Color profile won't stick.

Since I installed a Matrox M9125 graphics card, colour profiles set in "Color Management" won't stick. The default "Device" for "Common Management" is "Display: Generic Non--PnP Monitor - Matrox M9125PCIe x16". When I select my actual monitor (NEC 2690) from the Device drop down list profiles appear - including one I have made using an Eye-One Display 2 - and I can set it as the default one. However, when I re-open "Color Management" the profile I just set is gone, the profile list is empty and the Device is back to the Generic PnP ...display etc.
The profiles worked fine in my previous vga card (Nvidia) and stayed selected.
I have Vista Ultimate 32Bit and CS3.
Grateful for any help on this.
David

Hi,
I just want to sympathise with the China/Printer issue.
Most of my artwork goes over there and I want to rip my hair out with every new job. Steve is right that we as artists really should go by the printer's specs, but when dealing with a language barrier, not to mention a 12 hour time difference it's so far been imposssible for me to do. I keep a Pantone color picker at my desk and manually enter in the CMYK values. It doesn't always work though.
About your problem, the only thing I can think of is that you have images in your file that were RBG when placed in your file. It might not be what's going on, but something to check anyway.
Good luck,
Cherie

Similar Messages

Assigned color profile won't stick

I have documents I need to send to China for production and their assigned color profile doesn't seem to be saving. Under the "edit" menu I've selected "Assign Profile" and checked "working CMYK". Then I save and close my document. When I reopen the document to double check it's color assignment I find that half the time the file has returned to "don't color manage". I'm not doing anything differently but I keep getting different results.
What am I doing wrong?
Thanks,
Christy

Hi,
I just want to sympathise with the China/Printer issue.
Most of my artwork goes over there and I want to rip my hair out with every new job. Steve is right that we as artists really should go by the printer's specs, but when dealing with a language barrier, not to mention a 12 hour time difference it's so far been imposssible for me to do. I keep a Pantone color picker at my desk and manually enter in the CMYK values. It doesn't always work though.
About your problem, the only thing I can think of is that you have images in your file that were RBG when placed in your file. It might not be what's going on, but something to check anyway.
Good luck,
Cherie

T61 Color correction won't stick

Is there some way to make a color correction made (to eliminate a blue tint) stick? I find I must make the correction anew each time I reboot.

when you say the filter was not applied are you saying that the filter disappears from the filter list for the clip?
just for reference heres a workflow i've found helpful when adding and adjusting filters:
before you correct, change your playhead sync mode to open (View > Playhead Sync > Open). that way you can be sure that the clip you are viewing in the canvas window is the same clip you are adjusting in the viewer window. drag and drop the filter or otherwise apply the filter to a clip in the timeline. move the playhead so that you are looking at that clip in the canvas. adjust the settings for the filter controls in the viewer window.

Color Correction Won't stick

Hello all,
FCP 3.0
I have range check turned on and get the exclamation point.
I apply Color Correction 3 way and lower the whites until I get the green arrow and render. I check the clip again and the filter was not applied. No CC was done.??????
Yet it rendered for the amount of time it said it was going to render. Tried pasting the CC filter forward from the CC window by hitting the 1 and 2 and yet it doesn't work.
Thanks,
Al

when you say the filter was not applied are you saying that the filter disappears from the filter list for the clip?
just for reference heres a workflow i've found helpful when adding and adjusting filters:
before you correct, change your playhead sync mode to open (View > Playhead Sync > Open). that way you can be sure that the clip you are viewing in the canvas window is the same clip you are adjusting in the viewer window. drag and drop the filter or otherwise apply the filter to a clip in the timeline. move the playhead so that you are looking at that clip in the canvas. adjust the settings for the filter controls in the viewer window.

