Create Photoshop stil with alpha channel?

I'm using dvMatte Pro3 to strip out the green screen.
I'd like to be able to generate a Photoshop CS4 file with the alpha channel, so that I could composite the background in Photoshop, but I haven't been able to get that to work.
Is there a way to do this, or do I generate a matte along with the still and layer them in Photoshop?
BTW - I've also had a bit of trouble directly taking a sequence of a freeze frame out to a Photoshop CS4 file. It creates one using 'Export using Quicktime Converstion', but it is only 100k and not a valid Photoshop file.
I've had to create a new freeze frame from the sequence (with my background rendered into the shot), and then export this freeze frame (not the sequence) using 'Export using Quicktime Converstion' to get a workable Photoshop file.
Always interested in a better method?

Les Caudle wrote:
However, I'm not getting a PSD with the background as an alpha channel.
You won't. The foreground contains the alpha channel. The background is what appears behind the alpha channel
Here's what I've done.
1. Strip out background in FCP7 with dvMatte Pro. The sequence contains a single freeze frame I wanted to output to Photoshop.
I am assuming your clip is a person standing in front of a green screen and you have keyed out the green. That leaves an alpha channel in the shape of your person.
2. Render sequence.
this is probably the mistake you are making although FCP6 and 7 were said to have fixed the export issue. You are attempting to export a rendered sequence. The matte has been filled so there is no longer an alpha channel.
3. As I've been unable to export the sequence to Photoshop (just creates a 100k file that is not a PSD), I take a freeze frame of my render.
I still don't know what this means; telling me the same thing twice is not an explanation so I will disregard is irrelevant.
4. I select this 'freeze frame' and Export using Quicktime Converstion, set the type to image, set it to Photoshop and to Millions+.
All you are doing is exporting a full frame of video. It has no alpha channel. but even if you separated the two video layers, your background plate still has no alpha channel that contains any valid information. It will appear completely solid white if you viewed it using the alpha button in the Canvas.
5. The resulting PSD has the background stripped out, but it is black, not transparent. So, I'm obviously doing something wrong?
Possibly the 'freeze frame' I create is not in 'millions+' - so when it is exported there is no alpha?
I'm totally lost now, why do you care about the foreground? I thought you wanted the background with an alpha? Are you looking at the alpha-only view in Photoshop?
I take full responsibility and apologize for not being able to see through any translation errors that are creeping into our discussion. Like most Americans, I only know English (and enough Spanish to be able stay out of trouble at a Mexican restaurant).
bogiesan

Similar Messages

Layered Photoshop files with alpha channels

I wondered if anyone had a work around for the problem of layered PSD files with alpha channels not previewing properly in Aperture 3.1.1. I know it's been an issue in previous versions of Aperture but I thought Apple would have sorted this by now, or am I asking too much?

I tested a file last night as follows:
Sent file via 'Edit with Photoshop CS5' (as PSD 8-bit, sRGB color space) > changed background to normal layer > created circular selection around subject and inverted to remove most of image leaving transparent area (about 70% of image) > saved file > closed Photoshop > file updated in Aperture with black filling in the transparent area.
Resent the PSD back to Photoshop (which opened correctly with transparent area) > created two new layers and sent one to background > filled new background layer with White and left top new layer transparent > saved again and closed Photoshop > file updated in Aperture with white showing in transparent areas (no black).
AFAIK, this is how it is designed to work.
My only other suggestion would be for you to create a new empty library (press Option while launching Aperture > Create New..) and then import one RAW or JPEG file and test.
Note - you can reset Photoshop by holding down 'Command + Option + Shift' immediately after launching Photoshop and clicking 'Yes', then set the 'Maximize Compatibility...' to 'Always' again. Doing this prior to sending the file from new library would probably be best.
Apologies in advance if you have already tried this and for outlining procedures that you are already familiar with (just not sure what level Photoshop user you are).

FCPX/Motion - creating a circle with alpha channel?

