Compressor Settings for 1080i 60i sequence - Compressing to H.264 or Other

So....I've seen many posts of folks asking a similar question. BUT, I yet to see a simple or easily understandable fix for this problem for the layperson--not an advanced FCP user.
This is what I and looks like many others are up against:
WHAT I HAVE TO BEGIN WITH:
Captured HDV footage as 1080i 60i
Now...I want to output this footage for my website.
Footage has a 16:9 aspect ratio
WHAT I WANT TO DO:
I now want to convert it to H.264 or another Codec that will support 16x9 aspect ratio and that allows for a smooth and professional look
I am not so concerned about the file size...since my demos somtimes are 15-25mb
WHAT HAPPENS:
Everytime I choose H.264 on the compressor, and wait for the compressor to do its thing---what I get is a video with a 4:3 aspect ratio
I have read about 40 threads tonight about others fixes...BUT none that give a step by step on this. OR an easy to understand fix.
THERE MUST BE A SIMPLE WAY TO MAKE A H.264 MOVIE IN 16:9 ASPECT WITHOUT DIGGING INTO ALL OF THE ADVANCED SETTINGS ?
Thanks for your ears....
Johnny

Jon...
Thanks again. Let me just ask this one last time. Sorry for the redundancy-
So... I would take my footage... it's 90% rendered.... I would create a reference of it because it's a faster export and I'm all about time! LOL. Import that into compressor and crunch it there. The reference file would only be good for bringing it into compressor... or maybe some other small tasks. But it's not self contained... so be aware!
If someone wanted a hard copy- Then I would export out of Final Cut... make it a self contained QT movie and it will have the exact same properties as my sequence in Final Cut but not necessarily the same properties as the raw media. I could have two different types of raw media files (QT DV footage and QT... Animation codec) in my timeline however... the resulting export would have the settings of my sequence in FCPro NOT the properties of the raw media.
As long as the above it right... then I've got it!

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Best Compressor settings for HD720 16:9 to cell phone OTHER than iPhone?

Hey there,
Does anyone know a good set of compressor settings for exporting HD720 16:9 29.97fps to a cell phone compatible format other than iPhone? Do most cell phones use an MPEG format? I guess I should start there. New to this one.
Thank you,
ed

There are different MPEG flavours and compression for DVD, mobiles or web often means creating some flavour of MPEG file. Even H.264 is an MPEG file. One of the most advanced.
Go to Compressor settings and look for a folder named Mobile devices then do a bit of your DIY (test, test, test).
G.

Is it possible to change settings for an existing sequence?

I am cutting a short "crowd-sourced" class play, shot by parents. I have 4 different types of footage from 4 cameras: Two are 720p (30p), one is a 640x480 .mov and the other was shot in 720p but burned to a PAL DVD so they are .VOB file rips at 25fps, 720 x 576 w/1.2 widescreen.The main camera is an .MTS file (AVCHD 720p)
Since I am planning on ultimately making widescreen NTSC DVD's, I sync'd the cameras in a widescreen-DV sequence, then nested that into a new widescreen-DV sequence and activated the multi-cam. I did all of my actual editing in the new muti-cam sequence - but now I am thinking that I should have started with an AVCHD 720p sequence to sync cameras and just maintained 720p thoughout - until exporting the MPEG-2 file for the DVD.
I can make a new 720p sequence and cut/paste everything from my timeline - but they would still be nested multi-cam cuts that link back to the original widescreen-DV sequenece I setup to sync the 4 cam views. I cannot seem to change the settings for the existing sequence - so is there maybe a workaround for what I am trying to do? Essentially, to trick the new 720p sequence (with all the actual multi-cam edits pasted into it) to linking to a new 720p sequence with the already sync'd cam footage pasted into it? And secondly, will it actually effect the quality of the final DVD output? I may also want to make a 720p web version for Vimeo if feasible...
Any help would be greatly appreciated.

I have created the new 720p AVCHD and cut/pasted all of my edits. That is not the problem.
Almost of my edits (other than a few titles amd stil pics I added) are cuts from the original nested sequence called (4-CAM SYNC). It is a regular NTSC widescreen sequence. In this original sequence, I am scaling the the cameras down to fit the frame and sync'ing the four cameras. I am attempting to get this new sequence to link to a new 720p nested sequence that has my sync'd cam footage - to replace 4-CAM SYNC on the time, while still retaining all the edits I have made - I will just have to change some of my scaling settings in a few clips.
It sure would be easier if I could change the "Editing Mode" parameter under Sequence Settings...

