Coming From Avid Xpress Pro 6.0

So I'm coming from SD world and an old Avid system that I've had for close to nine years. While I've dabbled in FCP in the past I'm getting closer to make the leap but on a budget.
My question is this if I get FCP for a laptop what is the recommended setup? Use the internal hard drive or external drive for storage? If external what drive? What to use for a B/O box? I was looking at the AJA Io HD box primarily because I still have decks that I will be using and it future proofs me. Will be shooting with either the JVC GY-HM700 or the Sony EX3.

Never use the internal drive for media storage.
The standard MacBook should not even be considered. It only has USB ports, that won't cut it for video editing.
The 13 and 15 inch MacBook Pro only have a FireWire and USB ports.
The 17 inch has an Express Card slot as well as FireWire and USB.

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  • Avid Xpress Pro on PB 12"

    Anyone know if Avid Xpress Pro 5.8 runs on a Powerbook 1.5GHz Tiger?
    Many thanks in advance.

    Version 5.7.5 is the latest version listed on:
    http://www.avid.com/products/xpresspro/specs.asp
    As you can see from that link, what are the minimum requirements:
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    QuickTime 7.2
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    Message was edited by: a brody
    Message was edited by: a brody

  • How stable is FCP 5 in comparison to Avid Xpress Pro?

    I've been using Avid Xpress Pro on a brand new PC, and it hasn't been going well (problems with the preroll, etc.). I've been using a Sony DV camera as a deck to import the footage. Does FCP have any of these problems? It seems the Avid forum is rife with preroll problems.
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    Attempting to cure a preroll issue by changing computing platforms is not recommended. You may or may not like FCP at all. You might not like Macintosh at all.
    Stability is relative. Are you saying Avid crashes on prerolls? That's absurd for a video editing application to do that and, no, FCP doesn't do that. But we have tons of recent reports of FCP crashing for other reasons. A quick search of the forum for CRASH or QUIT and AVID will disclose tons of interesting issues.
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    need answer soon becuase if it doesnt work i have to return it within 19 days
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      Mac OS X (10.4.6)  

    Even if you were able to install the software and bypass the 128MB video memory specification, I would guess the performance will be very poor. Is there a specific feature of Avid Xpress Pro HD that is not included in a program that is supported like Final Cut Express?
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  • Loud fan like noise coming from 2012 Macbook Pro 15 inch but gets quieter when my palm is placed on the right side of the trackpad.

    Hey,
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    33SuperSport33 wrote:
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    1) When referencing files to their hard drive
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    as far as i know, if there are selected the get added to the batch process ...
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  • Hi, I just bought a new MB Air.  Coming from a MB Pro.  Should I clone it with T.Machine or store the important files on an external?  Still need info from my pro but don't want to clutter up the Air from the start.  Suggestions?

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    Having a 1TB drive (about 2/3 full) I couldn't just use TimeMachine to move into the MBA; there wasn't enough space. If I had fewer applications and especially less music I probably would have migrated from TimeMachine. What I wound up doing was cloning my MBP to an external drive and then pruning it down to about 180GB. When the MBA arrived I used that external as my source for migrating and once I was certain all was well the external became my MBA TM drive.

  • Noise coming from my Macbook Pro Early 2011

    I was just laying on my bed, and I sat up and moved my laptop relatively quickly(after the fact finding out I shouldn't have). There was a noise that sounded like slicing of a blade, which still happens if I move my laptop in some direction. If it's important, the fan was on when I moved it. My main issue is this slight "pitter patter" sound that is now non stop coming out of my laptop. It lasts for approximately 2-3 seconds, then stops for about 4 then does it again. I'm trying to count the number of "taps" in it, and it's about 12. I was hoping I could find a quick fix for it, instead of taking it back to Best Buy where I have another year on my warranty.

    Best solution is to take it to Apple and have them look at your Macbook before more damage can occur....
    You can try doing a SMC or PRAM reset if you wish to do so.....
    But if no changes - Take it to Apple...
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  • Why do stills look so much better in Avid Xpress Pro?

    I imported some stills into FCP (dimensions 2500x2000) and while they look fine in the viewer, they look terrible in the timeline. I tried importing the same still into AXP and it looks much better.
    Any ideas why?
    Thanks.

    Just to back John up:
    Shane's Stock Answer #2: Blurry playback
    ONLY JUDGE THE QUALITY OF YOUR MATERIAL ON AN EXTERNAL NTSC MONITOR, OR AT LEAST A TV.
    1. Disable overlays on the canvas
    2. Make sure you've rendered everything (no green bars at the top of the timeline
    http://docs.info.apple.com/article.html?artnum=24787
    Video playback requires large amounts of data and many computations. In order to maintain frame rate and be viewable at a normal size, only about one-fourth of the DV data is used in displaying the movie to the screen. However, the DV footage is still at full quality, and is best viewed thru a TV or NTSC monitor routed thru your camera or deck.
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  • Low audio when going from Xpress Pro to DVD SP

    When I output from Avid Xpress Pro to DVD SP I get low audio on the final DVD.
    I export my Xpress Pro sequences as QT References with the audio as an AIFF file. I was able to improve the audio a bit by going into APack and converting the AIFF to an AC3 file. Even after boosting all the audio in the sequence (back in Xpress Pro) 10DB it's still not great. Any ideas?

