Color correct clips before making muliticlip?

Hello,
I would like to color correct my three camera clips before making a multiclip to save time, but the video scopes will not allow me to see my changes when I color correct. I have to drag each clip to the timeline and color correct each clip before I see modifications to the videoscopes. Even then, I have to use only the clips in the browser to make the mulitclip. Is there a more efficient process to put my clips through a filter(s) process (ie..color correction, de-interlace) before making a multiclip?
Thanks,
Jordan

Hello Andy,
Yahoo! Thank you Andy for your information. You just saved me a lot of time. Cheers!
Jordan:>)

Similar Messages

Do I color correct angles before making multiclip?

Hi guys,
I have two individual angles I'm going to sync and make a multiclip out of. One of my clips is horribly bright and requires some serious fixing in Color.
Do I color correct or add filters to the individual angles BEFORE making the two angles into one multiclip? Or is there some way to color correct the entire angle after making it into a multiclip?
--also, any reason why my canvas when changing angles in a multiclip would show it in 4:3 while the actual video is 16:9 in both the viewer and timeline?
Thanks

You could color correct before if you like, if your angle is rock solid and the changes will be consistent throughout. I don't do it that way but have been tempted.
If you do it after finishing the multiclip edit then you will need to copy one color corrected clip and then paste attributes to the other appropriate clips.
As a rule I color correct when my edit is finished.

Color Correcting Clips With Dissolves

When you're color correcting clips in a sequence with dissolves, are you color correcting the entire clip or just the part before or after the dissolve?
Do you have to remove other effects to color correct the whole clip?
Sure hope not but there seems to be a color change in playback when I hit the dissolves between clips.
Haven't rendered yet but have made a lot of changes to the color in a long and cutty sequence.

I imagine that the color changes you are seeing are because the sequence is not fully rendered. Do a test by fully rendering just a section.
And yes, you are color correcting the clip including any transitions in and out.
Message was edited by: Michael Grenadier

Premiere pro cc having trouble with color corrected clips

I've been working on a project for a few days and today when I opened premiere pro it gave me a warning about what software it had been running with and how it was no longer available. I'm sorry I've already forgotten the name of the software, but I know I didn't remove anything from my laptop. When I began watching the playback I noticed that color corrected clips were very jumpy and didn't play smoothly, but the ones that had not been color corrected were fine. There were also two lines at the top of my timeline, a red one over all the jumpy clips and a yellow one over the clips that played through completely. This is my first time using premiere pro so I'm not sure what it means or how I could fix it. It may be worth noting that my laptop isn't bad but I don't think it's necessarily the best for editing. Is it possible that memory space or hardware within the laptop are the issue? Any advice will be appreciated, thanks.

Just me today I guess.
The solution to this problem is simple. Download and install the latest Adobe PPro CS3 3.2.0 patch. 50 Mb download, 20 second install time. Everything works great now!

Color Correcting In CC - Making Whites Actually White

Okay so my main question is,
Are there any functions or plugins where I can look at the clip, and then click on a spot that I know should be white (But its not because the camera wasn't white balanced 100%), and have After effects automatically adjust so it is white.
Kind of like how you set white balance on a camera, where you hold up a white card or other completely white object, click the white balance, and the camera automatically adjust to make it white.
Except I want to be able to just click on a point in the footage and have it adjust everything.
If this is not an option, then are there any good tips for white balancing the footage?
IE: I film a subject against a white wall, the camera wasn't white balanced so the background appears to be light beige. I want to click the background in AE and have it color correct and make it white.
Thanks

Finding perfect white is always a challenge and it may foul up other things in your shot because white walls are reflective and if someone is wearing a blue shirt against a white wall, white may not be white. Setting white may get you in the ball park, but it is usually only the first step in color grading. You usually want to push highlights to one hue and shadows to another.
The procedure and the tools used to color grade a shot depend entirely on the shot. For most of my work Colorists II is my preferred tool. Some shots require more than one instance of colorist to get to where I want to go. Color finesse is also good, but for some work, and this depends entirely on the shot, Auto Color is all that I need. No matter what technique you use to grade your shots you need some kind of scope or histogram that you understand so you can know where you are pushing the levels in the shot. I'm always checking areas of a shot with the Info Panel to make sure I know what I've done to the color values. Most of all, good color grading takes time to learn and a very thorough knowledge of color.