Settings for 1080/60i Footage

I'm in new territory here. I've previously only worked with 720/24p (Varicam) footage and am now working with some 1080/60i footage that originated in 1080/24p. It's a long story (see PS below if interested). Bottom line is we're stuck withi 1080/60i My question is this: The footage in FCP looks fine (for interlaced) but when I send it to compressor for DVD, the footage looks like it's low resolution (like it's 1/2 the amount of lines, but doubled) compared to everything else I've ever compressed. There are jagged edges everywhere... you can count the lines on certain objects in the frame... even/especially in progressive playback mode. It looks pretty bad. I've tried so many different settings and can't find a combination that works. Anyone out there with a solution?
Rod Santiano
Provo, UT
LONG STORY: We shot our project using Sony's new XDCAM HD F350 in the 35 Mbs 23.98p mode. Well, FCP doesn't support that yet so we rented a F70 deck to record the HDSDI signal from the camera in 25 Mbs mode (which Apple now supports). Problem is: the HDSDI signal from the camera only comes in the 60i flavor. So now we have the situation mentioned above as our only workaround. Any other ideas? We're pretty late in our editing as it is due to all of this.

Hey Roderick,
i thought 720p material was only 59.94 or 60?
anyway, i am going to star with the basic questions, as in how are you exporting from FCP and how are you setting compressor?
you are down-resing your HD footage first, correct (in FCP)?
i am surprised that FCP cannot take in 23.98 @ 35 mbps, but this sounds like mpeg2 (since you are compressing from your camera).
i usually work on uncompressed 23.98fps and depending on the tape anywhere from 100 - 440 mbps and import to FCP no problem (although i still have to render it depending on how i am compositing).
anyway, let me know what and how you are setting both FCP on export and compressor to compress.
Mikey M.

What Compressor Settings for the web?

I have a 1min40 sequence with the Settings: PAL, Frame Size: 1280x720, 25fps, Compressor HDV720p25. What Compressor Settings would you recommend please:
1) to put it in a website
2) for Broadcast: would Apple ProRes HQ be a good choice?
Thanks in advance.

You can review the information first hand at youtube.com
Or create a custom preset in Compressor:
Name: YouTube sharing
Description: H.264 video at 8 Mbps with AAC 44.1kHz audio
File Extension: mov
Estimated size: 3.6 GB/hour of source
Audio Encoder
AAC, Stereo (L R), 44.100 kHz
Video Encoder
Format: QT
Width and Height: Up to 1280 x 720
Pixel aspect ratio: Default
Crop: None
Padding: Preserve source aspect ratio
(L: 0, T: 0, R: 0, B: 0)
Frame rate: (100% of source)
Frame Controls: Automatically selected: Off
Codec Type: H.264
Multi-pass: On, frame reorder: On
Pixel depth: 24
Spatial quality: 50
Min. Spatial quality: 50
Temporal quality: 50
Min. temporal quality: 50
Average data rate: 8 (Mbps)

