Color shift on re-import from PS (13.0.1) to LR (4.2), Windows.

Hi!
I've got strange subtle color shift from reds to yellows when I'm doing the following:
1) import my raw files as DNG into LR
2) edit them in LR
3) ctrl-E them to edit in PS
4) edit them in PS (just drawing a dot with the brush tool somewhere, so the file could be saved and re-imported to LR)
5) save (not "save as") them in PS which bring them back as tifs to LR
This final tif from PS has some color shift in comparison to the original DNG file. Nothing is edited in PS.
Furthermore:
- if I'll open to edit the resulted tif with the color shift in PS once again with the option to use LR adjustments, I'm getting color shift in PS
- if I'll open to edit the resulted tif with the color shift in PS once again with the option to open the original tif without LR adjustments, I'm getting correct color in PS, as in my original DNG
LR - ProPhotoRGB
PS - ProPhotoRGB
Thanks for any help and suggestions!

I can't explain why your results are slightly different than mine, but I think I know what is happening. The DNG you posted is very heavily clipped with RawDigger showing about 4Mpixels at 100% RGB. You can download RawDigger to see for yourself:
http://www.rawdigger.com/
I noticed you didn't apply any Basic panel settings, which is probably why there is such a large difference between the DNG and rendered TIFF images. LR4 PV2012 uses "image adaptive controls with fairly complex algorithms that interact from top-down:
Exposure>Contrast>Highlights>Shadows>Whites>Blacks
In other words the Exposure setting affects how all of the other controls beneath it will function. I agree that it shouldn't matter and that the rendered TIFF should match the raw file, but it looks like the PV2012 rendering engine fails with very heavily clipped images (i.e. large areas of 100% RGB in the raw file) and ‘0’ Exposure setting.
You can correct this by trying not to overexpose the image during the shoot. For the lighting in this DNG image a -.5EV to -1.0EV exposure bracket would get you closer to a full dynamic range image. You can always clip the highlights inside LR, so there's no need to heavily clip the original shot (especially with studio lighting).
For the model images you have now I would set LR's Exposure to -.5EV to -1.0EV (i.e. to adjust midtone exposure) and then adjust the other Basic panel setting in a top-down manner. Usually setting -Highlights = +Shadows works best for most images. Next adjust Whites to set your white clipping point (hold down Alt key) and Blacks for the black clipping point. Next tweak Exposure if the midtones are too dark or light and then lastly adjust contrast, which I use sparingly (i.e. ±25).
Here are the Basic Panel settings I used:
Exposure -0.50, Contrast 0, Highlights -50, Shadows +50, Whites 25, Blacks -45
I also adjusted Clarity to -25 to retain the high-key look.
With the above settings the DNG and Edit in PS TIFF histograms look identical on my system. The key is to adjust Exposure to set the midtones, which helps the PV2012 rendering algorithms to work properly. Please let me know if this works the same on your system.

Similar Messages

Color shift printing from Lightroom 1.3

Windows Vista, HP officejet Pro L7580 printer, Lightroom 1.3, Photoshop CS3. All that being said and having used Photoshop since ver 5 with a variety of printers I find myself stumped with my latest soup of hardware and software. Screen colors do not print out anywhere close on paper when I try to print from Lightroom. Move the file over via "edit in Photoshop" and print from there and everything is fine. In Photoshop, whether Photoshop or the printer controls the color there is no problem. In Lightroom, however I have no control that I can find. I have no additional profiles so the printer controls the color. Photoshop and the printer are both set to AdobeRGB1998.icc. Other then just printing from Photoshop what am I missing in Lightroom?
By the way Adobe, in the future think about either Lightroom or Bridge but not both.