Batch Exporting Color Corrected Clips, QT issues

Hello,
I work for a small ad company with a couple guys on the road shooting video, a video editor(me) and a few graphic designers. For company workflow reasons I take video footage from guys on the road and export to Quicktime movies(5-50 per client, 5-10 sec. apiece) and give to graphic designers, they then use After Effects and Motion to lay graphics on and lay out vid for ad.
1. I generally capture the whole tape.
2. I select Ins/Outs from that tape and make (lets say) 50 clips in timeline.
3. I make all clips independant and rename in order 1-50
4. (THIS IS WHERE PROBLEM STEMS) I color correct all clips using 3 wheel color corrector
5. I pull all 50 clips (numbered, color corrected) into a client bin
6. Right Clip bin, Batch export.
7. Check Use In/ Out , Make Self Contained, Prefix .Mov, Quicktime movie using MPEG 4compressor, best quality, and set destination.
8. Hit Export
The result is a Quicktime Movie that has sound but is frozen on first frame of video.
Normally this process works perfect and I have no issues with QT. Step 4 is something that I would like to incorporate but everytime I try I get the issues with Quicktime.
Thanks ahead of time for help, hope I gave someone enough to go off of.
I.V.

If you drag the clips from the timeline to a bin and select them all and choose batch export and set the option to export in to out, it should work. Not sure about the naming option, but I suspect it'll work. Do a test first.

After effects color corrected clip not showing correctly in Premiere

Hello all,
I have recently made a short film with a few effects in Premiere and After effects CS4. I have used the Dynamic Link to accomplish this. I have added color correction with Color Finesse in After effects. The problem is I some of the color correction is not showing up in Premiere once it has finished. Some of them are adjustment layers and some are not and the ones that are showing up are diverse like that as well. I have rendered the footage and rendered the premiere time line, it fixes it at first but won't build a DVD the right way then the fixes just seem to disappear when scrolling through the timeline.
Is anyone else haveing this problem?
Do you think it's something wrong that an update will fix?
Maybe a new codec?

Describe the exect DL steps you took.

Color correction change across all clips?

I know how to make a color correction to my first clip, then I can copy and paste it onto all the other clips. However, what if I want to change the color correction later on? I have to delete all the color corrected clips, and then make a new correction and re-paste. Then if I want to do it all again, same hassle. This can be very bad when working with hundreds of clips on the timeline.
I wonder if I can set up a color correction profile and then send the clip to that profile. Then I can change the profile and each clip will follow that.
Thanks,
MrD

Two observations...
1. You don't have to delete the clips to change the CC. You simply modify settings in the effects panel.
2. Provided that you want to apply the same CC to all the clips in (say) Timeline One - nest Timeline One inside Timeline Two and apply CC to it. In this way you only have to apply one CC instance..

Color correction workflow

I like to color correct my clips before I start working on the timeline. Is there a way to color correct and save the color corrected clip so I don't have to redo color once I lay it on the timeline again? Or this is not the right way of doing things?

Generally you don't color correct before you edit, correction being based not on one clip but on the clips around it. If you want to you can open a clip into the timeline from the browser. Any color correction applied there will be applied to each use of the clip.

Color correcting more than one clip at a time

Perhaps I am missing something very elementary here... but here is my situation. I have three camera angles, each of the same concert. They are synced and ready to go, each on a separate track. Each needs color correction. I have found the color correction for each that I want. Before I slice up my clips I can very easily color correct each line separately, as the color correction applies to the whole clip. However, this takes about an hour to render because it is so much material. But since I am slicing up each track anyway to form a composite track, wouldn't it make more sense for me to slice up each track as I see fit, delete the unwanted footage, and then color correct each line before I drag them all into one composite track? That way, the color correction would just be applied to the clips that I am using, presumably taking about 1/3 the time to render. Know what I mean? So here is the question: can I select all of the clips on one line and THEN color correct just those? Or do I have to select each little clip and type in the boatload of numbers into the numeric color correction. Or is there another way all together. (Like, is there a way to SAVE the color correction values that I want and call them like "camera one" "camera two" etc... and then just apply those settings to the clips I want?)
With my sound editing program I have presets for this concert. I am able to take each piece, open it up and apply the same equalization, amplification, reverb, etc. that I did for all of the others, thus making them all sound the same. I'm sure FCE has this option for video, doesn't it?
I have 10 more pieces to do and by far this was the most time consuming part of the job. So any help would be most appreciated!
Much thanks!

Apply the color correction to one clip and adjust as needed. Copy the clip. Select all other clips that you want to apply the filter with those settings to. Right-click on one and select Paste Attributes/Filters.
-DH

Denoise before or after color corrections?

I am using a CHV filter to denoise a HDV footage that was shooted with auto gain on. It works very well.
However, I want to get the blacks darker. Should I do the color correction before or after the denoise process?
Considering the fact that making the blacks darker will increase the "grainy" aspect of the video, what is the best way to do this?
Thanks.

