Color Check for Accessibility

Hello,
When testing a PDF for accessibility (Full Check for Accessibility), what does the Color check box test for?
Does it only test that a color is being used for a selection? Or does it test for contrast between color and test?
I’ve heard of some people testing for accessibility with the Color check box deselected, and would like to know what impact that would have on the accessibility test.

"Color check" is associated with the Section 508 option of Full Check.
Section 508's 1194.22 (c) correlates the the portion of WCAG 1.0 (depreciated by WCAG 2.0) that, basically, tells us not to use color to convey meaning.
One adverse consequence of doing this (using color to convey meaning) is that it can/does prevent understanding of content if one is color blind.
The only way to assure this is not an issue is to properly master content in the authoring application and to validate by doing a V&V of the PDF content.
Currently, this cannot be done with confidence by programmatic approaches; it requires the "warm body" look-see.
So, yes, not having (c) color ticked  won't be a problem.
Be well...

Similar Messages

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    What's a Gray Card and Why You Should Own One
    Also this Article Is opposite of the top
    Using Gray Cards
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    In your initial post you seem to be asking if it makes a difference whether you set the WB on the DNG you create your color profile from or not.  I don’t know that it makes a difference in the color profile but it should be easy enough to test experimentally, by making two DNGs from the same raw file, one where you’ve set the WB to as low as it’ll go, and one where you’ve set the WB to as high as it’ll go, and make a profile from each and see if you get a different look based on which one you use or not.
    Then you talk about which gray patch on a color-checker is better to use for WB, saying you don’t use the white one, but one that is grayer.  My idea is to use whatever patch matches the brightness of whatever you are wanting to get the closest to the right WB.  If you have a midtone subject then use the midtone gray patch.  If you have a light subject use a brighter gray patch, and if you have a very dark subject then maybe use a darker patch, though probably not the darkest because there will be more error in that WB computed from the darker patches, so lighter ones would be preferred if you don’t have any other reason to choose one over the other, though not the brightest one, necessarily, because it could be clipped and unusable.
    Finally you’re asking about the angle of the card with respect to the camera and the mainlight.  You don’t want it to be halfway between the angle of the mainlight and the camera because that would have too much glare to the extent that there is any glare with the specially-prepared surfaces of the color-checker.  You also don’t want it to be flat on to the camera, because that gives too much emphasis to the lighting behind the camera position (blue sky, green plants, red dirt, building walls) as blocked by the camera operator, so 1/3 of the way toward the mainlight angle is a way to mix in the lighting along the horizon with the mainlight to get an average.  If you doubt whether this makes a different take two CC shots, one flat toward the camera and one facing the mainlight, as the two extremes of the color balance variation and see how much different they are when eyedroppering the same gray patch in LR.
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