Color settings on a Mac

I have pse 3.0 on my old eMac and I don't know why, but I keep getting the message "Could not synchronize color settings because color settngs could not be found" and I can't run the program. Any ideas?

Go to your username>library>preferences and delete
com.adobe.Photoshop.Elements.plist
Photoshop Elements 3 settings
Photoshop Elements 3 paths
repair permissions and try again.
If that doesn't do it, drag PSE to the trash and reinstall it.

Similar Messages

  • How to change colors settings -- newbie to mac

    I was messing around with the settings and selected to polarize the image so that it looks like a photo negative. I feel like a moron so far in using the mac and i cant find how to switch it back to normal. Any help is appreciated.

    Welcome to Apple Discussions!
    If you mean the whole screen has turned negative, open the Universal Access preference pane (in System Preferences in the Dock) and in the 'Seeing' tab, click a checkmark against 'Black on White'. You can also switch between 'normal' and reversed modes with Cmd/Opt/Crtl/8.
    If you mean an image such as a scan or photo, it depends on which software you're using!

  • Permanately Saving Color Settings and Profile in Photoshop CS2

    Hello,
         We have Photoshop CS2 for Windows and Photoshop CS2 for Mac. I have custom color setting .csf files and .icc profile we want to load in Photoshop permanently. If I use the load option in Photoshop it appears the color settings will load these settings temporarily. If I choose another color setting and go back to the custom settings, I will have to reload the settings again.
    Is there a way to permanately have the color settings permanately appear in the list without having to load by using options in the Photoshop menu?
    Now I know if I manually drop the .csf or .icc file in the below folders located in the below path, the settings will permanately appear i, but I don't know if there is an easier way using the menus within Photoshop to permanatly load these or do we have to manually install these files to get this done. Trying to give out directions on how to do this would like to know if there is an easier way.
    On Windows:
    in Windows, it's inside Program Files\Common Files\Adobe\Color\Settings.
    On MAC:
    Library\Application Support\Adobe\Color\Settings folder;

    FIrst off, more info: Platform, RAW type and means of Monitor calibration.
    Don
    Don Ricklin, MacBook 1.83Ghz Duo 2 Core running 10.4.9 & Win XP, Pentax *ist D
    http://donricklin.blogspot.com/

  • Color Settings CS3 Mac for CMYK Commercial Print

    Can somebody advise me as too what I should be setting my color settings to so they will be the same across the suite and when I send my files to commercial print that prints CMYK sheet fed coated.
    I've read so much I'm confused. I'm new to CS3 and the Mac ... In the past my work has come back perfect in color and matched to my monitor. Now on CS3 on the Mac I'm not sure what to do.
    If anyone can help it would be most appreciated.

    Charlene wrote:
    > Marco ... I read your post on rGB / CMYK conversion
    Which one was that, if you could remind me?
    >I work through a print broker that prints CMYK and the only thing he can tell me is that they print CMYK and on sheet fed coated.
    Well, yes, print is always CMYK. As for "sheetfed coated", I would assume that they intend a color space like the one described by the U.S. Sheetfed Coated v2 profile (though it could possibly be the GRACoL2006_Coated1v2 profile). You may want to ask them to confirm one or the other, to be safer.
    >So my question is di turn everything to CMYK on my monitor and change to sheet fed coated in the settings?
    To make sure I understand your question, I think you are asking me whether you should turn your image file(s) to a chosen CMYK output profile. Yes and no. You should do your color and tonal correction work
    b in RGB
    , and convert to the intended CMYK output profile
    b only as a last step
    , just before you deliver the files to the print provider or the prepress specialists.
    Do
    b not
    convert your files to the intended CMYK output profile in the beginning and correct them in CMYK. Do not do that. That is not the most desirable way to work.
    The default working spaces in Photoshop's Color Settings are important, but not essential. Yes, you should set the default RGB profile to AdobeRGB (if not ProPhoto RGB, though you may wish to hold off on that one until you have more experience with the application), and the CMYK default profile to U.S. Sheetfed Coated v2.
    But, as long as your chosen color management policies are to "Preserve Embedded Profiles", and as long as the image files you work on are tagged with the appropriate profile, then the default profile in Color Settings is no longer relevant.

