Color Correcting Video

I have a completed video that I made in iMovie. I'd like to know if it's possible to use photoshops color correcting abilities for my completed video.
I know how to alter color in photoshop, but I don't know how to make a seperate color adjustment for each micro clip within the completed video. I can only get it to apply my color adjustments to the whole video, not just the section that I wanted edited.
I hope that makes sense
Thanks in advance!

I think I answered my own question. I had to drag (as in editing) each adjustment layer to the part of the video that I wanted adjusting. I uneded up having a lot of adjustment layers...

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Color corrected video washed out by font / graphics

Hi everyone-
I'm running FCP 4.1.1 on a Mac dual G4. I have some DV clips on the timeline which I adjusted using the brightness / contrast function of the Color Correction tool. When I lay font or graphics over it, the clips get all washed out, and look more like the original clips. After rendering, the Viewer tells me that the video clips are still brightness / contrast adjusted, even though they're not. When I remove the font / graphics, they look as I intended (adjusted).
I used these same graphics on other video clips and they worked fine. It seems to be an issue with the adjusted clips.
Can anyone help? Thanks.
Mac dual G4 Mac OS X (10.2.x)

what color is the render bar above these problem clips?
it may be that with these graphic overlays applied then you are seeing only a proxy or preview of the final effect and not a full render
if so, check your Sequence > Render settings and make sure to check the Preview and/or Proxy options
cheers
Andy

Unable to Export Color Corrected Video's to Original format for AVCHD (GH2) and ProRES Codecs.

I imported a 176 MBPS AVCHD clip from my GH2 into Lightroom 4, then i added color presets to the video and color corrected the video, however during export when i select the video format as original the color correction does not apply to the video, only the original video is saved, But when i select H.264 or DPX the video is saved with the effects applied. I also tried using a AVCHD clip converted to Apple ProRES but when i export the video the effects are not applied to the saved video. Also the option i get for saving H.264 files is only 22 MBPS.

Original, whether for photos or video, means "unedited". Bear in mind that this isn't intended for high-end video editing - just simple edits for digitial photographers. It won't replace your video editing software anytime soon, if ever.

Transitions not working in Premiere CS6.Video was color corrected in AE 6 and sent back to PPro cs6.

I exported my film to AE6 from Premiere CS6 for color-correction and got it back to Premiere Pro through DYNAMIC LINK.Now,the problem is that AE has discarded all the transitions and also cross-dissolve and film-dissolve don't seem to work on this color-corrected video.I am able to apply the transitions but they don't work....somebody please help!

As Jim said, not all effects and transitions are properly translated when you replace a group of clips with dynamically linked AE composition. Actually you should have noticed that your cross-dissolves etc. had been replaced with black solid layers in After Effects, which didn't reflect your PrPro transitions.
Now you can jump back to your AE project and fix broken transitions there.
For your future work you should keep it in mind and decide whether to replace a group of clips (and, therefore, fix broken transitions in After Effects) or a single clip, taking care of its handles.

Looking for a particular color correction tutorial

I am looking for an online tutorial on how to do color correction if the video one is working with has color bars. This happens on a lot of analog videotapes that come to me. I know what my scopes are suppposed to look like when analyzing color bars, but I need something that shows me how to get from A to B.
If I Google some varient of "color correction video color bars," all I get is information on calibrating monitors.
I am using Premiere CS5.5
Thanks in adavnce for any response!
J. D.

APP - Layer...
Also... Check this site for looking at APPs.. I've posted this before but it's a good site. It just started up a week or so ago.
http://androidapplications.com/

Proper Video output signal from FCPX for Color correction

I have bene color grading/correcting on my Macbook Pro, but I recently found out (should have known better) that the colors are not very accurate or even universal so I am really correcting colors in the dark.
I want to get a proper device that I can get a REAL UNIVERSAL VIDEO SIGNAL out form my macbook pro to a monitor. Right now it is a computer signal.
I heard of the Matrox box, but I am not sure how it works.
Really looking for something inexpensive to do some basic correct color grading.
Anyone can help me steer in the right direction?
Do I need a new seperate monitor, or justa device to get the correct video signal?
Thanks

Bump... anyone?

Underwater Color Correction--D800 Video

I just came back from a dive trip to Cozumel and tried my new D800's video capabilities.
I'm happy to report that, with color correction in FCP, the D800 does a great job without a red filter or lights.
I didn't have much chance to experiment with this--too many other new things to try--but here's a quick preview.
This is an uncorrected frame shooting without lights, auto white balance and programed exposure and shutter speed in about 40 feet of water (sunny day topside):
I did a quick and dirty color correction using the three way color correction tool in FCP. Not surprisingly, the corrections added red:
The final looks great to me:
I also tested use of the Magic Filter for a few dives. I did not get better resuls, and worse, I had to do a lot of color correction on my stills to make them usable.
This may be of limited interest to those who don't dive, but I was really happy to see that I could dive and do both stills and video without a filter and still restore with FCP the reds, oranges and yellows lost below 15 or so feet.