This film has a lot of scientific apparatus. I need to be able to circle certain elements as they are described/discussed. I crudely made myself a red circle on black background in Pages, exported out as a PDF, then tried to find a composite mode in FCPX that would get rid of the black. The closest I got was a sort of semi-transparent red circle.
I'm wondering what the easiest way to create a red circle (red opaque, background transparent) might be, that I can drop onto an FCPX timeline and manipulate?
If I have to use Motion, I want to be able to just create the circle there. I don't want to work on the sequences in Motion (too much as yet unpredictable about the sequences). I want to do everything in FCPX if I can (other than maybe constructing the circle).
All ears,
Ben

Aha!
There it is! Tra-la. Right in FCPX. Perfect. Thank you T. And Andy, I was looking at Ripple Training the other day ... so will go back and check out some more possibilities.
Hey guys, what I'd love to find: Soft Wipes ... the kind that allows me to set a point and have the wipe either right, left, top, bottom, or radial even, with really controllable feathering. I've been looking for a set ever since I can no longer use that wonderful plug-in I was using in FCP7 (FXScript DVE's by CGM?) And haven't found anything.
I would so love to be able to create controlled dissolves, where one image metamorphoses into the next ...
That, and Joe's Filters - the amazing 'Joe's Colour Glow' filter ... that allowed you to pump and bloom the whites. Joe has retired I believe, from making filters. The nice thing about his Colour Glow was that there was no yellow in it, no alternative 'colour', only the white ... playing with it allowed me make sequences, when required, look very very 'clean' ... the whites were so super white. I can't find anything in FCPX that does this. The 'Bloom' I think allows me to play a bit with the whites, but it then adds a yellowish tint that I can't get rid of.
There, two little wish list thingies I've been wanting to find for a long time. Soft Wipes, and Joe's Colour Glow filter.

Question: Quick Look in Finder; problems with alpha channels

Hi
"Quick look" in Finder is great for quick presentations of a folders selected contents but it only works with images that contains no alpha channels or masks. Is there any way to work around this to display say PhotoShop documents with alpha channels? Or any plug-ins/applications that can help?
thanks.

This has been broken forever in OS X, and I don't know why, because it used to work just fine. I suspect the engineers did something to QuickTime that causes this problem, but it has been borked for so long I don't remember when the ability to correctly display files went wrong. I just remember that once upon a time all sorts of things from Apple worked correctly in displaying such files, but pretty much nothing does now. This includes the Finder, Preview, QuickLook, and various third-party image browsers that use Apple's own system level image handling abilities, such as VitaminSee or CocoaViewX. When I need to actually see what's there, I browse with Adobe's Bridge.
Francine
Francine
Schwieder

Sudden problem with importing tiff files with alpha channel (CS5)

OK this is driving me nuts. For years I have been importing image files that have an alpha channel into FCP as.tiff files. I use Photoshop files only when I want to use the layers as they are too cumbersome otherwise). I have recent upgraded Photoshop, etc. to CS5 and now FCP won't import them anymore. I get a message saying: "File error: 1 file(s) recognized, 0 access denied, 1 unknown"
I am not doing anything different and tiff files created in just the same way in an earlier version of Photoshop import and work just fine. Is this a CS5 bug? Does anyone know of a work around. I want to keep using tiff files as they seem to work best for me with alpha channel work (and I don't see why I need to reinvent the wheel).
Thanks
A

I've had a similar issue recently. Same TIFF files downloaded from the same server, different FCP project, new error. I either see"File error: 1 file(s) recognized, 0 access denied, 1 unknown" or I get the even stranger, "Unrecognized file type."
I can open them in PS and save them again as TIF, same results. I know these are not CMYK files but even if resave the TIF as RGB, I get the same results, they are not recognized by FCP.
But if I open them in PS and save them as PNG with alpha, they improt fine.
I have no idea what's going on.
bogiesan
Message was edited by: David Bogie Chq-1

ImageIO PNG Writing Slow With Alpha Channel

I'm writing a project that generates images with alpha channels, which I want to save in PNG format. Currently I'm using javax.ImageIO to do this, using statements such as:
ImageIO.write(image, "png", file);
I'm using JDK 1.5.0_06, on Windows XP.
The problem is that writing PNG files is very slow. It can take 9 or 10 seconds to write a 640x512 pixel image, ending up at around 300kb! I have read endless documentation and forum threads today, some of which detail similar problems. This would be an example:
[http://bugs.sun.com/bugdatabase/view_bug.do?bug_id=6215304|http://bugs.sun.com/bugdatabase/view_bug.do?bug_id=6215304]
This surely must be resolvable, but after much searching I've yet to find a solution. If it makes any difference, I ONLY want to write png image, and ONLY with an alpha channel (not ever without), in case there are optimisations that that makes possible.
If anyone can tell me how to address this problem, I'd be very grateful.
Many thanks, Robert Redwood.

