Converting MOV Files for import results in loss of sound

I have some .mov files which will not directly import into iMovie 08. I believe this is because they were created using "save as..." from QT Pro, with an original file format of .mpg w/muxed audio.
I am now converting the .mov files using the "export..."comand from QT Pro. iMovie is recognising the results, weather it is .DV Stream, .Mp4, or even a true .mov file. The problem, every time I convert from the original .mov I loose the clips audio. Is this a side effect of converting a vid clip with muxed audio or am I doing something wrong?
Thank you for any help you may be able to provide.

QuickTime can't extract audio from muxed file formats. Don't use it.
MPEG Streamclip (free) can export to QuickTime formats with the audio. Use it.

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Converting MOV files For Best Results in DVD SP

I have about 60 .mov files between 20-80 MBs that I want to burn to a DVD in DVD Studio Pro. What would be the most efficient way to go about converting these files to fit onto a regular DVD? (I don't have a double layer DVD.)
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If you want them to be playable in a DVD player convert then into mpeg and AC3 files using Compressor (one of the defaults will be fine.). If you just want to store them, put a disc in the computer and drag the files to the disc then burn.
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Kodak Digital Camera QuickTime MOV Problems
After battling a number of serious problems with the videos taken by my new Kodak Digital Camera, I decided to write up this page so that anyone searching the web would find out the true answers without as much grief!
I’ve also made some other comments about my experience with the camera, in case anyone was considering buying a Kodak camera in the near future.
I bought the camera just before Christmas 2004 in the US. At the time of writing, it is a pretty good model for domestic use—about 5.2 megapixels, costing about US$400 (or AU$600 back here in Australia). From a company as reputable as Kodak, I expected no problems.
The first disappointing thing was that the spring inside the spring-loaded battery clip, inside the camera, came loose within days. It proved impossible to reattach it without completely dismantling the camera, which (despite my engineering qualifications) I was not willing to do. This would usually have been a warranty item, but Kodak’s warranty does not extend to other countries. I’ve since had to jam cardboard in to keep the battery clip engaged, and have taped the battery bay shut to avoid it opening accidentally when taking the camera out of the case. This works fine with the docking station (an extra AU$100!), but it means I can no longer charge the battery without the docking station (since you need to take it out to charge it). I was not impressed!
The camera takes good photos, and I have no complaint with that. The controls and camera menus are well-designed. The large display is excellent.
The EasyShare software is not as easy to use as it looks, has a habit of crashing, has a web update program that is always running in the background of Windows, and transferring images is nowhere as easy or quick as it should be. I’ve now uninstalled it completely, and simply copy the photos directly from the device. (If the camera memory is nearly full, and you just want to transfer the last few photos, then it’s impossible to use the EasyShare software to browse the camera’s photos without it actually downloading the whole lot through the USB cable—and it takes forever! Copying from the device directly doesn’t hit this bug.)
The capability to take video using the camera was a great attraction when I selected it, and, if it worked properly, it would make it quite a handy little camcorder in its own right. With a 512 MB memory card in it, over an hour of video can be recorded at Video-CD quality (320 x 240 24fps video, 8 kHz audio). It’s not full digital video, but it would still be a pretty good feature for a US$400 camera. If it worked.
The first disappointing thing about taking videos is that the optical zoom cannot be adjusted while the camera is recording. It can only be adjusted between video sequences. I don’t know why this restriction was made in the design.
The real problems, however, start when you try to do anything with the video clips captured by the camera. Kodak has chosen to capture the videos in QuickTime format. This is fine—QuickTime is, technically, excellent—except that there is no simple way to convert QuickTime MOV files to AVI or MPEG or VCD. The Kodak software comes with a QuickTime player, so you can see the video clips on the computer you installed the software on—and they look good. Problem is that you can’t just dump those MOV files onto your Video-CD creator (it will usually want AVI or MPEG files).
It takes some time to realise that Kodak have not even bothered to include any software with the camera that can convert these MOV files to a more useful format. This is a serious PR blunder, and anyone bitten by this is unlikely to go near the Kodak brand ever again.
After some web searching, owners of these cameras generally find that the best (only?) freeware solution to convert MOV to AVI is Bink and Smacker’s RADtools program.
RADtools is amazingly powerful for the price (i.e. free), but it hits two fundamental problems with Kodak Digital Camera MOV video files, that are the fault of the Kodak camera, not RADtools. (I know this because every other MOV converter hits the same problems—except one, as you will see below.)
