Connection and color adjustment tips

I have a macbook that I am connecting to a tv monitor via vga. got the cord connected and can see computer desktop but colors are not even close. Adjusting color on the TV makes a difference but not good enough. What tips can you share?

Colors are not close to natural. what they are supposed to be, faces flesh tone as opposed to bright orange. I realize that they will never exactly match the mac screen and likely can never be adjusted to be completely accurate but I was hoping to get some tips on how to make color adjustments on my TV so it could get close. I also know that using an HDMI connection from the mac would be better but VGA is all I have. Not sure I want to buy an HDMI adapter for my older white macbook considering that it (monitor out port) will not support audio and I would have to buy and run a separate audio cable anyway. The VGA cable I am using has a shielded imbedded 1/8 in audio cable.

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    the same image prints correctly from QImage or Photoshop CS3 (that is,
    the printer output corresponds to what you see on your calibrated
    display).
    Apparently, although color management has been (allegedly) disabled in
    the driver, there's something wrong between LR and the driver which
    makes that *both* LR and the driver are still trying to manage colors.
    In other words, the "No Color Adjustements" option of the driver doesn't
    seem to work with LR.
    The workaround (found after hours of hair pulling and paper and
    expensive ink wasting):
    In step #4,
    1. Instead of selecting "No Color Adjustments", set Mode to "Custom |
    ICM
    2. Click Advanced...
    3. Check "Show all profiles".
    4. Select Driver ICM (Advanced)"
    5. Set **both** the "Input profile" and the "Printer profile" fields to
    the very same profile that you specified in LR.
    That is, if you specified Pro38 PGPP (Premium Glossy Photo Paper) in LR,
    then also select Pro38 PGPP in both "Input Profile" and "Printer
    Profile". This has actually the same effect has disabling color
    management in the driver (what "No Color Adjustements" should normally
    take care of).
    That's it. When printing, you'll get exactly the same color results as
    when printing from QImage or Photoshop. No more dark prints. No more
    color shifts.
    One might think that the bug is in the Epson driver but in that case,
    QImage would have the very same problem. So I tend to think that the bug
    is on the Lightroom side.
    Note: Although Photoshop CS3 produces a correct printer output, it
    demonstrates the same problem as LR when using the "Match Print Color"
    option for soft proofing. But in that case, only the preview colors are
    wrong. The printer output is ok. Which also tends to demonstrate that
    Adobe has the problem, not Epson. Or maybe both... :-) .
    Don't ask me why some users have the problem and other don't.
    Hope this helps.
    Patrick Philippot
    MainSoft Consulting Services
    www.mainsoft.fr

    A sincere thank you for your reply, Michael. Sorry about the "it just doesn't make sense" shortcut. I have been trying to solve this issue since LR 1.1, spending dozens of hours on different trials and digesting everything written on this forum and the B9180 forum about color management and double profiling. My shortcut was a summation of my experience (and my frustration) but doesn't really advance the conversation. Here are some data that should be more useful in diagnosing the problem.
    I am running Windows XP SP2. I calibrate my monitor monthly with the Spyder. The reason I suspect this may be an issue of double profiling is because the results (moderately strong magenta overlay plus an increase in contrast) match what more knowledgeable people than I on this forum describe when double profiling occurs. Perhaps I shouldn't presume it is double profiling, and follow Patrick Philippot's lead in naming the problem "color shifts." Patrick does refer in post #2 of this thread, however, to obvious double profiling.
    I certainly do have a successful and consistent print method. With PS CS3, and either my Epson 1280 or my HP B9180, the output is almost always dead on. Here is how I do it. In PS from the print dialog box, under color handling I always choose "Photoshop manages colors." Then under printer profile I select the profile designated by the manufacturer for a particular paper/printer combination. Then in the printer driver I disable printer control of color. With the Epson I check the box "Off (No Color Adjustment)." With the B9180 I choose the option "Application Managed Colors." While I sometimes may tweak the final output, these procedures have served me well with PS for several years.
    Contrasted with my positive PS experience, my experience with LR printing has been inconsistent. I regret having to be so imprecise but truly sometimes LR produces accurate results that match the calibrated monitor, but most of the time it does not. I use standard procedures with LR that parallel the PS ones described above. In LR's printing panel, under color management, I specify the correct profile, just as I did for PS. Then in the printer driver I use the same procedures I use with PS. Most of the time the prints have the magenta overlay and too much contrast.
    BTW, the inconsistent LR printing only takes place with my HP B9180. I have never had any problem with off-color LR prints with my Epson 1280. Again, I emphasize that I have standard procedures that always work with PS (no matter which printer) and LR (but only with the Epson).
    Unfortunately the LR printing problems are intermittent. Some of the time (perhaps 20%) LR produces fine prints in the B9180, indistinguishable from PS prints. When LR is printing well, it will continue to print fine until "something happens" and the output shows the color shift. This means I do not get a random sequence of good-bad-good-bad prints, but rather good-good-x factor-bad-bad-bad. Ths problem is that I do not know what this "x factor" is. Once, when LR was giving me accurate output, I simply changed the default printer (Control Panel-Printers and Faxes) from the B9180 to my Samsung 1430 laser; immediately afterwards the LR output colors shifted. Did LR react to this change in default printers? Another time I had good LR printing success with version 1.2 but ran into the problems described above when I upgraded to version 1.3.
    Sorry for the long post. I am hoping that someone will see something that I am missing and provide a hint. I think, though, that Patrick is correct when he states, "I tend to think that the problem is with LR. After all, similar issues (obvious double profiling) are observed only in LR but with various printers."

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