Converting 24pi NTSC to 30 pi NTSC/Pal

I shot some video footage and need to convert the video so it can be shown across different formats. Any suggestions?

Or you could try using Compressor 2, using a variation of the techniques described here:
http://www.macworld.com/2006/02/secrets/marchcreate/index.php?pf=1
The other thing you could do would be to just burn a NTSC 24p disk in DVD Studio Pro or equivalent, as nearly all PAL players support NTSC disks.

Similar Messages

How to convert my NTSC project to PAL?

Hi! I'd like know how i can convert my ntsc project into PAL.
I need finish a DVD for my client take to ANGOLA and there is PAL system.It is possible? My Encore is 2.0.
Or It is possible put my NTSC movie into PAL project and let encore transcode the movie? Thank you very much and sorry my english.

You have several options.
1 - Create a new PAL project in Premiere Pro. Capture your footage in the usual manner, and as soon as it is in the project, hit the ENTER key to render it.
2 - Create an NTSC project in Premiere Pro, capture to NTSC DV footage, and export it out again.
Close project.
Create new PAL project, import the NTSC clip & then interpret/conform the footage to the project settings.
3 - Set up an NTSC project, capture footage, export to PAL DV or MPEG-2 from Premiere.
4 - Use TMPGEnc Xpress 4 - it's standards conversion is very good.
5 - Use ProCoder, as Ruud suggests
6 - Use CCE SP if you have it.
I'd try as many different ways as you can, and view the lot to see what looks the best.

Editing PAL wmv clip and converting to NTSC

I have a 50 min clip (given to me by a client) which was captured in PAL, edited, and compressed as .wmv file; the audio rate is 44.1KHz, square pixel ratio. I need to edit in FCP and convert to NTSC. I've tried rendering in FCP after it's imported, converting to NTSC before bringing it in (probably at the wrong settings), and changing the sequence settings.
I can view it fine in the viewer, but once I put it in the timeline, the sound is completely unsynched (probably the 44.1 thing), which is why I changed the sequence settings to 44.1.
I did find the macworld article from March '06 on how to successfully transfer to PAL using Compressor 2 and will use that. Here's the link for those who want it:
http://www.macworld.com/2006/02/secrets/marchcreate/index.php
Here's my question, do I first transfer the huge clip through flip4mac to make it a .mov, or do I put it through compressor? Or, do I edit it down to the 7 - 1 minute clips I actually need from the clip, export those using ???? and then do the other conversions?

Do you think the out of sync sound is due to the
44.1KHz as opposed to 48KHz?
No.
I did try changing the
sequence settings to 44.1 bringing the exact clips
in, and then rendering (which should convert from
.wmv), but it was still out of sync. Doing it that
way, should I make the sequence settings 44.1KHz but
leave it PAL until I later do the compressor
conversion?
I'd use flip4Mac to get the files to .mov's... then edit in PAL. Export the PAL sequence to compressor for the NTSC conversion.
I think once you get them to .mov's you're possibly home free with the sync problem. FCP just doesn't support wmv's... so that could be the sync problem.
Jerry

Can Compressor convert my NTSC video to PAL?

I am trying to convert my NTSC footage to PAL. I was given a tip that the key is in the compressing stage and then use Studio Pro and burn a PAL DVD. Is this correct?
Thanks so much!!!! it really helps!!!

i saw you on the other forum.., you got fobbed off to this one.., actually you can 'convert' to PAL in both DVD Pro and Compressor..,
if you can use either at all you already know it.., do you know where the settings are in compressor.., (is your compressor working??).., an you load settings and assign a sourse and a destination.., if you ca do those things you can already 'convert.'
what ever, assuming compressor is working on your puter, open compressor and save a project name (give the project a name.) now in the
hit 'add file' (the icon, top left)
go to the settings/destination window (the window that covers the bottom left of your screen)
click the triangle that says 'apple'
click the triangle that says 'DVD best quality 120 minutes (if thats how long you want it.., as long as your movie is under this time your OK)'
drag that setting to the long strip in the window above (top right), check the sourse so you know where the file is going.
look in the inspector window and click the icon, second from the right, this is your encoding settings.
click, video format; change the setting to PAL.., check the frame rate has changed to 25fps
back at the window, top right, you will see 'submit.'.., hit that and it will send the job to the render window.., watch the magic
the same can be done from the inspector in DVD pro.
if this was too confusing, sorry, .., there must be some tuts somewhere.., try 'larry jordons' web site, or maybe 'peachpit.com'..??
M:)