Hi,
Just a reminder for those who missed that thread (I guess this fix also
applies to LR 1 although I didn't check):
[FIX] Darker prints and color shifts when printing from Lightroom 2
(this is for Windows - Mac users please look here for a similar fix:
http://www.computer-darkroom.com/lr_13_print/lightroom_print.htm )
The problem :
When printing RAW or TIFF files from LR2, you get a printer output that
is much darker than it should be and that presents various color shifts.
I'm using an Epson Stylus Pro 3800 with the latest Windows driver
(6.50 - which is rather old by the way). The workaround described below
works for me under Windows XP SP3. It should also probably work with
other systems/printers/drivers. Use at your own (minor) risk.
The "official" procedure for printing from LR is as follows:
1. Do not let the printer manage colors and select "Other..." from the
profile dropdown list and select the ICC/ICM paper/printer profile that
you want to use.
2. Click on Print... in LR which opens the Print Settings dialog.
3. Select the options you need and the paper you're using.
4. *Disable the color management from the driver's side* (in Epson's
drivers, "Mode | Custom | No Color Adjustments").
5. Print
Unfortunately, *this doesn't work* for many of us and this produces a
print that is dark and has color shifts as mentioned above. Note that
the same image prints correctly from QImage or Photoshop CS3 (that is,
the printer output corresponds to what you see on your calibrated
display).
Apparently, although color management has been (allegedly) disabled in
the driver, there's something wrong between LR and the driver which
makes that both LR and the driver are still trying to manage colors. In
other words, the "No Color Adjustements" option of the driver doesn't
seem to work with LR.
The workaround (found after hours of hair pulling and paper and
expensive ink wasting):
In step #4,
1. Instead of selecting "No Color Adjustments", set Mode to "Custom |
ICM
2. Click Advanced...
3. Check "Show all profiles".
4. Select Driver ICM (Advanced)"
5. Set *both* the "Input profile" and the "Printer profile" fields to
the very same profile that you specified in LR.
That is, if you specified Pro38 PGPP (Premium Glossy Photo Paper) in LR,
then also select Pro38 PGPP in both "Input Profile" and "Printer
Profile". This has actually the same effect has disabling color
management in the driver (what "No Color Adjustements" should normally
take care of).
That's it. When printing, you'll get exactly the same color results as
when printing from QImage or Photoshop. No more dark prints. No more
color shifts.
One might think that the bug is in the Epson driver but in that case,
QImage would have the very same problem. So I tend to think that the bug
is on the Lightroom side.
Hope this helps.
Patrick

[FIX] Darker prints and color shifts when printing from Lightroom 2

Hi,
The problem :
When printing RAW or TIFF files from LR2, you get a printer output that
is much darker than it should be and that presents various color shifts.
I'm using an Epson Stylus Pro 3800 with the latest Windows driver
(6.50 - which is rather old by the way). The workaround described below
works for me under Windows XP SP3. It should also probably work with
other systems/printers/drivers. Use at your own (minor) risk.
The "official" procedure for printing from LR is as follows:
1. Do not let the printer manage colors and select "Other..." from the
profile dropdown list and select the ICC/ICM paper/printer profile that
you want to use.
2. Click on Print... in LR which opens the Print Settings dialog.
3. Select the options you need and the paper you're using.
4. **Disable the color management from the driver's side** (in Epson's
drivers, "Mode | Custom | No Color Adjustments").
5. Print
Unfortunately, **this doesn't work** for many of us and this produces a
print that is dark and has color shifts as mentioned above. Note that
the same image prints correctly from QImage or Photoshop CS3 (that is,
the printer output corresponds to what you see on your calibrated
display).
Apparently, although color management has been (allegedly) disabled in
the driver, there's something wrong between LR and the driver which
makes that *both* LR and the driver are still trying to manage colors.
In other words, the "No Color Adjustements" option of the driver doesn't
seem to work with LR.
The workaround (found after hours of hair pulling and paper and
expensive ink wasting):
In step #4,
1. Instead of selecting "No Color Adjustments", set Mode to "Custom |
ICM
2. Click Advanced...
3. Check "Show all profiles".
4. Select Driver ICM (Advanced)"
5. Set **both** the "Input profile" and the "Printer profile" fields to
the very same profile that you specified in LR.
That is, if you specified Pro38 PGPP (Premium Glossy Photo Paper) in LR,
then also select Pro38 PGPP in both "Input Profile" and "Printer
Profile". This has actually the same effect has disabling color
management in the driver (what "No Color Adjustements" should normally
take care of).
That's it. When printing, you'll get exactly the same color results as
when printing from QImage or Photoshop. No more dark prints. No more
color shifts.
One might think that the bug is in the Epson driver but in that case,
QImage would have the very same problem. So I tend to think that the bug
is on the Lightroom side.
Note: Although Photoshop CS3 produces a correct printer output, it
demonstrates the same problem as LR when using the "Match Print Color"
option for soft proofing. But in that case, only the preview colors are
wrong. The printer output is ok. Which also tends to demonstrate that
Adobe has the problem, not Epson. Or maybe both... :-) .
Don't ask me why some users have the problem and other don't.
Hope this helps.
Patrick Philippot
MainSoft Consulting Services
www.mainsoft.fr

