Color and Display Settings

Please see this article - http://docs.info.apple.com/article.html?artnum=302827 - from MAC OS X support. What does this following text mean? (text highlight in a shaded box)?
" ..... After you create a profile, whether it's done in System Preferences or with a hardware device, you should always leave it selected in Displays preferences, until such time that you create a new one. Though we'll talk about color spaces in a minute, such as Adobe 1998 and sRGB IEC61966-2.1, you should not select the corresponding profile for your display."
I don't understand what "YOU SHOULD NOT SELECT THE CORRESPONDING PROFILE FOR YOUR DISPLAY" means. If I import into Aperture JPG images from a camera that using sRGB, wouldn't it make sense that my MacBook Pro display profile use sRGB? I admit that I don't understand the subject of color profiles very well. I am trying to keep this as simple as possible. I do not have any calibration equipment. However, I think I am seeing the need for some.
15" MacBook Pro   Mac OS X (10.4.8)   15in; 2.16hz; 2gb RAM, 256mb VRAM; 100gb 7200 rpm HD

Here's another way at looking at this.
The "real" colors are locked away in your digital file waiting to be revealed. They reside within a domain/world of colors that has limits--that's Adobe 98, sRGB... Your monitor is not perfect. You need something to translate what's in your file for proper presentation on your screen. That's where a screen profile comes in. The screen profile converts the colors from your digital file into something that's presented on your screen.
The process isn't perfect.
The best way to profile your screen is by using some sort of hardware calibrating device. Once that's done, save the file in your home library in the colorsync, profile's folder. Open your displays preferences, click color and select the display profile you just created.
Your display is displaying things in a calibrated manner. This is not to say it is perfect but it's way better than the previous situation where you used Apple's standard profiles right out of the box.
One note of caution and it's probably the largest source of mis-understanding with respect to color space. All you color sync profiles reside in the same area looking like they do the same thing. They don't. You don't use the Adobe 98 color sync profile for your monitor when you want to work in Adobe 98 colorspace. You don't use your printer profile for your monitor. You don't use the Adobe 98 profile for your printer profile when printing.
All these files reside in the same place but are used for significantly different things. If you use the wrong thing for the wrong device, you will not be happy with the results.
Hope this helps.
Cheers
1.67ghz PB   Mac OS X (10.4.8)  

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    Unfortunately, it appears that one of the profiles I changed was the factory setting, and the original factory setting has been saved over. One less than perfect solution I've come up with is creating a new account. The display settings for this "Test" account I set up and have begun using more and more has the original calibration set up and looks perfect. An interesting observation is that the other profiles I set up are accessible from this account, and when chosen look much closer to normal than in the previous account, where it was as if the white point or brightness was increased quite a bit, creating almost a white-out effect on the brushed metal interfaces, aqua buttons, and worst of all webpages with whites and grays (like apple.com), where I could barely make out the silhouette of the Mighty mouse.
    If anyone has an alternative way to restore the current account's display settings to the old account, please let me know b/c I would hate to have to complete this transition to an entirely new account.
    Thanks again.
    - Billy

  • I have a late 2008 white macbook.  I have a mini dvi to hdmi adapter, and a hdmi cord.  My cannot get my MB to detect an external monitor.  Nothing happens when plugged in.  Also, my display settings does not have an option for mirroring or arrangment tab

    I have a late 2008 white macbook.  I have a mini dvi to hdmi adapter, and a hdmi cord.  My cannot get my MB to detect an external monitor.  Nothing happens when plugged in.  Also, my display settings does not have an option for mirroring or arrangment tab

    Yeah, I'm having the same exact problem - It seems that the thunderbolt minidisplay port is only able to output the analog VGA signal, not the digital signal to support DVI and HDMI. This is a bug that came up after installing 10.7.1. I bought my macbook air with 10.7 on it, upgraded it to 10.7.1 as soon as I got it, so I have never been able to use hdmi or dvi with my macbook air. This is an extremely frustrating problem for me, I used HDMI on a daily basis with my PC. I have spent many hours at the genius bar running diagnostic tests so Apple can get as much information as possible to create a fix for this problem. I have been emailing tech support for 3 or so weeks now, they keep saying that they are working on a fix and it should be out soon, but 10.7.2 has come and gone and I still have no HDMI functionality with my MacBook Air!

