Colour changes on export

I have graded all my footage in muticam angle viewer, and it previews fine in the timeline. When I export I get occasional angles which are the original ungraded colour, for no reason.
I have tried deleting all the render files, removing all colour effect from all the clips, and then re-applying via paste attributes, but it is still not exporting correctly.
I have also tried exporting to h.264 and Prores, with no difference.
Please help me!

Final cut pro 10.1.2 Update - Color Correction / Grading Not Exporting

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Colour changing upon export problem.

Hi.
I'm working on a game at the moment, and I'm running into a problem. I was testing the vector files that I export of the art I made, and upon re-importation to flash the colours have changed significantly. Then, when the game is running in a browser, it looks different again. It even looks different between different browsers. What am I doing wrong?
Thanks in Advance.

Read this:
http://www.adobe.com/devnet/flash/quickstart/color_correction_as3/

Colour change following Export from LR

Hi. I am adjusting my raw images in LR and exporting in jpeg for use on Epson P2000 viewer. However, the images exported and viewed in PS2000 are bland and not reflecting the original LR developed images. I have tried exporting using the various colour spaces but do not see any difference between these. When the original camera raw images are loaded and viewed on the P2000 (jpeg attached file), the colours are OK. What is the likely cause and solution, please?

Thanks, Pierre, and Boyd, for your responses.
I originally noted the difference between the LR on screen image and that of the image exported to the desk top, particularly with red appearing orange.
Having noted Pierre's remark about monitor calibration, and not understanding why I should be presented with two different colour images on the same monitor I decided to try re-calibrating the monitor (not done since a complete new PC set up a few months ago, although the same monitor is in use).
I noticed images were now more closely matched (LR on screen image, with desk top image) so then exported direct to the PS2000 using the same image with each one of the different colour spaces for comparison. I found ProPhoto RGB drab (orange), Adobe RGB(1998) a little brighter, with sRGB providing the best and nearest rendition to the LR developed image. Also, when comparing colours in the original raw with the LR exported sRGB image there was a much closer match.
It would appear that calibration (and profile) is the key (and presumably how each piece of equipment interprets the colours (working colour space?).
I am new to this aspect of colour rendition so possibly not yet fully understanding it but hopefully I am now moving in the reight direction.
As an added point, I have to say that LR is an excellent piece of software and one that has won me over in more ways than one. Thank you Adobe.
I hope my experience and comment are of assistance in some way to Boyd and others. A useful site I found was http://epaperpress.com/monitorcal/

Colour change in identically exported PDFs: InDesign CS5 to CS6

Artwork turns out with a greener hue in a PDF Print document exported using InDesign CS6 trial software that has ruined a whole print run.
This catalogue has been printed in past years using CS4 and CS5 software, each time the colours in the exported PDF proof, PDF Print file and InDesign files being accurate and matching perfectly.
This time I used a trial of InDesign CS6 - Importing the same mother file as previous years and working on the document. When exporting the document however, despite using identical settings to export PDF files in the past, the exported PDFs turn out with a greener hue than the previous CS5 PDFs. I trialed a few different kinds of colour conversions in the PDF export window (i.e. 'no conversion' to 'convert to destination - RGB') just to see what happened - and all turned out with the same result. The colour change is small but this was exxaggerated at print and as a result the colours
looked drastically different from the catalogue the year before. Printing aside, (as it's a whole other ballgame), it came down to this slight PDF colour change.
I'm wondering if anyone can help explain this - does CS6 handle colour exporting differently to CS5?

Hi Eugene,
Looking up the settings, they say the following:
InDesign CS5: Unsynchronised "settings are not synchronised for consistent colour" (odd; CS5 version is where the file exported with accurate colours)
InDesign CS6: Synchronised "using the same colour settings for consistent colour management" (CS6 version exported with a colour change)
Another thing I've realised that might be an issue:
The product images are still in RGB format (supplied by the photographer), where everything else in the artwork is in CMYK format. I've run a test export where I've converted everything to CMYK and exported it to a PDF.
The results:
InDesign CS5: Same colours consistently on both PDFs with RGB images and with all CMYK images.
InDesign CS6: Green hue across PDF with RGB images in it, Correct colours in PDF with all CMYK images.
So is this where the problem lies? The CS6 software having Synchronised colour settings shows a colour change when RGB photos are exported to PDF?
Let me know your thoughts...

