Correcting Colour Balance and Density with Nikon D80

When uploading files to iPhoto6 created with a Nikon D80, I am noticing the colour balance and overall density of the files has changed from the thumbnails that appear on the camera. I find I have to make adjustments on many of the uploaded files as they invariably appear too dark on iPhoto.
Is there an incompatibility issue with Nikon's settings as recognised by iPhoto?
Any suggestions on how to tweak the settings on iPhoto to try to match
colour balance and density from the camera?
Macintosh eMac Mac OS X (10.4.9)

I'll look into this with Nikon and get back to you.
I wonder if this color sync issue would also affect the density of the files.
I notice they are about 25% darker than the originals.
When you have two devices there is always the
possibility that they will have a different
definition of what 'red' or 'yellow' is. To overcome
this apple developed ColorSync, a series of color
profiles, used to negotiate that issue. iPhoto
typically uses the sRGB profile. What does your
camera use?
Regards
TD

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Lightroom changes colour in my RAW files captured with NIKON D300

Dear All! Lightroom changes colour in my RAW files captured with NIKON D300. Some of the images are completely ruined. I am sure Adobe must be aware of this problem. What could be done? Is there a solution? Many thanks for your help. Regards, Stanislav

You want "something different" but this "something different" is quite hard to define.
I want a result which reflects the result on the camera. Have the feeling the display
of the D800 is not the greatest, at least (not only the color issue which is often discussed)
but also the exposure. Often I think I would need to compensate it, but then afterwards
on the computer the non corrected version looks most of the time better.
I think its interesting to see how allergic people react when the word jpeg comes up.
This is also just a rendered result, just by the camera. There are many options in my cam.
I like the vivid setting with some modifications. And that gives me a result I like.
And if I like the result, why shall I spend way more time to replicate it?
I do not talk about that I would want the jpeg, I only say that what I get color wise out of the
box is how I would like to look at it. I still want the capability to fix for example exposure in image,
but I want the base the version I got from the jpeg view (or how the Nikon raw software could do).
On Lightroom I did not manage to have a profile that looked as appealing to me.
It also consumes way more time in my workflow to fix all pictures manually and results might differ.
To work on an image you need a starting point, I do not say the jpeg look is always perfect and
what I want all the time, but most of the time it is.
You say yourself you use profiles. So why should there not be a profile which automatically adjusts to the camera settings.
Its so frustrating to see a look which you like (the preview image when the pic is first accessed) and
then Lightroom switches to its own rendering which is flat and which I do not like.
For me its clearly something Adobe and/or Nikon should fix, like the mentioned "auto correct to preview look",
Nikon profiles/settings/raw-details in Lightroom or for example a Nikon import module.

Correcting White Balance with no white in shot

Does anyone have any tips for correcting white balance when the footage has no white objects to act as a reference? This was the classic mistake of shooting outdoors with an indoor setting. We were rushing to utilise a gap in the rain!
Also, is there any way to tell Premiere how to correct WB via a sort of colour matching, by pointing it towards a correctly white balanced still of the scene?
Thanks
Davyd

This is a really tricky thing. There's a lot of ways to approach it. I had similar problems with a WB correction mismatch between presets on my 7D and 70D. No white in either shot.
I exported a few frames in to PS first to get a rough idea with what I was dealing with.
Use the Info window to check something grey.
Alternately, if there is nothing grey, you can use skin tone patches. This is a common tool used by skin retouchers in PS. Grab a small sample or two from the desired skin tones, either from a 5x5 grab with the eyedropper or just grabbing a small section with the lasso tool and Gaussian Blurring that to heck and back. Once you get a bit of a palette of skin tones you like, you can use that as a reference for your work with the Fast Color Corrector.
To be honest, I feel the FCC is a little underpowered and I wish I had my AAVC 6 Channel HSL tool from Vegas when color correcting.
As a Photoshop geek, I am a little uncomfortable with the video color correction toolset.
To export a frame, click on the viewing panel and hit Ctrl-Shift-E.
Try opening the frames in Adobe Camera Raw and you can get some temp and tint values that can also help you with your Prem Pro toolset.
Remember to watch out for channel clipping when making dramatic changes in WB.

Correcting Colour Balance and Density with Nikon D80

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