Comparing vector/waveform scopes between two clips

Is there a way to bring up the scopes for two separate clips to compare them as one can do in Premiere? I use the 2-up function often to compare clips visually, but it just does not cut it for some corrections.

You can't have scopes on more than one clip in Sg, this is something that gets asked for every once in a while, and certainly would be most useful ... so please file a feature request for this ...
Adobe Bug Report /Feature Request form ...
https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform
Other than that, dummergold's suggestion of doing a screen-grab of the scopes on one clip & comparing that to "live" Sg scopes on the other is the only workaround. In Windows, there's the handy "Snipping Tool" in the programs/accessories folder. I put that on my taskbar so I can access it anytime in any program. You then just drag a diagonal box over the part of the screen you want to "snap" and it makes a jpg/png for you. I don't know what there's available on the Mac side of things.
Neil

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Inserting a clip between two clips

I'm trying to insert a clip between two clips yet still having everything from all V/A 1,2,3,4,etc. layers to move along with whatever clip is moved down the line. Everyone keep saying: Use the ctrl key! but all that does is indeed move some of it down but it cuts bits of the video in the process. I'm not sure how to solve this. I simply want to drag and drop an item between two clips and not cut or mess up any additional V layers.

You can load a title into the Source Monitor by dragging it there from the Project Panel. But you can also use the insert command directly from the Project panel, via either the context menu or the same shortcut.
Be aware that if the sequence has In/Out points set, then the Insert & Overwrite commands will insert the selected source into that range. This is known as 3-point or 4-point editing (depending on whether you have both in & out points set in both the source and the sequence). If In/Out points are not set in the sequence, then the source is inserted at the playhead's position in the Timeline.
Also, source patching controls which tracks the clip is placed on. If you're not familiar with source patching, this tutorial video is worth watching.

Phantom Frame Appears Between Two Clips

I am new to FCP. When I play my video in the timeline, a phantom frame from another clip plays between two clips. I don't know if I accidentally placed one of the clips on top of it or something when I was moving clips, but I can't figure out how to get rid of it. I deleted the two videos one at a time to see which clip it was attached to, but the phantom frame played no matter which of the two I deleted. I also used the blade to cut the end of the first clip and the beginning of the other, but it still appeared. I therefore figure it must be between the two clips, but I can't find anything between them to select. Does anyone have any ideas? Thank you very much.
ETA; When I look closely, I think the black gap between the two clips is larger than the slight black gap between normal clips, so maybe that does indicate there's something there?

Artistry wrote:
ETA; When I look closely, I think the black gap between the two clips is larger than the slight black gap between normal clips, so maybe that does indicate there's something there?
Here is a shot of a time line where I have zoomed in as far as I can. At this level of zoom, a single frame can barely fit on my screen. If you maximize your zoom you should see only the thin line as shown between the partial frame on the right and the one on the left. If you see something more – either a gap or a clip with content – you should be able to select and delete it.
Russ

Inserting video between two clips

Hi does anyone know how to insert video between two clips without erasing some of the two clips. I want to insert and have the other clips just make room for the new clip, extending the timeline the necessary amount. I thought you could just drag it in but it keeps erasing the existing footage in the timeline. Any advise would be awesome

Make sure the playhead is parked between two clips, and drag the clip from the browser/viewer to the canvas, dropping it on the "insert" box in the edit overlay. Or you could drag the clip from the viewer/browser to the timeline but make sure the arrow that appears is facing to the right, not down.

How to SIMPLY add audio crossfade between two clips ?

Tried to make a simple cut edit for tv news.
How to add an audio crossfade between two clips to soften transition ?
Detach audio, then create audio only scenario, then add transition ? Unusable.
When importing 8 tracks from Xdcam HD, how do you choose wich audio track to add your transition to ?
Also, impossible to re-export to Xdcam disk on the field.
This piece of software is simply unusable in real life pro conditions. Some very nice features, globally a disaster.

First thank you all for taking time to reply.
I found these solutions myself but for me these are only workaround.
In Fcp7, you just had to drag and drop dissolve transition to clips junctions TO AUDIO TRACK ONLY. Very quick and simple. In Fcpx, it is very time consuming if you want to add audio crossfade to every clip junction in a full project. That's really not a software evolution in my opinion...
I think "easy transitions to audio tracks only" has to be implemented in next version.
Thanks again !

Is there a shortcut for fading audio to zero and back up between two clips?

I'm trying to determine if there is a shortcut for this situation in FCP 5...
You have two audio clips butted adjacent to each other.
You want the first clip to fade down to zero (i.e. silence).
You want the second clip to fade up from zero.
So basically you have a split second of silence between the two clips.
The video equivalent would be touching black for a second between the
two clips. You can use the "Fade In Fade Out Dissolve" to do it fast.
I realize you can accomplish this audio manuvers with 4 keyframes and the pen tool. I know you can also put an audio transisions on the end of each clip. There are a bunch of ways of getting there, but is there a really
fast way like the "Fade In Fade Out Video dissolve" or a keyboard shortcut?
Thanks for any feedback.