Emailed photos missing color profiles

I noticed that all the photos I've sent people from the iPhone look really flat and lifeless.
When I transfer the photos to iPhoto they have the profile sRGB. But if I email them from the Photos app on the phone (at any size) they are missing their ICC color profile.
It means that any work you did editing your photos on the phone will look wrong when uploaded - modern browsers or mail clients that respect color profiles won't have the info to display them properly.
I don't get it, why would Apple include ICC profiles when saving photos but want to strip out the color info when sharing them? Profiles are tiny and don't impact the size, so why remove them?
I'm annoyed that I'll need to use the computer to share my photos properly- doesn't that defeat the purpose of being able to share them right form the phone?

I would just reinstall your Epson software from which those profiles most likely came. If you have a full backup of the previous system then you can look for them in the /Library/Colorsync/ or /Home/Library/Colorsync/ folders. If you migrated a Home folder and the profiles were installed in the /Library/Colorsync/ folder then they were not transferred to the new installation.

Why Won't Photoshop Sync my Color Profile Settings?

I am using a Lynda.com tutorial for color management by DEKE MCLELLAND and after following his instruction to change my color management settings in BRIDGE AND ILLUSTRATOR to use the color profile ADOBE RGB (1998), I receive this message when switching to Photoshop to check if it has synced as well as the other two programs: "The color settings file contains settings that are not supported by this version of Photoshop running on this system. These unsupported settings will be reset to their default values."
I have tried several times and it simply will not sync
I am using a MAC PRO (late 2007) 10.9.4.

You are the perfect candidate for Adobe Support CHAT. You will speak with someone from India, but they are very smart, and very polite. It may take an hour or so, but every problem of this type I've had, they have been able to solve.
http://helpx.adobe.com/contact.html?step=PHSP
Just fill in the stuff until you see the "Contact Us" link, after which you will see the CHAT link.
Be patient, and good luck.

IPhoto fix that worked for me (Coregraphics & Adobe Color Profiles issues)