Best compressor settings for HDV downconvert -- attention hanumang

Reposting this bit because it differs significantly from topic of thread where it appeared.
goal: the best possible HDV-DV downconvert using final cut studio (hitch: I have added problem of converting resulting film from PAL to NTSC)
previous method: the best luck I've had is Quicktime converting from HDV to 10-bit PAL SD and compressor converting that to NTSC DVDPRO50
Hanumang recommended using compressor for first conversion. My response:
What settings?
By coincidence I decided to try the initial conversion (HDV to 10-bit) this morning on compressor (but I didn't change the frame rate; i didn't know they were relavant for HD downconvert; I only change them for the PAL-NTSC conversion).
At first glance, the compressor 10-bit conversion doesn't seem any better than the quicktime conversion (due to the frame rate settings?). I don't know for sure because I haven't sent it back to compressor for PAL-NTSC conversion and on to DVD SP.
One issue I'm worried about is the dimensions. quicktime's 768 x 576 (preserve aspect ratio checked; letterbox selected) was the only dimension setting that produced a film that looked right (on the dvd; it's squished in final cut). I don't see that option in compressor. I suppose I could type it in the frame size boxes.
I would be most grateful for help in this matter. I've spent a few weeks on this. I just plod along, zombie-like, trying a few different things every day, hoping to hit the jackpot eventually. I've been planning on trying to downconvert using my HDV/DV deck (print to tape in HDV; then change settings to downconvert and capture as DV). Would that help?
how do pro studios handle downconverting? What kind of hardware do they use? I'm an independent filmmaker, working on a small budget, but eventually, once the film is finished and (hopefully) I have more money, I''d happily pay for a good pro conversion. Do you know what that costs? The film will be 80 minutes long.
thanks again for your help.
What compressor settings do you recommend?
The best workflow I've come up with is qucktime conversion from HDV PAL to SD 10-bit PAL, then compressor conversion from 10-bit Pal to DVDPR0 50 NTSC.
By coincidence I decided to try the initial conversion (HDV to 10-bit) this morning on compressor (but I didn't change the frame rate; i didn't know they were relavant for HD downconvert; I only been change them for the PAL-NTSC conversion).
At first glance, the compressor 10-bit conversion doesn't look better than the quicktime conversion (due to the frame rate settings?). I don't know for sure because I haven't sent it back to compressor for PAL-NTSC conversion and on to DVD SP.
One issue I'm worried about is the dimensions. quicktime's 768 x 576 (preserve aspect ratio checked; letterbox selected) was the only dimension setting that produced a film that looked right (on the dvd; it's squished in final cut). I don't see that option in compressor. I suppose I could type it in the frame size boxes.
Anyway, I would be most grateful for answers to these questions. I've spent a few weeks on this and am past the point of frustration. I just plod along, zombie-like, trying a few different things every day, dimly hoping to hit the jackpot eventually. Actually, I've been planning on trying to downconvert using my HDV/DV deck (print to tape in HDV; then change settings to downconvert and capture as DV). Would that help?
how do pro studios handle downconverting? What kind of hardware do they use? I'm an independent filmmaker, working on a small budget for the time being, but eventually, once the film is over and (hopefully) I have more money, I'll be willing to pay for a good pro conversion. Do you know what that costs? The film will be 80 minutes long.
thanks again for your help.

My bad, I was out in the afternoon and didn't get a chance to pick up on your reply to the last thread. Sorry to hear that your first attempt with Compressor was so disappointing.
Just so we're clear, you're using what exact versions of the software? FCP 5.1? Compressor 2? (For Compressor, in particular, 2.0 vs 2.1 vs 2.3 is important.) And, what are your sequence settings in FCP? Finally, we're to understand that you're actually working in PAL HDV? Or are you working in AIC?

Downgrade Compressor Settings for longer DVD

I work with very simple standard definition 4 x 3 aspect video and sometimes make DVD's Compressing with the various Stock DVD Compressor settings. I have never made a custom setting with Compressor. Now I would like to put a 200 minute video on a standard DVD (not dual density).
Can I modify a default setting like the 150 minute, and downgrade the quality enough so that the 200 min results would fit on a 4.6 gig DVD? (maybe room for a very simple menu.) Do I have to make a new setting from scratch, or could I modify and save, working from a default? Like I say, I have never made a compressor setting, so I could appreciate a sort of step-by-step.
Thank You
Richard Miller

Duplicate the DVD preset you want to use; it will show up in the custom presets in Compressor. Clcik on the new custom preset so it will show in the Inspector window and make any needed adjustments. Give it a name you'll remember then save it and apply it to the file you want to encode.
You can use one of the available online bit rate calculators to determine the best bit rate based on your program's duration: http://www.google.com/search?client=opera&rls=en&q=dvd+bit+rate+calculator&sourc eid=opera&ie=utf-8&oe=utf-8
-DH

Compressor settings for YouTube for 720p 12 minute 10GB project created in FCPX?

Hey All
Would anyone care to share some settings for compressor please?
I have a 720p 50fps 12 minute 10GB file created in FCPX that using "Publish to YouTube" settings in Compressor is still coming out at 721MB.
It will take me 4-5 hours to upload this to YouTube so need to make the file smaller and who knows how it will play once its up online.
Any suggestions of some other Compressor settings without using too much quality?
Thanks

shippo,
When you reference "50 fps", do you happen to know if that's fields per second or frames per second? Depending on the answer to that, you may or may not need to adjust that.
When it comes to file size, you have frame rate, frame size, compression type and data transfer rate affecting the final size.
As Russ and darby have suggested, data transfer rate is the main thing to experiment with (since you're publishing for Vimeo, the other setting are pretty much locked in).
I have found that when it comes to playing with the bit rate, a video with a 1280 by 720 frame size needs between 4,000 kilobits per second and 5,000 kilobits per second to maintian good image quality. While you might get good results at a lower rate, high contrast areas in the picture are very, very, very likely to show loss of image quality.
If you need to get your video up asap, start the upload late at night. As long as your internet connection doesn't drop out (knock on wood), you file will be uploaded by the morning.
Also, (for what it's worth) is there any place close by that has fast internet that you could use? If you have access to a computer lab at a local community college, a 1GB file will probably upload in minutes rather than hours.
-Warren