  • Im having trouble connecting my macbookpro to the tv. im using a mini display port to hdmi adapter, when i switch tv/video to hdmi on the tv nothing pops up, and i dont have the arrangement tap on the display settings, please help!

    im having trouble connecting my macbookpro to the tv. im using a mini display port to hdmi adapter, when i switch tv/video to hdmi on the tv nothing pops up, and i dont have the arrangement tap on the display settings, please help!

    I've found that the order of operations, so-to-speak, can be important when hooking up mini display port to HDMI.  I have the most success with the following operations in this order:
    1)  Plug HDMI cable into mini displayport adapter (the cable should not be plugged into either the TV or the computer at this point)
    2)  Plug the mini displayport end of your new super-cable to the computer.
    3)  Plug the HDMI end into your TV.
    4)  Switch inputs on your TV to the proper input.
    5)  If still nothing on the TV, try a different HDMI port on your TV.
    Hopefully this helps!  Good luck.

  • Dual display color and other related issues...

    I have posted this on painter forums, though some of the issues coming together here are directly related to issues w/ Snow Leopard and dual displays. Thought I would try here....
    This is so bizarre. When I ever I run P11(I think this is going on in P10 too?) w/ the OS X (snow leopard, 10.6.2 on quad core Intel Xeon Mac Pro, 10 GB of RAM) menu bar on my Eizo(making it the main display), and the Apple Cinema display left as the #2 monitor, I get very annoying brush cursor artifcats left randomly on the Eizo screen after strokes. One cannot predict when the cursor will leave it's gray "marks", but it will do it, sometimes 5 strokes in a row, sometimes after 15 strokes or so? If I move my brush back over them, or change the image percantage view, they vanish, obviously new ones coming back, as I work.
    However I put the OS menu bar on the AC display, yet work back on the Eizo, this does NOT happen. No cursor artifacts. Well, at least I can summon the issue
    The reason I am doing this is Snow Leopard has bad color issues w/ dual displays (well documented, much to Photoshop CS4 users frustrations, and mine). Apple needs to fix it... but for me to see the right color on the Eizo(this is my main color and superior display), it needs to be the main monitor(menu bar) in 10.6.2.
    So, you can see my trap - Accurate color, or annoying cursor artifacts left on the screen (sorry, it really bugs me as I work) as I work in Painter.
    Attempted fixes: Trashed all of Painter's prefs, all of Wacom's Intuos 4(latest driver) prefs and software, switched plug ins on the back of the mac for the displays(lots of restarts), ran cache cleaning Cocktail and DiskWarrior, etc. -- no change, as I can duplicate the issue w/ the above set up. A sidebar or maybe be very related note: I have an iMac w/ max amount of ram (model not very old -- maybe 1 or 2 old) and I have had a long standing issue working on the iMacs we have had w/ this brush cursor artifact problem (in Leopard and Snow Leopard). I am on one monitor w/ the iMac, so you know here the menu bar is...hmmmmmmmm.....?
    Thanks!, T