A sincere thank you for your reply, Michael. Sorry about the "it just doesn't make sense" shortcut. I have been trying to solve this issue since LR 1.1, spending dozens of hours on different trials and digesting everything written on this forum and the B9180 forum about color management and double profiling. My shortcut was a summation of my experience (and my frustration) but doesn't really advance the conversation. Here are some data that should be more useful in diagnosing the problem.
I am running Windows XP SP2. I calibrate my monitor monthly with the Spyder. The reason I suspect this may be an issue of double profiling is because the results (moderately strong magenta overlay plus an increase in contrast) match what more knowledgeable people than I on this forum describe when double profiling occurs. Perhaps I shouldn't presume it is double profiling, and follow Patrick Philippot's lead in naming the problem "color shifts." Patrick does refer in post #2 of this thread, however, to obvious double profiling.
I certainly do have a successful and consistent print method. With PS CS3, and either my Epson 1280 or my HP B9180, the output is almost always dead on. Here is how I do it. In PS from the print dialog box, under color handling I always choose "Photoshop manages colors." Then under printer profile I select the profile designated by the manufacturer for a particular paper/printer combination. Then in the printer driver I disable printer control of color. With the Epson I check the box "Off (No Color Adjustment)." With the B9180 I choose the option "Application Managed Colors." While I sometimes may tweak the final output, these procedures have served me well with PS for several years.
Contrasted with my positive PS experience, my experience with LR printing has been inconsistent. I regret having to be so imprecise but truly sometimes LR produces accurate results that match the calibrated monitor, but most of the time it does not. I use standard procedures with LR that parallel the PS ones described above. In LR's printing panel, under color management, I specify the correct profile, just as I did for PS. Then in the printer driver I use the same procedures I use with PS. Most of the time the prints have the magenta overlay and too much contrast.
BTW, the inconsistent LR printing only takes place with my HP B9180. I have never had any problem with off-color LR prints with my Epson 1280. Again, I emphasize that I have standard procedures that always work with PS (no matter which printer) and LR (but only with the Epson).
Unfortunately the LR printing problems are intermittent. Some of the time (perhaps 20%) LR produces fine prints in the B9180, indistinguishable from PS prints. When LR is printing well, it will continue to print fine until "something happens" and the output shows the color shift. This means I do not get a random sequence of good-bad-good-bad prints, but rather good-good-x factor-bad-bad-bad. Ths problem is that I do not know what this "x factor" is. Once, when LR was giving me accurate output, I simply changed the default printer (Control Panel-Printers and Faxes) from the B9180 to my Samsung 1430 laser; immediately afterwards the LR output colors shifted. Did LR react to this change in default printers? Another time I had good LR printing success with version 1.2 but ran into the problems described above when I upgraded to version 1.3.
Sorry for the long post. I am hoping that someone will see something that I am missing and provide a hint. I think, though, that Patrick is correct when he states, "I tend to think that the problem is with LR. After all, similar issues (obvious double profiling) are observed only in LR but with various printers."

Color shift from one monitor to the next (CS5)

I'm having a strong color shift in Photoshop going from one monitor to another. It's not a calibration issue because the color shift persists when I drag the window from one to another until I do something with the window, then it will shift (i.e. not exactly when I move the window). I'm essentially experiencing the problem described here, only I'm on Photoshop CS5 and his solution doesn't apply because that option is not available.
Windows 7 64bit
Photoshop CS 5 (12.1 x64)
Note the color change, one part of that image is on one monitor, and the other part on the other. (The left is the correct color fwiw.)
I'm guessing there's just some setting somewhere I can toggle?