The first problem is that the sound cannot be converted properly. When you convert any Kodak MOV files, there is an “aliasing” of the sound at the upper frequencies. This is a technical description—you get a whispery, tinny, C3PO type of echo to everything. It really destroys the quality of the video clips (especially bad when I am trying to capture priceless memories of my 4- and 7-year-old sons—I don’t want their voices destroyed for all time).
Every conversion program I tried ended up with the same audio problem. I concluded that it is something strange in the way the Kodak cameras store the MOV files.
Strangely enough, I noticed that the QuickTime player didn’t distort the audio like this. The audio sounds just fine through QuickTime. More on this shortly.
The second, more serious problem is that RADtools could not properly convert some of the video clips at all. (This problem only affected less than 10% of the clips I originally filmed, but most of those clips were very short—less than 20 seconds. It seems that the probability of this problem gets worse, the longer the clip.) RADtools would misreport the number of frames in the clip, and would stretch out a small number of frames of video (in slow motion) to match the length of the audio.
Again, I confirmed that this is a property of some of the MOV files stored by the camera. Other conversion tools also had problems with the same MOV clips.
After more angst, I found a number of websites in which frustrated owners of these Kodak cameras have reported the exact same problems.
It was only then that I discovered that QuickTime itself can convert MOV files to AVI. Believe it or not, it’s built into the QuickTime Player that Kodak supplies, or that you can download free from apple.com. The problem is that you can’t use it unless you pay Apple to upgrade to QuickTime Pro.
After realising that this would probably be the only way to get decent audio for these clips, I paid the AU$59 to Apple Australia to get the licence key that enables the extra “Pro” menu options in QuickTime.
Sure enough, you can “Export” any MOV file to a number of formats, including AVI. And guess what? The audio comes out fine!
So, the first piece of advice I can give is: pay Apple the US$29 (or whatever amount it is in your country) to upgrade QuickTime to QuickTime Pro.
From here, however, there are still a few snags to untangle.
The first is that the default settings for Exporting to AVI don’t give a great result. It defaults to the Cinepak codec, medium quality. This looks terrible compared to the original QuickTime movie. Even on maximum quality, that codec just doesn’t give good results.
I finally found that the best option is to use the Intel Indeo Video 4.4 codec, set on maximum quality. This creates AVI files that are 10 to 20 times larger than the original MOV files, but the quality is there. If (like me) you only want the AVI files so you can dump them into your Video-CD program, then you want to keep the quality as high as possible in this first step. The extra hard disk space is not really a concern. When your VCD program converts the AVI files to MPEG, it will compress them to the usual VCD size.
Now for the biggest snag: those problem MOV files are still a problem, even for QuickTime Pro. Unbelievably, these Kodak cameras are spitting out MOV files which have some sort of technical flaw in their data specifications. QuickTime is able to play them back fine—and that seems to be all that the Kodak engineers really checked. However, if QuickTime Pro tries to export them, then when the progress bar gets to the end, it never finishes. It just keeps going. If you check the output folder with Explorer, and keep hitting F5 to update the file listing, you can see the file getting bigger, and bigger, and bigger. It never stops.
That this happens even for QuickTime itself (the native format for these files) confirms that the problem is with the software built into these Kodak cameras. It would be nice it they issued a patch or a fix. I couldn’t find one.
Fortunately, there is a “workaround” for this problem. I found it when trolling the net trying to find solutions to all these problems. The workaround is to use QuickTime Pro’s cut and paste facility. Open the problem MOV file, then press Ctrl-A (the standard key combination for “select all”—in this case it selects the entire film clip, as you can see by the grey selection of frames at the bottom of the player). Then hit Ctrl-C (i.e. copy, which in this case copies all the frames, but not the incorrect data structure in the original MOV file). Now hit Ctrl-N (i.e. new, in this case a new MOV file or player). In this new player, press Ctrl-V (i.e. paste). Now you have a new version of the MOV file with the bad data structure exorcised. You can save this under a new name, but make sure you specify “Make movie self-contained”—otherwise, it will simply be a link to the original (bad) MOV file, which you are probably going to delete once you save the exorcised version. (You also cannot overwrite the original file, because it needs to access that to make the “self-contained” movie. You need to give it a slightly different name, save it “self-contained”, then delete the original and rename the new copy back to what you wanted it to be. A pain, I agree, but at least the **** thing works—finally!)
The exorcised MOV file can now be used to Export to AVI format. (I also keep all the MOV files on a separate CD, in case I want to reconvert them to a different format in the future. I figure it’s better keeping the exorcised ones than the haunted ones.)
So I hope that all this answers a few of your questions. No, you weren’t being incredibly stupid.

