Color Correction: different result in Frame Viewer and Canvas

Hi all:
I´m doing some color correction with the 3 way CC tool and i´m having troubles with Frame Viewer: the results are not the same in the Canvas and Frame Viewer. The colors in Frame Viewer are a little bit more saturated and they are also a bit darker. I´ m talking about the half Frame Viewer that is supposed to show me the final result after the color correction.
Mi footage is in HDV 720 25p. Anyone know what is happening????

You'll probably find them lined up at your Chevy dealer.
View>Range Check>Excess Luma.

Similar Messages

Different result in frame viewer and canvas

I´m doing some color correction with the 3 way CC tool and i´m having troubles with Frame Viewer: the results are not the same in the Canvas and Frame Viewer. The colors in Frame Viewer are a little bit more saturated and they are also a bit darker.
I figured out that it happens in a lot of different configurations (Mac Pro, Imac and macbook Pro) but just with Snow Leopard.
This problem doesn't exist in Tiger and i haven't the opportunity to test it with leopard.
I found a topic in this forum support, where a guy had the same problem, he solved with the excess luma command, but it doesn't make sense, infact I still have this problem.
I think that this is a software problem and also quite big, btw what i want to know is, which reference is more accurate?
Time Viewer or canvas?

sdd84 wrote:
...what i want to know is, which reference is more accurate?
Time Viewer or canvas?
Neither.
FCP is showing you a low res proxy of the image. Final Cut Pro does this because it is about concentrating on the flow of your story, not color fidelity. That is less demanding on the CPU.
To color correct accurately, your system needs to be connected to a calibrated external video monitor (or at the vey least, an excellent TV) fed by a qualified capture card such as those from AJA, Black Magic or Matrox.

Different pic quality in viewer and canvas

Hi guys,
I've noticed a lower quality in the picture in the canvas window compared to the viewer window. In the viewer the image is clean and sharp, however not so in the canvas. The image is slightly degraded. What gives? Have I set something up incorrectly etc.?
Thanks in advance for your replies.
Cheers,

The Viewer window displays media in it's native resolution and quality. The Canvas window displays media at the Sequence resolution and only displays a proxy of full quality.
In order to view full quality of any media in the Timeline, make sure the Sequence is fully rendered and you're viewing on a properly calibrated, external TV monitor.
-DH

Color profile for Viewer and Canvas?

I've noticed that the color of the video in the FCPro 4.5 Viewer and Canvas looks absolutely nothing like the color when I output to DVD or QuickTime movie. (The video in FCPro seems to be much darker.) Is there a way to make the Viewer and Canvas look more analagous to what I'm going to get on final output?
Thanks.

Nope. Computer monitors colors have such a wide range that they are very unreliable. This is why it is best to hook up a TV, or better yet a properly calibrated NTSC Monitor (the latter only if you are producing professional video).
#8 External Monitor Viewing.
Shane's Stock Answer #8:
A simple path is mac > firewire > camera or deck > rca cables > tv
Then start up your camera and tv, then open fcp.
Then go View > External video > all frames
Video playback should be Apple firewire NTSC (If you are using an NTSC set)
Audio playback should be Audio follows Video
Techinially, this should send synched video to your TV
If for some reason you can't view your timeline on your external monitor, there are a few things to try:
1) Make sure that the camera/deck is connected and powered on BEFORE you open FCP.
2) In the Final Cut Pro menu select AUDIO/VIDEO Preferences and make sure your signal is being sent out thru Firewire DV.
3) Go to the menu and select VIEW>EXTERNAL>ALL FRAMES.
4) Click in the % box above the image and select FIT TO WINDOW.
5) Go to VIEW->refresh A/V devices
6) Make sure the Log & Capture window is closed
If you want it to play in both the canvas and the external monitor you need to go to the FINAL CUT PRO menu and select AUDIO/VIDIO settings and make sure MIRROR ON DESKTOP is selected under the PLAYBACK OUTPUT section
For all the stock answers, click on this link:
Shane Ross, "Stock Answers", 03:58pm Jan 13, 2005 CDT

Different Results From V$Rman_Backup_job_details and V$Rman_Status

Does anyone know why I would get different results from V$Rman_Backup_job_details and V$Rman_Status on the same instance?
Image of Quries: www.hydell.com/OracleBackupDifferences.png
Dates Returned For Latest Backup
V$Rman_Status = 10/13/2011
V$Rman_Backup_job_details = 7/24/2011
Which view is the best to use for monitoring backups?
Thanks in advance for the help.
Rob