Thanks for the input Mike, however it doesn't help me. I'm actively working with both monitors and I need the colors to be accurate on both in order to do my job. I'm hoping there's a setting much like there was in CS4 (see my link in original post) so that I can get both monitors to behave the same.
I should also mention that this problem is unique to Photoshop, I do not have this color shifting problem in any other program (including, for example, Acrobat Reader).

Screen color shifted on an area ... MBP Retina Late 2013

Hi everybody!
My parent bought me a Macbook Pro Retina 13" in december 2013 and all was happiness for this time passed.. but yesterday I woke up, grabbed my laptop and opened the lid to discover what you see in the picture... I really dont know how that happened, I always manage my computer carefully and this is so annoying.
I can still using it of course, but I have this question... if I payed for the Apple Care Extended Warranty, how many wil it costs to me to get it repaired? I think is not a software problem because if I move the lid back and front, the problem changes (the colors shift a little bit from normal to "negative").
Hope someone can help me

joshcali wrote:
actually.... it doesn't.
the 1920 is simulated, and apple doesn't recommend it.
Apple doesn't offer the option of full resolution (2880x1800) and says everything other than 1440 x 900 won't look as good as 1440x900.
so while you can set the monitor to 17" resolution (1920x1080) it has to simulate it on a 2880x900 screen and has to blur and reinterpolate elements to make it work
they've really messed it up for anyone wanting true HD resolution for professional reasons.
Indeed. Everything except 2880x1800, which is unavailable without SwitchResX, and 1440x900, which comfortably fits one pixel of the image into a four pixel square of the Retina Display, must be simulated or scaled. However, while the scaling is real, the 17" "simulation" looks as good, to my eye at least, as my wife's MBP 17". Going smaller will test one's eyes probably as much as Apple's scaling algorithms so the tradeoff for greater screen real-estate may turn out not to be as bad as we'd think. All I need is a MBP Retina Display and SwitchResX to find out...

Importing Photos - Unwanted Color Shift

I'm a fairly competent self taught user of CS6. when I run into a problem I canusually source it in a text, or on Lynda.com.
Something has started happening recently which I can't explain or remedy.
When I import a photo, it color shifts. The red component becomes highly saturated, and the saturation of all colors increases greatly.
I can usually make adjustments using the "hue and saturation" adjustment tool to closely approximate the original photo, but they're only close approximations. the two adjsutemtns most commonly made are decreasing the saturation and shifting the red component towards blue.
This happens regardless of source. It can be a photo imported into CS6 from the web, or from a camera; or even a photo stored on my hard drive.
I'm open to suggestions, even if it is a matter of restoring factory default setting.. This is really getting annoying

Take a look at the color profile. If the image was say from a raw image that the profile was set to prorgb and you saved it as a jpg and viewed it in a browser that does not support profiles, the color will shift. Anything thats on the web should assumed to be SRGB. Getting an image from someone else, could be using a different profile. Normally when the file loads, it will ask you what to do when they don't match your current settings. But in the preferences, I believe it is possible to disable that warning.

SRGB jpeg color shift upon import to Lightroom

Hi all,
I've tried to do enough reading to ask and intelligent question, so here goes:
I have sRGB jpegs I shot on a Nikon D80. When I import them to Lightroom, there is a color shift (as compared to the camera LCD). If I open the jpegs in Photoshop (using the embedded profile, ie. sRGB), open the jpegs in Photoshop and assign ProPhoto as the color space, or open the jpegs in Firefox, there is no color shift.
Question #1 - Why is there a shift in LR?
Question #2 - The LR (Melissa) color space is often described as "ProPhoto with a sRGB tone curve". I've not seen the mention of a tone curve in reference to sRGB or aRGB color spaces. What is it?
Question #3 - When an image with an embedded profile is imported into LR, is is always assigned to the ProPhoto space, or would it be displayed in its native color space, and only assiged to ProPhoto upon editing?
Thanks,
Michael.