Ok, I posted a few days back in reference to getting help with my iPhoto. I do apologize on the fact this is quite the long post but maybe it will be easy to understand for those who are like me and not all that computer literate. I searched all the discussions and used all the different advice from different people but had no luck. I was able to FINALLY get iPhoto up and running again last night after doing just a few simple things. Please note that this may not work for everyone. Also please note that I AM NOT an expert in dealing with computers and working with computers. It's just that my ADD kicks in when something needs fixing and I won't stop till its finished. Below are a few lines from the crash report that I was getting each time I attempted to open iPhoto from my Macbook Pro Late 2011 running 10.8.3.
Crashed Thread: 0 Dispatch queue: com.apple.main-thread
Exception Type: EXC_BAD_ACCESS (SIGBUS)
Exception Codes: KERN_PROTECTION_FAILURE at 0x0000000000000024
VM Regions Near 0x24:
--> __PAGEZERO             0000000000000000-0000000000001000 [    4K] ---/--- SM=NUL /Applications/iPhoto.app/Contents/MacOS/iPhoto
    VM_ALLOCATE            0000000000001000-0000000000055000 [ 336K] ---/--- SM=NUL
Thread 0 Crashed:: Dispatch queue: com.apple.main-thread
0   com.apple.CoreGraphics                  0x9678ec6c color_space_create_adobe_rgb_1998 + 28
1   com.apple.CoreGraphics                  0x9666dd70 CGColorSpaceCreateAdobeRGB1998 + 32
2   com.apple.CoreGraphics                  0x9642b46b CGColorSpaceCreateWithName + 652
3   com.apple.geode                         0x01079d4a +[DGColorSpace initialize] + 1018
4   libobjc.A.dylib                         0x90267600 _class_initialize + 305
5   libobjc.A.dylib                         0x902674c8 prepareForMethodLookup + 78
6   libobjc.A.dylib                         0x90267337 lookUpMethod + 81
7   libobjc.A.dylib                         0x902672e1 _class_lookupMethodAndLoadCache3 + 47
8   libobjc.A.dylib                         0x90266ac1 objc_msgSend + 81
9   com.apple.geode                         0x010798a0 +[DGContextMgr newBitmapContextCached:accelerated:] + 61
10 com.apple.geode                         0x0107985e +[DGContextMgr newBitmapContextWithAcceleration:] + 49
11 com.apple.RedRock                       0x02647bf6 -[Godot loadGeode] + 1261
12 com.apple.RedRock                       0x026448a8 -[Godot init] + 1571
13 com.apple.RedRock                       0x026437d2 +[Godot initGodotApp] + 108
14 com.apple.iPhoto                        0x00083be8 0x55000 + 191464
15 com.apple.iPhoto                        0x0008236b 0x55000 + 185195
16 com.apple.Foundation                    0x9a3bc4cf __NSFireDelayedPerform + 413
17 com.apple.CoreFoundation                0x95ed1416 __CFRUNLOOP_IS_CALLING_OUT_TO_A_TIMER_CALLBACK_FUNCTION__ + 22
18 com.apple.CoreFoundation                0x95ed0db5 __CFRunLoopDoTimer + 709
19 com.apple.CoreFoundation                0x95eb5bc2 __CFRunLoopRun + 1842
20 com.apple.CoreFoundation                0x95eb502a CFRunLoopRunSpecific + 378
21 com.apple.CoreFoundation                0x95eb4e9b CFRunLoopRunInMode + 123
22 com.apple.HIToolbox                     0x9052af5a RunCurrentEventLoopInMode + 242
23 com.apple.HIToolbox                     0x9052abf5 ReceiveNextEventCommon + 162
24 com.apple.HIToolbox                     0x9052ab44 BlockUntilNextEventMatchingListInMode + 88
25 com.apple.AppKit                        0x923c39aa _DPSNextEvent + 724
26 com.apple.AppKit                        0x923c31dc -[NSApplication nextEventMatchingMask:untilDate:inMode:dequeue:] + 119
27 com.apple.AppKit                        0x923b963c -[NSApplication run] + 855
28 com.apple.AppKit                        0x9235c666 NSApplicationMain + 1053
29 com.apple.iPhoto                        0x00064c99 0x55000 + 64665
30 com.apple.iPhoto                        0x000642e5 0x55000 + 62181
-Run and attempt to repair any Color Profiles that may need to be fixed. There were 4 that could not be fixed for me. Locate these profiles and move them to your desktop (Note: I was still able to open and use all applications in my Adobe CS6 Master Collection after moving these profiles but you may want to check just to be sure if you are using Adobe).
-Even though I had done this many times, run the Disk Utility App in your Utilities Profile and Verify and Repair any permission needed (For me, I had none at this time that needed to be repaired).
-Next, I did an Apple Hardware Test. For me and the model Macbook Pro I am using, I had to restart my computer and when the screen went black for me at restart about the time the start up sound is about to come on, I pressed ALT-D. On some models you just have to press D. I did disconnect everything prior to doing this except the power cord and the Internet. I did a full AHT test that took about an hour or so. If you get an error code, be sure and right it down whereas your issue may be something different than mine and this will not apply to you. There were no problems from the test and then restarted the computer.
-At restart I decided to get into the OS X Recovery by pressing Command-R to either start from scratch or find some other way to fix the issue because I was tired of racking my brain on this and was about to throw the computer in to the wall.
http://support.apple.com/kb/HT4718 For help or questions on the OS X Recovery Process
-Once in the OS X Recovery from the Mac OS X Utilities Pane, I selected reinstall and then I selected my current Hard Drive. Luckily by doing this (not that I was aware or anything, but none of my files or folders were deleted and it only reinstalled Mountain Lion and whatever else it needed)
-This process took about an hour and once finished, I restarted my computer
-I logged back in to my account but did not attempt iPhoto at this time. Instead I immediately checked to make sure that 10.8.3 was what was reinstalled back on my Mac. I then checked for Software Updates which I had a few and installed these updates.
-I then went back to the Disk Utilities App from my Utilities folder and Verified the Disk and Disk Permission. To my surprise, many of the files that were in the iPhoto crash thread (posted above) were now showing up as needing to be repaired. I repaired what needed to be repaired.
-I verified all my Color Profiles to make sure none were showing up again (which there were none that needed to be repaired)
-I did a check check of some Adobe CS6 Apps just to verify they were opening and working correctly
-I restarted my Mac (Once again) and logged back in. I opened up iPhoto and everything worked and is working PERFECTLY. I then re-connected my printers and my Time Machine and performed a back up before importing photos back in to iPhoto. I DO WISH NOW THOUGH THAT I HADN'T DELETED AND RE-INSTALLED IPHOTO but it is nice being able to start over and organize iPhoto a little better than before.
I am sorry this is such a long post but for people like me who are not professionals in the computer department, sometimes it's good to "dumb" things done so that us "average joes" can understand a little better. Hopefully this will work for those who are having issues like mine. Thanks for all the help from everyone from my previous posts.