Converting .MOD movie file for import into FCP

I have a DVD with .MOD movie files I am editing for a church. The files open in a PC with Windows Media Player, although I can not import them into After Effects in a PC, and they do not open in QuickTime Player.
I would like to edit these clips using Final Cut Studio in my macbook pro. Is there any way to convert these files to .mov???
Thanks for any input/suggestions.

.MOD files or VOB files?
http://www.squared5.com/svideo/mpeg-streamclip-mac.html
Export to an easy set up codec.

Converting movie files for iTunes. How the ??!

Hi there
I LOVE my Nano!
However, I'm wanting to import some movies into iTunes so I can watch them on my Nano. It sounds ridiculous but I really can't figure out how to do this! Do I HAVE to have / buy a conversion program, eg: Quick Time Pro? Obviously none of my .avi files will move into iTunes and I can't change / convert them. How does everyone get their movies into iTunes if they're not a Quick Time supported file? And therefore, how do you convert the files in order to do so?
Any help would be awesome!
Many thanks

Checked out some posts from older discussions and found the answer I needed! Downloaded Videora and it's great. Cheers discussion forum!

Converting .mov files for storage

I am recording 10-15 min .mov files, and each is around 3 GB. I was wondering if there was a way to compress the files (like a .zip or something) that will create a smaller file for storage but not diminish either video or audio quality for playback, or editing. We will be using this files for research on infant cognition. Sorry if this is a stupid question, I am learning as I go...

Compression always loses data but compressing to H264 with a suitably high bitrate will leave you with a quite high quality video scalable to full screen. I assume these are DV files based on size. You won't have the same quality so use an external hard drive and keep them as is or since they must be DV export from iMovie or Final Cut to a DV tape in a DV camera, an hour stored is identical to the source and at $5 a tape darn cheap storage.

Importing/converting DVD to .mov file for FCP

I had a friend give me a homemade DVD that I want to import/convert into a .mov file for editing in FCP. I've read the threads on MPEG Streamclip, but it asks to select the file(s) to import (vs one file). Not sure if I'm on the right track.
Here's what I see on the DVD:
http://i149.photobucket.com/albums/s63/jtnacc/ishot-4.jpg
Any help would be appreciated.
John

Hi Piero... Congrats man... your explanation is the best simple explanation of getting material off a DVD into a form where it can be editied in FCP.
Just to make it clear to anyone else...
1- go to http://www.squared5.com/ and download the FREE program MPEG STREAMCLIP.
Install it in your applications folder. Start Mpeg Streamclip, and insert the DVD into your drive.
2- Go to FILE > OPEN and use that to navigate to the DVD, look in the video_ts file and select the first .vob file of a series, e.g. VTS010.VOB; you'll be asked if you want to open all files of that stream, and you answer yes. You'd better also apply the command Edit/Remove Timecode Breaks before exporting.
This takes a minute or three depending on how much material ois on the DVD.
3 - Now go to the Mpeg Streamclip command line and select **Export to QuickTime** (NOT Export to DV)
Use these settings :
Compression: Apple DV-PAL (DV-PAL for UK/Europe, or Apple DV-DVCPRO/NTSC), Quality: 100%,
fps: 25 for PAL or 29,97 for NTSC,
Audio: uncompressed, Stereo, 48 KHz.
AND hit go !
Mpeg Streamclip will promt you to name the new file name and a location for saving.
This can take a minute for every minute of material.. so is a slow process.
I decided to use the "in" and "out" markers on Mpeg Streamclip to define smaller chunks of the DVD to convert at a time... rather than risk it running for 40 minutes and crashing (which it did first time). If you're ripping the DVD for editing purposes then this should not cause any problems.
Once it's finished, go to the save location, and you should see a Quicktime movie with the name you gave it.
You can now go into FCP and IMPORT this Qtime move and edit it.
MARVELOUS
Thanks again Piero - this has really helped me
P

I recently purchased QuickTime 7 Pro to convert avi files to mov files for editing on Imovie. However, QuickTime won't play the files. How can I get them to play and how can I convert them to mov files?