Reading your question, there are a few things that really worry me. First off, Lightroom assumes images with no profile to be in sRGB, second when the image has a profile or a profile tag (such as your D80 writes) it will honor the tag. You should completely forget about the internal working space in Lightroom. It is irrelevant. The way color management in Lightroom works is the following, you take an image in its source profile which defines the colors in absolute terms, render it into the working space (linear prophotoRGB) using the source profile, which does NOT change the color, and then convert to the monitor profile for display. This is how every color managed program does it. Some skip the working space step. This means that the working space, as long as it is wide enough, does not matter for the display.
>open the jpegs in Photoshop and assign ProPhoto as the color space
And this is extremely worrisome. You should NOT assign prophotoRGB to your image. You should leave it in its embedded space, or
convert to the working space. In general leave it in its embedded space. Your photoshop settings should be as the first image in this old post: http://lagemaat.blogspot.com/2007/12/mildly-lightroom-workflow-for-printing.html . If you need to assign prophotoRGB to your image to make it appear right, implies that your monitor profile is messed up majorly.
>open the jpegs in Firefox, there is no color shift
Firefox normally does not color manage, so it always lies to you. Only when you enable tyhe secret setting will it not lie to you (provided the monitor profile is good). See here on how to enable color management in Firefox: http://lagemaat.blogspot.com/2008/06/firefox-30-released.html
>Question #1 - Why is there a shift in LR?
On a good calibrated monitor the shift should be minor. There is a shift because of color management. The displays on Nikons are good, but you cannot trust them in absolute colorimetric sense. Your shift sounds much larger than normal, which is why we think the monitor profile is probably bad.
>Question #2 - The LR (Melissa) color space is often described as "ProPhoto with a sRGB tone curve". I've not seen the mention of a tone curve in reference to sRGB or aRGB color spaces. What is it?
Again, don't worry about the color space. It is not important but for knowing that it is wide enough to handle anything you throw at it. Lightroom internally uses a color space that is 16 bits and linear and has the primaries of prophotoRGB. It does NOT use a tone curve. For its histogram display and the percentage displays, it applies a sRGB tone curve to the data, so that not everything clusters on one side of the histogram. This is only done for those two displays! Lightroom works in a linear space for everything else. A good document on this was written up by Andrew Rodney a while ago: http://www.ppmag.com/reviews/200701_rodneycm.pdf . I discuss the tone curve here: http://lagemaat.blogspot.com/2008/06/srgb-tone-curve-and-lightroom-color.html
>Question #3 - When an image with an embedded profile is imported into LR, is is always assigned to the ProPhoto space, or would it be displayed in its native color space, and only assiged to ProPhoto upon editing?
Explained above. When you're working in Develop, the image is
converted to the internal color space using the embedded profile, any edits are applied, and then it is converted to the monitor profile before display. The step in between is immaterial. It even happens in 16-bit precision to avoid obvious bit steps. In the Library module the situation is slightly different because previews that are generated from your file are used, but the result is exactly the same. There is NEVER any color space assigned to your images, except when the original files have no profile. In that case sRGB is assigned.

How do I find images in LR 2.4 (imported from CS4 Bridge) that have color labels already assigned In CS4 Bridge? I have set both Bridge and LR color labels text to match (eg Green for green, etc).

How do you find images in LR 2.4 that have been imported from CS4 Bridge and have been assigned a color label in Bridge? I have set both LR 2.4 and my CS4 Bridge to match the text for each color to be the same (eg. Green for green, etc), and the filter search in LR 2.4 shows that a label has been assigned, but I am unable to identify and locate the specific images in LR 2.4 that have had a color label assigned from CS4 Bridge. I have tried to search via attribute, metadata, text, etc...Is it necessary to re-assign color labels all over again, image by image, in LR 2.4, or is there a way to automatically have the color labels assigned in CS4 Bridge be assigned and searchable to the images after they have been imported into the LR 2.4 catalogue from the Bridge program?