Tom:
To help prevent loss like you experienced see the tip at the end of my signature.
Do you Twango?
TIP: For insurance against the iPhoto database corruption that many users have experienced I recommend making a backup copy of the Library6.iPhoto database file and keep it current. If problems crop up where iPhoto suddenly can't see any photos or thinks there are no photos in the library, replacing the working Library6.iPhoto file with the backup will often get the library back. By keeping it current I mean backup after each import and/or any serious editing or work on books, slideshows, calendars, cards, etc. That insures that if a problem pops up and you do need to replace the database file, you'll retain all those efforts. It doesn't take long to make the backup and it's good insurance.
I've written an Automator workflow application (requires Tiger), iPhoto dB File Backup, that will copy the selected Library6.iPhoto file from your iPhoto Library folder to the Pictures folder, replacing any previous version of it. It's compatible with iPhoto 08 libraries. You can download it at Toad's Cellar. Be sure to read the Read Me pdf file.

Converting RGB to DNG without affecting color profiles

Hi guys
I'm working with the DNG SDK in C++ for some time now. I need to be able to take a raw RGB (not camera raw) and convert it into a dng file. After playing arond with it for a few days, I realized creating the camera profile drastically affects the resulting dng image.
I can't seem to produce a dng file that was identical to the input source. My picture appears very washed out and I end up using the adobe color profiler to try to bring the image back close to it's original color.
I'm trying to find a way to produce dng files without the need to affect the colors in any way, the resulting picture should be bit identical to that of the raw RGB input file.
I'm not even sure if I can do this considering the usage of the dng format.
UPDATE
I've realized that my program is loading the RGB buffer into the fData of the stage3 image object. I have a feeling I need stages1 and 2 but i'm unsure if I need to and if so, then i will probaby need a source DNG to produce those stage1 and stage2 unless I can get stage1 or 2 from stage 3 (appears it works vice versa).
I'm able to do the reverse (DNG to RGB raw) by extracting the buffer from the stage3 render. but in this case, all the metadata has been filled in by the input DNG. However, going from RGB to DNG, I don't have the metadata to fill into stage 1 and 2.