This isn't a solution, but rather a refinement of the issue.
Some of the sources I was reading were implying that the long save time might be due to a CPU heavy conversion process that had to take place before the BufferedImage could be saved. I decided to investigate:
I loaded back in one of the (slowly) saved PNG images using ImageIO.read(file). Sure enough, the BufferedImage returned differed from the BufferedImage I had created. The biggest difference was the color model, which was DirectColorModel on the image I was generating, and was ComponentColorModel on the image I was loading back in.
So I decided to manually convert the image to be the same as how it seemed to end up anyway. I wrote the following code:
      * Takes a BufferedImage object, and if the color model is DirectColorModel,
      * converts it to be a ComponentColorModel suitable for fast PNG writing. If
      * the color model is any other color model than DirectColorModel, a
      * reference to the original image is simply returned.
      * @param source The source image.
      * @return The converted image.
     public static BufferedImage convertColorModelPNG(BufferedImage source)
          if (!(source.getColorModel() instanceof DirectColorModel))
               return source;
          ICC_Profile newProfile = ICC_Profile.getInstance(ColorSpace.CS_sRGB);
          ICC_ColorSpace newSpace = new ICC_ColorSpace(newProfile);
          ComponentColorModel newModel = new ComponentColorModel(newSpace, true, false, ComponentColorModel.TRANSLUCENT, DataBuffer.TYPE_BYTE);
          PixelInterleavedSampleModel newSampleModel = new PixelInterleavedSampleModel(DataBuffer.TYPE_BYTE, source.getWidth(), source.getHeight(), 4, source.getWidth() * 4, new int[] { 0, 1, 2, 3 });
          DataBufferByte newDataBuffer = new DataBufferByte(source.getWidth() * source.getHeight() * 4);
          ByteInterleavedRaster newRaster = new ByteInterleavedRaster(newSampleModel, newDataBuffer, new Point(0, 0));
          BufferedImage dest = new BufferedImage(newModel, newRaster, false, new Hashtable());
          int[] srcData = ((DataBufferInt)source.getRaster().getDataBuffer()).getData();
          byte[] destData = newDataBuffer.getData();
          int j = 0;
          byte argb = 0;
          for (int i = 0; i < srcData.length; i++)
               j = i * 4;
               argb = (byte)(srcData[i] >> 24);
               destData[j] = argb;
               destData[j + 1] = 0;
               destData[j + 2] = 0;
               destData[j + 3] = 0;
          //Graphics2D g2 = dest.createGraphics();
          //g2.drawImage(source, 0, 0, null);
          //g2.dispose();
          return dest;
     }My apologies if that doesn't display correctly in the post.
Basically, I create a BufferedImage the hard way, matching all the parameters of the image I get when I load in a PNG with alpha channel.
The last bit, (for simplicity), just makes sure I copy over the alpha channel of old image to the new image, and assumes the color was black. This doesn't make any real speed difference.
Now that runs lightning quick, but interestingly, see the bit I've commented out? The alternative to setting the ARGB values was to just draw the old image onto the new image. For a 640x512 image, this command (drawImage) took a whopping 36 SECONDS to complete! This may hint that the problem is to do with conversion.
Anyhow, I got rather excited. The conversion went quickly. Here's the rub though, the image took 9 seconds to save using ImageIO.write, just the same as if I had never converted it. :(
SOOOOOOOOOOOO... Why have I told you all this?
Well, I guess I think it narrows dow the problem, but eliminates some solutions (to save people suggesting them).
Bottom line, I still need to know why saving PNGs using ImageIO is so slow. Is there any other way to fix this, short of writing my own PNG writer, and indeed would THAT fix the issue?
For the record, I have a piece of C code that does this in well under a second, so it can't JUST be a case of 'too much number-crunching'.
I really would appreciate any help you can give on this. It's very frustrating.
Thanks again. Robert Redwood.

What codec to convert .MXF and MP4 files into to use with alpha channels in Ae and Pr CS6?

