Color Corrections iPhoto '09

Color corrections made in iPhoto '09 do not apply in iWeb '09. Is there a way to get these edits to show-up across the board in the iLife Media browser. So that edits work in the other iApps?

If I understand correctly you make a color correction in iPhoto and then open iWeb and access the iPhoto photo using the media browser and you do not get the color correction (you are not going directly into the iPhoto library)
In that case the fires thing to try is quitting iPhoto and deleting the iPhoto preference file - "your username" ==> library ==> preferences ==> com.apple.iPhoto.plist - when you launch iPhoto it will create a new default preference file - reset any user preferences you have changed and if you have moved the iPhoto library repoint to it
LN

Similar Messages

  • ? about image resolution/color correction when apple prints photo book

    My first time making a photo book. I color correct and sharpen all of my images in Adobe Lightroom 2 first. Then I save the jpegs and import into iPhoto to make a book. Is there an option for turning off auto color correction when the file is uploaded to apple for printing? Is there an accurate way to tell how the photos will print on the specific paper they use? Also, what print resolution should the photos be set to? Is 180 dpi enough? Thanks in advance.

    first read the Apple pages - http://www.apple.com/support/photoservices/preparation_tips/ - and all of its links
    Second - I suspect you will be disappointed. Based on reports on these forums almost everyone who uses iPhoto exclusively to preprocess photos is extremely happy with the results. very often people you over process their photos using a third party program (including Lightroom, Photoshop, etc) are unhappy because the printing process is optimized for point and shoot cameras and iPhoto processing - it is NOT a professional desktop book process
    There are no options re color correction - it is built in again aimed at sRGB, point and shoot cameras and iPhoto processing
    Plus there have been reported incompatibilities between iPhoto and Lightroom
    The print resolution is what it is - if it will be less than 180 dpi you will get a waarning - it can be greater
    The papers they print on are specified here - http://support.apple.com/kb/HT3412
    LN

  • What color correction setting is best

    I just bought the Canon Pixma IP4300. I'm using a lot of ink trying to figure this out, so I thought I'd ask in case there was a default. In Advanced>Color Options>Color Correction, the choices are;
    1) Driver matching
    2) ColorSync
    3) None
    Is one of those generally better to use
    Also, is it generally better to print from Photoshop(Elements 4) vs iPhoto or Preview?

    choosing colorsync over adobe color management is not a popular choice
    The only place I chose ColorSync is in OS X print dialog/color options/color correction. I have 3 options to choose; Driver matching, ColorSync, None. Which of the other 2 would I choose if I wanted to maintain Adobe Color Management? Also by Adobe Color Management, I assume what you mean are the adjustments I made in PSE. Is that right.
    Have you tried using printer color management
    Do you mean not using PS at all & just using the Color Options from the OS X print Dialog. If that's what you mean, I don't like using that because the adjustments are made on a generic OS X provided picture. You can't tell what the adjustments are doing to your photo until you choose Preview. If you don't like what you see, canceling causes you to start from the beginning.
    keeping an sRGB image flow if that's what your originals are?
    Most of the photos from my Canon SD 700IS are RGB. The others are scanned older photos. I'm embarrassed to say I'm not familiar with an sRGB image work flow
    Barbara, To tell you the truth, if I could get 2 things down to a general rule of thumb it would be helpful. 1) In PSE/Print/Color Management, what to save the printer profile to (Same as source?) & 2) In OS X print dialog/color correction, what to save it as, out of my 3 options.
    Feel free to tell me when you've run out of answers to all my questions, as I have many!

  • Color correction fails raw conversion

    Hello; any help would be appreciated becasue I am not very photoshop savy. I edit my raw files create an action run the batch and the color correction fails to hold. ahah please help. Thanks!