HDV NTSC & PAL to SD DVD

PLEASE HELP!!
I've got two different projects that need to be combined into one dvd for the client.
problem is the first project was shot and edited as HDV 1080/60i and the second at
1080/50i, so i have an NTSC sequence and a PAL sequence.
the DVD needs to be in PAL.
also, i'm completely confused in regards to getting HDV to a SD DVD.
can't figure out what's the fastest, highest quality workflow.
thus far using compressor and dvd studio pro 4 to build the DVD using just the PAL sequence i've gotten nothing but interlaced awful looking video.
i've searched the boards on these subjects but i'm still not getting anywhere, just more confused.
any guidance is greatly appreciated!
thank you

thanks RedTruck, i will try this!
quick question:
is JES deinterlacer the best way to convert the NTSC HDV to PAL HDV (or 1080/60i to 1080/50i)?
client also now wants this on PAL digibeta, so i'm thinking maybe the easiest way of doing all this is getting everything to 1080/50i HDV PAL, exporting via the camera back to HDV tape then taking the HDV tape to a dub house and have it downconverted there to DigiBeta. from that, reimport as SD PAL to make the PAL DVDs. how does this sound?

NTSC - PAL jerky motion

Hi,
I've converted some NTSC footage to PAL using compressor 2 and it looks great in FCP. But when I put it onto DVD and watch it back, any shots with excess motion i.e. pans etc, are very jerky, almost like they are missing frames!
Are there any filters that will get rid of this jerkyness, or anything else I can do to improve the picture quality?
Cheers
Adam

http://www.nattress.com/standardsConversion.htm

NTSC Pal problem.

Hi There,
I have done a PAL project and created a SD PAL DVD and this was all fine. Now someone is wanting a NTSC version and I am wondering if the fact that I just switch the project settings to NTSC if the PAL assets will automatically convert to NTSC. The reason I ask this is because it will be very difficult to go back to FCP and export the film as an NTSC.
If anyone has any advice or experience of this I would be most grateful
Many thanks

Hi:
Sorry but you have to do all manually. You cannot change DVD standard in the DVDSP project.
You must change all menu graphic assets to fit the NTSC dimensions (i.e. all PSD menu backgrounds and overlays) and can use Compressor standard conversions presets to re-encode your PAL Quicktime Movie to a NTSC movie and use it as source for your new NTSC MPEG2 videos.
You'll find detailed information about the graphic sizes for NTSC in the DVDSP User Manual, and seraching in the forums (try FCP Forum too) you'll find a lot of threads with different approachs for movie standard conversion.
Alberto

NTSC - PAL colors conversion for betacam

I need to get a video file that is NTSC (no compression 8bit) into PAL (no compression 8bit) to edit it in Final cut pro 5.1.4 and to put titles from Motion, to finally put it on a betacam tape. To be shure that the conversion (NTSC-PAL) is well done, I gave the NTSC file to a professionel conversion compagny. (I tried to do it myself with compressor and with the plug-in natress, but was not completly satisfied with the result).
Now my problem is that the conversion company didn't compensate the modification of colors during the conversion. So now I have a file in pal (no compression 8bit) but the colors are lighter then the original file in NTSC.
Can someone tip me on a way to modify the colors in Final cut pro of my file in PAL? I know how to use most of the filters, but I don't now much about doing it professionally. I was hoping that there could be a filter or a plugin that is made for my kind of problem, and I'm afraid of making a mistake because I never prepaired a file for a betacam tape before. Do I have to be carefull with the percentage of black or of white? Do I have to work in RGB or YUV?
My second question is: the video PAL that was converted from NTSC has lines where there is quick movement when I look at it in Final cut pro or Quicktime. (the original NTSC file didn't have them) Should I use a filter to desinterlace it or will these lines disapear any way on the betcam tape? But I'm puting titles with Motion, so those titles don't have lines... How will they mix with the video?
Thanks for your help
Louie

Hi mish,
that is such a .. <searching correct english word> hillarious (?) idea, I give you a star for that ;-)))
changing some flags on a ready-made dvd... wow! nice try...- but as Fred said, NTSC<<>>PAL conversions are no trivial tasks... you run into many problems, e.g. where do you get the additonal 5 frames per second you need for a transfer from PAL to NTSC? how to make the audio fit to these new pictures? and, I HAVE to do this silly joke: NTSC has a very different color concept (Never The Same Color) then PAL.. and for sure a different res...
the name is irritating, but all mighty JES Deinterlacer is doing a fantastic job in converting video standards (ok, for a free software solution...) give that a try!