  • AYUDA CON COLOR SETTINGS!!! por favor!!!! e impresion!!! en MAC

    Tengo varios problemas con photoshop cs. Cuando intento entrar a la paleta de COLOR SETTINGS automaticamente el programa se queda como colgado y no responde, aparece el color piker y muere ahi. Tengo que hacer un FORCE QUIT con la mac para poder seguir y volverlo a abrir. Probe desintalando y volviendo a intalar el programa pero no tengo ningun resultado es lo mismo. Quiza no sepa desinstalarlo bien. Y lo otro es cuando trato de imprimir tampoco me deja, siempre sale un cuadro que dice que el area de impresion es mas grande que la setiada, la cambio hago un documento nuevo y sigue igual. Cuando pongo ignore, me sale que como no es una impresora postscript va a omitir algunas cosas.
    Si por favor me dan alguno solucion para esto les agradeceria mucho.
    Nicolas Tarallo Nicoletti

    Hopla Nicolás:
    Lo mismo se logra oprimiendo simultáneamente las tres teclas de Control, Command y Shift (mayúsculas) inmediatamente después de iniciar el Photoshop. Mantenlas oprimidas hasta que te salga un cuadro preguntando si quieres confirmar la acción de redefinir las preferencias.
    Sin embargo, si proporcionaras más detalles sobre tu modelo de Macintosh, las
    versiones exactas del SO y de Photoshop, la memoria RAM instalada, el espacio disponible en tu disco duro, etc., sería más fácil ofrecerte sugerencias.

  • Can i copy my settings from one mac to another?

    Hi
    Since I had a problem with my Mac's drive that suddenly failed (I am able to read ONLY), I replaced the internal HD with my emergency HD that I had backedup a few months before. I would like to know if there's a way to copy my settings from one mac to another? Is there a specific folder for all apps or do I have to find out each and every single file for each app?
    I need the settings for
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    Finder (view, etc)
    iTunes (that include all library, playlists, etc),
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    Safari (Bookmarks, settings & plug-ins),
    Address Book (contacts)
    Thuderbird (emails accounts, contacts, passwords, etc)
    Stickies (stickies on the dock - i have info on there unsaved)
    Filezilla (FTP infos)
    Would appreciate.
    Thnx.

    Prince Moe wrote:
    Hi
    Since I had a problem with my Mac's drive that suddenly failed (I am able to read ONLY), I replaced the internal HD with my emergency HD that I had backedup a few months before. I would like to know if there's a way to copy my settings from one mac to another? Is there a specific folder for all apps or do I have to find out each and every single file for each app?
    I need the settings for
    System (view, font, color,)
    Finder (view, etc)
    iTunes (that include all library, playlists, etc),
    Firefox (Bookmarks, settings & plug-ins),
    Safari (Bookmarks, settings & plug-ins),
    Address Book (contacts)
    Thuderbird (emails accounts, contacts, passwords, etc)
    Stickies (stickies on the dock - i have info on there unsaved)
    Filezilla (FTP infos)
    Would appreciate.
    Thnx.
    All that info is found in your user/library folder, I just did a 60 machine rollout and copied all those settings from user/library, just be forewarned that if you upgrade software those setting will not take on the machine, for example Adobe CS 3,4 will not usable by CS5.  let us know if you need more help.  Also make sure you copy most of your preferences in the user/library/prefences folder.
    Note: If you are using an identical backup with all apps and user settings, you can just copy all folders from user to your new home folder.  Remember that only if the image or backup is identical to your production OS.

  • How to inforce specific color settings in InDesign CS4 js

    Hi, I need to set specific color settings when creating a pdf from InDesign in Java script (not as a preset). What I found in previous discutions is:
    #target InDesign
    app.ColorSettings.cmsSettings="MyColorSettings";
    ( in the Forum
    http://forums.adobe.com/message/1108248#1108248),
    which just somewhat make sence to me.
    I saved my MyColorSettings.csf file in color settings folder, but I am not sure how to tell the script to access it, and I am not sure that that's the only
    reason why the lines abouve don't work.
    Thank you for your help.
    Yulia