    Mix your audio as hot as you can in the Avid...if you are using the -27 Dialogue Normalization setting, you are going to get the levles cut considerably. Use -31 (IIRC) instead...

  • Maybe making the switch from AVID to FCP, would like some input please.

    Happy T-Day to all. Would really appreciate any thoughts on this. I have many questions and need some answers from folks who are not always pushing AVID ( my vendor) I am a one man shop and use all Apple apps (LiveType, Motion, etc.) but have always stayed in my comfort zone with AVID Xpro and MOJO. Am thinking of going to Media Composer but after a few days of consideration and a trip to an Apple store, I may do a complete turn around and commot to FCP. Recently made the move to HD with the Sony XDCAM HD system. Here are my questions...plese be patient, this is a major move for me.
    1. If I purchase a new Intel G-5, will the internal SATA drives be OK for 35MPS HD?
    2. What AJA card or product should I buy so I can view HD SDI on a client monitor and output HD to a Sony XDCAM HD F-70 Deck?
    3. What graphics card should I order on the new machine?
    4. Can I use the FAM ( File Access Mode) to tranfer content?
    5. Any other considerations when ordering the new Intel machine?
    I know I have many questions, but I really believe it is time for me to make the move. Any help would be really appreciated. Thanks again.
    Tdub

    1. Yes, but just. You'd only get 1 stream. Faster drives would allow you to do more than one layer of real time playback. You could stripe more than one internal sata and get the job done that way.
    2. Kona LHe will do this, however you'd gain the ability to upconvert and cross convert the video to just about any format with the Kona 3.
    3.The X1900. Motion and some effects in FCP will take advantage of it... down the line FCP is likely to rely more on the GPU is an educated guess of mine. the top of the line card is faster, but not enough to substaniate the price if you're working in Video. If you were working in 3D CAD environments, then the top of the liner would be the best choice.
    4.I don't use XDCAM here, so I'm presuming that you're talking about a transfer mode with that. I'm pretty sure FCP 5.1.2 added this capability. Might search the COW on this term in the FCP forum there. http://www.creativecow..net.
    5.Working with HD and MPEG streams would leave me wanting the fastest of the three machines. You'll want 4 gigs of RAM, but it's less expensive from other than Apple. I know just how scary it can be to move to a new platform, and did exactly as you are contemplating when FCP 2 arrived. I've never looked back. Hang here once you get started, and we'll help you with the transition. There is a book out there in the pro training series from Apple/Peachpit on ediiting on FCP if you're coming from Avid. I'd recommend you get that book. Will ease the transition no doubt.
    Hope you make the jump!
    Jerry

  • Exporting video from Avid editor to MPEG-4

    HELP!!!! I have an internet film contest to enter by the end of this week. I have finished editing it on AVID XPRESS PRO and tried to export it as an MPEG-4(it was a requirment) AND a QT movie onto my desktop. When I play it out, there's audio, but the video is a snowy pink/green/white mess. PLEASE PLEASE PLEASE someone explain to me in layman's english what I have to do to make it play right. I have invested almost $2,000 in my film and for it not to be shown because of this error will be VERY dissappointing.

    Do you have QT-Pro? If so, try exporting from the Avid as a QuickTime reference movie, then using QuickTime Pro to export the reference movie as an MPEG-4 QuickTime movie (or just as an MP4 file). It only takes a few seconds to create the reference movie (as that just references the Avid OMFs on your media drive) but I have found that QuickTime Pro's export features often work better than Avid's.
    That's particularly true when I use the 3ivx codec with 2-pass output...there isn't any way to do the second pass using Avid's export utility, but QT-Pro allows for it.
    --Dave Althoff, Jr.

  • From Avid to FCP (urgent)

    a film was being edited on avid xpress pro, and half way through the director decided to switch to FCP, for reasons of connivance and costs, so i want to know if there is away i could transfer the avid project with all or most the work done on it to FCP.
    i head that this is possible and its not a myth! so is it possible? how?
    p.s., recapturing the film to FCP is not an option, very expensive.
    also, the avid files are .omf and .aiff

    dir.Mando wrote:
    a film was being edited on avid xpress pro, and half way through the director decided to switch to FCP, for reasons of connivance and costs
    In my experience, directors seem to make these decisions ill-informed of what and where costs can and will creep up. As the editor, don't be afraid to try to save the director from him or herself by dissuading them of the change. Just make sure you've done your research and your information is solid.
    dir.Mando wrote:
    p.s., recapturing the film to FCP is not an option, very expensive.
    What format is the original material? Even though it may be expensive, it may very well be the cheaper option. Or perhaps staying with Avid is the cheaper option; I can't say not knowing many of the variables.
    Switching platforms mid-stream is always a bad idea, but is sometimes necessary. It may or may not be such a necessity in your case.

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