When I need to do somethig like that I make sure there at least a 1 frame gap between the two and ad audio transitions on the end of clip 1 and the beginning of clip 2.
If someone has a faster way, i'd love to know it.

Phantom Frame Appears Between Two Clips Updated Question

I can't edit my other question anymore, so here's a follow-up. When I move from edit point to edit point, there does appear to be one between the two clips. I hit Select using the dropdown menu, but the options to cut or delete are grayed out afterwards, so it doesn't seem like anything is getting selected. Does anyone know how to select a clip too small to see? Thank you.
Final Update: I got it selected and deleted! I just moved the cursor along the bottom of the timeline instead of moving it in the middle of the timeline, which was just giving me the double-arrow handle thing, or whatever it is.
Thanks for looking!

In my continued conversation with myself, I'm replying so I can figure out how to mark question answered.

Glitch between two clips

I'm fairly new, so please forgive me if there is a simple answer to my question. I converted the files from my camcorder to edit them in FCE. While I had seamless recording, the camcorder split my footage up into two files. When I put the two files together in FCE there is a glitch (or skip) that is a fraction of a second when I play the footage in FCE. The footage is of a dance recital- right in the middle of a song. Is there any way to merge the two clips so they are seamless? (I already tried adding a transition-it won't let me do it). Please help!
To see the footage (Youtube): http://www.youtube.com/watch?v=1sKCGf_YEx0
Thanks for your help!

Hi -
Place the playhead a few frames ahead of the where the disturbance is and play through it frame by frame by tapping the right arrow key. At the point of the disturbance is there a repeated extra frame, or is there a frame missing?
If there is an extra frame you can edit that out by placing the playhead on the first frame after the edit between sections and marking both and in and an out point on the same frame. Then hold the shift key down and press the Delete key that is located next to the "+" sign.
Does this fix it?
If not, type Command + Z to undo what you just did.
If it turns out to be a missing frame (or frames) there is not much you can do to fix it.
You can try to re-capture just the section of the performance (starting say 20 seconds before and ending 20 seconds after) from your camcorder and if the area is not disturbed, you could match cut the good footage into the sequence.
If the disturbance is there coming of the camcorder, I'm not sure what else to recommend.
Hope this helps.

I am trying to put a transition between two clips and it's not going.

I am working in FInal Cut Pro X and until now have had no problem putting trasitions into my timeline. Now I'm trying to put it between two video clips and it's not even moving there. Is there something I might have turned off that's not allowing me to do this

You mean red like this
That's the end of the media. No handles for an overlap. You can still do a full overlap transition, but it will shorten the project and shift the content.

Compare multiple variable selections between two internal tables

I am trying to work out the syntax for the following, however i am stumped on the 2nd part of the requirement....
I have two internal tables. and i need to compare the records.
1st, line by line, which i can do, however the 2nd requirement, i need to check a range of data against the same table...
here is an example of the tables:
Internal Table1 has the following records.
TL1
TL2
TL3
TL4
TL5
TL6
Internal table 2 has the following records...
LDOC1     TL1
LDOC1     TL2
LDOC1     TL3
LDOC1     TL7
LDOC2     TL1
LDOC2     TL5
LDOC3     TL6
LDOC3     TL7
but for the 2nd requirement, i have to group the LDOC1 (2, 3) and search for all TL* and report if they all exist, some exist or none exist within the 1st internal table.
so for requirement 1, the answer would be yes (as i can do a read table using the TL*), however i am not sure how i can check "for all entries" for TL1, Tl2, TL3, TL7 and return that only some entries exist.... LDOC1 should return "some", LDOC2 should return "all" and LDOC3 should return "none".
Hopefully that makes sense???
Can someone give me a keyword to investigate as i am not sure the At new would work.... Unless i do an at new and then loop and maybe add the record to a "range" to then compare and log the result as it runs through each result...
so if Itab1 = itab2 then variable = yes. else None.
if variable = yes, and itab1 = itab2 then variable = yes.
if variable = yes and itab1 <> itab2 then variable = some.
would that work?? i am worried about performance too as there could be 1000's of records....
and can i have an "at end" so at end, if variable = yes, then variable = all?
i have written all the rest of the report to get all the data into these tables... i am just a little baffled as to how i can validate and compare the multiple selection.... :o(

