Correcting Skin Tone

I am using a MAC version of Photoshopt Elements 8.0.8.0. I am attempting to Correct skin tone via (Enhance > Adjust Color > Adjust Color for Skin Tone) When I make this selection, I should get an "Eye dropper" for a cursor to make the correction to the color. Instead I am getting the "grab hand" and it does not make the change in the color.
I am having the same issue with the (Removing a Color Cast).
Anyone have any idea?

I could not capture the "+" cursor in the screen shot, but that is the cursor I get after clicking on OK in the second screen shot.
Barbara I hope this helps.
Darnell

Similar Messages

  • What are the ranges for correct skin tones using RGB%?

    What are the ranges for correct skin tones using RGB%?  Used to using a scale from 0 to 255.  But with LR it's RGB  , I know 100% RGB is white.  What do you use for %?

    While I whole heartedly agree that we should not be constrained to hard and fast numbers for accurate skin tones ... LR does offer an RGB color readout ... I am assuming they made those percentages available for the user to monitor the breakdown of specific color values for a reason ... so we could have an indication of how a specific color in an image will be reproduced ...
    I liken this to using a speedometer ... while many experienced drivers in well tuned vehicles can travel on the highway at the prescribed legal speed limit without really monitoring the readout on the dashboard ... however, there are times when they would like to verify the speed at which they are traveling ... the RGB color percentage readout in LR is no different ... just a source of information to verify you are achieving what you desire ...
    Again, going by specific numbers in this instance, I believe, could lead to problems ... there may be times when you may desire or actually need to adjust skin tones ... even though a pleasing WB has been achieved ... the relationship of R, G and B can be used to get you there.
    From what I have researched and put into practice with LR the following seems to be a good starting point and the data was borrowed from "the pixelation" blog:
    R: highest %
    G: middle %
    B: lowest %
    To get a little more specific. In general,
    R: Y + (15-20)
    G: average of R and B
    B: R – (15-20)
    For example, the following values represent common Caucasian skin tones using the rules above:
    * R: 80%; G: 70%; B: 60%. R is 20 points higher than B, and G is midway between R and B. That’s perfect.
    *  R: 86%, G: 78%; B: 70% also reflects a nicely balanced skin tone.  Again, G is midway between R and B, and R is 16 points higher than B. This, too, illustrates a great relationship among the colors.

  • Skin Tones

      What are some ways of getting correct  skin tones, I've tried custom white balance and the tones are still off. Help please.

    Here's a video on correcting skin tones without having to resort to CMYK and using LR's RGB values:
    Low Rez (YouTube)
    http://www.youtube.com/watch?v=dWaFDKrNrwc
    High Rez
    http://digitaldog.net/files/SkinToneVideo.mov

  • Color correction on magenta skin tones / white shirt

    I want to color correct a shot that is very blue/ magenta.
    I would like the skin tones to be less magenta and more orange/yellow.
    I get the best results by adding yellow on the Midtones and Shadows.
    My problem is that the Highlights are going yellow, specially a white shirt. I get a better result by by then adding blue on the Highlights. I'm wondering if it's the right thing to do... Also, some Midtones are still too magenta.
    I could isolate the skin tones as secondaries, but still, I have to color correct other parts of the image.
    Any tip? Should I use the advanced settings?
    I know my question as no miracle answer and that color correction should be done by a pro, but I would appreciate any suggestion, thanks.

    cariocastyle wrote:
    I want to color correct a shot that is very blue/ magenta.
    I would like the skin tones to be less magenta and more orange/yellow.
    I get the best results by adding yellow on the Midtones and Shadows.
    I'm wondering if it's the right thing to do...
    I don't know, what does your eye tell you?
    Before anyone can suggest any sort of solution, you need to provide a still as Mr. Owens asked for and then provide some direction for what you want.
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  • Request better support skin tone evaluation/measurement