My understanding of the JPG is only middling. I thought I understood that it uses anchor pixels and either a translation table of some sort or difference mapping, using 8 bits per piece of information.
If that were the case, surely changing the translation from CMYK to RGB would be fairly simple.
In this case, the usage is Ebay and they only accept JPG, PNG (and maybe BMP and GIF, I didn't look that closely), but require RGB. I was actually quite surprised to find that JPG allows CMYK since, as you say, anyone dealing with CMYK is going to be dealing with commercial printing and few people who deal with commercial printing would play around with JPG.
I always stick to TIFF or PSD for workflow, but JPG is popular for a reason - when it comes to web, JPG is the only format that can deliver manageable file sizes with full-screen or "large" images for web. Our top level banner photo is 2590x692 and needs to be under 400kb for sane download speeds. PNG couldn't touch that. Even with the aforementioned 1800x1200, PNG is nearly 2mb, while I can maintain very decent quality with a 500kb file with JPG that works well for 'zoom in' type usage.
So there's no way around JPG. It's just annoying that the first person to touch a random selection of the pics was primarily an Illustrator user and saved *some* of the pics in CMYK mode.
It's like that old story about the farmer who didn't want anyone to steal his watermelons, so he cleverly posted a sign "None of these watermelons are poisoned", only to find a note the next day saying "Now, One of these watermelons is...".
Far more work to fix 'some' of the images compared to just doing it right the first time.
But then again, for workers like that, if you can't trust them with an easy job, you could hardly trust them with more complicated jobs...

Please help me find a color profile for Samsung 2343bwx

Hi Everyone,
Im just trying to get started in the graphical design field, I just bought a Samsung 2343BWX Lcd monitor (i know I know TN isnt the best for graphical design but im not rich), the color profile that came with the monitor is defective and displays everythign in a deep yellow tint, Ive tried using samsungs Natural Color Pro monitor profiling software but it results in a really ughly profile that is too dark and has a blueish tint to it.
Samsung's support isnt much help (no sprise there) and I cant afford a spyder or eye-one hardware calibration tool at this point.
Does anyone have or know where I can get a good color profile for this monitor? You have no idea how much I would appriciate it.
Thank you in advance for your help
All The Best

You have a few choices....
1. Use the generic monitor profile supplied with your monitor, the one that came with it when you bought it. This will be generic, and will not account for drift, and probably won't be all that accurate. But, at least it should be in the general ballpark since it represents a cross section of a grouping of similar monitors.
2. Try one of the presets that came with your monitor. I don't know what presets or controls are offered with this monitor, but I would shoot for a color temp between 5000K and 5500K, a 2.2 gamma, and a reasonably dim brightness setting.
3. Find someone who can do a hardware/software calibration, either a friend, or someone who will do it for a fee. This will get it right once (if they know what they are doing), but will not account for drift over the long term.
4. Search online and see if you can find some visual calibration target and do it by eyeball. This is usually not easy to do, and probably won't be satisfactory, but you can give it a try.
5. Buy a calibration package and do it yourself. You should probably calibrate an LCD monitor at least monthly (I do mine weekly). This is the best way to go, at least if you are serious about accurate color. And this doesn't guarantee that your monitor and print will match. For that, you need to calibrate your printer for each type of paper you use, or rely on generic printer profiles. Then, you have to make sure you set everything up properly and utilize all your profiles properly. Sorry, but this is all part of the price you have to pay if you want good color.The fee involves money for the proper tools, education on how to use them, and experience in applying them properly.

Color Profile Question

I recently purchased a new PC and have been working from it for about a month or so without any issues. My client sent me an email saying that her images were appearing muted on her computer screen prior to printing them off of a few common photo labs. I looked into it and tried it myself and it was indeed correct. All of the images edited on my new PC were muted...my first instinct was that it was the color profile. I converted the image to sRGB and it fixed the problem. Now comes the problem....my photos are saving under the wrong color profile. How do I prevent this from happening so that all my images are automatically saved the my preference of color profile. I hope this makes sense because my mind is spinning from trying to figure this out! Thanks in advance!