On Mac. Colours changed after switching to 64bit mode (ver 2.7)

Been using Lightroom 2.7 on my iMac quite happily and after reading a few articles realised it wasn't running in 64bit so changed it.
Now colours are all out, most noticeable on reds:
Before change
After Change
Any ideas why this is happening?
Tried changing back to 32bit and still the same so something has changed.
Thanks
Andrew
P.S Posted this on another forum and just to clarify here also, whilst the above are exported jpegs, these are used purely for illustration. The colour change is happening within lightroom itself, not on export.

After some advice elsewhere it seems I have 'lost' some of the camera calibration profiles.
I only have ACR3.1 and ACR4.4 listed and checked on another machine I used I normally have it set to Adobe Standard.
So, how can I get the profiles back?
OK. Problem solved. Reinstalled Lightroom.
Usually fixes things

Work area colours different to exported colours?

I have a wierd problem. When working within photoshop i can choose colours that i want but they show up a bit lighter on the screen in the work area, and when i click to export or save as the colours are shown a little darker and more saturated.
The colours on the export are actually the right shade, so they must be showing wrong within photoshop while i work on a document. I've never had this propblem in any other version of photoshop, only CS5 and i'm wondering if there is some setting or somehting i can change to have the colours be the same on export and while i'm working on the document, because it's very frustrating when the colours i picked turn out to be different when i save an image.
Could someone please help me?

It sounds as though the problems you are describing are rooted within the fact that Photoshop is a color managed application, and (depending on settings) will respond to the color profile of the image and the color profile of your monitor. To achieve the behavior you want (things not appearing unexpectedly different) we kind of need more info...
What are your Color preferences (Edit - Color Settings...).
What color profile(s) accompany the images you edit (i.e., where do you get them, how do you open them).
What operating system are you running?
What video interface (make/model/drivers) are you using?
Have you calibrated your monitor?
What are your goals (e.g., see the same thing on the monitor as Internet Explorer, or another app)?
Take heart: Photoshop can be set up to deliver consistent, expected results per your goals, and it will help to understand why you're seeing what you're seeing.
-Noel

Colour conversion on export - its a toughy

Hi Sorry about the crosspost, but I had no joy in the indesign forum:
this is a problem with a CMYK document, with CMYK images (mostly with no profile attached).
I have a printer that will reject anything with colour density greater than 300%. Usually I output safe files from photoshop, but didn't on this job. It'll take me ages to go back and convert the placed content in photoshop so...
I've just spent an hour fiddling with colour conversion and export presets to try to get indesign to convert the placed content only.
I thought I'd cracked it, but realised that indesign had also converted my 100%K text to rich black.
Heres what I did:
export>output>
convert to destination
US WEB COATED (SWOP) v2
dont include profiles (printer uses an unmanaged workflow)
problem is that also converts the text. So I tried
convert to destination (preserve numbers), which didn't do anything to the placed content. So I then tried converting the whole document to different profiles and converting to those profiles on export (thinking that indesign would convert the placed conent as their profiles should not have been convereted), but nothing worked here either.
Anyone know a way to export from indesign to control ink densities, without altering my straight blacks?
thanks!
Gethin