NTSC PAL conversion with Atlantis software

Anyone used this: http://www.dvfilm.com/atlantis/index.htm
The demo appears to work well - but would be grateful for your input before parting with the cash.
Cheers,
Steve
Message was edited by: Juzcoping

I have about 2000 X 5 - 10 sec clips to convert from NTSC to PAL. Nattress, while very good, is a bit time consuming what with nesting files and all. Haven't considered using Compressor. Will look into that too.
Cheers.

NTSC/PAL conversion question

On my vacation I took a lot of video clips with my digital camera, and made them into a movie. However, some of the people I want to send a movie to are in Europe/Africa, and need to view it in PAL format. When I made the movie, I did it in NTSC, format. When I transfer to iDVD, do I need to change the format in iMovie or in iDVD? If I have to do it in iMovie, do I have to completely redo the whole thing? Or is there a way to just convert the present NTSC version to the PAL version? If so, how? (I solved by lack of hard drive space by getting a new hard drive placed in my Power Mac-now have 100GB).

Hi dianeh,
most many/all dvdplayers over here are able to
read/playback NTSC dvds... no problem at all...
second:
export whole project as QT dv stream (1h = 13GB)...
import that into JES Deinterlacer, for free
http://www.xs4all.nl/~jeschot/home.html
choose conversion NTSC>PAL
another 13Gig per hour....
import THAT into iDVD
burn PAL version.......
hope I could be helpful
Tank you-I'll give it a try!!

Used to, but now can't detect a NTSC/PAL external monitor.

This has come up in this forum as well as others in the past. Here is the syndrome:
1. iBook (or other) is hooked up to an external NTSC/PAL monitor (in my case a Sumsung LCD TV) via the mini-VGA/S-Video out.
2. Works perfectly for some period of time, days to years, as far as I've seen people post.
3. Suddenly, iBook does not recognize the external NTSC monitor, and outputs crap onto the monitor.
4. Detect display in the preferences only gives the native LCD (ibook) and a VGA external monitor.
5. This doesn't go away, and no one has found a way to make it go away.
Anyone figure out what the crap is going on with this? ANYONE HAVE A SOLUTION???

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HDV NTSC/PAL machine with HDMI output ???????????? To hire????

I live in the UK where we have PAL...I have a big job to do that is NTSC HDV...
What can I use to play out the tapes into my FC2.....
I have a sony HC7 buts its PAL....I also have access to couple of bigger sony cameras that play Ntsc/Pal but dont have HDMI to access the full HDV to capture it using Pro Rez via my Blachmagic card/HDMI////....
What is best to hire>>>>>

Thanks for your reply....
NO the material is in NTSC and that is what i want to keep it in for NTSC DVD release....Its just that the camera i have is PAL....
And I need to find something with HDMI out to access the raw HDV format....
Cheers
ROB

G4 with OS X 10.4.11 and DVD's in various formats (NTSC, PAL, SECAM).

Can a G4 AGP Graphics “Sawtooth” running OS X 10.4.11 Tiger play DVD's in the various regional formats (such as NTSC, PAL, and SECAM) an unlimited number of times, or is there a limit to how often the capability to play a particular format can be switched to the capability to play a different one?

Using an application such as VLC should optimize format playability. It may also help with the region code issue. The "number of times" isn't to do with the DVD format, it has to do with region codes set into the DVD by the media distributors. You can change that 5 times and then the DVD player is locked in forever. Try VLC and it may help with both the format playback and maybe get around the region code issue (disable Apple's own automatic DVD Player activation).
VLC media player - http://www.videolan.org/vlc/ - general media player that plays just about anything.
Niceplayer - http://code.google.com/p/niceplayer/

Apple TV/FM Card NTSC - PAL switch?

G'day,
Long shot I know... but after opening my TAM on the weekend, and examining the TV/FM tuner card, I saw it was a Philips brand card. So I wrote to Philips Australia to see if they happened to have any laying around.
No, they said, but - some of their TV tuner cards were "switchable" between formats... I was told.
I've put the TAM back together again now, and would rather not open it back up for nothing...
Can anyone out there shed light on this? Apple only have 1 reference number for the TV/FM card - they don't distinguish between regions - NTSC, PAL, or SECAM. Could this be because they just have to flick a switch on the card to tell it which zone it's in???
I do realise that the cards also have different connectors... (NTSC has screw-on antenna connectors, whereas PAL and (I think) SECAM have just slide-on ones) But is that all the difference? and you just flick a switch somewhere for the region?
Cheers
cosmic