    Yulia, everything wrong in your script: first of all, setting cmsSettings and cmsSettingsPath at the same time makes no sense — this is the same as choosing a setting in Color Settings dialog and then clicking the Load button and selecting another setting — the second cancels the first. So, you need to set only cmsSettingsPath property. If you take a look at this property in OMV, you'll see that it requires File not String, as you are trying to set.
    I would use the following code:
    var myPath = "/Volumes/SPACE/Prepress/Export settings/InDesign CS4/ShowPDFoptions_CS4.jsx";
    var myFile = new File (myPath);
    if (myFile.exists) {
        app.colorSettings.cmsSettingsPath = myFile;
    else {
        alert("File \""+ myPath + "\" can't be found.");
    You don't mention if you use Mac OS or Windows, or both at your work.
    On Mac volume name should be prepended with "/Volumes":
    /Volumes/Remote/dir/file
    On Windows, to access a remote volume, use a uniform naming convention path name of the form
    //servername/sharename.
    Or, if you have a mapped network drive:
    /Z/foldername/foldername/filename
    Where Z is a letter corresponding to your drive.
    To find out the path to a file, you can also use the following script:
    myFilePath = File.openDialog("Locate the file");
    $.writeln(decodeURI (myFilePath));
    It writes the path of the chosen file to console
    Kasyan

  • Getting color management correct on Mac coming from Windows 7 PC

    Hey all,
    I've just made my first purchase of a new mac mini, its my first Mac computer (having owned iPhone and iPad previously) and its running the exact same monitor as my PC (I'm just switching input channels from DVI to VGA channels).
    I was interested in seeing how the Mac would display and print a business card (saved in PDF format) I recently created in CMYK in Illustrator on the Windows 7 machine (and printing to a local CMYK laser printer), so I brought it over to the Mac (the Mac is in its default setup) and opened the file and discovered the colors were REALLY washed out and unsaturated.
    Thinking it might have been a Mac default PDF reader program colour issue I installed Adobe Acrobat reader and tried again and got the same result, so obviously its a system color profile / calibration setting?
    The thing is when I look at webpages the color is almost identical from Mac to Windows PC on the same monitor (Mac just a fraction lighter probably 5% or so).
    I checked the display settings on the Mac and can see it is running the current monitor profile (Dell 2407WFP-HC) the same one as what my Windows machine is running, running on the same monitor is a bit of a pain as I can't adjust the monitor brightness/other settings without making the PC brightness wrong.
    Can someone tell me whats going on here, is it just a simple matter of the Dell monitor profile default setup for the Mac being different from the PC one?
    Cany anyone tell me why there is such a difference with the PDF CMYK color and not in webpages color between the two? 
    PS. I did try calibrating my Dell monitor once before on the WIndows side with a xrite E1 but it wasn't compatible with the monitor) so currently the Dell profile on the Windows side is set to default calibration settings. 
    Any help would be great

    Hi Andrew thanks for that, I did try printing from Mac PDF to my CMYK printer and it came out unsaturated and the blues in my gradient were WAY out.
    When I print from my Windows PC to my desktop CMYK printer it comes out really nice and vivid (maybe a touch oversaturated) but just about how I would want to it to look printed professionally/final.
    Aside from the Mac not showing the PDF correctly I am trying to get a good workflow where I do a test print on my local CMYK printer and then send to my commerical knowing its pretty accurate, if I wanted to check my Windows workflow to see if my CMYK printer is somewhat color accurate the only way I could check is to have my actual Commercial printer do a test print for me is that correct?
    I mean I've got the Pantone color chips here but as this is a CMYK design I don't have any spot colors put into the file only CMYK values for color.
    75% of this business card design is made up of really rich white to blue to black gradient so its pretty crucial I get that pretty well spot on. I guess I could just take my printed version down to the print and tell them to match that?

  • InDesign CC always resets desktop color settings on new start

    This is very annoying: InDesign CC still is not able to save the color settings I choose for the desktop (palettes, workspace background). Everytime I restart InDesign I have to manually set these things again. Since CC came out, I have been hoping that one of the updates would finally fix this.
    I am using a multi-monitor workspace, InDesign CC (9.1. ) on a mac pro. I had the problem under OSX 10.8.X and now still under OSX 10.9.1.

    I am having the same problem. The workspace will not save. Every time I open the program, it has reverted to some other configuration. Very frustrating.
    I am using a single monitor workspace, InDesign CC (9.2) on a Windows 7 64-bit machine.

  • Color settings between the Mini and Dell monitor

    I got my new Mac Mini Intel Solo yesterday and hooked it up to my Dell 20" widescreen flat-panel. As soon as my screen popped up, the color scheme was waaaay off. It was too red. So I messed with all different kinds of color settings on the monitor itself and then tried to calibrate the monitor through OS X. Nothing worked and I couldn't get the settings right. Can someone help me? Is there a standard setting that works or is there a site I can go to with a bunch of different color settings I can try? It's really frustrating!!!
    Thanks in advance for any help!