For shallow water, auto level seems to work pretty well.
I used auto levels in Photoshop Elements 11 for most of these shots.
https://www.facebook.com/friends/requests/?ref=tn&fcref=ffb#!/roy.yumori/photos_albums
The manta ray is at 50 ft and is from a freeze frame from a video. There is almost no red. So it is too blue. I used auto levels in Premiere Pro CC and it was better than the original, but not great.

Color correcting certain parts of a video

Hello,
I am sorta new to Premiere, having come from Final Cut pro. I have a video that has spots that neec color correction. How do I correct those spots, without correcting the whole video?
Any help is appreciated.

I would suggest doing that in After Effects, not Premiere.
-Import your footage and create a new composition.
-Create an adjustment layer with your corrections (color corrector, curves, etc)
-Draw a mask around the region you want the color correction to actually show up. The rest will be unaffected by the correction.
You can create as many seperate adjustment layers as you want to correct each spot within your frame.
Then export the footage and bring it back into Premiere (or use dynamic linking if your machine can handle it).
If you don't want to use AE or don't have it -- you can follow a similar process in Premiere.
-Select the clip you want to add correction to and make a copy of it. Place it on the track above your original clip.
-Apply your color correction effects to the clip on the top track. Initially it will apply to the full frame and that's OK.
-Once you are done with making corrections apply a Garbage Matte to the top clip (four-point garbate matte, eight...sixteen...whatever).
-Adjust the matte to the shape of the area you want to correct.
(note: to edit the garbage matte points, you have to select the effect in the Video Effects panel)
You should be left with a color corrected region defined by the matte itself. Just repeat until you have all the different areas corrected.

HELP! How do i color correct an area of a video?

Hey
Im new to after effects cs4. I made a time lapse video of the sky. However, the sky is to bright and you can't really see the clouds very well. I would like to change the 'levels' of the sky, but not the buildings at the bottom of the video. So only half of the video will have colour correction on it. How do i do this???? Thanks!

The gist is simple:
Create an adjustment layer.
Draw a mask on the adjustment layer.
Apply the color-correction effect to the adjustment layer.
The devil is in the details. For example, if you need to animate the mask, you may have some rotoscoping to do.
Here's a video that shows how to do this in a case where the item to be color-corrected is moving:
http://www.peachpit.com/podcasts/episode.aspx?e=8822f9a1-93c5-4a00-8697-a54b653c7aaf
This is actually a very basic compositing question, so I'm going to strongly recommend that you begin at the beginning and work your way through the getting-started learning materials.

Color Correction: Canvas color is off from exported video

Hey everyone,
Forgive me if this has been covered before, but I've been searching around and can't find the answer I'm looking for.
When I color correct a video, I get it to where I want in the canvas, and then go to export. When I export the video, it looks different from what I did in the canvas. The exported video ALWAYS looks like its never been color corrected. It's very aggravating because I have to over color correct it to make it look the way I want. Like raise the contrast a bit more, to get the exported video to look right, while the preview in the canvas looks bad.
Any suggestions to how to perhaps change the color settings on the canvas? or how to correct this problem?
Thanks a lot,
Jonathan

It's unfortunate that the word "calibration" has been co-opted to mean something along the subjective lines of a daily set-up using a blue gun gray scale or a blue screen with NTSC or PAL or HD bars, performing white/black and chroma level adjustments by eye.
Calibration of a monitor in the literal sense is performed by an engineer with engineering tools to perform precise, objective adjustments of the r,g,b bias and gains as well as any yoke alignment in the case of one of those old fashioned cathode ray tube type displays.

Video looks lousy after color correction or cropping

I'm a Sony Vegas user new to FCP. Today I imported some filed from a Sony EX1 XDCAM. I transcoded to proRES422 and all looked fine in the timeline. But, I tried to colorcorrect and once I rendered the image had noticeable deterioration in sharpness and also it introduced some weird purplish noise in the darker areas. I had the same problem when I attempted a simple zoom and crop in motion for a proRES file. What's going on here?
I'm just using a Macbook with an integrated card but I was under the impression FCP is powered by the CPU. I've got 2 gigs of Ram. Speed and smooth playing video isn't a problem.
What could be going on here?

Stab in the dark:
What are your "Playback Video" settings set to under the "RT" pop-up menu in the upper left corner of the Sequence window?
Also, what color appears above the clip in the Sequence?
What does the clip look like if your render it?
XDCAM footage should color correct well, whether it's the native data stream or converted to another codec that's good for editing.
It might not hold up to being scaled, regardless of how it's currently compressed. The picture is farily compressed as soon as it's recorded as XDCAM. Converting to something like ProRes, or Animation at best, or Photo-JPEG at best, only minimizes a compression generation loss when re-compressing later transitions, superimpositions, exporting and so forth.
-Warren

Video tear after color correction

I'm operating Mac- CS6 build 6.0.2 and my original media is fine. After color correction ( auto color with just a little white clip boost) there is a tear or dropped frame that occurs intermittently in about 3 minuntes of my sequence. Rendering has not resovled the issue nor has a test export solved the problem. Any thoughts on what is causing the issue. All other areas in my sequence are fine with the same correction.