Gethin,
hopefully you'll understand that it's hardly possible
to describe such a complex workflow in one or two posts.
Nevertheless, the concept is correct, IMO.
Here comes the whole workflow for PDF/X-1a and a global
change of the CMYK space in the PDF.
Replace ISO Coated (old) and Euroscale Coated (new) by
your profiles.
Neither single CMYK images nor the PDFs have embedded
CMYK profiles.
Settings in CS2:
RGB = sRGB
CMYK = ISO Coated
Gray = Black Ink ISO Coated (instead of dot gain)
Spot = Black Ink ISO Coated (instead of dot gain)
Synchronize by Bridge, check in Acrobat explicitly
Settings in Photoshop:
RGB: Convert to working RGB
CMYK: Preserve embedded profiles [read context help !]
Settings in InDesign:
RGB: Convert to working space
CMYK: Preserve numbers (ignore linked profiles)
[read context help !]
Preparations in Photoshop:
Convert images to CMYK and save without profile
anne-untagged-iso.tif
Make new doc anne.innd in InDesign:
Place anne-untagged-iso.tif
There is no mismatch, therefore no question
Write some text by black (K-only)
Preparations for Export To PDF, during the first Export:
Use Joboption PDF/X-1a 2001 as a template and modify:
Resolution color 288ppi if above 288ppi
Compression none
Resolution gray 288ppi if above 288ppi
Compression none
Output:
Convert to destination (preserve numbers)
[read context help - no mismatch, no conversion !]
Destination: ISO Coated
Output Intent: ISO Coated
Save settings as PDF/X-1a 288-UnComp-ISO
Export as anne-iso.pdf
Check by Tools / Print Production / Output preview:
Black text is K-only
Check by Tools / Print Production / Preflight / PDF/X-1a:
File is compatible
Color space is Device CMYK (not detected as ISO Coated !)
Output intent is ISO Coated
If necessery convert into other CMYK space, here Euroscale
Coated:
Tools / Print Production / Convert Color / Convert CMYK
Destination space: Euroscale Coated v2
yes Embed Profile as Output Intent
yes Preserve Black Objects
Execute
Save as anne-euro.pdf
Check by Tools / Print Production / Output preview:
Black text is K-only
Check by Tools / Print Production / Preflight / PDF/X-1a:
File is compatible
Color space is Device CMYK (not detected as Euroscale Coated !)
Output intent is Euroscale Coated v2
Should be corrected if still buggy !
A very dangerous style is IMO the profile assignment per
object. I'm preferring unique global definitions.
Best regards --Gernot Hoffmann

Why the Colour changes in AI ???

My friend had a PDF file created in AI. She gave me the PDF file only. I open the file with AI in order to do minor editing but when I copy this file and paste into a new AI document, the colour changes (it becomes darker) even both documents are in CMYK mode. (I am using Adobe Illustrator CC)
The same file my friend gave me, I did the same with Adobe Illustrator CS5, there is no problem.
Can anyone help? Thank you so much in advance.

I understand that for an export operation, but still puzzled why the histograms are almost identical in LR for images that had been brought into PS from the same RAW file and converted to different spaces (with slight differences undoubtedly due to the different gamuts). In that case, LR must be "honoring" the different color spaces, with the same appearance and histograms... But when I soft-proof the same RAW file I get very different histograms -- the sRGB more stretched out than the ProPhoto one. Those soft-proof histograms are "the same" (realizing they are all quick calculations) as when I do the corresponding convert to profile in PS.
Maybe I'm not getting my head around "the histogram of the proof target." That would be the more "dramatic" (changed) histogram I'm seeing in LR's soft proof and PS's convert to profile. But is there a reason to show it that way? Doesn't a histogram need to be interpreted in a color space to be meaningful?
If I go ahead with something like a Save for Web or Export from LR in that target color space, I'll then see the histogram return to more or less what it was before (given that rendering intent has done its thing).
Is it that the more dramatic histogram is simply representing the image in the wrong color space?? I can see that as a pragmatic decision.

The colour changes depending on what file format you choose?!?

So I have noticed that depending on what file format you choose the colour changes slightly. Why is this?
For example I exported something in PDF and the colour changed yet when the PDF was printed it came out exactly how the colour should be. When I ex

If you're working in CMYK, "softproof" your colors by choosing View->Overprint Preview. Note the keyboard shortcut
If you're working in RGB, make sure the Creative Suite color management is synced. This is done through Bridge. May I suggest looking that up in Adobe Help.

TS1925 iPad IOS 7.0.2 and Mountain Lion 10.8.5 Calendar colors do not match between computer and device. Problem did not exist until updated IOS arrived. Colours change of their own free will despite being corrected on both iPAD and MacBook Pro. Any an

iPad IOS 7.0.2 and Mountain Lion 10.8.5 Calendar colors do not match between computer and device. Problem did not exist until updated IOS arrived. Colours change of their own free will despite being corrected on both iPAD and MacBook Pro. Any answers?