oracle.dba.89 wrote:
Please show the script and that might help look into this. Also the timezone of the OS shows EST. And cron shows the scheduled time at 12hrs. It should run at 12:00 EST hours and not GMT.
Also please post output for below queries. Are backups run from the same node? (If RAC)
select value from dba_scheduler_global_attribute where attribute_name = 'DEFAULT_TIMEZONE';
Hi,
This is the backup script
#Set Variables
ORACLE_HOME=/projects1/oramroprod/oracle/product/10.2.0/db_4
ORACLE_SID=MROPROD
PATH=$PATH:$ORACLE_HOME/bin
btype="FULL"
RMAN_BACKUP_LOC=/data1/RMAN/MROPROD
export ORACLE_HOME
export ORACLE_SID
export PATH
export btype
tag="$ORACLE_SID"_"$btype"
#Print commands and their arguments as they are executed
set -x
SDATE=`date +%m%d%y`
STIME=`date +%H%M%S`
DD=`date +%d%m%y`
#Create daily backup directories
mkdir -p $RMAN_BACKUP_LOC/datafiles_backup/bkp_${DD}
mkdir -p $RMAN_BACKUP_LOC/controlfile_backup/bkp_${DD}
mkdir -p $RMAN_BACKUP_LOC/arch_backup/bkp_${DD}
mkdir $RMAN_BACKUP_LOC/logs
#Take backup
rman target / nocatalog log=$RMAN_BACKUP_LOC/logs/rman_${btype}_backup_${SDATE}_${STIME}.log << EOF1
change archivelog all crosscheck;
run {
CONFIGURE RETENTION POLICY TO REDUNDANCY 1;
CONFIGURE DEVICE TYPE DISK PARALLELISM 2 BACKUP TYPE TO BACKUPSET;
backup as compressed backupset incremental level 0 database tag '$tag' format '$RMAN_BACKUP_LOC/datafiles_backup/bkp_${DD}/%d_%s_%p';
backup as compressed backupset archivelog all not backed up 1 times FORMAT '$RMAN_BACKUP_LOC/arch_backup/bkp_${DD}/ARCH_%d_%s_%p';
CONFIGURE CONTROLFILE AUTOBACKUP FORMAT FOR DEVICE TYPE DISK TO '$RMAN_BACKUP_LOC/controlfile_backup/bkp_${DD}/%F';
delete noprompt obsolete;
delete noprompt archivelog all completed before 'sysdate-2';
EXIT;
EOF1
This is not RAC.
SQL> select value from dba_scheduler_global_attribute where attribute_name = 'DEFAULT_TIMEZONE';
VALUE
GMT

Color flicker? Florescent lights? Viewer to Canvas problem?

Hello everyone,
I shot on a Sony HZ5u,
in Smooth Slow Record,
HDV1080i, 60i
inside a semi truck bay under fluorescent lighting (I think).
In both the Viewer and Canvas there is a frame to frame shift in White Balance hue
from cyan to magenta.
The issue does not occur outside the bay, so I'm guessing it's due to lighting.
Now my problem is that the visibility of this is more noticeable in the Canvas
where there is an extreme flicker. It hurts my eyes. It is very rapid.
*Is there a reason why it gets worse in the canvas? How can I fix this?
It is not my monitors, I moved both windows over to each monitor and it's consistent.
And for anyone who knows, why does this camera, and other cameras, react so drastically to normal fluorescent lighting?
I have had earlier issues where the color did not flicker but rolled, like a tv static roll, slowly and constantly.
Thank you for ANY help!
Landon S.

No it's the other way around.
If you shot at 60i/30fps with today's cameras you may not have a problem, even with the old magnetic ballasts with a florescent bulb you're really not at odds with the AC cycle at 30fps. It's when you shot slo-mo and change the frame rate to something that's not divisible into 60Hz that you get in trouble.
Of course all that changes if the the AC current isn't stable.
There are little tricks like not using auto white balance, and using proper shutter speeds. I'm not much of a shooter, I've just come across the problem before and understand the cause. I produced a film shoot in a newsroom once where we had to re-light the whole room and bag the florescent lights.
We ran tests, it's smart to run tests. If you shoot in that place again I would bring in your own lights.

Cant see any video only white screens in Viewer and Canvas

I dont know if anyone has encountered this figured out how to resolve it yet. In FCP 7 on Snow Leopard when i drag a clip into viewer or try to edit in the Canvas all i see is a white screen. The title safe lines and wireframe show up when i turn these on and off, but no video. I occasionally get a solarized image in the Canvas. the time code progresses, but nothing in either window.
Thanks for any insights.

Thanks for all the suggestions, including links back to earlier discussions. This did shed some light, (and kicked me to be more explicit), when reviewing an earlier question on the same issue, but stating that this happened on an external Dell 2408 monitor...which is what I am using to edit. When i open the MBP and remove the video miniport cable and try to play on the laptop display, all is well, I can see video in both Viewer and Canvas. When i plug the monitor back in and drag these windows over to the monitor (cant move the FCP application wholesale) they also play fine. When i close the MBP, wait and refire it up with mouse or keyboard...I see video in both, but when i play either one the image jumps back and forth, cycling from one frame and back...while the time code advances and the audio track does too.