I recently purchased QuickTime 7 Pro to convert avi files to mov files for editing on Imovie. However, QuickTime won't play the files. How can I get them to play and how can I convert them to mov files?

I recently purchased QuickTime 7 Pro to convert avi files to mov files for editing on Imovie. However, QuickTime won't play the files. How can I get them to play and how can I convert them to mov files?
Both the AVI and the MOV file extensions refer to the file container and not the compressed data the file contains. Both are generic file containers in that each may contain any valid combination of audio and/or video data that is compatible with the codec component configuration of the system on which the file was created. On the other hand, whether a file is playback compatible, conversion compatible, and/or edit compatible depends on the data actually contained in the file container. So, you are basically dealing with two separate issues here—the container and what is inside it.
Basically, if you want to make your files ediit compatible with iMovie, you must change your file container to one that is acceptable to iMovie and convert the data to edit compatible audio and/or video compression formats as may be necessary. The best approach is to determine what codecs were actually used to create the original AVI files and add them to your system if possible. In most cases a codec package like Perian can be added to your system's codec component configuration to may the AVI file playable. Once they are playable, in the QT 7 app then they can be chnged or converted to file types and compression formats that can be edited in iMovie. (While Perian handles most codecs commonly used to create AVI files, it does not handle all possibilities and, while the Perian codec package still works under cureent Mac OS versions, its development group has decided to drop further development/support of the package.)
Background: AVI is a file container originally developed by Microsoft back in 1992 but for which official support was discontinued about 11 years. Despite its limitations, Windows users still tend to use this file based on its open source ease of use and generic nature, thus, making its use so popular that most users are unwilling to switch to more modern but less generic file types. Since some AVI legacy compression formats have never been transcoded for the Mac or use beyond OS 9 or OS X PPC platforms, it is often important to know what specific compression formats are contained in the AVI file to know which codecs to add to your system and which not to add in order to avoid possible codec conflicts.
You can use many different converters to convert AVI files to iMovie edit compatible files. Most third-party apps contain their own buit-in codecs which do not relay on the Mac codec component configuration. Free ones, like HandBrake, usually have limited conversion capabilities while those that have more varied outputs are usually commercial in nature and will cost you additional cash. QT 7 Pro or the free MPEG Streamclip app allow you to access you own system's component configuration and use any available codec component like DV, AIC, MPEG-4, H.264, Photo JPEG, etc.—all of which are iMovie compatible for editing purposes—but only after making the AVI file QT 7 player compatible.
In order to determine what compression formats wewre used in your AVI files you can
1) Try checking the Finder "Info" window,
2) Use the "Inspector", "Media Info", or "Properties" window of any player app that will open the file, or
3) Use a general media utility app like "MediaInfo" to read the file characteristics.

"Attempt to open locked file for writing, Result Code = -54" when importing

I get this error box when importing audio files into a logic session over my network.
+Attempt to open locked file for writing+
+Result Code = -54+
The finder is capable of copying the files over to the local machine, at which point I can successfully import them into my local logic session, but Logic is incapable of doing the same. Strange and annoying.

Have you looked at the previous discussions listed on the right side of this page under the heading "More Like This"?

Converting PPT file to PDF results in cover page disappearing -- using 10.1.3 Reader for Mac

converting PPT file to PDF results in cover page disappearing -- using 10.1.3 Reader for Mac

Adobe Reader cannot convert documents; what software did you use for the conversion?

I'm sorry, I have to convert the mov file. for use with fce and / or imovie11, better ProRes422 or intermediate codec?

I'm sorry, I have to convert the mov file. for use with fce and / or imovie11, better ProRes422 or intermediate codec?

FCE only used AIC for HD.
Al

Best way to convert .mov files to .avi???