    Hello. I am writing this with the intention that it will be read by the folks at Adobe that are involved in the development of Lightroom. I'm pretty new to this forum, however, and I'm a little confused about whether this feature requests thread actually goes to the Adobe Lightroom team, considering that it is in a user-to-user forum. If there is a better avenue to get my feature request to Adobe, I would appreciate if someone could point me in the right direction.
    Before I get into my request, I also want to mention that I did my due diligence and searched this thread to make sure this has not been requested before.
    I am submitting this request because I do not see any useful way to measure or evaluate skin tone in Lightroom while adjusting white balance (or after adjusting white balance, for that matter). I can do a mouse-over to read RGB values, but I am not aware of any useful way to use RGB values for evaluating skin tones.
    I just watched the latest George Jardine video, in which he recommends to use a calibrated monitor and move the Develop controls back and forth until your eye tells you it's correctly adjusted. I enjoyed this video, and I have found that this generally works well for me for tone balance, but I believe an additional tool for measuring or evaluating skin tones would benefit the Lightroom workflow as I will explain below.
    I believe that many serious photographers, pro and amateur alike, routinely use the eyedropper in Photoshop for reading CMYK values to confirm the skin tones in their work. Even if they feel like they can usually eyeball pretty well, they find they get greater consistency when they use the eyedropper.
    Now I'm not saying that Lightroom necessarily needs CMYK support. Photoshop Elements, for example has a skin tone adjustment even though it doesn't have CMYK support. And I'm also not suggesting that Lightroom necessarily needs skin tone sliders like Photoshop Elements. I'm just suggesting that the Lightroom workflow would benefit from some kind of tool for evaluating skin tone while or after adjustments are being made in the Develop Module. I would like to leave it up to Lightroom to decide exactly how to implement this.
    The only way I currently see to do adjust while measuring skin tones is to open the file in Photoshop, make adjustments, and save. Even if there is a way to do this with ACR and have the adjustments saved in the sidecar or in the DNG, it still seems like a time-comsuming and unnecessary step for my workflow.
    Now this request is predicated on the assumption that evaluting skin tone is fundamental enough for a basic workflow that it should be included in Lightroom. In my opinion it is, and that is why I am making this feature request. I'm sure that some might not need it for their workflow, but it seems to me that this would be a valuable feature to a great many Lightroom users.
    Thanks for lending your ear, Adobe. I look forward to ALL your future versions of Lightroom, and I hope that skin tone evaluation/measurement is included in one of them.
    Regards,
    Mike

    Your post seems to assume that Lightroom is a tool for travel/landscape photography, and other types of photography (e.g., portrait/fashion) should be supported by a "specialized add-on module". I have to disagree with you on that point. Considering many of the examples on the Lightroom marketing are fashion shoots, I would think that they considers portrait/fashion photographers to be an important part of their target audience. They are not a fringe group of specialists.
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    Skin tone measurement can be an incredibly easy tool to implement. It can be something as simple as showing the CMY values alongside the RGB values during a mouseover. Keep in mind, I'm talking about CMY not CMYK, so there should be no need to worry about what ICC profile to use. RGB to CMY is a straightforward transformation. It's embarassingly simple.
    There are other ways Adobe can implement skin tone management that would be more powerful but a little more complicated. Those would be great too.
    Anyway, thanks for the link to the Adobe feature request page! I will use it.
    Regards,
    Mike

  • CS6 Beta questions: skin tones, camera calibration in Camera RAW

    While this is supposed to be a fully functional version, I am missing the Patch and Move content aware tools, the Skin Tones function does not work, there is no camera calibration except for Adobe Standard available under Camera RAW 7.0 and none of the links uder "Help" work.  When I try to look for updates I am assured that I have the latest version.  Does this sound right to you?  Am I just not looking in the right places for these features or are they indeed not available in Beta, in which case it is of course impossible to try them out.

    Thanks very much, Pattie.  I was not holding down the Healing brush.  That all works fine now.  However, what about camera profiles for camera calibration in Camera Raw 7.0 and why don't the skin tones work?  I am using a reasonably new HP laptop with plenty of horsepower and Windows 7.  Here is my system info.  Can you help further?
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  • Skin tone adjustments in Aperture

    I normally use Photoshop for editing, and Aperture as an "image management" and output system. However, I just did a shoot of my brother's baby and I have 200+ pictures to correct so PS is not an option this time. My nephew's skin is very red, so I'm wondering what the best way to correct that is in Aperture. I normally use selective color or curves in PS, but neither of those are available in Aperture.
    Thanks,
    Chris

    Hi there,
    Sounds like we use the same prcedure for similar reasons.
    Yes and no to your question, and sadly, a bigger NO that there isn't a true workflow. We're into the best workaround FOR YOU. Mine is FOR ME, and (as my wife will tell you, I'm unique .... which I take as a compliment, errrrr).
    Yes, the time to batch export and then import may be faster, technically, possibly, maybe, who knows?
    No, the issue of getting the photos tagged back into the stacks (if this is of use to you) becomes manual activity and is unsupported by the system outside of sort conditions.
    You can easily overwhelm memory with CS2 loading images and Aperture there as well, so I tend to do 10 or a dozen at a time ... more if image size and memory permits. Run an Action in CS2 unless masks are needed, Save and Close. On Save, the image is placed back into Aperture without any further work on your (i.e. MINE since I am LAAAZY).
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    Hi John, Thank you for the tip, I will practice the methods you suggest.
    Sincerely,
    Cherie
    Cherie's Designer Boutique
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    Date: Fri, 27 Nov 2009 17:57:21 -0700
    From: [email protected]
    To: [email protected]
    Subject: I have photoshop CS2, wanting to adjust the skin tones
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    >

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