16:9 viewer and canvas

Ok, this is a simple thing, yet it is bothering me. Every time I see a picture of someone using FCE, the viewer and canvas are widescreen. I can't seem to get my canvas and viewer to be widescreen. I can work with widescreen just fine, but I have grey bars above and below the image. My viewer and canvas are in 4:3 ratio. Can anyone explain how to get the viewer and canvas into a 16:9 ratio?
Thanks
Alex

I am assuming that you are working with standard definition DV but have the camera set to the 16:9 setting? If so, you need to change the Easy Setup setting to DV-NTSC Anamorphic. After changing that setting create a new Project, or from the current project, just create a new Sequence (since the existing default first Sequence will still be using the DV-NTSC setting). Once you open the new Sequence, click Window, Arrange and choose one of the existing settings (Standard, Compositing, or Small Windows). The Viewer and Canvas window should automatically switch to the widescreen 16:9 format with no grey bars. The Browser and Timeline windows will also resize to match the changes in the Viewer and Canvas.

FCE 4: Picture in Viewer and Canvas is too small

I'm still learning but the picture in my Viewer and Canvas don't show very well. They show up with 2 grey bars on the left and right of the picture. Above the picture it shows 71% instead of 100%. When I put to 100% the picture will be zoomed very big. I have no idea where's the problem but there must be something very wrong. Before i had crosslines in the viewer but this problem is solved. But how do i get the picture back to fullsize in the Viewer and Canvas?

Tom's right, if there isn't enough room for FCE to display the image full size in the window it scales it to fit. Make the windows larger, (for example put it on compositing view under window arrangement), and then choose scale to fit for each of the images.

FCP 7, viewer and canvas window is dark in lion

How to fix this problem???

The image in the Viewer and Canvas windows are 1 to 2 apperture too dark. When I convert a timeline to .mov file into Compressor or Quicktime converter, has the picture (movie) the right exposure ...
hope my English is understandable...

Green screen in both viewer and canvas

Came in this morning, tried to log and capture some material from my dsr-11. Got i/o error. Quit, restarted and the viewer and canvas screens were green. Quit and tried starting FCP without a project open. Same thing. Tried restoring old preferences. same thing. Tried restarting from cloned drive, same problem which seems to indicate a hardware problem, ran hardware tests in techtool pro without any success. Any ideas?

Update. I bought a new firewire 800 card (a LaCie, the same as the old one) but haven't installed it yet. I figured, let's see what happens if you reconnect a drive to the old firewire 800 card. Same thing; both the viewer and canvas screens are green. I quit, disconnect the drive from the firewire 800 card, restore preferences using fcprescue, same thing. I do a restart, same thing. Then I do what I did yesterday, shut down, disconnected the g5 from power for 5 minutes, reconnected, restarted, everything's working again.
So a good reminder: if things are working properly and you've tried a bunch of remedial steps, Shut down and disconnect power from your computer for a couple of minutes. Never made much sense to me, but it sometimes will help.
I'll replace the firewire 800 card in a while and post back what happens.

White Viewer and Canvas screens in FC Studio & Not an Idiot

iMac
2.66 GHz Core Duo
2GB RAM
OS X 10.5.8
FCS 3
The viewer and canvas have apparently decided to flip to white and remain there. But first, they decided they'd rather display a strange, posterized/solarized version of whatever clip was loaded at the time.
Viewer prefs set properly to RGB
Background set to black.
Changing display prefs from millions to thousands then back again - fail.
Clean reinstall of FC Studio - fail.
QT test clip - 720x480, DV/DVCPRO - NTSC
Any ideas?

Viewer prefs set properly to RGB<</div>
Okay, you know that one. Good.
Background set to black. <</div>
Completely irrelevant. Not good.
Changing display prefs from millions to thousands then back again - fail. <</div>
Right, but a restart of FCP or the Mac might also be part of that debug just to rule out all possibilities.
Clean reinstall of FC Studio - fail. <</div>
Of course. Reinstalling Apple software is the LAST thing we'd suggest. Well, it's the last thing I would suggest. It is almost always a complete waste of time for a long list of reasons but mainly for only one: unlike Windows apps, Apple software just doesn't work that way.
QT test clip - 720x480, DV/DVCPRO - NTSC <</div>
Okie dokie. When you play this clip in QT what happens?
when you launch Motion and attempt to run a previously saved comp what happens?
Any ideas? < </div>
Debugging your particular issue is not going to be easy. Trying to figure out if it's FCP, QT, your graphics card, your monitor, or some other weird and obscure setting is a question, largely, of having a good feel for your system's behaviors and application inventory and history.
Stick with it, we're going to be asking you some really idiotic questions and asking you to perform some really lame tests.
bogiesan

Strange query plans, and so different results from a view.