Hi, I'm getting kind of desperate here. I've been trying to export .mov files in compressor as .avi files. The video is coming out the same quality and is working fine but the audio is totally out of sync from the beginning, even though the clips are about 30sec long each.
So, whats the best method to converting .mov files to .avi? I also tried using quicktime itself, (using the export menu). The exported material looks choppy though and won't play right. This may be because the footage is HD, 1080p shot on a JVC camera that recorded straight onto a memory card as .mov files.

Okay, I have the files already in .mov as I was saying. So, I'm trying to convert them for my actress' editor (who requested them in AVI) because he uses Adobe Premiere Pro on a Windows Platform. I'm not sure which Premiere Pro version he has, nor do I know which formats it accepts as a result.
You really know how to make things difficult. This adds a whole new set of questions. According to Adobe, if using v3.2.0 or later, there is direct support for XDCAM EX content stored to an SxS card which is not dependent on the "wrapper" (MOV or AVI in this case). So the fist question is what Premier Pro version is she using. Adobe also keeps referring to this content as "Sony XDCAM EX" content which makes me wonder if they are only supporting XDCAM EX content stored on a Sony manufactured camcorder or if the support is generic for any XDCAM EX camcorder manufacturer using the format, which was of course, "developed" by Sony. If the latter, then the next question becomes can the SxS content be be "imaged" for import/capture using Premier Pro's SxS built-in camcorder/card reader routine. If it can be imaged, then, as a non-Windows user, I simply do not know the best method for doing so. If it can't be imaged, would you be willing/able to send her the SxS card itself (or a cloned copy thereof) for her use. On the other hand, if she is using an older version of Premier Pro that does not support native XDCAM EX/Linear PCM editing, you need to ask her what specific compression formats she needs to be wrapped in her requested AVI file container. Until you know more/answer these questions, you cannot proceed further.
I also tried using Mpeg Streamclip to convert the files to a AVI with a divx compression. Some worked, but most of them would get to 85% or 95% then drop off and say "compression error"... (settings were: quality 100%, frame rate 23.97 (what the video is), frame size 1280 x 720, Upper field dominance) ... I thought I put everything there right... SO what is happening is that about 85% of the clip will be there just fine, but then, all of a sudden, the video in the last few seconds will freeze on a frame and audio will be the only thing playing.
Since you did not supply complete specific settings, it is difficult to tell for sure. For instance, if your target video data rate is set too low for the HD content, then at the 85-95% point the application may determine that it is impossible to achieve the target average data rate and stop compressing changes in the video scenes and you end up with either a frozen frame or a black screen. Have had this happen to with other encodes using MPEG-4/AVC. Basically the codec is simply reducing the current instantaneous video rate in an attempt to achieve the targeted "average" data rate by the time the end of the file is reached and the current date rate is simply too low to display more than a black screen or a picture in motion.
Is it usually this difficult to convert formats like this? I thought it would be a quick fix, but it seems I'm running into a bunch of different problems.
No, but then in a normal work for you would already know what format the editor actually wants to use for editing. As I indicated previously, it is unclear at this time whether she wants to edit content in the "native" format in Premier Pro or needs to have you convert the content to a different editing compression format. iMovie '09, for instance would normally use AIC (Apple Intermediate Codec)/AIFF (Linear PCM) for editing HD content.

Working with converted .mov files in Premiere Elements 2

I recently got a digital camera that records .mov clips with H.264 technology. I use it for back up when Im having problems with my regular camcorder. Of course I can work with these .mov files in QuickTime Pro with no problem. But in order to work with them in Premiere Elements 2, it appears I have to export it into the .avi format first. After exporting in QuickTime Pro, when I bring the new .avi file up into Premiere Elements, the color quality is retained, but much of the resolution is lost. Its very pixelated. I understand that .avi and .mov work differently in the way information is stored avi in chunks and mov in streams, but Im wondering if there is a way I can work around this. The reason why I got QuickTime Pro initially was to be able to convert my finished .avi videos made in Premiere Elements 2 into MPEG-4 files using the H.264 codec for better quality. And Im doing that all the time now with no problem. So I am wondering if when I reconvert the .mov clip thats been converted into .avi back into mpeg-4, will the resolution be restored? That is part of my question. The other part is regarding the initial conversion process. Are there settings in QuickTime Pro for converting .mov to .avi with as little loss in resolution as possible? The manual doesnt address this issue specifically. Any ideas or suggestions? OS is Windows XP Media Center edition, computer Sony Vaio dual processor. Thanks, Judy

