my preferences. I can't find any "com.apple.finalcutpro.plist" file from the Preferences folder but I do have some preferences. So, where could be the file ?

I have some troubles recently with Final Cut Pro 7 and would like to remove my preferences. I can't find any "com.apple.finalcutpro.plist" file from the Preferences folder but I do have some preferences. So, where could be the file ?

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LATINOS ARE SCREWED with final cut pro x. Everytime I use tildes like á for example. FCPX freezes and restarts.... really is a bummer. And on a side note, Color Curves? 3 Wheel Color Wheels? XML support? Can´t wait for multicam. God Bless!

With final cut pro x. Every time I use tildes like á for example. FCPX freezes and restarts.... really is a bummer. PLZ FIX. Here in Colombia I can not use FCPX for projects which involve names or text. (ALL PROJECTS)
And on a side note, Color Curves? 3 Wheel Color Wheels (color board is great, but i didnt read a 400 page book on 3 wheel color correction for nothing) ? XML support? Can´t wait for multicam. God Bless!
FCPX IS GREAT. It really is. Just a few features are required.....

w andrewfromjupiter wrote:
Tildes can be both
I think the idea that an acute accent can also be called a "tilde" is total nonsense.
http://en.wikipedia.org/wiki/Tilde
http://en.wikipedia.org/wiki/Acute_accent
But good idea to report the bug here:
http://www.apple.com/feedback/finalcutpro.html

Opening a Final Cut Express File with Final Cut Pro

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Now that I'm at home, I saved the files to my harddrive.. but now can't seem to be able to open them with FCP. I keep getting Error messages.. and when something is finally opened.. it says "offline media" and is simply displaying a red screen...
How can I actually open this project and work on it at home!? Help!

You need either a hard drive with the captured media on it or the original tapes/cards from the camera. Unlike iMovie, Final Cut Pro does not store the media in its project file.

Codec error from photoshop using fade in with final cut pro

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