The video input standard is selected in the Apple Video Player program, so there's no need for different verions of the TV or TV/FM card. The correct video input standard (NTSC, PAL, or SECAM) for your region is pre-set, according to the region version of the Apple OS that was installed. To change the setting, select "Preferences" within the Apple Video Player program. In addition to the video input standard, you'll find settings for movie compression and the remote control. An adapter is required to change the TV/FM card's coaxial "F" type connector to a different type. Here is the User Manual for the TV/FM card. It should provide you with answers to most questions that you might have.
Incidentally, optional Apple input/expansion cards (like the TV/FM card) or specific components found on these cards are typically manufactured by well-known, third-party semiconductor companies, but the cards are considered "Apple" products. As such, third-party companies (like Philips) won't stock these products. For example, Motorola made many of Apple's PowerPC processor chips, but they never stocked/sold the motherboards on which these processors were soldered.

Does iDVD actually convert NTSC/PAL?

I was just dozing on the bed and had a moment of clarity...
Well, I've recently got a new iMac and got into this DVD thing I shoot movies of my family and send them back home on DVD. I'm in Japan (NTSC) and the family's back in England (PAL). My camera and iMac are all Japanese-bought.
I put my movies into iMovie then iDVD. I've made 3 or 4 movies so far. What I've been doing is rather troublesome, actually, but I've put the movies through to iDVD twice. The first time with iDVD preferences set to NTSC (my copy), then set to PAL (family's copy). This requires setting up the DVD menus, etc., twice in iDVD. Well, it's two completely different projects. A drag. Intuitively I feel this is wrong or unneccessary, so part of my query is whether this is necessary?
I've only had feedback on one movie so far - the first one. For that one I sent both an NTSC and PAL version back to see which worked or were better, etc., as I don't really understand the technology yet. Now according to my brother there was no difference between them (obviously he can play NTSC on his PAL player).
I've made a few more and sent PAL for the simple reason that England is a PAL country...
Then this 'moment of clarity' I just had was: that option in iDVD to set between NTSC and PAL, is that only to reflect the original tape and NOT to convert?? Have I, in fact, been sending NTSC DVDs only?? Or does it tell iDVD to convert to PAL when I send it an NTSC iMovie?
If it DOESN'T convert, that would explain why both were the same on my brother's player. In that case, does that mean I can only send inferior quality DVDs (I'm assuming PAL plays better than NTSC on a PAL player)?
On the other hand, the fact that they appear the same could be simply that the quality of both is not so good (the movies are just under an hour, with transitions and a little music).
Sorry, bit rambling, but I have a lot to learn, especially if I want to ensure my family get a good record of our lives here.
I remember when digital watches and calculators first became available. That was the height of technology. People were happier then...
Thanks in advance for any info and advice.
James
PS please reply as to an idiot

IDVD uses different templates depending on which format you choose. PAL and NTSC are different formats, not only in frame size, but color resolution, and frame rate.
Yes, PAL is superior to NTSC. However, some regions of the world can only play NTSC, others PAL... some can play both formats.
You must specify the format BEFORE starting a new iDVD project because you can change that setting over and over again after having started a project and it will actually only use the setting that it was set to when the new project was started. As in, change your video standard preference, then File > New... not the other way around.
As for transcoding... many apps do transcode, but by mistake, not by design. What I mean is, if you take NTSC footage (720x480 29.97 FPS Non-square pixels) and tell it to output it as PAL footage (720x576 25 FPS Square pixels), it will. It will convert it by stretching the pixels vertically and reducing the frame rate. Most may not even be able to notice the difference, especially when viewed on an analog device such as a TV... it might be more apparent on a digital device such as a computer. Another example would be to take a 320x240 Quicktime move and then add it to iDVD directly. It will stretch the content to fit the format that you have chosen. Now there is a drastic change in viewing quality because there was a drastic change in frame size. PAL and NTSC are quite close to one another by comparison.
All in all, you should shoot in PAL if you wish to output PAL DVDs and conversely shoot in NTSC if you wish to output NTSC DVDs. This will result in the best outcome.
NTSC is jokingly referred to as Never Twice the Same Color... meaning that NTSC has some of the worst color rendering out there. It is one of the primary reasons why the U.S. is FINALLY switching to HD... to say goodbye to the archaic format that has existed in the U.S. for well over 50 years. PAL too is going away. Cheer the arrival of HD... it is superior to both PAL and NTSC on a grand scale.

Converting 24pi NTSC to 30 pi NTSC/Pal

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