audi454 wrote:
1. AdobeRGB
2. Im not sure what you mean, preferences in PSE?
3. My client has a print release, I use WHCC to print my pictures and I believe they require sRGB as well.
4. Yes I always shoot in RAW.
Thanks for taking the time to help, I looked at my Lightroom color settings since that's how I import my pics and it was set on Adobe Pro I believe... I changed it to sRGB.
Sent from my iPhone
Thanks for the info : I'll start with the 4th question because it's the less known factor with Elements
If you shoot raw, the settings of your camera (Adobe RGB) will be ignored. This setting works only with the out of camera jpegs. A 'raw' file has no color profile, so PSE needs to know which profile you want for the conversion. You won't find any menu or dialog entries in ACR for that purpose. So, to convert the file when you 'Open' in the editor, PSE looks at the settings in your editor (my question #2, Menu Edit/Color settings...
If you have chosen option 1, 'Always optimize for computer screens', PSE will convert the raw file to sRGB profile.
If you have chosen 'Always optimize for printing', PSE will convert to aRGB...
If you want to take advantage of the slightly wider color space of Adobe RGB because your home printer can use it, select the second option, but if you have to send the picture in sRGB, do not forget to convert before sending. Menu /image/convert color profile.
If you don't want to bother, use sRGB with the option 1. You won't risk forgetting to convert the client version.
Never use 'No color management' in the menu /edit/color settings
If you first convert to sRGB with option 1, you won't get any advantage to convert to aRGB afterwards

Changing color profile in Lightroom 5 Soft Proofing from ProPhotoRGB to sRGB is not showing any changes, changes in Photoshop CC are dramatic

I am working with the color profile ProPhoto RGB in both Lightroom 5 and Photoshop CC. In preparing for my first Blurb book I have tried to generate pictures in sRGB in Lightroom, using the Soft Proofing feature, but there are no changes at all. Then I transfer the same pictures into Photoshop, change the color profiles and the results are dramatically different.
What can I do to achieve the same results in Lightroom

With an average monitor what you see on-screen is already soft proofed to sRGB (or something very close to it), because that's all the monitor is capable of displaying anyway. So soft proofing to sRGB won't tell you anything. You won't see any difference.
In Photoshop it sounds as if you assign profiles. That's not the way to do it. If you convert correctly you won't see any difference. Same principle as above: there may be clipping in the process, but what you see on screen is already clipped, so no visual on-screen difference.
With a wide gamut monitor soft proofing becomes slightly more useful. But still you won't see any changes occurring outside Adobe RGB. You'll get a better idea by keeping an eye on the histogram. Ideally, all three channels should taper gently off towards the endpoints. If any one or two channels are backed solidly up against the endpoint, on either side, that's gamut clipping.
If Blurb gave you a real profile, one that reflected their actual printing process, you could soft proof to that. But apparently they don't.

Display color profiles causing gamma shift in video playback

I recently got a new monitor - Dell U2713H - to use with my macbook pro. If I use anything other than the default color profiles the gamma will shift after about 7 seconds during video playback to something much cooler and dimmer. it stays that way until the video is paused and then reverts back to what it should be. This problem doesn't happen if I stick to the default display profile. Any ideas?

Mac OS X (10.6.8)
If your profile is correct, you should re-post in the Snow Leopard forums instead of Mountain Lion's.
If profile is incorrect, please correct so that you will get the proper troubleshooting solutions.

Download Canon 7D DNG color profiles

Hello everyone!
I just got a new Canon 7D and I got to say, when I open my photos (I shoot in raw) in Lightroom they don't exactly look like what I see on the back of the camera...so I'm looking for color profiles that would match the 7D's colors but I'm not sure where to look for them.
So my question is, where can I fin Canon color profiles to download?
Thanks for your time!

There is a profile creator provided by Adobe to create specific profiles for your camera in LR/ACR other than that I do non believe there is any option to just stick profiles into LR/ACR.
http://labs.adobe.com/wiki/index.php/DNG_Profiles

DNG files rendered with wrong color profile?