    The image you see in iPhoto is not the rendered RAW file it is the jpg preview file embedded in the RAW file you see on the back of the camera (iPhoto does not render RAW files). This is the same as the initial image you see for a moment in LR when you import the file, until LR renders the RAW file. LR doesn't make any "changes" to the file, but imports it and renders it acording to any settings you may have made in LR. The colour settings will be found in the calibration box in the develop mode and there may be different settings availble according to the camera you are using.
    See number 6 in the top ten gotchas here. .
    As you have made a conversion to your camera none of the existing camera calibrations will apply and you will need to use Adobes DNG editor to create a new one

  • Batch Color Correction Change

    What is the best method for changing a whole roll of photos that need color correction? I have iPhoto 6 and Photoshop CS. Would there be a way to make those changes in Photoshop, and than reimport those changes back into iPhoto to replace the noncorrected photos? Im not very effcient at photoshop so step by step would help the best. Or other suggestons or applications that will do the trick quickly and easily are welcome too...
    Thanks In Advance,
    Hintzer

    Hintzer:
    You can batch change 4 photos at a time in iPhoto with PSC2 and not have to reimport. I can't help you with batch processing with PSC2 as I've never done it. But if you work out a workflow you can open 4 photos at a time using PS as the preferred editor in iPhoto.
    Outside of iPhoto you could do as many as you'd want with PS. If you do batch correct the original files in iPhoto's Originals sub folders and then replace them with the corrected version you'll have to do a library rebuild and rebuild the thumbnails in order to see the changes reflected in the thumbnails. The changes will show in the full sized image in iPhoto without the rebuild.
    What color corrections are you finding you need to do?

  • I cant seem to print in color from iphoto

    when ever i try to print from iphoto it only prints in color....what do i do?

    i cant seem to print in color from iphoto
    tdav18 wrote:
    when ever i try to print from iphoto it only prints in color....what do i do?
    Please restate your question - your title and   question are different - I have no idea what you want to do
    LN

  • My HD TV as NTSC Monitor for secondary color correction

    Can I use my new Panasonic HD TV model TH-42PX80U as a NTSC monitor for secondary color correction using both Final Cut Pro out of a Macbook Pro intel? What cable I can use to conect via HDMI? Will the color acuracy will be similar to that of a NTSC color correction monitor? will my TV do a decent job for NTSC? THANK YOU FOR YOUR HELP!
    I am not sure I have this HDMI cable to be use in my macbook pro does it comes with it?

    Can I use my new Panasonic HD TV model TH-42PX80U as a NTSC monitor for secondary color correction using both Final Cut Pro out of a Macbook Pro intel?
    Yes, but I would only trust it if you are going to be making DVDs, and ONLY if you properly set it up. I would not rely on it for broadcast color correction. The reason broadcast monitors exist is to have a standard...HDTVs don't have a standard. Go to best buy and look at all of them....none of them match. BUT, as a nice simple solution for DVD, I'd use it.
    But the only way you are going to get a signal to it is with the Matrox MXO. It will do component to the monitor, or you can get a DVI to HDMI adapter...if you do that the MXO software will allow you to set the monitor up to color bars. That option is only available from of the DVI out of the box.
    Will the color acuracy will be similar to that of a NTSC color correction monitor?
    No...it would be similar to color correcting NTSC on your home television...because that it what it is.
    will my TV do a decent job for NTSC?
    I doubt it. Taking an SD image and blowing it up huge on this HD TV...scaled up. I wouldn't think so. I wouldn't use it for SD color correction.
    I am not sure I have this HDMI cable to be use in my macbook pro does it comes with it?
    You have a DVI port on your MacBook Pro. And they make DVI to HDMI cable adapters I'm sure.
    http://library.creativecow.net/articles/ross_shane/MXO.php
    Shane

  • Is there a way to change the pin color in iPhoto so I can pin my photos  and places from those from others.  i think it would be cool to see where my friends have also been but not mix it with mine.  Thanks

    s there a way to change the pin color in iPhoto so I can pin my photos  and places from those from others.  i think it would be cool to see where my friends have also been but not mix it with mine.  Thanks

    No
    Suggest to Apple
    You can make a smart album based on camera to seperate photos
    LN

  • Looking for a particular color correction tutorial

    I am looking for an online tutorial on how to do color correction if the video one is working with has color bars.  This happens on a lot of analog videotapes that come to me.  I know what my scopes are suppposed to look like when analyzing color bars, but I need something that shows me how to get from A to B.
    If I Google some varient of "color correction video color bars," all I get is information on calibrating monitors.
    I am using Premiere CS5.5
    Thanks in adavnce for any response!
    J. D.