When I import .mxf File, shot on a Canon C300, into after effects, the alpha channel options are greyed out, when I look in, interpret footage, main. This also is the case importing .MP4 files, shot on a Gopro hero 3. I used to use final cut and using compressor convert the files to pro res 4444 or 422. What's my new workflow for preparing files with alpha channels to use in After Effect and Premiere and do I use Media Encoder to do it?

When I import .mxf File, shot on a Canon C300, into after effects, the alpha channel options are greyed out, when I look in, interpret footage, main. This also is the case importing .MP4 files, shot on a Gopro hero 3.
Better question: Where do you expect that Alpha channel to come from and contain any useful info for transparency? You're making a fuss over a non-issue. Unless you apply keying or other methods of creating transparency, even if there were an Alpha channel it would be fully opaque and then what's the point?
Mylenium

Automator or Applescript using png files with alpha channel

I have hundred of png files with alpha channel.
I want to suppress alpha channel.
How can i do it using Automator or Applescript ?
Thank you very much.

You can use the free command line image processing tool ImageMagick in your Applescripts or Automator workflows, as well as from a Terminal shell.
You can download ImageMagick from http://www.imagemagick.org, but Cactuslab has simplified installation by putting together an installer package. It’s available at http://cactuslab.com/imagemagick/. Download the package and double-click on it. Follow the instructions to install. It will install ImageMagick into /opt/ImageMagick and add it to your $PATH by creating a file in /etc/paths.d/. Restart your computer for the changes to take effect.
The two ImageMagick commands we’re concerned with are “convert” and “mogrify”. Convert is more efficient for multiple and piped operations on the same image file, and mogrify is more efficient for batch processing. Generally speaking, convert will output a file separate from the input file. Unless a path is specified, mogrify will overwrite the input file with the output file. An important distinction.
You can perform various operations on the alpha channel using arguments after either the convert or mogrify command. Two of the available arguments are:
-alpha off - Disables the image's transparency channel. Does not delete or change the existing data, just turns off the use of that data.
-alpha remove - Composite the image over the background color.
Also of use are the -flatten and -background options:
-flatten - overlay all the image layers into a final image and may be used to underlay an opaque color to remove transparency from an image.
-background - sets the background color.
Start off using the convert command with a single image to see the effect and adjust to your liking. Once you’ve achieved the desired outcome, then use the mogrify command to batch process the chosen images.
Before getting into how to use Automator or Applescript in your workflow, use Terminal and the command line to see the effect on a single image. Copy one image to your ~/Desktop. In Terminal change the directory to ~/Desktop by typing the following command and pressing the Enter key:
cd ~/Desktop
Then choose the option you are looking for, -alpha remove for instance, type the following command and press the Enter key:
convert input-photo.png -alpha remove output-photo.png
You can check the alpha channel (transparency) and background in the Preview app, go View > Show Image Background from the menu bar.
Once you’re ready to batch proces, place all the photos you want to convert with the same command into one folder. Copy the folder to your ~/Desktop. Let’s assume you’ve labeled the folder “InPhotos”. It’s prudent to manipulate copies in case something goes amiss. In that event you can copy the folder with the originals again and start over. Create a new empty folder on your ~/Desktop and call it “OutPhotos”. Let’s also assume your home directory is called “Me”. The following command will process the photos from the InPhotos folder and put them in the OutPhotos folder:
mogrify -alpha remove -path /Users/me/Desktop/OutPhotos/ /Users/me/Desktop/InPhotos/*png
According to Apple Technical Note TN2065:
"when you use just a command name instead of a complete path, the shell uses a list of directories (known as your PATH) to try and find the complete path to the command. For security and portability reasons, do shell script ignores the configuration files that an interactive shell would read"
So, you need to use the full path to to ImageMagick commands, unlike in the shell where you can just use the command name.
To batch process using Automator, use the “Run Shell Script” action (note: retain the single space at the beginning of the last line):
/opt/ImageMagick/bin/mogrify \
-alpha remove \
-path /Users/Me/Desktop/OutPhotos/ \
/Users/Me/Desktop/InPhotos/*png
To batch process using Script Editor (Applescript), use the “do shell script” command:
do shell script "/opt/ImageMagick/bin/mogrify -alpha remove -path /Users/pd/Desktop/OutPhotos/ /Users/pd/Desktop/InPhotos/*png"
Further info on ImageMagick:
http://www.imagemagick.org/script/command-line-options.php#alpha
http://www.imagemagick.org/Usage/masking/#remove
http://www.imagemagick.org/index.php
http://www.imagemagick.org/script/command-line-tools.php
http://www.imagemagick.org/script/command-line-options.php
Examples:
The original PNG image:
-alpha off:
-alpha remove:
-background black -flatten:
-background blue -flatten:
-channel alpha -evaluate Divide 2:
-channel alpha -evaluate Divide 2 -background black -flatten:

Finding special effects with alpha channel compatible with final cut studio

does anyone know a special effect of a gun flash and explosions with alpha channel compatible with final cut pro studio? I would like to be able to buy these special effects. thanks.

ArtBeats.com
Depending on your needs, it's usually better to create muzzle flashes in Motion or After Effects.
bogiesan

Exporting a move clip with alpha channel

Hi there,
I’m trying to export a move clips with alpha channel.
I’m trying to export an animation with Premiere CS5. I made an animation of a rotating object in Maya and exported it with alpha channel as tiff images. Then they are edited with Photoshop to give them a drop shadow.
My problem is this. Can I export this tiff animation with the alpha channel?
My plane is to use move clips over backgrounds in a game – depending on the result there are different animations playing on top of several different backgrounds. There for the objects has to have a transparent/alpha channel over the backgrounds.
Again the reason for this is the complexity of the game and to make the game looking as real as possible. I’m hoping for some help here to make my plan possible
…thanks

Thanks alot for the help.
But now I’m wondering how to get the file size down?
The 32bit and alpha channel just increase the file size from about 1MB to 9,3MB, which is pretty much??
…any ides mate?

Can no longer import QT files with alpha channel

I have been using these client supplied QT with alpha channel files just fine for weeks, then all of a sudden, after a crash the other day, I was unable to open sequences with these files and exoprt them, the exporter would just freeze. the clips played in the timeline, but VERY sluggish.
On the reccomendation of a few posts around here, I removed the clips from the project, and now I cannot import them back in, I get a "the importer reported a generic error" message. I am able to open in QT pro and export to a new file that will import to PPro, but I lose the alpha channel.
As always, I'm up against a deadline and any help would be greatly appreciated.
I have installed QT 7.07, no help.
I'm on a windows 7 machine running CS master collection 5.0, Quad core AMD with 8 gig RAM.
These files worked fine just days ago!!!!
BTW, I just switched over to Premiere a few months ago and to honest I can't understand how anyone would stick with this buggy software, as a professional I've never used anything this bad before.

Welcome to the forum.
Try these. Attempt to re-import after each one:
Clean the media cache database via Edit | Preferences | Media
If step 2 doesn't work, then find all the .qtindex, .mpgindex, .cfa and .pek files associated with the media that's supposed to be in your project and delete them. Then clean the media cache database again.
Launch Pr and while it's launching, hold down the Alt + Shift keys until the Welcome screen appears. Alt resets your preferences and Shift resets the plug-in cache.
To address the other issues you say you've been having with Pr, you should start a different thread (or threads). Coming from other editors, there may be a difference in the way Pr does things that produce unexpected results that may be seen as bugs. More serious issues, such as crashes, can often be caused by 3rd-party hardware like AJA, Matrox or BlackMagic and the associated drivers. Outdated or incorrect drivers for audio and video cards can also cause problems. I recommend that you start troubleshooting those areas first.
Other issues may have workarounds. If you have serious, reproducible problems that have no workaround, then please file bug reports here:
Adobe - Feature Request/Bug Report Form
-Jeff

No Method of Batch Export for Clips with Alpha Channels?

