Considering workflow for Aperture-based library?

Hi all, I'm an amateur photog, mostly sporting events, nature, and family stuff. I am using OSX 10.8.1, FCPX 10.0.5, and Aperture 3.3.2.
Until recently, I have had totally separate storage between stills and video: Photos in an Aperture library, and FCPX events for video. This works, but means that for any given event, I have masters in two places.
I recently learned that Aperture can now house ALL my source media, even my 60p video. I don't know exactly how recent this support is, but it was news to me. I like this potential to keep all originals/masters in one project location. It eases backups, helps my sense of security, and is nice for casual browsing of past events.
So I'm experimenting with consolidation of my video masters into Aperture projects, and creating FCPX events that point to them.
How I think the workflow looks:
Import from camera to Aperture. I store all masters/originals as referenced files using a simple "Year/Month/Project" organization on the drive.It's worth noting that as part of this step I use ClipWrap to losslessly convert AVCHD files to MOVs, although I don't think this is relevent to the overall workflow.
In FCPX, select Import Files...
Use the media browser to open the aperture event and select the video clips.
Uncheck "Copy files to FCP events folder"
The event is created.
Looking in finder, the event's Originals are links, as you would expect. However, interestingly, these links point not to the actual files, but to the Aperture library's "preview" files. These files are tiny MOVs that must only contain some sort of proxy or reference to the actual originals. I'm not familiar with this format or spec. I can play the files, they look like the originals, but they're tiny, under a megabyte in size.
At this point, everything seems to work fine. Editing in FCPX works normally, exporting in Compressor works, and I can even move the referenced masters around in Aperture (to a diferent folder structure for example) and FCPX has no problems with it, because it's pointing to Aperture's proxy files rather than directly to the originals.
So, my questions:
1. Is this sane? In other words, am I missing a problem that I haven't discovered? Does anyone else do this?
2. Because the "Originals" are links to these odd preview files, FCPXs date stamps are way off. I've always carefully kept my masters' datestamps accurate and used the organize by date view for events. I would give that view up if I had to, but it's nice. Any workaround?
3. What the heck are these proxy/preview MOV files? Aside from a hex editor, how can I tell where they point?
Thanks in advance.

Regarding question #2 above, I've experimented a little more, and found a potential problem: Because the time stamp of the files is incorrect, FCPX is unable to reconnect an existing project (that used an event where the files were stamped correctly) to a newly created project sourced from Aperture's native preview sharing, because the timestamps don't match.
This wouldn't be a problem if i were starting fresh, but even then I would be afraid that Aperture might touch those preview files at some point in the future thus breaking the timestamp that FCPX depends on to identify the clips.
As a workaround, if I import the files directly from the drive, rather than through the native preview sharing functionality, it shows the clips with the proper timestamps. This is ok by me.

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