Hi again Steve. I'm so embarrassed. After my initial reply to your message I went to the Adobe site to see if they even made Premiere for Mac and learned they don't. I also read a review in Wired that says Premiere 6 is just as good if not better than iMovie which they say has actually been downgraded. I'm using Premiere 2, so I thought I might consider upgrading. Then I watched "Steve's Story" and realized it was you. (Your daughter is a cutie! Adobe must love you.) So my question is this: Would my problem be solved by simply upgrading to Premiere 4? If I do that, would it be compatible with regard to catalog integration with Photoshop Elements 4 or would I have to upgrade to Elements 6? If I upgraded the whole package would my current Photoshop Elements 4 catalog transfer with all tags intact? This is vital for me to know because I rely on them heavily. I realize that I would be skipping a version in the upgrade. Is that possible? Does that matter? Please read my reply to Bill because it explains why I want to use those particular .mov files. Another question for you. I use your excellent book a lot. If I upgrade will it become useless? Finally, since you're the expert, let me tell you what I'm really aiming for and get your advice. I need to start composing my own musical soundtracks to my videos. I want to do it as I'm viewing the timeline. Therefore, I know I need to invest in a midi-capable keyboard or controller and software. The problem is that there are few controllers compatible with Windows XP Media Center Edition. I am told I would need to disable the XP Media Center registry keys for anything to work which wouldn't matter because I don't use Media Center features anyway (like TV hookup, media player, etc.). But messing with the registry sounds a little complex and dangerous to me. There's got to be an easier way. Do you have any advice or recommendations? Can you point me to any helpful resources? Now you see why I want a Mac? Everyone says all this kind of stuff would be so much easier with a Mac. Problem is I have a limited budget and would like to make the most with what I have. I hope I haven't overtaxed you with my questions. Thanks for your patience! Judy

Converting .mov files to .avi in Mountain Lion 10.8.2

For the past few years we have been preparing video files for our scoreboard in our arena by converting .mov files in Quicktime 7. All worked PERFECTLY!!!
Now after a summer of changes to Apple's OS, we have discovered that we can no longer convert .mov files (with proper size) to .avi for our scoreboard.
We have downloaded every converting software out there, but NONE, I repeat NONE allow a custom video size (128x64) for our Daktronics scoreboard.
Very, Very, Very sad that Apple has done this to us and that Daktronics is so archiac in requiring only .avi files.
Help please

For many years we would create our video in a .mov format in the proper size (128x64) and with QT7 we would then convert to .avi with the same size and all would work fine.
Neither MOV nor AVI are "formats," — they are file generic file containers which can hold different kinds of data (e.g., audio, video, text, chapter, timing, etc,) which, in turn, mzy be compressed or encoded using different algorithms or formats. For instance an TV compatible MOV file might contain H.264 video along with an AAC stereo audio, AC3 DD5.1 surround audio, and text "chapter" track while an AVCHD file imported to iMovie would usually be an MOV file containing AIC video and PCM audio for editing. Both are MOV files but they contain entirely different forms of compressed/formatted data. The same holds true for the AVI file container.
I am not that familar with compression. I have attached some info from the QT7 Inspector.
The inspector indicates this MOV file contains three "video" tracks containing "Animation" compressed data. Based on the very low frame rate, my guess would be that these tracks may only contain Animation compressed images stored on separate tracks sequentially to display as a slide show or the tracks contain animated text sequences which play back sequentially. To fully understand what is going on here I would need to either see the file itself or you would have to explain how you created this MOV file. However, while this "sourcing" information would be of personal interest, it (MOV file encoded as Animation/Animation/Animation) should not present a conversion problem as far as the "data source" is concerned.
The next and more important question would be, "To what compression format do you normally transcode the Animation data?" For that I would need to see the "Inspector" window for one of your "working" AVI files (or you could simply email me both the source and finished files) so I can try to simulate your work flow. Basically, AVI is a legacy file format (for which support was formerly dropped more than a decade ago) which commonly uses "legacy" compression formats which may or may not be supported by your current codec component configuration or QT legacy codec settings.
E.g., "Cinepak" is a common default codec used to create AVI video content on a Mac which may be turned off by default on your system and need to be "re-activated" for use under Mountain Lion. (This is why I need to know your "normal" target format and settings here.) As an example, here is a link to an image seguence I created, converted to Animation compression, and then exported as an AVI "Cinepak" file on my system under Mountain Lion to try and simulate your previous work flow. See if it is something like what you are trying to end up with:
http://downloads.walker4.me/downloads/Temporary_files/Barsoom1.avi
You can use the above link to view, download, and/or load the file directly to your QT 7 player if your current system configuration allows this or the VLC media player if it does not. (I.e., this file may or may not be compatible with your current QT playback capabilities and/or this "Daktronics" device—about which I know nothing—but should be compatible with the VLC media player in any case if you have it installed.)