In my database (11g), I have a currency exchange rate table, which contains all currencies and their exchange rate to USD. I need to have a number of different exchange rates - To GBP, EUR, etc...
To accomplish this I have created a view, which has one union statement of all the USD exchange rates, with the same data joined back on itself to give the exchange rates based on their exchange rate to USD - ie: SELECT b1.Date, b1.Currency AS FromCurrency, b2.Currency as ToCurrency, b1.Rate/b2.Rate as Exchange Rate FROM Rates b1, Rates b2 on b1.Date = b2.Date
This view works fine when I query it, and returns the data as I expect.
I have a second view that is joined to this view to give a return of the amount in each currency for reporting. This view seems to work correctly when I narrow down the search requirements and have a small set of data.
The issue I am having is when I query the second view and get it to return all the data. Instead of receiving 4 rows per transaction (I am only interested in 4 exchange rates for display) I typically receive up to 2 rows. The first record is for the conversion to USD, the second record is for the conversion to the supplied currency. The issue is that this exchange rate actually includes the aggregate for all 3 other requested currencies (not the USD).
So instead of getting something like:
Amt RC BC (Amt = Amount, RC = Reporting Currency. BC = Base Currency)
60 GBP GBP
80 EUR GBP
100 USD GBP
1000 ZAR GBP
60 GBP USD
80 EUR USD
100 USD USD
1000 ZAR USD
I get the following set of results:
1140 GBP GBP
100 USD GBP
100 USD USD
Has anyone come accross something similar or have any ideas on how I can resolve this?
Thanks
PS: I can get both sets of results from the same view depending on the filter criteria. Also if I convert the exchange rates into a table, it then returns the correct results as expected.

943081 wrote:
The idea is to seek help in solving the problem. I was hoping that perhaps someone had experienced the same thing - different results for "effectively" the same query:Well, that's the issue... without additional info, it's not clear what issue you were seeing.
SELECT * FROM view WHERE Date = '01 January, 2012'
verse
SELECT * FROM view WHERE Date > '31 December, 2011' ORDER BY DateNow it's a bit clearer. That second query is not "effectively" the same as the first query. If the date column is in DATE format, then you ought to have a to_date() around the date string to explicitly convert it into a date so you can do date-to-date comparisons correctly. Also, DATE datatype stores times as well as dates, so asking for data matching midnight of a specific date is different than asking for data greater than midnight of the previous day.
If the date string is a string, then ... well, the string "31 December 2011" is greater than the string "31 August 2013", despite it being an earlier date. This is why making sure you're using the right datatype for the job is important - a date is different to a string that just happens to contain a date.
DateID
I have no objection to using a Date but always struggle to understand what someone means when they tell me "06/07/2012" - granted if the day is above 12 or the same day and month I don't have a problem - but it still leaves 121 days a year that are confusing. sure, but just because you find outputting the display (or rather, someone else's output) confusing doesn't mean you still shouldn't use the correct datatype. Store things as a date, and you can then output it in whatever format you like. Try doing that with a string or a number.
Don't say it doesn't happen as I got a birthday card from a company in May this year when I have specifically entered my date of birth as being the 5 of a month (name drop down box on their website)!Just because someone else doesn't understand how to work with dates correctly doesn't mean you can't! It's not exactly rocket science, after all!*{;-)

Color settings in viewer and canvas?

Have been experimenting with some custom presets of the Canon XH A1.
After importing in FCP the footage seemed very colorful -- mostly much warmer.
Played the same clips in quicktime and they looked completely different, much more nuanced, natural and as intended.
Is there a way to change the color settings of the viewer and the canvas in FCP?
thanks
KC

#49 - Quicktime movie lighter than what I see in FCP.
Shane's Stock Answer #49 - Why is the Quicktime Movie I made much lighter than what I see in my timeline in FCP?
Because it is designed to be bright enough to be seen on most monitors, some that might be too dark. But, if you want to see the same image you see in your FCP timeline, just open Quicktime, and in the Quicktime Player's preferences window under the General tab you can choose to Enable Final Cut Studio color compatibility.
Shane

Different stock between Acount view and Plant stock in MM03

Hello Experts,
In MM03 Acount view, I found the Total stock is 1, but in plant stock view, I found the stock is Zero.
There is not really any physcial invnetory so it must be a problem on the report.
And on mm03 that it was only on the finacial view screen that stock showed, it does not show on the normal stock screens.
What cause this difference? and How to clear the stock from the financial view?
Thanks

Hi
Please run MB5K for the problem material. If it shows difference, then there might be inconsistency between accounting stock and plant(storage location) stock. If that is the case, physical inventory can't help. The correction(direct table update) is necessary and can only be done by SAP.
Hope the information helps.
Regards,
Polly

Color Correction: different result in Frame Viewer and Canvas

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