JohnM.
I closed both programs and re-imported photos and re-tried the action of having LR read the XMP metadata from the CS4 files, and it seems to work now just fine...don't know why now and not before, but thanks much. Is there a way to have LR do this automatically upon import of images from CS4? I tried to do this with an import metadata preset, but no luck. It seems as if I can only do this once the images have already been imported into LR, and then to have to have LR read the metadata from the CS4 Bridge files. thanks gain.

Color shift from content window to preview window

I need some help!!! When I open a photo in bridge the color is vibrant and vivid. When I click on the photo so I can view it in the preview box the color shifts and becomes dull and flat. Why is that? How do I fix it? After I have viewed the photo in the preview box the color stays as it is after the shift. So, the color doesn't return to the nice vibrant, vivid color I want to retain from the SOOC. My photo now retains the dull, flat color it recieved while in the preview box.
Thanks for the help.

Is your thumbnail quality set to Prefer Embedded (Faster)? The thumbnails created that way aren't color managed so that would explain why you're seeing differences between them and the preview

Color Shift from Quicktime Movie

Ok, Here is my problem. When I do a copy and paste into director from a Quicktime movie for the first and last frame of my movie the is a noticible color shift when the movie starts to play on my command and when the movie transitions from the last frame of the QT to the still i have placed at the end of the movie.
Any ideas?

My director skills are fairly basic. Any chance you can direct me to an online tutorial that would walk me through this process?
Open your Director file. Locate a QuickTime member in your cast library. Open the Property Inspector and navigate it to the QuickTime tab where you should uncheck DTS. Drag this member onto the stage to create a sprite in channel 1 in an otherwise empty section of your score. Open your Message Window and execute the following lines of code, one at a time, by pressing the RETURN key at the end of each line:
sprite(1).movieTime = 0
updateStage
new(#bitmap).image = (the stage).image.duplicate.crop(sprite(1).rect)
sprite(1).movieTime = sprite(1).member.duration
updateStage
new(#bitmap).image = (the stage).image.duplicate.crop(sprite(1).rect)

Color shift going from trial version to full version CS5

Hi guys, I have just gone from trial version of CS5 master collection to a full version of master collection CS5 on my PC.
My trial expired so I uninstalled it completely, then reinstalled fresh from the CS5 DVD. I also updated all of the programs straight after the install. (something which I don't think I did with the trial version).
My problem now is though I am experiencing quite a big color shift from what the trial version was showing me to what my full version is showing me. (Yes I have checked the color settings, they are all pretty much default North American General Purpose 2)
In the trial version the colors were correct, but now my file I am working on my "mouve blue have moved into almost a purple appearance."
Also if I go into acrobat and open the PDF version of the file I was previously working on the colors are also displaying incorrectly when opening the PDF that was created in the trial (which was displaying correct when using the trial). So I guess its not just PS related.
I have a laptop which is also running a trial version of master collection, and when I copy my file to this machine and open the colors are spot on how they should be (just like they were prior to me going full version) which tells me something has definatley changed in this installed full version of CS5 for me.
Not sure what I should do, unstall the software and reinstall it without doing the updates?
PS. Under color managment / advanced, windows color system defaults, my Device profile is: System Default (sRGB IEC61966-2.1)
Viewing conditions profile: System default (WCS profile for sRGB viewing conditions)
I havent changed anything there anyway in any install.
Any help would be great

Some key points to help understand why you might be seeing what you are:
When color-management is set up properly with a wide gamut monitor, sRGB images can seem dull and lifeless compared to wider gamut images such as those expressed in Adobe RGB or ProPhoto RGB.
Not all apps are color-managed, so with e.g. a wide gamut monitor you'll see a significant visual difference between the same image displayed via a color-managed app such as Photoshop and a non-color-managed app such as Internet Explorer 8 and earlier. Even though the color-managed applications may be displaying accurate color, many folks feel the inconsistency is "wrong" as compared to when more different apps display the same colors, which will happen with sRGB as the monitor profile (which is the Windows default).
People often consider more vibrant, saturated color "better".
Color management often does not actually work properly. Not all profiles are created equal, even properly formatted monitor profiles may not accurately express the monitor's capabilities, and not all color management in applications is done properly. You're not the first to report problems with a canned Dell monitor profile.
-Noel