Converting MOV files to AVI

I bought Quicktime pro 7 for windows to convert mov files to avi files so I can import them into Sony Vegas. But after converting the mov files...vegas still won't recognize the AVI file that was converted by Quicktime Pro. So after doing research on other forums it seems that there are 2 types of AVI files (divx and xvid). My question is does QT pro only convert the MOV files to one type of AVI and if so...then how do I go about getting a refund.
Thanks

I bought Quicktime pro 7 for windows to convert mov files to avi files so I can import them into Sony Vegas. But after converting the mov files...vegas still won't recognize the AVI file that was converted by Quicktime Pro.
You seem to misunderstand what MOV and AVI files are. Basically, both are just generic file containers. They may contain amy combination of audio and video compressed data that is compatible with the codec configuration of the system on which the file is created. What you should be asking yourself here is what compression formats (what data within the file container) can be edited by the Sony Vegas software. According to to Sony,
"Vegas Pro takes a no transcode, no rewrap approach with Panasonic P2 AVC-Intra and DVCPRO source material. Vegas Pro eliminates the transcode and rewrap process that other applications require, so editors can save valuable production time, minimize storage requirements, and preserve the pristine quality of the original source material. Other natively supported codecs and formats include XAVC, XAVC S, XDCAM™, XDCAM EX, NXCAM, HDCAM-SR™, AVCCAM, RED® R3D, AVCHD, and AVC-based MOV files from popular DSLR cameras. For 3D content creation, Vegas Pro also supports stereoscopic 3D MVC and MPO files from Sony camcorders."
This, of course, brings up the question of what kind of compressed data is contained in your original MOV file since your problem is most likely not the MOV file type but rather the data you have stored in the file based on the fact that, according to Sony, this editor is supposed to be compatible with "AVC-based MOV" files and MPEG-4 AVC (H.264) and MPEG-4 audio (AAC) are virtually a default QT AV compression format whether in MOV, MP4, or M4V file containers. Therefore, when asking questions regarding MOV file content, your should normally include the compression formats of the data contained in the file to better ***** various issues and workflows or provide a sample file for examination by others.
So after doing research on other forums it seems that there are 2 types of AVI files (divx and xvid).
QT can only access the DivX and XviD codecs if they are available to the QT 7 Pro app. I.e., these are proprietary codecs not included in the QT installation package. A better question here might be whether or not the Sony Vegas software can edit these compression formats since they are not listed as being supported natively by Sony. That is, you need to be importing file container/compression format combinations that are listed as being edit compatible with the software you are trying to use for your edits.
My question is does QT pro only convert the MOV files to one type of AVI and if so...then how do I go about getting a refund.
While QT 7 Pro remains compatible with the AVI file container, as varjak paw indicated, there are only a limited number of compression formats that are QT encode compatible and even fewer listed as Sony Vegas. I.e., why don't you try a DVCPRO AVI or an H.264/AAC MOV conversion as suggested above and see if it might be compatible with your editor. However, the best approach is not to transcode data if at all possible. That is why it would be important to know the workflow you are using to source your content. I.e., how is the data being placed in the MOV file container? Was it originally recorded to an MOV file container? Was it imported to a video editor on a Mac and then passed on to you? Was it copied from a different source file to the current MOV file container? Etc., etc., etc... I.e., at this point all we can do is make guesses as to things you can try because you have provided insufficient information regarding your files, workflows, and goals here.

Converting MOV Files for import results in loss of sound

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