Playstation 3 compressor settings for h.264/mp4 and avchd and 5.1 audio

Hello this is my first post on this forum. I am a cameraman by trade, but do a lot of editing. I am pretty good on an Avid and with color correction software, but since I sold my sony f900 and picked up a couple or RED cameras - I was forced to hop on the FCP studio2 wagon. So I apologize for the newbie questions.
I have a PS3 and not a PSP. I find more and more clients have a PS3 for their media and blu-ray... etc. So my question is what are the settings for compressor to encode for the PS3 and there ever so nit picky and poorly documented parameters.
There are plenty of non-pro answers, but I have searched high and low for what they need specifically. I see lots of questions but now answers.
So how can I take my final cut footage or any video file for that matter, and put it into something that my PS3 can chew? What are the H.264 (mpeg4) settings?
Can I also (but not exclusively) encode in AVCHD from compressor?
Lastly is there a way to put on the 5.1 or surround info into these files for PS3 playback? if I want to take one of my work DVD's (reel, projects, etc) and put it on the PS3 or bring in surround encoded (5.1, 6.1, 7.1) tracks into FCP and put it with my footage?
Thanks for any and all help...
the only vaguely technical info I have found was on the PS3 forum, here is what it says:
from:
http://boardsus.playstation.com/playstation/board/message?board.id=ps3media&mess age.id=22987&query.id=96226#M22987
For those of you who want to put .MP4 videos on a PS3 with a Macintosh, this is how you do it with ffmpegx.
VIDEO
- X264 Encoding
- framesize can be any
- framerate can be any
AUDIO
- any MP3 or AAC track
OPTIONS
- Use CABAC on
- Constant bitrate on
- Trellis on
- Decode with Quicktime (not always necessary but if your picture is out of sync with audio, try this)
- AVC level 3.0
This produces a good .MP4 file that the PS3 will happily play.
Can anyone help or point me in the right direction? if not can we figure it out on this thread? there are a lot of questions I find when I google this subject out there - so a lot of people would be happy to find the answer.
Olias Sunhillow

I have created files to play on PS3, and the secret is to use MPEG Streamclip. You can encode to whatever you want in MPEG2 or MPEG4, then open that bad boy in MPEG Streamclip:
If it's MPEG2, File > convert to TS
If it's MPEG4: File > Save As MP4
That's it. MPEG Streamclip doesn't re-encode so no quality loss. All it does is change the container. And PS3 is very picky about containers.
As for 5.1 audio, you can do this by encoding separate MPEG2 video and AC3 audio files like you normally would for a DVD. For hi-def MPEG2, use one of the Compressor presets for HD-DVD. Make sure they both have the same name ("xxx.m2v" and "xxx.ac3", for instance) and are in the same folder. Then open the video in MPEG Streamclip and it will automatically mux the streams together, which can then be converted to TS.
Note that this is only possible encoding video to MPEG2. I don't know of any way to create an MP4 with 5.1 audio.
PS3 is a great way to deliver HD video onto your TV without the frustration of trying to author Blu-Ray or even burning discs.

Compressor settings for HDV 1080i50?

hi,
i have to export 1h30 of HDV 1080i50 to make it play on a dvd.
could you, please give me some suggestions how to make this?

ok...this is my first use of this kind of material and i don't know witch compressor settings i could use.is it possible to burn an HD DVD with my imac or i can use a SD DVD preserving a maximum quality? the answer will determinate the compressor settings i could use... for know i have tried,the last 4 days, to use H.264 so it can fit into a sd dvd (changing the average bit rate) but after more than 24h the encoding process is 1/4 of the entire video...and i've stopped it. i don't know if it's a normal to take soo much time or if i'm making a mistake doing it.so please, help

Best Compressor Settings for Backup

Hello all,
At my place of business we capture live footage in DVCPRO HD format using Final Cut Pro. From that I edit the footage and compress it using Compressor. My question is concerning the unused footage that we capture. I'm trying to learn the best compressor settings that will offer the best balance of reduced file size with good quality.
Thanks!