    What exactly do you mean by "the color scheme was waaaay off"?
    The general setup of you display should be…
    1) Display internal setting to default with the Colour Setting set to either PC Standard Preset or Mac Standard Preset (I found the Mac preset somewhat warmer/redder than the PC) and the Brightness set to your liking.
    2) Mac OS X set to use the DELL 2005FPW (or whatever is the default colour profile that matches your model) in the Displays System Preference.
    This will work for most people.

  • Cannot apply any color settings to RAWs from CompactFlash card

    Usually we shoot tethered around here, but i had to shoot to card yesterday and was having no luck using Bridge and ACR to apply color settings to my files. I would open a .MOS file in ACR from Bridge and change its color balance and/or exposure, etc. and click DONE and nothing would happen in Bridge. It would make an XML file that sat alongside it in the folder, but Bridge would not recognize these changes. There preview and the thumb would stay the same, and i wouldn't get that little circle icon with the arrows in it next to the thumb in Bridge.
    Changing preview types, thumbnail types, auto-exporting cache, purging cache from Tools menu, reapairing permissions, changing parent folder permissions, restarting my Mac, dump Bridge's preferences etc. nothing worked. i even tried the same images on a different Mac with CS3 and Bridge and got the same results. If i made a New Camera Raw Default, that WOULD work, but i could not make specific single-image changes.
    BUT, somehow as i was pulling my hair out, i found a fix. Going to the Finder, i Got Info on the RAW file, went to the Open With popup, found Adobe Photoshop CS3 again (even though it was already highlighted), clicked ADD, and closed the Info window. Instantly that file's Thumbnail in Bridge got rebuilt and now my color changes would stick.
    Every file that comes off these cards needs that done to it, but never when we shoot tethered to the computer. Weird. I'm not sure if it's specific to the Digital back or not.
    This was using a Leaf Aptus 75S mounted to a Mamiya RZ67 shooting to SanDisk 4GB Compact Flash cards. I'm running a G5 tower using OSX 10.4.11, Bridge 2.1.1.9, and ACR 4.4.1.
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    answered in another forum

  • Consistent Color Settings in Aperture & PS for Best Looking Book

    I would like to get input from the users on this forum on how best to keep the color profiles consistent, from shooting, to image editing in Aperture and in Photoshop CS2 and finally, to get the best looking Aperture hardcover book.
    Here are the settings that I am using:
    Canon 10D DSLR camera, using standard "parameter" setting for large JPEG: sRGB
    Apple Cinema Display 30": profiled using GretagMacbeth (Xrite) Eye One Color, with gamma at 2.2 and D65 Kelvin temperature setting.
    Aperture>View Menu>Proofing Profile: sRGB IEC91966-2.1
    Aperture Screen Profiling Enabled.
    External Editor-Photoshop CS2 Working Color Space: Edit Menu>Color Settings: Working Space:
    RGB = sRGB IEC61966-2.1
    CMYK: U.S. Web Coated (SWOP) v2
    Gray: Gray gamma 2.2
    Spot: Dot gain 20%
    And here is my question. After selecting a JPEG photo that is embedded with sRGB profile from within Aperture, I select "external editor" (Photoshop CS2) for further image editing. When I do that, Photoshop dialog box "Embedded Profile Mismatch" opens up and states,
    Embedded: sRGB Profile
    Working: sRGB IEC61966-2.1
    It asks me to make a selection:
    1. Use the embedded profile (instead of Working Space)
    2. Convert document's color to the working space.
    3. Discard the embedded profile (do't color manage).
    I've been selecting #1...."Use embedded profile".
    So, now that I am nearing the point of putting a Aperture book together, I'm wondering if I have created a problem for myself when my "working color space" is sRGB IEC61966-2.1 and my embedded color profile in the JPEGs are sRGB.
    When I did a test sample when the "Profile Mismtach" window came up, I selected "Convert document's color to the working space" and I could not tell the color difference on my Apple Cinema Display.
    Also, when I looked at the metadata on the "converted photo", it still had the sRGB profile and not "sRGB IEC61966-2,1".
    Should I worry about this mismatch between what are embedded on my JPEGs and my working color space on my Apple Cinema Display?
    Should I NOT use sRGB IEC61966-2.1 proofing (Aperture) and color setting (Photoshop) profile. Instead, stick with sRGB on both settings? Or does it matter....I cannot tell the difference with my brief test.
    I realize that from reading other posts, Apple does not have a ICC profile for the book companies that print for Apple. Also, I've read about in this forum about the "Average McCoy Gloss Profile" but I'm not sure if anyone has used this using Aperture1.5 and that posting is now closed. Furthermore, I've read somewhere that Apple uses the RGB profiles for book printing, not CMYK. Thank you.
    Takashi
    PM G5 Dual 2.5Ghz   Mac OS X (10.4.6)   4 GB RAM;
    PM G5 Dual 2.5Ghz   Mac OS X (10.4.6)   4 GB RAM;