Please do not post the entire messages log as it takes up unnecessarily a lot of space. It seems that there is a corrupt/nonfunctional file called
[email protected]nt.plist
Go to your hard drive, enter library, go into users, and go into launch agents and delete the thing above. Empty the trash and restart.

Can one choose the automatic colour change to an htnl link after using it to make it more obviously changed (currently two similar shades of blue)

having performed a search and visited a paticular web page produced by that search, the colour of the link changes and if found again in another search you know it has already been visited.
In many cases the change is from one shade of blue to another very similar shade of blue and it is very difficult to distinguish between them. An example would be at http://www.archive.org/advancedsearch.php?q=(parish%20registers).
Can this colour change be edited to something much more easily recognised?

I had the same issue and resolved it
I first remove the prefs folder and the plist files for illustrator in ~/Libary
next I logged off,
then I uninstalled illustrator using the adobe uninstaller(http://helpx.adobe.com/creative-suite/kb/cs5-cleaner-tool-installation-problems.html)
Next I reinstall illstrator
after that it worked for me.

Why do colours change when converting from Word to PDF

I am converting word files to pdf, however the header and footer background colours change once converted. How can I stop this happening?

Depends on how you are creating the PDF. If you are using PDF Maker (the create PDF button), then check the preferences in that menu. There is an entry for the settings file selected. If you are printing to the Adobe PDF printer, the settings file is listed under the settings tab of the properties menu.

I have 100 groups in planning for those 100 groups i want to build roles like interactive,view user,planner etc.for those how to change in export -import folder .xml file in that edit how to change user roles in that xml it will generate automatic id.h

I have 100 groups in planning for those 100 groups i want to build roles like interactive,view user,planner etc.for those how to change in export -import folder .xml file in that edit how to change user roles in that xml it will generate automatic id.how to do that in xml file ?

Thanks john for you are reply.
I had tried what you sad.I open shared service in that foundation project i had export shared service.after that in import-export file.In that role.csv,user.csv,group.csv.Like this file have.When i open user file added some users after i trying save in excel it shown messgse
I click yes and save the .csv file and import from share servie. i got error like this
am i doing right way john.or explain clearly

How can I animate colour changes of clips and mattes in fcpx

Can Anyone help me in getting to grips with ficpx.
I want to vary (animate) the colour of titles and mattes over their time periods. Also, i need to correct the variations of colour temperature (castes) which my panasonic camcorder produces sometimes. I notice that there is no animation icon in the inspector panel for colour changes and I am not able to insert animation points on the timeline animation strips above the assets. Any help would be appreciated. Lorenzo F.

Color correction and color masks cannot be animated in FCP. You'd have to do this in Motion or some other app. DaVinci Resolve Lite is free.

Correct Colours In .xls export

Hi,
I am trying to produce an excel xls form that has correct screen colour reproduction in numbers & when used as a .xls file in the numbers spreadsheet application
I have been trying this various ways but cannot seem to find a correct solution.
For example, I have tried filling cells with a RGB reference,
I can set correct RGB colour references for a fill colour say R 254, G,242 B,205 in numbers. This looks fine but if I then open in excel, these colours change to R 255, G 241, B193
I am not sure why.
I had thought of creating each colour as an image fill from numbers but excel does not support this option?
Could anyone advise me the best way to go about this please?

At least with older versions of Excel, I believe they actually did not use RGB per se, but rounded the values to the closest thing in their 56 color palette. So even though it said RGB, it actually was not. I thought that had changed at least, since Office 2007 or older.
Honestly I have never found a solution. With presentations, I know if I make one in Keynote, but the forum specifies they will be use Powepoint, I make it a point to check my slides in Powerpoint on a Windows machine. Even in the past, going from MS Office for Mac to MS Office for Windows did not maintain colors (although they would usually be close and not so much it rendered things unreadable). I never did get a real answer to why their own product on different platforms was not consistent in color - even HEX colors would be off
Hopefully some people on the MS side will have a better answer for you - I just got frustrated pursuing it years ago and just gave up looking for an explanation or fix. I suppose it is possible that excel still has some internal library fixed limit on colors (hopefully more then 56 by now) and is in fact, matching your values "as close to" its internal limts as possible. I also seem to recall that at one time, the RGB function in excel actually returned values in the order BGR - don't know if that still applies either.

Colour changes on export

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