Hi,
It is really confusing :-).. But i have tried to figure out.. may be this could be useful for you.
Internal Table1 has the following records.
TL1
TL2
TL3
TL4
TL5
Internal table 2 has the following records...
LDOC1 TL1
LDOC1 TL2
LDOC1 TL3
LDOC1 TL7
LDOC2 TL1
LDOC2 TL5
LDOC3 TL6
LDOC3 TL7
itab3[] = itab2[]
sort itab3 by field1.
delete adjacent duplicates from itab3 comparing field1.
itab3
LDCO1
LDCO2
LDCO3
loop at itab3.
clear: lv_flag, index, ind.
loop at itab2 where field1 = itab3-field1.
index = index + 1.
read table itab1 with key field1 = itab2-field2.
if sy-subrc NE 0.
lv_flag = 'X'.
ind = ind + 1.
endif.
endloop.
if lv_flag = 'X'.
if ind = index.
lv_val = 'NONE'.
elseif ind NE index.
lv_val = 'SOME'.
endif.
else.
lv_val = 'ALL'.
endif.
"here you can modify itab3 with lv_val in one field, so that you can figure out which is SOME, NONE, ALL
endloop.
Regards,
senthil

When I insert and edit in between two clips instead it goes to the audio portion

I am having issues with my final cut project everytime i decide to select insert edit it goes into the audio section I have tried multiple time what do u recommend thanks!!

Do your buttons look like this?
Press Shift-1.

Transitions between split clips don't work properly

If I split a clip in the project area, then put a transition between the two new clips, the transition doesn't work properly. It is most obvious with the Cross Dissolve, which doesn't work at all. Some of the others sort of look like they are working, but if you look closely, they are not working correctly- i.e. not in the same way that transitions between two clips dragged separately to the project area from the events area work.
Any one else notice this, or better yet, have a fix?

OK- I discovered a work-around.
In the project area if you select the split part following the transition, Cut it (Command x) then Paste it (Command v) back in the proper place, the transition works properly. Usually cutting and pasting the following half of a split clip fixes the transition, but sometimes I have to cut and paste both the part before the transition and the part after it to get things to work right.

Feature request: Connect a clip in between other clips shortcut

One of the things that slows me down the most when editing in FCPX is the ability to connect a clip and have it go where I want it vertically in the timeline (above or below other connected clips in the timeline). It would be GREAT to be able to just hover the mouse pointer in the space in between two clips in the timeline and then hit a shortcut key (similar to Q) a "Connect Between Clips" shortcut key to connect a clip and have it go into that space.
If you feel this feature request would benefit you as well please submit a feature request to Apple.
Thank you!

The photos didn't upload so here they are again.

IMovie HD 6 - Cannot insert transitions between short clips

I am attempting to assemble a movie using several short (8-15 second) clips. When I attempt to insert transitions, I get the following message:
"You cannot apply a transition between very short clips. They must each be at least 3:49:16 long."
I assume they mean 3 min, 48 sec, 16 frames. I don't remember having this issue before.
Is this something wrong with my installation, or do you really need 4 minute clips?

No, your iMovie program is acting strangely. For some reason iMovie believes that you are trying to insert a transition of almost 4 minutes duration between two clips of 15 seconds duration. (I can't recall any transitions longer than 10 seconds.) So it is giving you a message that your clips need to be longer.
When iMovie starts acting strangely, a commonly done procedure is this: Shut down iMovie and trash the file com.apple.iMovie.plist located in User/Library/Preferences. iMovie will create a new file on relaunch. Also, do a simple permissions repair using the Utilities/Disk utility application on your Mac. Then launch iMovie and see if your transitions work.
If your transitions still don't work, make sure that your Quicktime is updated to current version, and do a permissions repair like above after updating.

What is the best way to get a ratio between two waveforms?

I'm reading in multiple channels on a PCI 6143 and I want to get the Voltage Standing Wave Ratio (VSWR) between two channels. Right now I have a choice of outputting a 2D DBL or 1D waveform from the daqmx read vi. With the 2D DBL I can use a For Loop and an Index array and compare channels that way, but I was wondering if there is a better function to compare waveforms or even a function to calculate VSWR. Using the For Loop and Index array seems inefficient.

The PCI-6143 does sample all channels simultaneously (unlike some other DAQ boards), so you should not get any phase differences there. That leaves hardware. You need to make sure your cable lengths are the same and your splitter has the same impedance/path in both directions. You can compensate for splitter problems with cable length or software realignment. You can do a visual check of the waveforms to see if you have a problem. With the frequencies you are likely to measure with the 6143 (10s of kHz), you probably don't need to worry. This is usually only a problem at MHz frequencies.
You are correct that you do not want to use Express VIs in RT. However, you can use an Express VI to save you a lot of time. Set up the Express VI to do what you want to do, then open the front panel. Cut and paste the code from the block diagram to your RT code, then modify it to make it more efficient. This can often save you a lot of work.
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Comparing vector/waveform scopes between two clips

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