Does someone else also have a problem with DNG (digital negative) files showing incorrect colors when opened in Apple software (Preview, iPhoto, Aperture..)?
I have a Nikon D750 and currently consider using DNG as archive format for my RAW files.
But the converted DNG files are shown with a wrong color profile when opened via Apple's own camera raw framework...
It works in Adobe software - such as Lightroom - but any software using the OS X internal camera raw framework seems to use the wrong color profile when opening the DNG. Note that the original D750 NEF files are opened and rendered correctly.
I am using OS X Yosemite 10.10.2 with the latest Camera Raw Compatibility Update 6.02 installed.
On the Adobe side, it is Lightroom 5.7 and DNG Converter 8.7.1.
I tried all kinds of different conversion settings. It does not seem to make a difference whether I embed preview images in the DNG or not, whether I shoot in 12 or 14bit RAW, and whether I include the original RAW file into the DNG or not. I also tried to explicitly select the 'Camera Standard' color profile in Lightroom first and then export the DNG, but still on the OS X side the resulting image looks wrong as compared to the original NEF.
Any other Nikon user here who could verify my problems?

A few simple tests on your end may help you better understand:
1. Capture the same image (same camera settings in RAW and JPEG)
2. Open these images in Canon DPP - they will be a close match, this is because Canon DPP and the Canon camera itself use similar RAW processing algorithms
3. Open convert the CR2 to DNG, and open the CR2, DNG, and JPEG in Adobe Camera RAW - the CR2 and DNG should be a very close (if not identical) match if you use the same processing settings for each, since they are both being processed by ACR's algorithms; the JPEG will probably not match as it was processed with Canon's algorithms
What you are seeing is at the HEART of raw processing, and has nothing to do with color spaces or with DNG being at fault. The very nature of RAW processing means every processor (DPP, ACR, CaptureOne, etc) will produce different results by default - that's not to say that with some adjustments you can't match one processor's results to another, but it won't be the case by default.
The choice of RAW processor has FAR more an impact on your results than color space - in fact color space should have virtually no visual impact, though depending on the scene photographed you might have better gradations in some color spaces, better handling of highly saturated colors in some, but the overall look should remain close regardless of color space choice.
Further, as has been pointed out by others, raw files (which includes CR2 and DNG) do not have a color space - raw files are by definition raw image data which has yet to be processed into a color space. When you see color space assignments in RAW processors, that is relevant to the files you create FROM the raw files, not relevant to the raws themselves.
Before bringing inflammatory language and false assumptions to a forum with a high level of expert membership you might want to research the issue, and devise some simple tests (like above) to help you understand the issue first.

Web Colors: Washed out. Color Profile?

When using lightroom, I find that photos that are exported as Web images appear washed out and lighter than when I'm in the "Library" section. I find myself compensating by darkening the images in the Library to get the just right in "Web".
I guess I attribute that to a mismatched color profile. But I can't find any settings saying "the Library color profile is AdobeRGB and the Web profile is sRGB" or something like that.
Where is that setting? Am I crazy? Again? :-)
gm.

After so many people here and in every other photography forum asking why their images look 'wrong' in a browser, and the answer being, over and over, that they are using the wrong color space for output, it should be obvious that the reason that they notice and catch the problem is because they are using a non-managed browser. The ONLY reason they caught the problem is because they are using a non-managed browser. If they are using a managed browser, they won't catch the problem.
I would much rather use a browser that represents an average view and have confidence that people are seeing something reasonable, than assume that everything went right and post stuff indiscriminately and in a sense blindly. After all, if there is going to be so much variation between monitors, why stress out with color management in the first place. Just calibrate your monitor so you have a decent baseline and move on. But have SOME way to know that the workflow went as expected... use a managed browser and that final check is inexistent.
Suppose you print at a place like Lulu.com. Would you upload and order
50 copies of a book before you buy one copy of a book and make sure that everything is correct? That would be just plain stupid. Well, putting up a website without checking it on a non-color managed browser is just about as silly.
To each his own... some advice is practical, some is theoretical... understand the theory, but live in a practical world. And take simple steps to catch stupid mistakes, like making sure that you use a non-managed browser to make sure that you output the right colors.

Color profile won't stick.

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