    APP - Layer...
    Also... Check this site for looking at APPs.. I've posted this before but it's a good site. It just started up a week or so ago.
    http://androidapplications.com/

  • Color correcting more than one clip at a time

    Perhaps I am missing something very elementary here... but here is my situation. I have three camera angles, each of the same concert. They are synced and ready to go, each on a separate track. Each needs color correction. I have found the color correction for each that I want. Before I slice up my clips I can very easily color correct each line separately, as the color correction applies to the whole clip. However, this takes about an hour to render because it is so much material. But since I am slicing up each track anyway to form a composite track, wouldn't it make more sense for me to slice up each track as I see fit, delete the unwanted footage, and then color correct each line before I drag them all into one composite track? That way, the color correction would just be applied to the clips that I am using, presumably taking about 1/3 the time to render. Know what I mean? So here is the question: can I select all of the clips on one line and THEN color correct just those? Or do I have to select each little clip and type in the boatload of numbers into the numeric color correction. Or is there another way all together. (Like, is there a way to SAVE the color correction values that I want and call them like "camera one" "camera two" etc... and then just apply those settings to the clips I want?)
    With my sound editing program I have presets for this concert. I am able to take each piece, open it up and apply the same equalization, amplification, reverb, etc. that I did for all of the others, thus making them all sound the same. I'm sure FCE has this option for video, doesn't it?
    I have 10 more pieces to do and by far this was the most time consuming part of the job. So any help would be most appreciated!
    Much thanks!

    Apply the color correction to one clip and adjust as needed. Copy the clip. Select all other clips that you want to apply the filter with those settings to. Right-click on one and select Paste Attributes/Filters.
    -DH

  • Can't print in color from iPhoto

    When I try to print a photo from iPhoto, using my color printer, I get a black & white print (not even greyscale). I can print in color from other applications, just not from iPhoto (but I think I used to print in color from iPhoto). Any clues out there?

    Welcome to the Apple Discussions. First try deleting the iPhoto preference file, com.apple.iPhoto.plist, that resides in your User/Library/Preferences folder and try again. Next, remove the printer from the Print and Fax preference pane and reinstall. Also, depending on your printer brand, check the Apple Downloads page for the new printer drivers offered by Apple. Those might help.
    TIP: For insurance against the iPhoto database corruption that many users have experienced I recommend making a backup copy of the Library6.iPhoto (iPhoto.Library for iPhoto 5 and earlier) database file and keep it current. If problems crop up where iPhoto suddenly can't see any photos or thinks there are no photos in the library, replacing the working Library6.iPhoto file with the backup will often get the library back. By keeping it current I mean backup after each import and/or any serious editing or work on books, slideshows, calendars, cards, etc. That insures that if a problem pops up and you do need to replace the database file, you'll retain all those efforts. It doesn't take long to make the backup and it's good insurance.
    I've created an Automator workflow application (requires Tiger or later), iPhoto dB File Backup, that will copy the selected Library6.iPhoto file from your iPhoto Library folder to the Pictures folder, replacing any previous version of it. It's compatible with iPhoto 6 and 7 libraries and Tiger and Leopard. iPhoto does not have to be closed to run the application, just idle. You can download it at Toad's Cellar. Be sure to read the Read Me pdf file.≤br>
    Note: There now an Automator backup application for iPhoto 5 that will work with Tiger or Leopard.

  • Camera Raw 5.5 VS Adobe Lightroom (color correction)

    Hi, does somebody know if discarding the advantage of making layers of Photoshop, is the Adobe Lightroom color correction controls superiors to the CameraRaw PS Interface correction controls ??? I mean for color correction purposes is Adobe Lightroom  better tan PS's  camera raw interface ???? because for me both controls seem to be pretty much the same thing,  does anyone know something about it ??
    Thank you in advance !

    RicardoAngelo wrote:
    I mean for color correction purposes is Adobe Lightroom  better tan PS's  camera raw interface ???? because for me both controls seem to be pretty much the same thing,  does anyone know something about it ??
    Both Camera Raw (most recent version) and Lightroom (most recent version) share the EXACT same processing pipeline...however, there are subtle differences in usability. For example, ACR 5.6 has a Point Curves Editor...Lightroom doesn't. Lightroom has a powerful capability to control output size and resolution which Camera Raw doesn't have...
    Bottom line is they are two horses of a different color but each is capable of performing the same tricks...so use whichever app allows you o accomplish what you need to do in the shortest and easiest process...