The best is not to compress it at all. You don't know what the popular format will be in a couple years.
Raw drives are cheap. I have a drive dock on each of my machines plugged into the internal sata port of the Mac Pros. I backup all the footage to raw drives and then put them on the shelf. And yes, there are clones of those drives. And I've learned to do it as I go along rather than all at once. I use ChronoSync to keep the raw drive matched to the working raid in my machine. Takes a lot less time that way.

Best SD Compressor Settings for DVCPROHD clips shot on P2?

I have DVCPROHD clips shot 720p 60 at 24fps (23.98 fps to be exact). I am cutting this on the latest vers of FCP. I am mixing this with some SD elements. The final product will be SD dvd or tape. I tried DVCPRO NTSC 50 and I am not thrilled with the quality. Should I use DV NTSC instead? Or should I just mix the formats with out using Compressor edit it on a timeline set to SD settings and burn SD dvd without worrying about Compressor?

Did you try using the YouTube preset?

Best Compressor 3.5.3 settings for DVD when sequence is 1080 60i -- shot on P-2 -- DVCPO HD 1280x1080 29.97

I tried a few changes in Inspector... Video Format such as - Field Dominance to Bottom First... and Quality to Automatic Bit Rate & Motion Estimation at Best. I think GOP and Extras are set on default ( IBBP, Closed 15 -IBBPBBPBBPBBPBP) & ("Add DVD Studio Pro metadata" checked). When the DVD is played back on 40" HDTV from consumer Blu-ray player... it looks awful. Images seem to have double or shadow images (field shifting or something) and the color and detail on distant images have a block type look. I seem to be a master at making High Definition look like multi-dubbed VHS. Any ideas? Thanks
Message was edited by: KennyRay

Good luck.
Russ
BTW, did this movie come from a FCP project?

Best compressor settings for DVCPRO50 footage for DVD

Hello,
I recently purchased a Firestore fs-100 and shot a football game in DVCPRO50. When I made a DVD after compressing it, using compressor, I didnt seem as clear and crisp as I thought it would be. When I import it into Compressor, what settings should I pick ect, in order to get the best quality DVD I can produce. Should I open up inspector and make alot of setting adjustments? If yes which ones? Any advice would be greatly appreciated......Thank you in advance for your assistance!!!! Also, I purchased Final Cut Studio in 2005 and my version of Compressor(version 2.0.1) isn't as updated as the current versions out there. Thanks!
NJShooter

Just to let you know, I shot the footage in the football footage in the sun. I took your advice and used mpeg 2 and used one pass best option. I also used better deinterlace in frame control, and used 16:9 which it was shot in and my panasonic HVX200 video camera has 16:9 ccd's in it. Around the helmet and and some other body part during movement have what looks like heat on a side walk during a hot day. waves that are around even the unmpires arms and head as well. I shot the footage on a firestore fs-100 and had my camera and the tapeless capture device ( the firestore ) set on DVCPRO50 SD format 480X720 which is regular format not HD. It should look great compared to DV which I get shooting on tape. I have been reading all about compressor and perhaps its not compressor? I am using the quicktime setting in the firestore, which makes it easy to import into Final Cut Pro and am only putting a title in the timeline and then exporting to compressor. I pick the MPEG2 option in compresor for a DVD and am bummed at the end when I play the DVD on my 720 16:9 set. Any more advice would be greatly appreciated. Can you explain the ramping thing to me? Really appreciate your help by the way!!!!
HJShooter

Compressor settings for All Region SD DVD?

I have a HDV PAL project which I need to burn to SD DVD, the DVD needs to be playable in NTSC regions as well as PAL.
I have been told that I can encode the clip as NTSC and it will play all regions.
Can anyone confirm this and / or have recommended settings?
The FCP project is PAL HDV with compression set to ProRes 422.
Cheers!

Ok, here are the realities of the situation. NTSC DVD players cannot view PAL. Most, but not all, PAL DVD players can view NTSC. The region settings do not really have anything to do with this. It should be also noted that NTSC is slightly lower in quality than PAL.
So if you want to only replicate one disc for worldwide distribution, then NTSC would be a better choice. You are still going to get people at random saying, "It will not play". The better solution would be to create a NTSC disc for NTSC countries, and a PAL disc for PAL countries.
It should also be noted that you use Compressor to encode your MPEG-2 videos (and AC3 audio), but you then have to bring those files into DVD SP for authoring.

Compressor Settings for 1080i 60i sequence - Compressing to H.264 or Other

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