I tested both, before and after the CHV denoise filter. It`s quite similar, but I tend to prefer after.
I`m not thinking about crushing the black to denoise the clip
The CHV filter worked very well, the grainy aspect is gone.
Now I need to get the dark areas of the image to be black. From what I understand, the blacks should be at 0 on the waveform monitor.
When I get make the blacks darker, to be at 0, the grainy aspect comes back a little bit. I guess is a physical thing and there is no miracle solution...
Any suggestion is welcomed...
Thanks.

Color correction applied to multiple clips

When using FCPX, is there a way to apply a color adjustments to all the fragments of the same clip? Or is there a way to batch edit clips without actually having to do all your color correction before editing?

Hi,
google Adjustment Layer for fcpx and you'll probably find a free one, or simply make one yourself if you have motion by creating a title effect, but remove the text item. Put in the correct folder for it to show up in the Title effects broswer and then simply add it to the timeline above all the other clips. Add colour correction or any other effect you want to it. it will effect everything under it.
hth
adam

Color correcting multi edit clips

I need some help. I would like to do the color correcting on 3 clips that will be used in a multi edit. The way I have been color correcting the footage is to just drag the whole clip on the timeline and do the color correcting before I do any editing and cutting of the clip. Is there a way I can do the same thing with multi cam clips? Once they are on the timeline, the corrections are made on the timeline, but the original clips don't change?
Bruce Cleveland

I think Jerry is suggesting you do the following:
-Duplicate your clip in the browser (option-d)
-Dbl-click the new clip (will load it in viewer)
-Apply Color Correction (this will affect the clip as it resides in your browser, leaving the original master clip untouched)
-lather/rinse/repeat for all clips to be used in multiclip
-create your multi-clip and edit away
Can I also do this with clips on the timeline
There are procedures for this within a multiclip environment, but I'm not remembering them well enough and no longer have access to a multiclip system for review and assistance. Check your manual..I remember this part frankly being a little convoluted, so a search of this forum or the other previously posted links should help.
K

Workflow KeyLight Before Color correction?

WHat is the best workflow when working in green screen.
Should the color removal (green screen). in Keylight come before any color correction?
In this specific case I am dealing with a medium shot of a person. Talking head, not much movement.
I assume getting rid of the green screen should come first since then I am only am dealing with the remaining image (specifically the medium shot of the person.) For example, I need to enhance the hue a bit on the person's face, and it seems to me that first getting rid of the green, making it alpha/transparent, first makes sense.
Or does it?
Thanks
Rowby

rowby wrote:
...seems to me that first getting rid of the green, making it alpha/transparent, first makes sense.
Or does it?
Generally - yes, but you may find situations, where pre-key adjustments are unavoidable. The real question is, whether the green is green enough, if you get my meaning. There may be situations, where you need to compensate for insufficient lighting or color shifts from non-ideal lighting conditions (sunlight shifting colors, for instance). In those cases, you would try to clean up the green as much as you can without regard to the rest of the footage - as long as they facilitate generating a clean matte, nobody will mind. Once you have gnerated a proper Alpha, it is easy to introduce it into an untreated footage via matte modes and channel operations. That's the one thing you should keep in mind. In most cases of course you will want to do a direct key and if there is enough contrast, there should be no problems. Indeed you would then do the color correction after the key. This also applies to compressed footage like HDV or AVCHD - any pre-key corrections may in fact have an adverse effect and make things harder, as they also increase the intensity of artifacts. Anyway, all theory aside, you only know when you try. The more you do this stuff, the better wil lyou be able to gauge what's required.
Mylenium

Color Correction Effect: "Change color to" change more that one color in the same clip(pp Cs4)

Hi all, I have watched and tried some tutorial to achieve this. My question though is how to change more than one color in the same clip. I'm asking because when I tried I had no problem to "color pick" one shade of my (Rock face) and turned it into a natural color picked from a good clip. But I was left with all the other shades to work on and if I repeated the procedure (pick the next destination color to replace) it cancelled my previous change so it seems that I can change only one color... I must be doing something wrong.

Wow! I did play a few other Youtube 3 color correction, but this one is so good and comprehensive. I did also like RGB curves tutorial. I don't know if all this is appropriate for my 1983 VHS clip nearly all green (I probably had the wrong white balance). What I achieved so far is not very good but I think much more watchable than all green! Than You again for this . I do also realise these guys are expert and still they have to use lot trials and errors and various techniques before getting what they want. I do appreciate their generosity to make some of their knowledge available to all of us.

Color correct clips before making muliticlip?

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