You're welcome.
https://blogs.adobe.com/kevinmonahan/2013/09/11/marking-posts-as-correct-or-helpful-on-the -adobe-forums/

Color correcting more than one clip at a time

Perhaps I am missing something very elementary here... but here is my situation. I have three camera angles, each of the same concert. They are synced and ready to go, each on a separate track. Each needs color correction. I have found the color correction for each that I want. Before I slice up my clips I can very easily color correct each line separately, as the color correction applies to the whole clip. However, this takes about an hour to render because it is so much material. But since I am slicing up each track anyway to form a composite track, wouldn't it make more sense for me to slice up each track as I see fit, delete the unwanted footage, and then color correct each line before I drag them all into one composite track? That way, the color correction would just be applied to the clips that I am using, presumably taking about 1/3 the time to render. Know what I mean? So here is the question: can I select all of the clips on one line and THEN color correct just those? Or do I have to select each little clip and type in the boatload of numbers into the numeric color correction. Or is there another way all together. (Like, is there a way to SAVE the color correction values that I want and call them like "camera one" "camera two" etc... and then just apply those settings to the clips I want?)
With my sound editing program I have presets for this concert. I am able to take each piece, open it up and apply the same equalization, amplification, reverb, etc. that I did for all of the others, thus making them all sound the same. I'm sure FCE has this option for video, doesn't it?
I have 10 more pieces to do and by far this was the most time consuming part of the job. So any help would be most appreciated!
Much thanks!

Apply the color correction to one clip and adjust as needed. Copy the clip. Select all other clips that you want to apply the filter with those settings to. Right-click on one and select Paste Attributes/Filters.
-DH

Masked color correction - new Pr Pro CC features or still use After Effects?

I am finally getting around to this project. I know in CS6 the solution was to use After Effects. I think I kept putting it off as I was not as familiar with that program as I am with PrPro.
Anyway this is the issue. I have 2 hours of old video I have captured that due to an internal camera malfunction (that was not discovered until the end of the tape)
that has 5 or 6 cyan tinted narrow horizontal transparent bars running through it. The image is there under the bars, it is just viewed through this cyan
tint. The rest of the image outside of the bars is fine and the image inside the bars is fine, it just has a tint. This is old SD footage.
An AE expert said I can make an Adjustment Layer in AE and use the Mask Shape Tool to draw several boxes around the problem cyan areas, apply the Curves and Hue/Saturation effect to the adjustment layer, then color correct. Some feathering would be needed (I know PS too so I can handle that part ) I think I recall back with PrProCS6, I could do this adjustment but only one bar at a time. I could be wrong about that.
But anyway, sounds pretty easy in AE. But since I live in PrPro CC 2014 now, and I saw some recent new features with masks and adjustments, I was wondering if I could perform the same adjustments right in Pr Pro CC 2014? If I need to use AE CC 2014, no worries, I have that installed.
Thanks for the help as always! This is family footage that I would really like to rescue.
BJBBJB1

Thanks so much Dave. It fixed the problem.
Raoul.

Connecting Color Correction Monitor To My G5 (Help Please)

Hello everyone. I'm getting ready to begin color correction on a DV feature I've just finished audio post on. I have a Macintosh dual 2Gig G5. It's an early G5 that has PC133 slots, however, and is NOT HD compatible or ready. I cannot use an HD video card (AJA, etc) or an HD monitor for cc - and simply cannot afford an AJA IO - so I'm going to work with SD. In the research I've done it looks like the JVC DT V1710CGU - a 17" monitor that is said to have decent critical color correction capabilities is what I might purchase (here's a link to one)
http://images.google.com/imgres?imgurl=htt...s%3Den%26sa%3DN
How would I be able to get my video out to the monitor using my G5? The reason I ask this is because, simple as I thought it was, when I went to purchase the actual monitor and the tech tried to use it to see video from his laptop . . . it didn't work.
He plugged from the computer to the JVC monitor using a DVI to VGA adapter connected to a VGA to RGB cable (the DVI end of the adapter being connected to the computer) and connected that RGB end of the cable into the JVC.
He tried a lot of different monitor formats in his laptop to try to conform the computer's signal for the JVC, but nothing seemed to work. I myself have a Sony DVMC-DA2 analogue to digital media converter that I used to get video from the G5 to view on an external television set. The media converter is connected to the G5 via fire wire, and then connect to the tv using RCA cables, but the tech said that you DON'T want to connect the JVC monitor using RCA cables (composite . . . right?). He said use RGB cables (component).
Does anyone know, again, how to be able to get the JVC DT V1710CGU to output video from my G5 (Final Cut Pro specifically)?
Any help would be appreciated.
Thank you,
Javier Calderon

Thank you much for the prompt reply, David. I really appreciate it.
I just realized right now - after reading your post and investigating, that is - that my Sony DVMC-DA2 has S-Video in and out. This seems that it would be sufficient then, no? So . . . what's the proper connection then? Let me know please if this is it:
Connect my Sony media converter to the G5 via fire wire. Go out of the media converter via S-Video and IN to the JVC color correction monitor . . . via . . . what? Does the JVC monitor have S-Video in?
Thanks again for your help, by the way. You've already clear me up a bit.
Javier

Color Correcting Video

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