Good morning,
As many a flustered editor has eventually discovered, in order for FCP to export sequences with alpha channels to a 32-bit format, the timeline has to be un-rendered at the time of export, or else the transparent parts will appear black in the outputted file. This sort-of makes sense if you know how FCP and render files work, but in a perfect world I think I'd have designed the export interface a bit differently. Now that I think about it, I'm actually working in an Animation (Millions of Colors +) sequence, so converting transparent areas to black makes no logical sense at all.
Anyway, I have several sequences that I would like to export as 32-bit TGA QuickTime files, preserving their transparency. If I Export Using Compressor, the process results in pre-rendering of the sequence, turning the transparent areas black. The same problem occurs if I export QuickTime reference movies from FCP and open them directly with Compressor.
Does anyone know of a way to avoid this silly phenomenon or am I stuck individually exporting each sequence from FCP, one...at.......a................time?
Thanks,
Zap

Thanks, Andy, "Batch Export" eventually did the trick!
I forgot about that tool because I've never actually had to use it before! After playing around with it for a while, I found that as long as the sequence settings for each sequence in the batch are set to a codec with an activated alpha channel, it works just fine.
Thanks again,
Zap

Using video with alpha channel

I purchased a video clip from istock, the video clip is an .mov and has a alpha channel included. The video clip is santa clause over a black background and tagged at the end is a white solid of the video (I assume this is the alpha channel) How do I use the alpha channel to help key out the vidoe clip that I need. here is a link to the actual video clip I purchased. http://www.istockphoto.com/stock-video-11011749-santa-claus-with-alpha-channel-ntsc.php
Thanks Ja

As Szalam said, the b/w image can be used as a luma matte.
Also check if the actual piece of footage has an embedded alpha channel, i.e when you import it AE should know there is an alpha channel and let you know in the top of the project window when you select the element (or "interpret footage").
Alternatively just drag the footage to a comp and enable the checkerboard background to see if there is transparency. These three approaches are the same...just different ways of finding out about the alpha channel.

Flash Player for FLV files with alpha channel encoded

My goal is to play the the transparent background flash video on the bottom right hand corner similar to the video on this website : http://www.dropshipblueprint.com/
I already have the FLV file with alpha channel encoded. I was made to understand I will need a special flash player that can read alpha channel in the flv file to make the background transparent? Is this correct? If yes, then how to accomplish this or where do I get that player, maybe opensourece player? If the player is not a solution then how do I accomplish my end objective taking into consideration I have the FLV file with the alpha channel encoded. Thanks for your help. Sam

Sam,
Welcome to the forum.
Where do you need to play this "sprite" (the name for such a Flash video)?
If you need to add that to a Video, then there could be a few challenges in PrE.
If you need to add it to a Web site, then Flash Player (free from Adobe) should be able to display that.
Can you please give us just a bit more info, on how you wish to use the sprite?
Good luck,
Hunt

Graphics, ImageIO, and 32-bit PNG images with alpha-channels

I have a series of 32-bit PNG images, all with alpha channels. I'm using ImageIO.read(File) : BufferedImage to read the PNG image into memory.
When I call graphics.drawImage( image, 0, 0, null ); I see the image drawn, however all semi-transparent pixels have a black background, only 100% transparent pixels in the source image are transparent in the drawn image.
The Graphics2D instance I'm drawing to is obtained from a BufferStrategy instance (I'm painting onto an AWT Canvas).
Here's my code:
Loading the image:
public static BufferedImage getEntityImage(String nom, String state) {
          if( _entityImages.containsKey(nom) ) return _entityImages.get( nom );
          String path = "Entities\\" + nom + "_" + state + ".png";
          try {
               BufferedImage image = read( path );
               if( image != null ) _entityImages.put( nom, image );
               return image;
          } catch(IOException iex) {
               iex.printStackTrace();
               return null;
     private static BufferedImage read(String fileName) throws IOException {
          fileName = Program.contentPath + fileName;
          File file = new File( fileName );
          if( !file.exists() ) return null;
          return ImageIO.read( new File( fileName ) );
     }Using the image:
Graphics2D g = (Graphics2D)_bs.getDrawGraphics();
g.setRenderingHint( RenderingHints.KEY_ANTIALIASING , RenderingHints.VALUE_ANTIALIAS_ON);
public @Override void render(RenderContext r) {
          Point p = r.v.translateWorldPointToViewportPoint( getLoc() );
          int rad = getRadius();
          int x = (int) p.x - (rad / 2);
          int y = (int) p.y - (rad / 2);
          BufferedImage image = Images.getEntityImage( getCls(), "F" );
          r.g.drawImage( image, x, y, null );
     }

You may want to check on you system and see what ImageReaders are available, it could be ImageIO is just not picking the best one, if not, then you can use getImageReaders to get an iterator of image readers, then choose the more appropriate one.

Create Photoshop stil with alpha channel?

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