    I have posted this on painter forums, though some of the issues coming together here are directly related to issues w/ Snow Leopard and dual displays. Thought I would try here....
    This is so bizarre. When I ever I run P11(I think this is going on in P10 too?) w/ the OS X (snow leopard, 10.6.2 on quad core Intel Xeon Mac Pro, 10 GB of RAM) menu bar on my Eizo(making it the main display), and the Apple Cinema display left as the #2 monitor, I get very annoying brush cursor artifcats left randomly on the Eizo screen after strokes. One cannot predict when the cursor will leave it's gray "marks", but it will do it, sometimes 5 strokes in a row, sometimes after 15 strokes or so? If I move my brush back over them, or change the image percantage view, they vanish, obviously new ones coming back, as I work.
    However I put the OS menu bar on the AC display, yet work back on the Eizo, this does NOT happen. No cursor artifacts. Well, at least I can summon the issue
    The reason I am doing this is Snow Leopard has bad color issues w/ dual displays (well documented, much to Photoshop CS4 users frustrations, and mine). Apple needs to fix it... but for me to see the right color on the Eizo(this is my main color and superior display), it needs to be the main monitor(menu bar) in 10.6.2.
    So, you can see my trap - Accurate color, or annoying cursor artifacts left on the screen (sorry, it really bugs me as I work) as I work in Painter.
    Attempted fixes: Trashed all of Painter's prefs, all of Wacom's Intuos 4(latest driver) prefs and software, switched plug ins on the back of the mac for the displays(lots of restarts), ran cache cleaning Cocktail and DiskWarrior, etc. -- no change, as I can duplicate the issue w/ the above set up. A sidebar or maybe be very related note: I have an iMac w/ max amount of ram (model not very old -- maybe 1 or 2 old) and I have had a long standing issue working on the iMacs we have had w/ this brush cursor artifact problem (in Leopard and Snow Leopard). I am on one monitor w/ the iMac, so you know here the menu bar is...hmmmmmmmm.....?
    Thanks!, T

  • I am trying to print a color photo on my MacBook Pro from iPhoto (not using Photoshop) using Epson 2200 printer, and everything I do in the Color Matching and Print Settings results in a photo with a pink cast to it. What am I doing wrong?

    I am trying to print a color photo on my MacBook Pro from iPhoto (not using Photoshop) using Epson 2200 printer, and everything I do in the Color Matching and Print Settings results in a photo with a pink cast to it. What am I doing wrong?

    Have you checked the ink cartridges and made sure the nozzles are clear? Are you able to print from outside of iPhoto with the correct color?
    Try the following: make temporary copy of the library and do the following:
    1 - delete the iPhoto preference file, com.apple.iPhoto.plist, that resides in your
         User/Home()/Library/ Preferences folder.
    2 - delete iPhoto's cache file, Cache.db, that is located in your
         User/Home()/Library/Caches/com.apple.iPhoto folder. 
    3 - launch iPhoto and try again.
    NOTE: If you're moved your library from its default location in your Home/Pictures folder you will have to point iPhoto to its new location when you next open iPhoto by holding down the Option key when launching iPhoto.  You'll also have to reset the iPhoto's various preferences.
    OT

  • Sequence Settings FCP to Color and back again

    Sorry in advance if i missed the answer to this when previously searching the forum.
    Ok, I have a sequence in FCP. I duplicate it removing any problematic effects and place it all on one time line. I send the sequence to Color. In the settings I notice that the quick time settings are a different ratio to my fcp settings. I change them to 1440 x 1080 (same as FCP). When I send the rendered graded sequence back to FCP the sequence changes to a different frame size?
    I can go into sequence settings in FCP and change them but is there a way of keeping the same aspect ratio / pixel ratio and dimensions between the 2 applications.
    It feels like I have missed a step when setting the applications up but I can't find where.
    Any help will be much appreciated

    morphretouch,
    Since you are working w/an interlaced format you should be aware of a couple of bugs in Color that will cause the program to mess up your field order. The first bug is using certain nodes in the Color FX room and the second bug is caused by resizing/reframing in the Geometry room (this includes resizes that are done in FCP as that information is carried over into Color). Even if you resize something in Color and then hit the "reset" button the bug will still happen because Color still thinks you resized the image (the border of the frame in the Geometry room will be red instead of white).
    More details about the Color FX bug can be found here:
    http://www.kenstone.net/fcphomepage/using_color_fxnode.html
    A work around for the Geometry room bug can be found here:
    http://forums.creativecow.net/thread/223/7110
    The work around is in a post by Saul Budd, about half down the page, and starts with the line "I've just had a "D'oh!" moment ..."
    -Andrew

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