  • Masked color correction - new Pr Pro CC features or still use After Effects?

    I am finally getting around to this project. I know in CS6 the solution was to use After Effects.  I think I kept putting it off as I was not as familiar with that program as I am with PrPro.
    Anyway this is the issue.  I have 2 hours of old video I have captured that due to an internal camera malfunction (that was not discovered until the end of the tape)
    that has 5 or 6 cyan tinted narrow horizontal transparent bars running through it.  The image is there under the bars, it is just viewed through this cyan
    tint. The rest of the image outside of the bars is fine and the image inside the bars is fine, it just has a tint.  This is old SD footage. 
    An AE expert said I can make an Adjustment Layer in AE and use the Mask Shape Tool to draw several boxes around the problem cyan areas, apply the Curves and Hue/Saturation effect to the adjustment layer, then color correct. Some feathering would be needed (I know PS too so I can handle that part ) I think I recall back with PrProCS6, I could do this adjustment but only one bar at a time. I could be wrong about that.
    But anyway, sounds pretty easy in AE. But since I live in PrPro CC 2014 now, and I saw some recent new features with masks and adjustments, I was wondering if I could perform the same adjustments right in Pr Pro CC 2014?  If I need to use AE CC 2014, no worries, I have that installed.
    Thanks for the help as always!  This is family footage that I would really like to rescue.
    BJBBJB1

    Thanks so much Dave.  It fixed the problem.
    Raoul.

  • Secondary color correction not working in Premiere CC

    Greetings,
    I'm unable to build secondary color correction masks in Three Way Color Corrector, RGB Curves etc in the current version of Premiere CC.
    In any of these plugins, when I check "show mask" I get the usual white slate filling the frame. But when I use the color picker to make a selection the whole frame stays white. It appears that I'm making selections but it's not building the mask for some reason. When making an extreme color change I can see that the mask is not building as it affects the whole frame.
    This started after upgrading to CC. I've recently updated to the most up to date version (yesterday) and am still having the same problem.
    Premiere CC 2014.1 Release
    8.1.0 (81) Build
    Macbook Pro Retina, 15" Late 2013
    2Gh Intel Core i7
    8Gb
    Intel Iris Pro 1536Mb
    Yosemite Version 10.10
    *note-my Colleague is not having this problem, he's working on the same OS and same CC build but he has an Imac. So I'm guessing this problem is unique to my hardware config.
    Anybody else have this problem or know of a fix?

    I have the same Problem new MAC OS Premier Pro CC or Premier Pro CS6 both have an issue with the Title Tool. If you open the title tool and try to make color changes or change size of the font it sticks at the default color and default font. SOmetimes the title tool will work and then when I exit it's back to the default first type location, default font and default color. Sometimes it will not even let me exit the Title Tool.
    Please help I have Projects I'm working on Deadlines and I pay a monthly Fee for Software that works and it's not working.
    Model Name:          Mac Pro
      Model Identifier:          MacPro5,1
      Processor Name:          6-Core Intel Xeon
      Processor Speed:          2.4 GHz
      Number of Processors:          2
      Total Number of Cores:          12
      L2 Cache (per Core):          256 KB
      L3 Cache (per Processor):          12 MB
      Memory:          16 GB
    Software  OS X 10.9 (13A603)
    Graphics  ATI Radeon HD 5770 1024 MB

  • Transitions not working in Premiere CS6.Video was color corrected in AE 6 and sent back to PPro cs6.

    I exported my film to AE6 from Premiere CS6 for color-correction and got it back to Premiere Pro through DYNAMIC LINK.Now,the problem is that AE has discarded all the transitions and also cross-dissolve and film-dissolve don't seem to work on this color-corrected video.I am able to apply the transitions but they don't work....somebody please help!

    As Jim said, not all effects and transitions are properly translated when you replace a group of clips with dynamically linked AE composition. Actually you should have noticed that your cross-dissolves etc. had been replaced with black solid layers in After Effects, which didn't reflect your PrPro transitions.
    Now you can jump back to your AE project and fix broken transitions there.
    For your future work you should keep it in mind and decide whether to replace a group of clips (and, therefore, fix broken transitions in After Effects) or a single clip, taking care of its handles.

Maybe you are looking for