There is a major color shift in my artwork image from the photoshop jpeg to dreamweaver - it gets 'g

There is a major color shift in my artwork image from the photoshop jpeg to dreamweaver - it gets 'grayed out', loses color contrast. I checked in Bridge and the color settings are synchronized. The image in photoshop is just like what i get from my Nikon D90 camera. The grayed out image has also been noted by two of my professional printer co. which i use but one of my printers - Modern Postcard - the images in photoshop are perfect. I just need to know what causes the color shift and how to control/manage it, thank you, Kathyrn

I have noted color shifts as well and have come to a few observations.
When you are making a .JPG file and you are trying to make a color in that file be the same color as your website's background, you're going to get a lot of failures. Photoshop will add color information in an ICC file in the meta information in the file if you like. That tends to produce actual colors, but they do not fit a web gamut.
The way I generally deal with images that need high quality is that I use the Save for Web and Other Devices exclusively, either ticking on or off the ICC profile for JPEG files and working with what works best. Saving a JPEG with as much information as is possible is usually the best choice but, since JPEG is a "lossy" compression scheme, you are always going to get some issues.
Additionally, the web browser in question will have control over what is displayed as well.
So try playing with the ICC profile in Photoshop's Save for Web And Other Devices and see if you can't get things a little more reliable.

Color Shifts printing from CS3 Apps

I just loaded CS3 on my system (Mac OS 10.4.10, Dual Core Intel Xeon). I have an OKI5300 laser printer. I sent my client a pdf generated through Indesign, and we are both experiencing the same problem: severe color shifts in our print-out. Indesign prints color correctly, but both Acrobat and Photoshop (I recreated the design in Photoshop by copying and pasting the elements into it) were severely out of balance. However, Acrobat 6 professional, which I still have on my system, printed the original pdf file perfectly. Your suggestions on what to do about this problem.
Mary Moore

Problem resolved! I called in to support, as my CS3 package was brand new, and the CS rep figured it out. When printing from Acrobat 8 to a postscript laser printer, the program has a default setting in the print window, under advanced/color profile that says something like Color management by print device. He suggested I select No Color Management, use source profile. This I did and it worked. I think generally Adobe has, in the software, pretty good color management, so letting the software and not the hardware manage color is likely the best choice.
But you are likely right as well, i may also have to synchronize color spaces between software and devices.

Color shift when pasting from CMYK document to RGB document

Hello,
We're creating an image for a client that will eventually be printed 4c process, and we have to use some very specific CMYK values. However, since we need to use certain layer effects, we need to work in RGB. I assumed that since the CMYK values we use are within the RGB gamut, there would be no color shift when copying from a CMYK doc and pasting into an RGB doc, but I'm apprently mistaken.
I'm not very familiar with color management, since we don't do any heavy duty color work in house, so this is likely a very rudimentary question: how do I keep colors from shifting when pasting from a CMYK document into an RGB document (which will eventually be converted back to CMYK for print)?
Any help is greatly appreciated. Thanks.

x
x
x
you have two possible issues at work that would explain a change
"out of gamut" color between color modes (the RGB colors don't translate well to CMYK)
you are discarding profile information information when pasting (and not Converting to the destination)...

Color shift when converting .mov file exported from Macromedia Flash

I'm trying to convert quicktime file exported from Flash into any other format using Quicktime Pro 7.0.4 and I get substantial color shift. Here's the picture:
http://img525.imageshack.us/img525/1518/screen3ov.jpg
On the the left is the initial file, and on the right is what I get. I've tried all codecs setting (targa, jpeg2000, animation) but no luck. Please help!

I am in the midst of trying to figure out the opposite : Flash to After Effects. I am betting that this is an issue of 'color profile' attached to the images and the gamma settings in that profile. RGBA is only part of the story - color profile is all the rest of it. Eye Dropper doesn't tell you the color profile attached to the image.

Color shift on re-import from PS (13.0.1) to LR (4.2), Windows.

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