    Welcome to the forum.
    First off, you need to go and buy a hardware monitor calibrator, such as an OptixXR or similar. This will build a custom monitor profile for your specific screen. Without this starting point you can forget ANY attempt at accurate colour matching.
    Never (and I mean never) use a working space such as sRGB or Adobe98 as your monitor profile, that's not what they are designed for. Working spaces control what colours are possible in the image, monitor profiles control how those colours are shown on screen. Aperture uses it's own working space so you don't have to worry about that too much.
    To answer the rest far too briefly, I'd suggest setting the proofing profile to sRGB and of course use sRGB for the export preset. The gamma setting you will have to adjust depending on how dark the Lightjet prints look compared to your screen. You will have to do test-strips to start with.
    Your images looking crap on flickr on Windows machines is partly because Windows web browsers generally do NO colour correction, and only partly to do with the different gamma.
    Ian

  • Color Settings and Making Photos Pop

    I have to preface this with saying that I am a recent convert from Nikon Capture/Photoshop/PC world to the 2.8 24" iMac. I shoot entirely Nikon raw (NEF) and typically just tweak white balance, exposure, and color settings in post processing.
    With that said... I have been trying to define my new workflow and have decided iPhoto isn't doing it, so I switched over to Aperture. I really like the app, but am having serious issues tuning the color in the images; specifically, I tweak them on the imac and they look beautiful, but typically look too "light" and nowhere near as brilliant on any other computer. I have calibrated the display with OS X built-in color tool (through Display... Colors), but am way to amateur to go and buy a real calibration tool.
    Is this something stupid that I am (or am not) doing? Whatever I am missing is driving me nuts as the pictures just aren't as good as they used to be on the PC...
    tia,
    Bill

    First, it's absolutely impossible to accurately profile a display without a hardware calibrator. The eyeball, in its adjustability, is also your biggest enemy. If you ever intend to print (or send your photos to a lab to get prints), then doing this without hardware calibration will be a waste of your money.
    That said, if the images are looking flat (and not-so-contrasty) on your Mac, check the gamma setting. You want 2.2 gamma rather than the default 1.8 "Mac" gamma. The latter is an anachronism and should not be used unless you specifically have a need for it dating from the 1980's in the print industry

  • Could not synchronize the color settings because of a program error.

    Hello,
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    Thanks in advance.
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    Just ignore it.
    The message refers to color settings not being identical in all installed applications. And they don't have to be - mine are deliberately unsynchronized and I have no desire whatsoever to synchronize them.
    Note that color settings are stored under your user account and are not removed with an uninstall. So the message could well refer to uninstalled apps, trial versions, anything you once had on your system.
    Personally I think this is a useless and misleading warning and they should just remove it, considering the amount of confusion it causes.
    Spinipes, the printing crash is unrelated to this. Start a new thread for that.

  • Color matching CP1518ni on Mac

    Recently got a new mac to use with my CP1518ni and the color is AWFUL!  All color matching support talks about PCs... any help in color matching on a Mac?

    Yea they can create your own preset aka profile by adjusting one and then selecting as "Save as new Preset." Here is a quick step-by-step procedure: Choose File > Print (or press Command-P).The Print dialog appears.In the Print dialog, select a print preset under Custom Presets, then click the More Options button.Modify the settings as appropriate.When you’re ready to save the preset, choose Save Preset from the Print Action pop-up menu (with a gear icon).The print preset is saved with its new settings. This information was found here: Creating and Modifying Print Presets. Although its a guide for Aperture 3 it also will help you since the print presets are all OS based and not a part of Aperature. Good luck!! -SeanS

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